SKU: HH.HH016-STR
ISBN 1 904229 28 X.
Over the beautiful second movement Tartini wrote I know you have no mercy using his secret code With the outer movements this concerto is a first class representative of the 18th century concerto. Carefully edited from Tartini's autograph and checked against the only other known source.
SKU: PR.816600040
UPC: 680160600045. 5.5x5 inches.
This disk contains study scores of all 41 of Mozart's Symphonies, as well as Concertos for Winds and Strings (Piano Concertos are on a companion CD-ROM), Serenades, Opera Overtures, Divertimentos, and other works.
About CD Sheet Music (Version 1)
CD Sheet Music (Version 1) was the initial CD Sheet Music series distributed by Theodore Presser. The CDs include thousands of pages of music that are viewable and printable on Mac or PC. Version 1 titles are a great value at 40% off, as we make room in our warehouse for the newly enhanced CD Sheet Music (Version 2.0) series.
SKU: HH.HH016-MIN
ISBN 9790708024323.
SKU: HH.HH016-IPT
ISBN 9790708024644.
SKU: HH.HH016-KBD
ISBN 9790708024347.
SKU: BR.OB-15117-19
In Cooperation with G. Henle Verlag
ISBN 9790004340431. 10 x 12.5 inches.
The Urtext edition of what is arguably the most often played double-bass work of all was long overdue. The work was previously available only in an abridged and arranged form. The edition departs from the sole extant source, a set of parts from the estate of the composer and double-bass virtuoso Johannes Sperger. The score and orchestral parts as well as the piano reduction are printed in E major as well as D major so as to make the work playable both in orchestral or Viennese tuning as well as in solo tuning. The piano reduction contains additional cadenzas by the editor.I hope players will convert to this edition.(Clifford Bartlett, in: Early Music Review, No. 142, June 2011)An exciting addition to the bassist's library. This definitive score will assist teachers and performers alike.(Marian Heckenburg, AUSTA Stringendo).
SKU: BR.EB-8698
ISBN 9790004184813. 9 x 12 inches.
The two-movement, incompletely transmitted Horn Concerto in D major K. 412 was long considered as Mozarts first horn concerto; it is, however, his last, and was written between March and December 1791. Mozart undertook revisions in the autograph which contains the most important orchestral parts next to the entire solo horn part in order to adjust the work to the modest technical abilities of the planned soloist Joseph Leutgeb. Mozart revised and completed the first movement, eliminated lower notes in the solo part, rewrote difficult passages and expanded orchestral interludes to give Leutgeb additional breath rests. Mozart also made similar simplifications in the second movement as well, but his early death prevented the completion of the work. Robert D. Levin reconstructed both versions of the concerto on the basis of the autograph. Next to the version revised by Mozart (post correcturam), he now presents the original version (ante correcturam) for the first time in a musical text revised and supplemented according to rigorous philological criteria.
SKU: BR.OB-5353-23
ISBN 9790004340738. 10 x 12.5 inches.
What with all the traditional editions available on the market, can we still expect new readings? This is what editor Clive Brown asked himself as he meticulously examined the often conflicting sources. The result is a wealth of new readings in the score, which deserve as much attention as the extensively commented arrangement for violin and piano. The treatment of the solo instrument is particularly interesting: next to the Urtext solo part, the edition also contains a historically informed and marked-up part with fingerings and bowings that go back to Franz Clement, the soloist of the premiere performance, and to the Viennese performance tradition of Beethovens time. For violinists of today, this is a treasure trove of new, innovative ideas and suggestions for the individual shaping of the part.
SKU: BA.BA04206-79
ISBN 9790006445257. 32.5 x 25.5 cm inches. Key: D major.
About Barenreiter Urtext Orchestral Parts
Why musicians love to play from Bärenreiter Urtext Orchestral Parts
- Urtext editions as close as possible to the composerâ€℠¢s intentions - With alternate versions in full score and parts - Orchestral parts in an enlarged format of 25.5cm x 32.5cm - With cues, rehearsal letters, and page turns where players need them - Clearly presented divisi passages so that players know exactly what they have to play - High-quality paper with a slight yellow tinge which does not glare under lights and is thick enough that reverse pages do not shine through
SKU: BA.BA04213-68
ISBN 9790006445707. 23 x 29.5 cm inches. Key: D major.
SKU: HL.49001895
ISBN 9790001024815.
SKU: BR.OB-3770-16
ISBN 9790004301654. 9 x 12 inches.
SKU: BA.BA04213-82
ISBN 9790006445745. 32.5 x 25.5 cm inches. Key: D major.
SKU: BA.BA10982-85
ISBN 9790006565559. 32.5 x 25.5 cm inches. Key: D minor.
Johann Joseph Rosler (1771-1812) was a composer, conductor and pianist who was active in Prague and Vienna. Later he was in the service of Prince Franz Joseph von Lobkowitz. His Piano Concerto No. 2 in E-flat major of 1803 is a fitting companion to the piano concertos of Beethoven; indeed, his first Piano Concerto in D major was mistakenly attributed to Beethoven until 1925.Now Rosler's second Piano Concerto is appearing in print for the first time. This is due to editor Alena Honigova discovering and identifying an autograph score which is the only preserved source in the Prague Conservatory archive. In this Urtext edition Honigova takes into account the distinctive features of Rosler's handwriting and the division of parts in the score, as befits the performance practice of his day.
SKU: BR.OB-15121-27
ISBN 9790004340165. 10 x 12.5 inches.
Schumann's A minor concerto is considered as the ultimate romantic piano concerto. Since the Schumann anniversary year 2010, musicians will be able to base their performance on a complete Urtext edition. The state of the sources is unfortunately patchy, as the original version of the first movement, a Phantasie of 1841 that was given two trial performances, can no longer be reconstructed. On the other hand, the posthumously published score raises certain questions, since it diverges from the editions (solo part and orchestral parts) authorized by Schumann and published in 1846, after the first performance. The pianist Mitsuko Uchida contributed the fingering for the version for two pianos. Schumann's great solo concertos are thus available in their entirety from Breitkopf, in editions prepared with the expert help of major interpreters: the Cello Concerto with Heinrich Schiff and the Violin Concerto with Thomas Zehetmair. Dans l'incomparable qualite de gravure de la plus ancienne maison d'edition musicale au monde! (L'education musicale).
