SKU: HL.48180543
UPC: 888680796044. 9x12 inches.
French composer and conductor, Henri Tomasi (1901-1971) published his Corsican Song for alto saxophone and piano in 1932. As with his other wind compositions, Corsican Song was well-received by audiences. Tomasi was born in Marseille, but his father and mother were originally from La Casinca in Corsica. Despite being pressured into musical studies by his parents, Tomasi dreamed of becoming a sailor, and during the summer, he stayed with his grandmother in Corsica where he learnt traditional Corsican songs. However, in 1921, he began his studies at the Paris Conservatoire and went on to become a high profile composer and conductor. Tomasi did not forget his Corsican routes, often incorporating themes of the songs he had learnt during the summers with his grandmother in to his compositions, as is the case with Corsican Song. This Tomasi work is unusual in composition through its exploitation of tonality, rhythm and structure amongst other aspects. However, this Tomasi piece, suitable for advanced saxophonists, provides an exciting, alternative addition to the repertoire.
SKU: HL.48181498
UPC: 888680842635. 0.052 inches.
French composer and conductor, Henri Tomasi (1901-1971) composed The Little Corsican Goatherd in 1952. As with his other woodwind compositions, The Little Corsican Goatherd was well-received by audiences. Tomasi was born in Marseille, but his Father and Mother were originally from La Casinca in Corsica. Despite being pressured in to musical studies by his parents, Tomasi dreamed of becoming a sailor, and during the summer, he stayed with his Grandmother in Corsica where he learnt traditional Corsican songs. However, in 1921, he began his studies at the Paris Conservatoire and went on to become a high profile composer and conductor. Tomasi did not forget his Corsican routes, often incorporating themes of the songs he had learnt during the summers with his Grandmother. This is apparent in The Little Corsican Goatherd for Flute and Piano or Harp accompaniment. This Tomasi piece is suitable to intermediate level flautists and its popularity has been proven by its inclusion in the ABRSM grade 5 syllabus since 2005..
SKU: HL.48182310
UPC: 888680839703. 9.0x12.0x0.086 inches.
“Fren ch composer and conductor, Henri Tomasi (1901-1971) published Gregorian Variations on a Salve Ragina 1964. As with his other wind compositions, Gregorian Variations for Trumpet and String Orchestra and Organ reduction was well-received by audiences. Tomasi was born in Marseille, but his Father and Mother were originally from La Casinca in Corsica. Despite being pressured in to musical studies by his parents, Tomasi dreamed of becoming a sailor, and during the summer, he stayed with his Grandmother in Corsica where he learnt traditional Corsican songs. However, in 1921, he began his studies at the Paris Conservatoire and went on to become a high profile composer and conductor. Tomasi did not forget his Corsican routes, often incorporating themes of the songs he had learnt during the summers with his Grandmother into his compositions. Gregorian Variations on a Salve Regina is a highly unusual and modern work based on an old Marian Hymn (a song for the Virgin Mary). The variations exploit tonality, rhythm and structure amongst other aspects. This Tomasi piece is suitable for advanced trumpeters, providing an exciting, alternative addition to the instrument's repertoire.â€.
SKU: HL.48182235
UPC: 888680908676. 0.211 inches.
French composer and conductor, Henri Tomasi (1901-1971) published Five Secular and Sacred Dances for Wind Quintet in 1963. As with his other wind compositions, Five Secular and Sacred Dances was well-received by audiences. Tomasi was born in Marseille, but his Father and Mother were originally from La Casinca in Corsica. Despite being pressured into musical studies by his parents, Tomasi dreamed of becoming a sailor, and during the summer, he stayed with his Grandmother in Corsica where he learnt traditional Corsican songs. However, in 1921, he began his studies at the Paris Conservatoire and went on to become a high profile composer and conductor. Tomasi did not forget his Corsican routes, often incorporating themes of the songs he had learnt during the summers with his Grandmother in to his compositions. Five Secular and Sacred Dances is a reduction arrangement of his work of the same name for Chamber Orchestra. Comprising five movements; 1) Rural Dance, 2) Secular Dance, 3) Sacred Dances, 4) Bridal Dance, and 5) Warrior Dances, Five Secular and Sacred Dances is one of three Wind Quintets by the composer. This Tomasi piece is suitable to an advanced Wind Quintet, providing an exciting alternative addition to the ensemble repertoire..
SKU: HL.48181499
UPC: 888680842659. 9.0x12.0x0.288 inches.
