Crossing Over (Flute)

SKU: SP.TS036

ISBN 9781585600502. UPC: 649571100360.

Spiri tual enlightenment is at the heart of this sacred collection from Santorella Publications. Inspirational Hymns for Flute arranged by Tony Santorella and Jonathon Robbins features thirty-three well known hymns written specifically for brass and reed instruments and includes a piano accompaniment CD. Each piece is edited and arranged in a comfortable key and range for wind players of any level. A great addition to any church music library, this assortment of sacred titles is sure to bring the congregation to its feet with songs of praise. Written in accommodating keys for Bb, Eb, C treble and C bass clef instruments, now everyone can sing His praise and worship in song. Includes: Nearer My God To Thee - Fairest Lord Jesus - Where He Leads Me - O God, Our Help in Ages Past - Rock of Ages - There is a Happy Land - Holy, Holy, Holy - Lead Kindly Light - Faith of Our Fathers - The Little Brown Church in the Vale - A Mighty Fortress is Our God - Hark! The Vesper Hymn is Stealing - Abide With Me - Now The Day is Over - Praise God From Whom All Blessings Flow - The Lord is My Shepherd - Blest The Tie That Binds - Eternal Father, Strong to Save (The Navy Hymn) - Bringing in The Sheaves - Jesus Loves Me - Evening Prayer - Jesus, Lover of My Soul - Prayer of Thanksgiving - Softly Now The Light of Day - When I Survey The Wond'rous Cross - I Need Thee Every Hour - He Leadeth Me - Jesus, Saviour, Pilot Me - Let The Lower Lights Be Burning - Stand Up For Jesus - God Be With You 'Till We Meet Again - Amazing Grace.

SKU: CF.SPS5

ISBN 9780825837302. UPC: 798408037307. 9 X 12 inches. Key: C minor.

A concert version of the dance music from the second act of the sensational opera for voices and wind ensemble by Daron Aric Hagen (see Overture above), this varied and colorful piece will be a brilliant addition to the program of a Grade Four band. The music dramatically reflects the growing conflicts of the story (based on Othello) and climaxes with a powerful setting of the big tune associated with the idea of crossing over from Mexico to the U.S., and from Life to Death. This piece is a major addition to the serious band repertoire and has been added to the Texas UIL Prescribed Music List. Duration: 7'.

SKU: CF.CM9728

ISBN 9781491161074. UPC: 680160919673. Key: C major. English. Irish Folk song.

Carrickfergus is a city in Northern Ireland, and this Irish folk song of the same name has been sung for more than 300 years. It is about a person longing to be home, but the sea is wide and he or she can't cross over. The person laments that as aging occurs, friends and family are missed more and more. One of the most beautiful melodies I've ever heard, it has been performed by soloists Charlotte Church, Joan Baez, and Jackie Evanko and groups, The Chieftains and Celtic Woman. I hope you enjoy singing this beautiful Irish folk song! Russell Robinson, Arranger Pronunciations: Carrickfergus = KEH-rik-FEHR-guhs Ballygrand = BAH-lee-grand.
Carrick fergus is a city in Northern Ireland, and this Irish folk song of the same name has been sung for more than 300 years. It is about a person longing to be home, “but the sea is wide” and he or she can’t cross over. The person laments that as aging occurs, friends and family are missed more and more. One of the most beautiful melodies I’ve ever heard, it has been performed by soloists Charlotte Church, Joan Baez, and Jackie Evanko and groups, The Chieftains and Celtic Woman.I hope you enjoy singing this beautiful Irish folk song!Russell Robinson, ArrangerPronunciations:Ca rrickfergus =   KEH-rik-FEHR -guhsBallygrand = BAH-lee-grand.

SKU: GI.G-10227

UPC: 785147022718. English. Text Source: Text I: Charles William Everest, 1814-1877, alt., Text II: Isaac Watts, 1674-1748, alt. Text by Charles C. Everest.

The tune SEGUNDO is intended specifically for hymn texts in long meter (LM, or 88 88) that can benefit from a sense of gravitas. In performance, the entire hymn may be sung by unison choir, or if desired, the beginning stanzas may be sung by one or more soloists or sections allowing the piece to build over its four stanzas, so that the last stanza, with its soaring descant, pours forth rife with emotion.

SKU: CF.YPS222F

ISBN 9781491156636. UPC: 680160915170. 9 x 12 inches.

