Matériel : Partition + CD
SKU: HL.291057
UPC: 840135400524. 4.25x21.25x4.41 inches.
The 8710SC Flat Base Suspension Cymbal Stand is perfect for concert band, pep band, and pit percussion applications. Position your cymbal comfortably for swelling and crashing. Equipped with a secondary cymbal post, add another cymbal to the stand for more color and texture in your music without having to add another cymbal stand. Featuring a lightweight, low mass structural design, the flat base legs offer abundant stability, as well as a traditional appearance for today's players.
SKU: HL.1122904
UPC: 642388318010. 24.0x24.0x4.0 inches.
The Zildjian 22″ Deluxe Cymbal Bag provides extra cymbal protection with two graduated cymbal dividers, plus a rubber cymbal protection system built into the inside and outer bottom of the cymbal bag. With a removeable shoulder strap and padded carry handles, this bag makes it easy to transport and store your cymbals.
SKU: HL.1122905
UPC: 642388318027. 23.0x24.5x2.5 inches.
The Zildjian 22″ Deluxe Backpack Cymbal Bag delivers superior cymbal protection with two graduated cymbal dividers, plus a rubber cymbal protection system built into the inside and outer bottom of the bag. The external cymbal pocket provides additional storage, holding cymbals up to 14″ in diameter. With military-grade backpack straps and heavily padded handles, this bag delivers the durability and comfort needed to transport your cymbals.
SKU: HL.1133071
UPC: 196288112600. 2.0x4.0x7.5 inches.
What's better than one Groove Juice Cymbal Cleaner? Two at a discounted price, of course! The original spray on rinse off cymbal cleaner formulated for use on high quality professional bronze cymbals. “It's the easiest and most effective cymbal cleaner I have ever encountered,†Rick van Horn, Modern Drummer magazine.
SKU: HL.260566
UPC: 020636009017. 2.0x2.0x7.0 inches.
The original spray on rinse off cymbal cleaner formulated for use on high quality professional bronze cymbals. “It's the easiest and most effective cymbal cleaner I have ever encountered†Rick van Horn, Modern Drummer.
SKU: HL.3725009
UPC: 888938000176. 3.0x21.0x2.75 inches.
The Canopus original cymbal stand has a simple design with vintage taste. Specially designed leg structure allows for effective cymbal setting and stable fixture, unlike other stands in this category. Joints are covered with nylon bushes for extra strength and protection for all locking parts. This stand is very light weight and compact when folded up.
SKU: LO.30-1493L
UPC: 000308074642.
John' s Gospel is the basis for an innovative new musical setting of the timeless Easter story. The composer weaves striking new melodies and traditional hymn tunes together to produce a vibrant, energetic work of meditation and praise. The congregation is called on to sing with the choir in a sensitive setting of When I Survey the Wondrous Cross and a rousing arrangement of Crown Him With Many Crowns. New settings of What Wondrous Love Is This? and O Sacred Head, Now Wounded are ingeniously intertwined with new anthems. An inspirational and deeply moving experience for choir and congregation alike. Performance time: approx. 25 minutes. Flute 1 & 2, Violin 2, Viola, Cello, Double Bass, Oboe 1 & 2, Horn, Trumpet 1 & 2, Trombone 1 & 2, Tuba, Percussion (Windchimes, Suspended Cymbal) Glockenspiel,Triangle,Chi mes, Snare Drum,Timpani, Harp, Violin 1.
SKU: HL.1182564
UPC: 888938086859. 24.25x26.0x26.0 inches.
Package that includes: bag, two lightweight cymbal stands, snare, and lightweight hi hat stands.
SKU: HL.776605
UPC: 611534004299. 4.0x22.0x3.5 inches.
Features include: • Economy cymbal stand • Three-section adjustable • Double-braced legs • Dimensions: 10.2 x 55.2 x 8.9 cm • 454 grams.
SKU: HL.292337
ISBN 9781540049667. UPC: 697643116344. 18.0x18.0x0.069 inches.
Bright, warm, full, powerful. Medium wide range, clean mix. Heavy feel. Cutting, explosive attack. Strong, full, clear crash sound with even fade. An extremely powerful, sturdy cymbal for high volume playing. Features include: • Weight: heavy • Volume: loud to very loud • Stick Sound: fairly washy • Intensity: lively • Sustain: long • Bell Character: integrated.
SKU: HL.3725006
UPC: 888938010021. 5.0x23.5x4.5 inches.
In a well-balanced stand, the weight of the stand increases toward the bottom. However, we faced a contradiction when trying to use steel material, which transfers vibration better than aluminium, near the actual cymbal itself. Our unconventional stand utilizes a lower center of gravity u hence the bottom of the center pipe of the stand gets very close to the floor to provide better balance to the stand. With minor changes in 2017, we changed the joint part from zinc die cast to aluminum and also from aluminum pipe to steel pipe. Thus we managed to maintain the light weight, but greatly improved the sound and balance of the stand.