French composer and conductor, Henri Tomasi (1901-1971) published Liturgical Fanfares in 1952. As with his other wind compositions, Liturgical Fanfares was well-received by audiences. Tomasi was born in Marseille, but his Father and Mother were originally from La Casinca in Corsica. Despite being pressured into musical studies by his parents, Tomasi dreamed of becoming a sailor, and during the summer he stayed with his Grandmother in Corsica where he learnt traditional Corsican songs. However, in 1921, he began his studies at the Paris Conservatoire and went on to become a high profile composer and conductor. Tomasi did not forget his Corsican routes, often incorporating themes of the songs he had learnt during the summers with his Grandmother into his compositions. Composed for an unusual instrumentation of Brass Ensemble, Timpani and Drums, Liturgical Fanfares comprises four movements; 1) Annunciation, 2) Gospel, 3) Apocalypse, and 4) Good Friday Procession. This Tomasi piece is suitable to advanced players and provides an exciting, alternative addition to the ensemble repertoire..
SKU: HL.48182284
UPC: 888680840051. 0.062 inches.
French composer and conductor, Henri Tomasi (1901-1971) published Three Pastorales for Flute Trio in 1964. As with his other wind compositions, Three Pastorales was well-received by audiences. Tomasi was born in Marseille, but his Father and Mother were originally from La Casinca in Corsica. Despite being pressured in to musical studies by his parents, Tomasi dreamed of becoming a sailor, and during the summer, he stayed with his Grandmother in Corsica where he learnt traditional Corsican songs. However, in 1921, he began his studies at the Paris Conservatoire and went on to become a high profile composer and conductor. Tomasi did not forget his Corsican routes, often incorporating themes of the songs he had learned during the summers with his Grandmother in to his compositions. The Three Pastorales are named; 1) Bolivian, 2) Cretan, and 3) Sicilienne. This Tomasi piece is suitable to an advanced Flute Trio, providing an exciting alternative addition to the ensemble repertoire..
SKU: HL.48182297
UPC: 888680839994. 9.0x12.0x0.183 inches.
â??French composer and conductor, Henri Tomasi (1901-1971) published Three Divertissements for Clarinet Quartet in 1964. As with his other wind compositions, Three Divertissements was well-received by audiences. Tomasi was born in Marseille, but his Father and Mother were originally from La Casinca in Corsica. Despite being pressured into musical studies by his parents, Tomasi dreamed of becoming a sailor, and during the summer, he stayed with his Grandmother in Corsica where he learnt traditional Corsican songs. However, in 1921, he began his studies at the Paris Conservatoire and went on to become a high profile composer and conductor. Tomasi did not forget his Corsican routes, often incorporating themes of the songs he had learnt during the summers with his Grandmother into his compositions. The Three Divertissements are named; 1) Proceedings, 2) Masquerade, and 3) Rounds. This Tomasi piece is suitable to an advanced Clarinet Quartet, providing an exciting alternative addition to the ensemble repertoire.â?.
SKU: HL.48182256
UPC: 888680836603. 9.0x12.0x0.089 inches.
“Fren ch composer and conductor, Henri Tomasi (1901-1971) published Concerto for Bassoon 1963. As with his other wind compositions, To be or not to be for Bass Trombone or Tuba and 3 Trombones was well-received by audiences. Tomasi was born in Marseille, but his Father and Mother were originally from La Casinca in Corsica. Despite being pressured in to musical studies by his parents, Tomasi dreamed of becoming a sailor, and during the summer, he stayed with his Grandmother in Corsica where he learnt traditional Corsican songs. However, in 1921, he began his studies at the Paris Conservatoire and went on to become a high profile composer and conductor. Tomasi did not forget his Corsican roots, often incorporating themes of the songs he had learnt during the summers with his Grandmother into his compositions. To be or not to be is a highly unusual and modern work for Trombone quartet. The composition exploits tonality, rhythm and structure amongst other aspects. However, this Tomasi piece, suitable for advanced Tuba and Trombone players, provides an exciting, alternative addition to the instrument's ensemble repertoire.â€.
SKU: HL.48182001
UPC: 888680847227. 9x12 inches.
“Fren ch composer and conductor, Henri Tomasi (1901-1971) published Mireille's Tomb in 1959. As with his other compositions, Mireille's Tomb for Galoubet (Pipe), Piccolo or Oboe, with Tambourine, Toneless Snare Drum or Piano was well-received by audiences. Tomasi was born in Marseille, but his Father and Mother were originally from La Casinca in Corsica. Despite being pressured into musical studies by his parents, Tomasi dreamed of becoming a sailor, and during the summer, he stayed with his Grandmother in Corsica where he learnt traditional Corsican songs. However, in 1921, he began his studies at the Paris Conservatoire and went on to become a high profile composer and conductor. Tomasi did not forget his Corsican routes, often incorporating themes of the songs he had learnt during the summers with his Grandmother in to his compositions. Mireille's Tomb is a highly unusual and modern work, not only in instrumentation, but in its use of varying time signatures, complex rhythms and a range of performance directions. The composition exploits tonality, rhythm and structure amongst other aspects. However, this Tomasi piece, suitable for advanced instrumentalists, provides an exciting, alternative addition to the ensemble repertoire.&rdquo.
