Concerto In B Minor Op. 35 (Cello and Piano)

Par VIVALDI ANTONIO. Throughout his life, Antonio Vivaldi wrote almost thirty instrumental works that use the cello as a solo instrument. Vivaldi knew how to tailor his music to the cello and in doing so, helped to establish this still young instrument in the music of that time. The Concerto RV 531 is the only double concerto in Vivaldi's 'uvre for two solo violoncellos. The two solo parts take centre stage with virtuosic passages but lie on the instrument so well that they can be comfortably mastered by advanced students. The edition is based on the careful evaluation of Vivaldi's autograph score which is the main source and several inconsistencies found in previous editions have been clarified. At the same time the edition allows for a flexible realisation of this concerto: it can be performed by a full tutti orchestra or by one performer per part. The cello part in the basso continuo group can be played by orchestral cellists or by the soloists./ Répertoire / 2 Violoncelles, Cordes et Basse Continue

Reconnu comme l'une des oeuvres les plus importantes du répertoire pour violoncelle, le concerto Op.85 d'Elgar a été achevé en 1919 et se présente comme sa dernière oeuvre achevée majeur. Cette nouvelle édition, édité par John Pickard de la Société Elgar, utilise pour la première fois des esquisses originales du compositeur de reconstituer un arrangement autoritaire et définitif pour violoncelle et piano. Une édition nouvelle et merveilleuse de l'une des oeuvres les plus jouées pour le violoncelle. / Violoncelle Et Piano / niveau : Intermédiaire / Avancé / Partition

Professionnel ou amateur de Classique vous apprécierez cette partition de musique. Composée par Lalo Edouard et éditée par Henle cette partition est idéale pour les joueurs de Violoncelle. Si l'instrumentation Violoncelle Et Piano correspond à ce que vous cherchez, vous en ferez alors un très bon usage. / Violoncelle Et Piano / Chanson En Séparée

Par DVORAK ANTONIN. with marked and unmarked string part/ Répertoire / Violoncelle et Piano

Collection de 47 ?uvres de J.S.Bach des concertos aux musiques de chambre, en passant pas les Cantates et ?uvres pour clavier.Partitions pour piano solo du niveau intermédiaire à celui d'avancé. / Classique / Partition /

Antonín Dvo?ák was a Czech composer. Following the nationalist example of Bed?ich Smetana, Dvo?ák frequently employed aspects, specifically rhythms,of the folk music of Moravia and his native Bohemia. Dvo?ák's own style has been described as 'the fullest recreation of a national idiom with that of the symphonic tradition, absorbing folk influences and finding effective ways of using them'.The Piano Concerto for Piano and Orchestra in G minor, Op. 33, was the first of three concertos that the Czech composer completed-it was followed by a Violin concerto and then a Cello concerto-and the Piano Concerto is probably the least known and least performed.This Bosworth edition of the solo Piano part of Dvo?ák's Piano Concerto is a perfect addition of an underappreciated piece to any pianists repertoire. / Piano

Par VIVALDI ANTONIO. This is an Edition Peter's German language edition of Vivaldi's Concerto In A Minor. Whilst not one of Vivaldi's more popular Cello concertos, this is still a wonderful piece, full of grace and energy./ Répertoire / Violoncelle et Piano

Original Version - Edition for Cello and Piano. Par SCHUMANN ROBERT. Schumann’s Cello Concerto Rediscovered In her first Urtext edition for Edition Peters, internationally renowned cellist Josephine Knight reveals Robert Schumann’s original version of his Cello Concerto in A minor Op. 129 – a piece he actually called a ‘Concertstück’ – removing generations of inauthentic editorial interventions. This is the only available modern scholarly edition of the work as Schumann originally conceived it, and restores the text from October 1850, based on the composer’s manuscript held in the Biblioteka Jagiellonska in Kraków. This Full Score matches the separately available edition for Cello and Piano (EP 73488). Matching orchestral material is also available from the publisher. Only modern Urtext edition based on Schumann’s original 1850 manuscript Many new corrections and clarifications, especially to the cello part Scholarly preface detailing history of the work and this edition by editor Josephine Knight, Piatti Professor of Cello at the Royal Academy of Music London Cello Part contains Josephine Knight's fingering and bowing suggestions Critical Commentary Cello and piano edition available separately from Edition Peters: orchestral parts available for rental Recording of the Concertstück featuring Josephine Knight available from Dutton Robert Schumann’s tragic last years have mired many of his greatest works in unnecessary doubt. The story of the suppression of his Violin Concerto by well-meaning friends is relatively well-known. Few, however, know that the version of the Cello Concerto that is routinely heard today is so far from Schumann’s original conception of the work – not only in details of phrasing and articulation, but also featuring a different ending with a bold final flourish from the cello. Composed in a burst of inspiration in two weeks in October 1850 shortly after he and Clara had moved to Düsseldorf, Schumann (who in 1850 was still in good health) never heard the piece performed. In an effort to promote a performance of the work, he gave the score to the cellist Robert Emil Bockmühl. Bockmühl made revisions that Schumann resisted, and the hoped-for performance never happened. Schumann’s health failed and he died aged just 46 in 1856. The Concerto, in an already substantially revised form, was premiered in 1860 but it was not given significant recognition until it was championed by Pablo Casals in the 20th century by which time (and since) the text for the work had accreted additions and alterations from generations of soloists. Now Josephine Knight, Piatti Professor of Cello at the Royal Academy of Music, London has returned to the original 1850 manuscript of the work, which is in the Biblioteka Jagiellonska in Kraków, to reveal Schumann’s original thoughts for the first time in a modern Urtext edition. The edition reflects Schumann’s original conception of the work as a Concertstück and restores Schumann’s musical text, free of posthumous interventions. ‘My ultimate wish,’ says the editor, ‘is to give performers both access to, and confidence that they are playing from, an edition which is a true representation of the piece in its original form, no matter how much more difficult this might be. I found that incorporating the changes enabled the piece to take on a completely different character – one that is lighter and happier, even “cheerful”, as Schumann himself described the work.'/ Répertoire / Violoncelle et Piano