Written in an upbeat Latin rhythmic form, Chips, and Salsa, Too begins with percussion under a nice rhythmic motif in the winds. A tuneful minor melody in the clarinets, well below the break, continues above this Latin groove after the intro. The tubas (and cross-cued for euphoniums and bass clarinets) and flutes have a melody together beginning in m. 43, and the rest of the band is gradually layered in the mix until everybody is contributing to the mix. Latin rhythms, featured percussion, and lots of nice melodies for the winds makes this a piece your students and audiences will love! Pay careful attention to the articulation because without it you will lose the rhythmic feel. The tempo is marked quarter=152, but you can play it faster if you like. Too slow, and you can't dance to it! The syncopated rhythms are infectious and you will be surprised at how quickly your band catches on. The ranges are perfect for young players and there are plenty of doublings to assist smaller bands. Use as many percussionists as possible, but insist they groove together and don't cover up the winds. Remember, it's a dance. Have fun! Kiefer.ed@gmail.com Facebook: The Music of Ed Kiefer.
Written in an upbeat Latin rhythmic form, Chips, and Salsa, Too begins with percussion under a nice rhythmic motif in the winds. A tuneful minor melody in the clarinets, well below the break, continues above this Latin groove after the intro. The tubas (and cross-cued for euphoniums and bass clarinets) and flutes have a melody together beginning in m. 43, and the rest of the band is gradually layered in the mix until everybody is contributing to the mix.Latin rhythms, featured percussion, and lots of nice melodies for the winds makes this a piece your students and audiences will love!Pay careful attention to the articulation because without it you will lose the rhythmic feel. The tempo is marked quarter=152, but you can play it faster if you like. Too slow, and you can’t dance to it! The syncopated rhythms are infectious and you will be surprised at how quickly your band catches on. The ranges are perfect for young players and there are plenty of doublings to assist smaller bands. Use as many percussionists as possible, but insist they groove together and don’t cover up the winds. Remember, it’s a dance. Have fun!Kiefer.ed@gmail.comFa cebook: The Music of Ed Kiefer.

SKU: CF.YPS222

ISBN 9781491156629. UPC: 680160915163. 9 x 12 inches.

Written in an upbeat Latin rhythmic form, Chips, and Salsa, Too begins with percussion under a nice rhythmic motif in the winds. A tuneful minor melody in the clarinets, well below the break, continues above this Latin groove after the intro. The tubas (and cross-cued for euphoniums and bass clarinets) and flutes have a melody together beginning in m. 43, and the rest of the band is gradually layered in the mix until everybody is contributing to the mix. Latin rhythms, featured percussion, and lots of nice melodies for the winds makes this a piece your students and audiences will love! Pay careful attention to the articulation because without it you will lose the rhythmic feel. The tempo is marked quarter=152, but you can play it faster if you like. Too slow, and you can't dance to it! The syncopated rhythms are infectious and you will be surprised at how quickly your band catches on. The ranges are perfect for young players and there are plenty of doublings to assist smaller bands. Use as many percussionists as possible, but insist they groove together and don't cover up the winds. Remember, it's a dance. Have fun! Kiefer.ed@gmail.com Facebook: The Music of Ed Kiefer.
Written in an upbeat Latin rhythmic form, Chips, and Salsa, Too begins with percussion under a nice rhythmic motif in the winds. A tuneful minor melody in the clarinets, well below the break, continues above this Latin groove after the intro. The tubas (and cross-cued for euphoniums and bass clarinets) and flutes have a melody together beginning in m. 43, and the rest of the band is gradually layered in the mix until everybody is contributing to the mix.Latin rhythms, featured percussion, and lots of nice melodies for the winds makes this a piece your students and audiences will love!Pay careful attention to the articulation because without it you will lose the rhythmic feel. The tempo is marked quarter=152, but you can play it faster if you like. Too slow, and you can’t dance to it! The syncopated rhythms are infectious and you will be surprised at how quickly your band catches on. The ranges are perfect for young players and there are plenty of doublings to assist smaller bands. Use as many percussionists as possible, but insist they groove together and don’t cover up the winds. Remember, it’s a dance. Have fun!Kiefer.ed@gmail.comFa cebook: The Music of Ed Kiefer.

SKU: BT.9781408105290

ISBN 9781408105290. English.

The perfect book for pupil and teacher

• Tunes you know and want to play
• Technique carefully graded
• Clear fingering diagrams
• Concise theory explanations
• Jazz improvisations andstyles
• New duets
• Fresh new look