Matériel : Conducteur et Parties séparées
SKU: KN.52177
As recorded by the Thad Jones-Mel Lewis Orchestra on the Blue Note album of the same name, this lyrical showcase for flugelhorn and piano soloists also features impressive full-band and sax soli passages. Contrasts between open and muted brasses also make a memorable contribution to the emotional landscape. Duration 5:08.
SKU: CA.3119512
ISBN 9790007210397. Text language: German/English.
The Hochzeitskantate (Wedding Cantata) BWV 195 was performed by Bach from around 1730 at various wedding celebrations in different forms, and was evidently also lent out for performances further afield. The only surviving version of the work dates from the last years of Bach's life. The opulently-scored first part begins and ends with grand choral movements, and Bach scored both parts for soloists and for chorus. At the centre of the cantata is an exceptionally sensitive bass aria, probably one of Bach's most modern vocal compositions of all. A chorale movement (Nun danket all and bringet Ehr/ Now thank we all and offer praise) with obbligato horns concludes the cantata as the second part after the consummation. Score and part available separately - see item CA.3119500.
SKU: CA.3119511
ISBN 9790007210380. Text language: German/English.
SKU: CA.3119509
ISBN 9790007210373. Language: German/English.
The Hochzeitskantate (Wedding Cantata) BWV 195 was performed by Bach from around 1730 at various wedding celebrations in different forms, and was evidently also lent out for performances further afield. The only surviving version of the work dates from the last years of Bach's life. The opulently-scored first part begins and ends with grand choral movements, and Bach scored both parts for soloists and for chorus. At the centre of the cantata is an exceptionally sensitive bass aria, probably one of Bach's most modern vocal compositions of all. A chorale movement (Nun danket all and bringet Ehr/ Now thank we all and offer praise) with obbligato horns concludes the cantata as the second part after the consummation. Score and parts available separately - see item CA.3119500.
SKU: KN.52015S
As recorded in 1970 by the great Thad Jones-Mel Lewis Orchestra on their album Consummation (Blue Note), this funky blues shuffle in 5/4 opens with a repeated rhythm section vamp before horns are added to the mix. Chord changes for the open solo section are included in the 2nd Alto, 1st Tenor and 4th Trumpet parts. Duration 7:54.
SKU: CA.3119505
ISBN 9790007181383. Text language: German/English.
The Hochzeitskantate (Wedding Cantata) BWV 195 was performed by Bach from around 1730 at various wedding celebrations in different forms, and was evidently also lent out for performances further afield. The only surviving version of the work dates from the last years of Bach's life. The opulently-scored first part begins and ends with grand choral movements, and Bach scored both parts for soloists and for chorus. At the centre of the cantata is an exceptionally sensitive bass aria, probably one of Bach's most modern vocal compositions of all. A chorale movement (Nun danket all and bringet Ehr/ Now thank we all and offer praise) with obbligato horns concludes the cantata as the second part after the consummation. Score available separately - see item CA.3119500.
SKU: KN.52205S
As recorded by the Thad Jones-Mel Lewis Orchestra on their Consummation album, this challenging score features two contrasting sections -- a slow, expressive ballad featuring solo flugelhorn, and a fast swing segment that spotlights tenor sax in the solo role. It closes out with a quiet recap of the ballad theme, complete with flugel solo. Duration 5:09.
SKU: HL.49018921
ISBN 9790001169677.
The content and formal structure of the two-movement Poem have been subjectively borrowed from the poem Steps [Stufen] by Hermann Hesse. The frequently appearing short motifs in both parts of the work are based in 'magic formulaic style' on the parable of the Glass Bead Game which in the ring for the game with coloured beads becomes a game with symbols.Magic and dreams, a sense of departure and grievance and valediction and transfiguration are the moods which follow one another, frequently in rapid succession - fundamentally the thirst for life and the yearning for sorrow and consummation.
SKU: CL.SCM-1098-00
From the 1970 Thad Jones Consummation album, this medium tempo rhythm swinger has been re-scored by Mike Carubia capturing the essence of Thad Jones original. A tasty sax soli section and a slightly simplified unison trombone soli section combine give all sections a chance to shine while the unique tiptoeing style of this quality chart is sure to make it a favorite at concerts and festivals for many years to come. Plenty of solo space and suggested written solos are included on the parts.
