Consort in 4 Parts - Part 1

SKU: HL.422662

UPC: 196288061540. 6.75x10.5x0.029 inches. II Corinthians 9:15, Proverbs 17:22, Zechariah 9:9.

With a text that patters like a Gilbert and Sullivan aria, this folk-based seasonal offering is destined to become a standard. The joy-filled text is the perfect closer for concerts and services alike. Score and Parts for Full Orchestra (fl 1, fl 2/pic, ob, cl 1-2, bn, hn 1-2, tpt 1-3, tbn 1-2, tba, timp, perc 1-2, hp, hpsi, vn 1-2, va, vc, db); Chamber Orchestra (fl, cl, tpt 1-2, tbn, bls, perc, kybd) and Celtic Consort (gtr, fl/pwhis, cl, bls, perc, vn/fdl, vc) each available as a digital download.

SKU: ST.Y345

ISBN 9790220225291.

CONT ENTS
Peter Philips
Fantasia in Six Parts, No. 1 (16)
Fantasia in Six Parts, No. 2 (17)
Passamezzo Pavan (18)

Richard Dering
Fantasia No. 1 (43)
Fantasia No. 2 (44)

Anon. ?Richard Dering
Fantasia No. 3 (45)
Fantasia No. 4 (46)
Fantasia No. 5 (47)
In Nomine No. 1 (48)
In Nomine No. 2 (49).

SKU: ST.Y344

ISBN 9790220225284.

CONT ENTS
Peter Philips
Almande (3)
Aria del Gran Duca (4)
Dolorosa Pavan (5a)
Dolorosa Galliard (5b)
Dolorosa Pavan in Four Parts (5c)
Pavan in F (6a)
Galliard in F (6b)
Galliard (7)
Paget Pavan (8a)
Paget Galliard (8b)
La Vecha (9)
Aria (14)
Pavan (15a)
Galliard (15b)

Richard Dering
Pavan No. 1 (22)
Almaine No. 1 (23)
Pavan No. 2 (24)
Almaine No. 2 (25)
Pavan No. 3 (26)
Pavan No. 4 (27)
Almaine No. 4 (28)
Pavan No. 5 (29)
Pavan No. 6 (30)
Galliard No. 6 (31)
Pavan No. 7 (32)
Pavan No. 8 (33)
Fantasia No. 1 (35)
Fantasia No. 2 (36)
Fantasia No. 3 (37)
Fantasia No. 4 (38)
Fantasia No. 5 (39)
Fantasia No. 6 (40)
Fantasia No. 7 (41)
Fantasia No. 8 (42).

SKU: ST.Y343

ISBN 9790220225277.

CONT ENTS

1580 Pavan a4 (1) Peter Philips
Galliard to Philips Pavan a4 (2) Peter Philips?
Trio No. 1 (19) Peter Philips
Trio No. 2 (20) Peter Philips
Trio No. 3 (21) Peter Philips
Pavan in Four Parts (34) Richard Dering.

SKU: HH.HH251-FSP

ISBN 9790708092032.

The five three part (SSB) and nine four part (SSTB) dances in this edition represent the complete surviving consort music of Maurice Webster. Webster, a skilled composer with a distinctive style, appears to have been the main catalyst for introducing the 'string quartet' scoring in dance music to England in the 1620s. The development of this idiom had a significant impact on the music of his contemporaries such as Simon Ives, Charles Coleman and William Lawes, who fully embraced it by the 1630s.

SKU: HL.44001639

UPC: 073999016390. International (more than one language).

Jan Van der Roost composed the Chemical Suite for the Daniel Speer Trombone Consort. In the unusual work the general characteristics of the chemical materials Potassium, Glycerin, Chloroform and Ethanol are portrayed in four movements. All advanced trombone groups will love playing this work ? look out especially for the interesting sound effects!

Jan Van der Roost schrieb die Chemical Suite speziell fur das Daniel Speer Trombone Consort. In dieser ungewohnlichen Suite werden die allgemeinen Eigenschaften der chemischen Stoffe Kalium, Glycerin, Chloroform und Ethanol in vier gleichnamigen Satzen mit Hilfe von interessanten Klangeffekten musikalisch dargestellt.

Jan Van der Roost ha scritto Chemical Suite per il Daniel Speer Trombone Consort. In questa suite inusuale vengono tradotti in musica, con l'aiuto di particolare effetti sonori, le caratteristiche delle combinazioni di quattro elementi chimici.

SKU: HL.49030429

ISBN 9790220119422. 9.25x12.0x0.13 inches.

'Apart from the ten 5-minute string quartets that I wrote in 1992 as theoriginal version of A Man in a Room, Gambling, there are 8 years between my second and third quartets. Another element which finds its way into the quartet comes from my work with groups from the world of early music, particularly from the experience of writing for a consort of viols . In several places I ask for little or no vibrato from the strings, occasionally preferring open strings and natural harmonics to stopped notes.'.

SKU: ST.MB101

ISBN 9790220224898.

Comp lementing their achievements as composers of Italianate vocal music represented elsewhere in the series, this volume brings together consort works by two English Catholics who left England for the continent. Philips belonged to a generation that focused on stylised dance rather than fantasia, and many of his five-part consort dances exist also as keyboard pieces. Dering was born a generation later. Whereas his five-part fantasias were core repertoire for early 17th-century viol players, interest in the stylised dance had by then begun to wane. Several of Dering's pavans and almaines survive in a single source only, and lack outer parts, which have been completed by the editor.