Besides the famous Concerto in B minor Op. 104 Dvorák's ?uvre includes four smaller chamber music compositions for Cello and Piano: the Polonaise in A major the Rondo in G minor Op. 94 an arrangement of the well-known Slavonic Dance in G minor from Opus 46 and the mood piece Woodland Idyll (Klid). For the preparation of this edition the Dvorák expert Klaus Döge has studied original manuscripts alongside corrected proofs and first editions supported by reference to the Orchestral and Piano scores. Documented comments by the composer himself have provided an additional source of authenticsuggestions for interpretation.

For the Beginning Pianist with Downloadable MP3s-Now even the often-challenging works of the last of Russia's Romantic composers are accessible to beginning pianists. Rachmaninoff's music can be daunting to those just starting out but these simple arrangements focus on the composer's melodies and style. The more abstract works are excerpted and presented in manageable samples and the keys are simplified. Suggested fingerings are also provided.The collection features easy-to-play versions of 'Vocalise'; Prelude in C-sharp Minor Op. 3 No. 2 ('Bells of Moscow'); the second movement of the Piano Concerto No. 2 in C Minor Op. 18 (Theme); Nocturne No. 1 in F-sharp Minor and Nocturne No. 3 in C Minor; Morceaux de Salon No. 3 Op. 10; Variations of a Theme of Corelli; and other selections.In addition to the piano arrangements the compilation includes a free MP3 download for every piece which will help students develop an ear for the melodies. The MP3s may be downloaded individually or collectively.

Cette compilation rassemble une variété extraordinaire des plus grands morceaux classiques de tous les temps, tous arrangés pour piano solo, niveau intermédiaire. Avec 44 solos de piano, cette collection offre un grand choix des favoris classiques de chorales, de concerts, de ballets, d'opéras et de symphonies. Vous serez en mesure de jouer et et d'apprécier tous ces morceaux en un rien de temps ! / Piano / Partition

Pour la première fois la série 'Concert Pieces Bärenreiter la' présente des arrangements de concertos pour alto et violoncelle. Les éditions sont un prolongement idéal des méthodes de chaînes Sassmannshaus mais peut bien sûr également être utilisé indépendamment. D'autres volumes sont prévus.Depuis concerto op. 35 emploie seulement la première position, il est adapté pour les débutants et jeunes étudiants. La pièce a été transposée pour le rendre plus facile à jouer.La préface concise par des pédagogues de renom chaîne de Christoph et Kurt Sassmannshaus présente les travaux et souligne ses exigences techniques pertinentes. / Violoncelle Et Piano

The latest book in this popular series features the music of Sir Edward Elgar, in honour of his 150th birthday in 2007.<br>Includes solo-piano arrangements of Elgar's best-loved works, including selections from Sea Pictures, the Cello Concerto, Enigma Variations, Pomp and Circumstance March No. 1, and much more.<br>Arranged for intermediate solo piano. An essential addition to your piano library. / Classique / Partition /

Piano Playbook: Light Classical includes superb new solo Piano arrangements of 52 evergreen light classical pieces. Chosen to reflect a variety of moods, this selection has been produced to the highest standards and comes in a handy 6 x 9 in. format that combines convenience with durability. The spiral binding ensures that the Piano Playbook sits flat on a Piano or other music stand, while the crisp engraving is a pleasure to read. / Piano