SKU: KN.04950S
UPC: 822795049503.
As recorded by the great Thad Jones/Mel Lewis Orchestra on Consummation (Blue Note), highlights in this swing masterpiece include a bouncy bop melody, crisp articulations, and a surprising soli for trombones/bass/drums/pian o. Solos are given to trumpet, drums, alto and piano, followed by a tight shout that demands full-group precision. Rhythm section parts are partially notated with chords cued. Duration 6:38.
SKU: CA.3119513
ISBN 9790007210403. Text language: German/English.
SKU: KN.52177S
SKU: CA.3119519
ISBN 9790007182953. Language: German/English.
SKU: CL.SCM-1098-01
SKU: BT.PWM5363020
The Third Symphony occupies an special place in the evolutionary process of Szymanowskis style. The Symphony The Song of the Night, Op. 27, is a setting of the poem of the same title, from the second divan of Mawlana Jalal-ad-din Rumi, for tenor solo, mixed choir and orchestra. It was completed in the summer 1916. Szymanowskis interest in oriental music at this period is not so much , as far as the Third Symphony is concerned, an attempt at some formal stylisation of eastern music, but rather an indication of his search for some mode of expression which would best reflect the conflicts of his aesthetic and artistic ideas. It was the direct contact made with the art of the Grecian and Arabic worlds during his travel to Sicily and North Africa in 1911 and 1914 that provided the external stimulus for this interest. The Third Symphony can be classed with those symphonies for chorus and solo voices so often favoured by the neo-romantic and expressionist composers. It is written in a free ternary form, the thematic material being the basic unifying structural element, which imparts a conciseness to the form, and retaining the function despite the significant changes that occur in the melodic character of the music. The texture is polymelodic, and a score reveals a masterly interweaving of the multiplicity of parts, melodic lines and patterns of sound. This symphony is consummation of all Szymanowskis mastery in instrumentation and colour, and a superb study of orchestral polyphony. Here, Szymanowski liberates himself from the rigid relations of the functional harmonic system. In the place of tonal progressions, he shifts chromatically from one sound lane to another, of which the smallest units are chords made up of tritones and seconds, using only a free intervallic structure, far more remote in Szymanowski from the dominant centralistic harmony then Debussy. In style, the Third Symphony belongs to the neo-romantic period, if this can be broadly defined as including modernistic and expressionistic trends, and to musical impressionism. (based on the Preface to the ''Works'' by Teresa Chyli ska, PWM 1985).
SKU: CA.3119507
ISBN 9790007242404. Language: German/English.
SKU: CA.3119514
ISBN 9790007210410. Text language: German/English.
SKU: CA.3119503
ISBN 9790007182908. Language: German/English.
SKU: CL.SCM-1108-00
This 5/4 blues-rock composition recorded on Thad’s Consummation album in 1970 will give your students a chance to experience performing in 5/4 meter. Lots of unison gives your students a powerful sound in this moderately re-scored version of Thad’s original. Open solo sections on blues in Bb chord changes with 2 exciting shout choruses for the band to wail on. Optional high and low 1st trumpet parts and an optional flute part add to the usefulness of this cool chart!
SKU: KN.04990S
UPC: 822795049909.
As recorded by the Thad Jones-Mel Lewis Jazz Orchestra on the album Consummation (Blue Note), this great ensemble chart in a driving funk groove features intricate, interlocking figures, short cameos for solo soprano, guitar, bass and drums, and a mighty brass chorale that's absolutely unforgettable. Playing with controlled intensity and rhythmic precision is essential. Rhythm section parts are partially notated with chords cued. Duration 3:33.
SKU: KN.52310S
As recorded by the Thad Jones-Mel Lewis Orchestra on their Consummation album, this speedy bebop classic is a fabulous showcase for just about any number of soloists. A fully-voiced sax soli, rousing band shout, piano solo, and final ensemble shout with a dramatic directed ending brings it all to a satisfying close. Duration 10:35.
SKU: CA.3119549
ISBN 9790007210427. Language: German/English.
SKU: CL.SCM-1108-01