SKU: HL.48182188
UPC: 888680835484. 8x11.5 inches.
“Fren ch composer and conductor, Henri Tomasi (1901-1971) published Twelve Noels by Saboly for Voices and accompaniment in 1962. As with his other compositions, Twelves Noels by Saboly was well-received by audiences. Tomasi was born in Marseille, but his Father and Mother were originally from La Casinca in Corsica. Despite being pressured in to musical studies by his parents, Tomasi dreamed of becoming a sailor, and during the summer, he stayed with his Grandmother in Corsica where he learnt traditional Corsican songs. However, in 1921, he began his studies at the Paris Conservatoire and went on to become a high profile composer and conductor. Tomasi did not forget his Corsican routes, often incorporating themes of the songs he had learnt during the summers with his Grandmother in to his compositions. The Twelve Noels by Saboly are based on the Pastorale poems by French poet, Nicolas Saboly.This Tomasi collection is suitable to female vocalists, providing an exciting, alternative addition to the repertoire.&rdquo.
SKU: CA.1243500
ISBN 9790007171322.
Disn ey films remain ever-popular, chiefly because of their soundtracks. Many songs continue to enjoy fame and popularity decades after the film premieres. The songs in this volume - Supercalifragilisticexpia lidocious from Mary Poppins dating from1964, Under the Sea from The Little Mermaid dating from 1989 and I See the Light from Tangled dating from 2010 - received many awards including Oscars and Grammys. Because the tunes are so catchy, they are timeless, appeal to many generations, and have a life of their own beyond the film. High spirited songs like sympathetic nanny Mary Poppins' nonsense song can be sung anywhere! Rainer Butz has expertly arranged the songs for equal-voice youth choir with piano accompaniment. The new series chorissimo! MOVIE contains up-to-date choral arrangements of well-known film music suitable for school and youth choirs.
SKU: CA.1243505
ISBN 9790007173425.
Scor e available separately - see item CA.1243500.
SKU: BT.AMP-454-140
English-German-French- Dutch.
Songs from Across the Water was commissioned by Pennsylvania Symphonic Winds - Phil Evans, Founder and Director. Phil Evans hails from the UK and served for 25 years in the Band of HM Royal Marines. Now resident in the USA he founded Pennsylvania Symphonic Winds in 2008, giving them the tag line ‘An American Band with a British Accent’, as he wanted to combine the best of both countries’ band traditions. With this in mind, composer Philip Sparke decided to create a suite of British folk songs, scored with an American influence to fulfil the philosophy of the band’s tag line. The three movements, which are played without a break, are based on the following folk songs,which come from all corners of the British Isles: The Three Ravens & The Cruiskeen Lawn, The Lark in the Clear Air and The Piper o’ Dundee & Men of Harlech. Songs from Across the Water werd geschreven in opdracht van de Pennsylvania Symphonic Winds, waarvan Phil Evans de oprichter en tevens de dirigent is. Phil Evans is geboren en getogen in het Verenigd Koninkrijk, hij was 25 jaar lang lid van de Band of HM Royal Marines. Tegenwoordig woont hij in de VS, waar hij in 2008 de Pennsylvania Symphonic Winds oprichtte, met als motto ‘An American band with a British Accent’ (Een Amerikaans blaasorkest met een Brits accent), aangezien hij de blaasmuziektradities uit beide landen wilde combineren. Met dit gegeven in zijn achterhoofd creëerde componist Philip Sparke een suite van Britse folksongs, georkestreerd met een Amerikaanse invloedom de filosofie achter het eerdergenoemde motto eer aan te doen. De drie delen, die zonder onderbreking worden gespeeld, zijn gebaseerd op de volgende folksongs, die afkomstig zijn uit alle hoeken van de Britse Eilanden: The Three Ravens & The Cruiskeen Lawn, The Lark in the Clear Air en The Piper o’ Dundee & Men of Harlech. Songs from Across the Water wurde von den Pennsylvania Symphonic Winds in Auftrag gegeben, deren Gründer und Leiter Phil Evans ist. Phil Evans stammt aus dem Vereinigten Königreich und spielte 25 Jahre lang im Blasorchester der HM Royal Marines. Inzwischen lebt er in den USA und gründete 2008 die Pennsylvania Symphonic Winds, denen er den Beinamen An American band with a British Accent“ (Ein amerikanisches Blasorchester mit einem britischen Akzent“) gab, da er das Beste aus der Blasorchester-Tradition beider Länder miteinander vereinen wollte. Aus diesem Grund hat der Komponist Philip Sparke eine Suite aus britischen Volksliedern komponiert, wobei dieInstrumentierung einen amerikanischen Einfluss hat, um so die Philosophie des Orchesterbeinamens zu verwirklichen. Die drei Sätze, die ohne Pause gespielt werden, basieren auf den folgenden Volksliedern, die aus allen Gegenden der britischen Inseln stammen: The Three Ravens & The Cruiskeen Lawn, The Lark in the Clear Air sowie The Piper o’ Dundee & Men of Harlech. Songs from Across the Water est une commande du Pennsylvania Symphonic Winds et de Phil Evans, fondateur et directeur. Phil Evans est originaire du Royaume-Uni où il a joué dans l’orchestre des HM Royal Marines pendant 25 ans. Vivant désormais aux Etats-Unis, il y a fondé le Pennsylvania Symphonic Winds en 2008 et lui a donné le slogan « un orchestre américain l’accent britannique », aspirant combiner les meilleures traditions d’harmonies des deux pays. Avec cette idée l’esprit, le compositeur Philip Sparke a décidé de créer une suite de chansons folkloriques britanniques, orchestrées l’influence américaine en rapport avec la philosophie du groupe. Les troismouvements qui s’enchaînent reposent sur les trois chansons folkloriques suivantes, qui viennent de tous les coins des Îles Britanniques : The Three Ravens & The Cruiskeen Lawn, The Lark in the Clear Air et The Piper o’ Dundee & Men of Harlech.