SKU: HL.292338
ISBN 9781540049674. UPC: 697643116351. 19.0x19.0x0.2 inches.
SKU: HL.777152
UPC: 611534004282. 4.0x27.0x4.0 inches.
Features include: • Economy cymbal boom stand • Double-braced • Three-section adjustable • Dimensions: 24.7 x 3.8 x 4.2 inches • Item weight: 5.2 pounds.
SKU: HL.292339
ISBN 9781540049681. UPC: 697643116368. 20.0x20.0x0.069 inches.
SKU: HL.777149
UPC: 611534004237. 4.0x24.25x4.0 inches.
Features include: • Economy cymbal stand • Three-section adjustable • Single-braced • Reliable steel construction Dimensions: 21.3 x 3.6 x 4.1 inches • Item weight: 3.2 pounds.
SKU: HL.1122903
UPC: 642388318003. 21.0x21.0x1.098 inches.
The Zildjian 20″ Basic Cymbal Bag is a classic black carry bag that fits up to 20″ cymbals. With padded handles and a removable shoulder strap, this lightweight bag makes it easy to transport or store your cymbals.
SKU: HL.3725008
UPC: 888938010908. 3.5x21.0x3.5 inches.
The artist's ideal perfected. The ultimate in versatility. This cymbal stand has been developed based on Jeff Hamilton's requests for a stand to suit all his practical requirements. It can be folded to a very small size, features a gearless tilter, plastic tilter sleeve, and pipe caps which eliminate metal-against-metal noise. Furthermore, it features a thinner 6mm tilter shaft allowing it to accomodate vintage cymbals.
SKU: GI.G-317081
UPC: 073999170818.
Antho ny Cirone and Garwood Whaley have joined forces to compose a superb concert bass drum and cymbal book. The only complete source of information, exercises and interpretation on these most important percussion instruments. The concepts on performance, instrument selection and idiomatic techniques are ideal for conductors, composers, arrangers and students of the percussive arts.
SKU: CF.BAS5
ISBN 9780825845086. UPC: 798408045081. 8.5 X 11 inches. Key: D major.
The musical effect of Prarie Lullaby should be graceful and serene, evocative of a peaceful night on the open plains. To that end, players will need to strive for an unlabored rhythmic flow, smooth bowing and a clear, steady tone as close to p as possible. Beginning at m.39, the violin and viola parts are marked pizzicato. If young players are unable to return quickly to argo at m.53, they may make the bow preparation easier by taking a full measure rest at m.52. This option is marked in the parts and score. The divisi notes at m. 69 are provided for ensembles which lack violas. Ensembles with violas may have them play the lower notes while the second violins play the upper notes. Percussion, which is completely optional, should be very subdued. Choose a bell mallet which allows the tones to be heard just above the strings. the woodblock part is intended to imitate the clip-clop sound of a horse's hooves. Two different sizes of woodblocks or temple blocks are needed. Finding two suitable sounds on one woodblock is difficult. Again, the right mallets are very important. The suspended cymbal should be played with brushes if the string ensemble is small. If the suspended cymbal with brushes cannot be heard above a large number of strings, then sticks should be used instead. The percussion part can be performed by one player, provided the instruments and mallets are set up properly and the player has the skill to make the transitions smoothly. Note the optional rest at mm. 53-54. Performance time with the repeat is two and a half minutes.The musical effect ofA Prarie LullabyA should be graceful and serene, evocative of a peaceful night on the open plains. To that end, players will need to strive for an unlabored rhythmic flow, smooth bowing and a clear, steady tone as close toA p as possible. Beginning at m.39, the violin and viola parts are markedA pizzicato. If young players are unable to return quickly toA argo at m.53, they may make the bow preparation easier by taking a full measure rest at m.52. This option is marked in the parts and score. TheA divisiA notes at m. 69 are provided for ensembles which lack violas. Ensembles with violas may have them play the lower notes while the second violins play the upper notes. Percussion, which is completely optional, should be very subdued. Choose a bell mallet which allows the tones to be heard just above the strings. the woodblock part is intended to imitate the clip-clop sound of a horse's hooves. Two different sizes of woodblocks or temple blocks are needed. Finding two suitable sounds on one woodblock is difficult. Again, the right mallets are very important. The suspended cymbal should be played with brushes if the string ensemble is small. If the suspended cymbal with brushes cannot be heard above a large number of strings, then sticks should be used instead. The percussion part can be performed by one player, provided the instruments and mallets are set up properly and the player has the skill to make the transitions smoothly. Note the optional rest at mm. 53-54. Performance time with the repeat is two and a half minutes.The musical effect ofA Prarie LullabyA should be graceful and serene, evocative of a peaceful night on the open plains. To that end, players will need to strive for an unlabored rhythmic flow, smooth bowing and a clear, steady tone as close toA p as possible. Beginning at m.39, the violin and viola parts are markedA pizzicato. If young players are unable to return quickly toA argo at m.53, they may make the bow preparation easier by taking a full measure rest at m.52. This option is marked in the parts and score. TheA divisiA notes at m. 69 are provided for ensembles which lack violas. Ensembles with violas may have them play the lower notes while the second violins play the upper notes. Percussion, which is