SKU: ST.Y328

ISBN 9790220224119.

Set of Parts. For viol consort or string quartet/quintet. Reconstructed by Alan Brown from keyboard sources. Set of string parts corresponding with Musica Britannica Volume 96, Appendix III.

SKU: HL.44012730

9x12 inches. English-German-French-Dut ch.

Christmas as celebrated in England is a relatively newtradition dating from the time of Queen Victoria. Herhusband Prince Albert was from Germany and he broughtmany German Christmas traditions with him, including theChristmas tree and Christmascards, and even carols such asHark, the Herald Angels Sing. Philip Sparke has however useda varied selection of English melodies to arrange into his?Festival of Carols?.The choir parts are seperately available (order no. AMP 227-050). Christmas as celebrated in England is a relatively new tradition dating from the time of Queen Victoria. Her husband Prince Albert was from Germany and he brought many German Christmas traditions with him, including the Christmas tree and Christmas cards, and even carols such as Hark, the Herald Angels Sing. Philip Sparke has however used a varied selection of English melodies to arrange into his Festival of Carols. The choir parts are seperately available (order no. AMP 227-050).

Hoewel de Engelsen een lange traditie kennen in het zingen van carols zijn veel van de melodieen die er worden gezongen afkomstig van het Europese vasteland - of uit Amerika. Desondanks heeft Philip Sparke een gevarieerde selectievan Engelse melodieen kunnen samenstellen voor dit prachtige 'Festival of Carols' - dat zowel met als zonder koor kan worden uitgevoerd.

Weihna chten, wie es heute in England gefeiert wird, ist eine relativ junge Tradition aus dem 19, Jahrhundert, die der deutsche Ehemann von Konigin Victoria mit in seine neue Heimat brachte. Viele gebrauchliche Weihnachtslieder stammen ebenfalls nichtaus England. Philip Sparke gelang es jedoch, eine abwechslungsreiche Sammlung von Liedern aus seiner Heimat zu diesem schonen englischen Weihnachtslieder-Festival zu formen.Die optional einsetzbaren Chorstimmen sind unter der Artikelnummer AMP227-050 separat erhaltlich.

<< La plupart des traditions de Noel en Angleterre sont relativement recentes. Montee sur le trone en 1837, la reine Victoria (nee de Hanovre) regnera jusqu'a sa mort en 1901. En 1840, elle epousa son cousin, le prince Albert de Saxe-Cobourg-Gotha. Leprince consort, originaire d'Allemagne, importa bon nombre de traditions de Noel allemandes au Royaume-Uni. Ainsi, il fit decouvrir aux Anglais la coutume du sapin et les cartes de Noel, entre autres, contribuant largement au Noel typiquement anglaistel que nous le connaissons aujourd'hui.Bien que les chants de Noel font l'objet d'une longue tradition en Angleterre, de nombreuses melodies que nous chantons proviennent ducontinent europeen ou des Etats-Unis. Je savais bien que le celebrissimeSilent Night (Douce nuit) etait d'origine autrichienne et que Hark, the Herald Angels Sing (Ecoutez le chant des Anges) etait d'origine allemande. Pourtant, quelle ne fut pas ma surprise d'apprendre qu'Away in a Manger (Sur la paillefraiche) ou encore We Three Kings nous venaient des Etats-Unis et que Ding, Dong Merrily on High etait un noel d'origine francaise. Quoiqu'il en soit, j'ai reussi a constituer un canevas de melodies anglaises pour realiser cefestival de chants de Noel. >>Philip SparkeRemarques sur l'interpretation : Cet arrangement est adapte pour une interpretation avec ou sans Chœur. S'il est joue par un Brass Band, les parties vocales seront doublees par des partiesinstrumentales.Les tempi indiques correspondent a une interpretation par un Brass Band seul. Si l'œuvre est donnee avec un Chœur, il est sans doute necessaire de baisser le tempo en fonction du nombre de choristes et de l'acoustique du lieude concert.Les parties de Chœur (en anglais) sont disponibles separement (Ref. : AMP 227-050).

The choir parts are seperately available (order no. AMP 227-050).

SKU: ST.MB9

ISBN 9790220209666.

A rich anthology of fantasias and dances for 'whole' consorts of two to six parts, by 34 composers from Adson to Wilbye - and Anon. There is also a substantial section containing music for strings and keyboards, and another of music for division viol and lyra viol.

SKU: ST.MB67

ISBN 9790220217784.

A contemporary of Gibbons and a noted madrigalist, Ward was also a prolific composer of consort music in the madrigalian style. This volume of extant instrumental works of five and six parts complements the collection of four-part fantasias and ayres for two bass viols and organ published in MB83.

SKU: ST.MB26

ISBN 9790220209710.

The volume includes airs and suites for two trebles, two basses and organ, and four-part fantasias and airs. Jenkins was a renowned composer in his own time, and his life and works forged a historical link between the glory of Jacobean consort music and its culmination in the music of Purcell.

SKU: ST.MB83

ISBN 9790220221323.

John Ward's music for four viols shows less consistency of style than his work for five- or six-part consort. The smooth madrigalian lines of the six Oxford fantasias most clearly approach the accomplishment of his characteristic pieces for larger ensembles. The Paris fantasias, which with the In nomines also included in the collection feature uniquely in a single source in the Bibliotheque Nationale de France, are more variable in texture and idiom. The volume also includes six ayres for two bass viols and organ, brief, tuneful compositions in dance-like rhythm redolent of the almain.