SKU: CA.222200
ISBN 9790007254216. German.
For children and young people aged 6 to 12 years, a great way to learn how to sing in parts effortlessly. The latest volume in chorissimo!, our choral collection series for school choirs, contains not only 30 quodlibets - each with at least two songs which can be beautifully combined - but also lots of ideas, tips, and suggestions. How to build up singing in parts, rehearsal methods, creative ideas about using the available space, and movement ideas all feature, as well as easy accompaniments for glockenspiel.The quodlibets mainly comprise a traditional song plus a new song on a matching theme. They are divided thematically into five chapters - songs for everyday, the seasons, Christmas carols, songs in other languages, and funny songs.- 30 quodlibets to sing as you like- with varied pedagogical methods and performance ideas- for singing in class and in school choirs- suitable for children and young people from 6 to 14 years- choral collection (editionchor) available at special bulk discount price- edited by the Landesakademie fur die musizierende Jugend in Baden-Wurttemberg.
SKU: CA.220405
ISBN 9790007171575.
Edit ionchor without piano accompaninemt. For every youth choir, making the transition from singing in unison to singing in parts is an exciting process. chorissimo! blue, the new volume for equal voices in our successful choir series chorissimo!, accompanies and supports this process. It contains a wide range of carefully-chosen and stylistically varied pieces, presented for flexible use, as well as versatile practical working material, including playback, audio and practice track CDs, and a DVD of video clips. The volume, structured for graded learning, progresses in six steps from unison singing, via canons and quodlibets, to homophonic and polyphonic two- and three-part pieces. Different workshops, some of which feature on the video clips, focus on individual aspects of choral work, such as warm-ups or beatboxing. All the pieces have a piano accompaniment; in addition, some pieces can be accompanied by additional instruments or band. Flexible part material is available for this. Score available separately - see item CA.220400.
SKU: CA.220401
ISBN 9790007172220.
BASI S set for use in music teaching: For every youth choir, making the transition from singing in unison to singing in parts is an exciting process. chorissimo! blue, the new volume for equal voices in our successful choir series chorissimo!, accompanies and supports this process. It contains a wide range of carefully-chosen and stylistically varied pieces, presented for flexible use, as well as versatile practical working material, including playback, audio and practice track CDs, and a DVD of video clips. The volume, structured for graded learning, progresses in six steps from unison singing, via canons and quodlibets, to homophonic and polyphonic two- and three-part pieces. Different workshops, some of which feature on the video clips, focus on individual aspects of choral work, such as warm-ups or beatboxing. All the pieces have a piano accompaniment; in addition, some pieces can be accompanied by additional instruments or band. Flexible part material is available for this. As well as the choral arrangements, for all the pieces the main volume contains a piano accompaniment, workshops (including beatboxing, warm-ups) and background information. Score available separately - see item CA.220400.
SKU: HL.49015549
ISBN 9783795787042. German.
'Handbuch der Kinderstimmbildung' is aimed at everyone who sings with children. The melodic part first and foremost targets voice trainers, choir directors and students, as well as school musicians, church musicians and teachers of elementary music education.The detailed practice part with numerous music examples provides suggestions and aids for practical voice training with children. Each chapter contains not only technical exercises but also suggestions as to how to incorporate voice training in games and plays. The author treads a new path by using songs and song excerpts for the vocal work, even 'voice training songs' specially composed for this book. Even part-time choir directors or teachers who have not been trained accordingly get valuable advice for the correct treatment of children's voices.