completely optional, should be very subdued. Choose a bell mallet which allows the tones to be heard just above the strings. the woodblock part is intended to imitate the clip-clop sound of a horse's hooves. Two different sizes of woodblocks or temple blocks are needed. Finding two suitable sounds on one woodblock is difficult. Again, the right mallets are very important. The suspended cymbal should be played with brushes if the string ensemble is small. If the suspended cymbal with brushes cannot be heard above a large number of strings, then sticks should be used instead. The percussion part can be performed by one player, provided the instruments and mallets are set up properly and the player has the skill to make the transitions smoothly. Note the optional rest at mm. 53-54. Performance time with the repeat is two and a half minutes.The musical effect of Prarie Lullaby should be graceful and serene, evocative of a peaceful night on the open plains. To that end, players will need to strive for an unlabored rhythmic flow, smooth bowing and a clear, steady tone as close to p as possible. Beginning at m.39, the violin and viola parts are marked pizzicato. If young players are unable to return quickly to argo at m.53, they may make the bow preparation easier by taking a full measure rest at m.52. This option is marked in the parts and score. The divisi notes at m. 69 are provided for ensembles which lack violas. Ensembles with violas may have them play the lower notes while the second violins play the upper notes. Percussion, which is completely optional, should be very subdued. Choose a bell mallet which allows the tones to be heard just above the strings. the woodblock part is intended to imitate the clip-clop sound of a horse's hooves. Two different sizes of woodblocks or temple blocks are needed. Finding two suitable sounds on one woodblock is difficult. Again, the right mallets are very important. The suspended cymbal should be played with brushes if the string ensemble is small. If the suspended cymbal with brushes cannot be heard above a large number of strings, then sticks should be used instead. The percussion part can be performed by one player, provided the instruments and mallets are set up properly and the player has the skill to make the transitions smoothly. Note the optional rest at mm. 53-54. Performance time with the repeat is two and a half minutes.The musical effect of Prarie Lullaby should be graceful and serene, evocative of a peaceful night on the open plains. To that end, players will need to strive for an unlabored rhythmic flow, smooth bowing and a clear, steady tone as close to p as possible. Beginning at m.39, the violin and viola parts are marked pizzicato. If young players are unable to return quickly to argo at m.53, they may make the bow preparation easier by taking a full measure rest at m.52. This option is marked in the parts and score. The divisi notes at m. 69 are provided for ensembles which lack violas. Ensembles with violas may have them play the lower notes while the second violins play the upper notes. Percussion, which is completely optional, should be very subdued. Choose a bell mallet which allows the tones to be heard just above the strings. the woodblock part is intended to imitate the clip-clop sound of a horse's hooves. Two different sizes of woodblocks or temple blocks are needed. Finding two suitable sounds on one woodblock is difficult. Again, the right mallets are very important. The suspended cymbal should be played with brushes if the string ensemble is small. If the suspended cymbal with brushes cannot be heard above a large number of strings, then sticks should be used instead. The percussion part can be performed by one player, provided the instruments and mallets are set up properly and the player has the skill to make the transitions smoothly. Note the optional rest at mm. 53-54. Performance time with the repeat is two and a half minutes.The musical effect of Prarie Lullaby should be graceful and serene, evocative of a peaceful night on the open plains. To that end, players will need to strive for an unlabored rhythmic flow, smooth bowing and a clear, steady tone as close to p as possible.Beginning at m.39, the violin and viola parts are marked pizzicato. If young players are unable to return quickly to argo at m.53, they may make the bow preparation easier by taking a full measure rest at m.52. This option is marked in the parts and score.The divisi no tes at m. 69 are provided for ensembles which lack violas. Ensembles with violas may have them play the lower notes while the second violins play the upper notes.Percussion, which is completely optional, should be very subdued. Choose a bell mallet which allows the tones to be heard just above the strings. the woodblock part is intended to imitate the clip-clop sound of a horse's hooves. Two different sizes of woodblocks or temple blocks are needed. Finding two suitable sounds on one woodblock is difficult. Again, the right mallets are very important. The suspended cymbal should be played with brushes if the string ensemble is small. If the suspended cymbal with brushes cannot be heard above a large number of strings, then sticks should be used instead.The percussion part can be performed by one player, provided the instruments and mallets are set up properly and the player has the skill to make the transitions smoothly. Note the optional rest at mm. 53-54.Performance time with the repeat is two and a half minutes.
About Carl Fischer Beginning String Orchestra Series
Thi s series of Grade 1 pieces is designed for first year string groups. The pieces in this series are characterized by:
