Day in Venice, A

Par IGUDESMAN ALEKSEY. Aleksey Igudesman has again been on his travels – this time he takes the developing violinist to wonderful Venice. For Igudesman, Venice is clearly a source of inspiration and he takes us from central Venice to the island of Guidecca and to San Marco. These four pieces, each inspired by the beauty of Venice will make an excellent choice for the concert platform. Four atmospheric compositions by Aleksey Igudesman Easy to intermediate-level pieces for violin and piano Suitable as teaching material, for competitions and for the concert platform/ Recueil / Violon et Piano

If you've ever felt compelled to play Flight of the Bumblebee on the 5-string banjo, this is the book for you!Challenging banjo transcriptions of classical masterpieces may seem like a humorous anachronism to some, but not for Italian master Claudio Parravicini, a conservatory graduate who, while majoring in French horn, always believed that the banjo was 'a virtuoso instrument capable of enriching any musical genre.”In the author's words, 'I chose the classical pieces in this book on the basis of how they might advance right and left-hand banjo technique and even refine the player's musical sensibility¦ Some pieces, like Flight of the Bumblebee will challenge yourability to play rapidly, while others like Beethoven's Moonlight Sonata, are much slower, but will test your musical abilities in other ways. The other pieces in the book are: Prelude No. 2 in C minor and Inventions No. 4 and No. 6 by J. S. Bach, Flight of the Bumblebee by Korsakov, Perpetual Motion and Carnival of Venice by Paganini, and Toccata for Piano or Harpsichord by Paradisi. Classical Masterpieces for Banjo is written in tablature only in standard G tuning [gDGBD] using three-finger banjo technique in the traditional, melodic and single-string style. Each selection is guaranteed to further your technique and delight your audience, or simply expand your vision of what is possible on the 5-string banjo. If you've ever felt compelled to play Flight of the Bumblebee on the 5-string banjo, this is the book for you! Challenging banjo transcriptions of classical masterpieces may seem like a humorous anachronism to some, but not for Italian master Claudio Parravicini, a conservatory graduate who, while majoring in French horn, always believed that the banjo was 'a virtuoso instrument capable of enriching any musical genre.” In the author's words, 'I chose the classical pieces in this book on the basis of how they might advance right and left-hand banjo technique and even refine the player's musical sensibility… Some pieces, like Flight of the Bumblebee will challenge your ability to play rapidly, while others like Beethoven's Moonlight Sonata, are much slower, but will test your musical abilities in other ways.” The other pieces in the book are: Prelude No. 2 in C minor and Inventions No. 4 and No. 6 by J. S. Bach, Flight of the Bumblebee by Korsakov, Perpetual Motion and Carnival of Venice by Paganini, and Toccata for Piano or Harpsichord by Paradisi. Classical Masterpieces for Banjo is written in tablature only in standard G tuning [gDGBD] using three-finger banjo technique in the traditional, melodic and single-string style. Each selection is guaranteed to further your technique and delight your audience, or simply expand your vision of what is possible on the 5-string banjo. / Niveau : Intermédiaire à Avancé / Classique / Date parution : 2019-05-27/ Tablatures / 5-String Banjo

The jazz cornet legend Harry James was synonymous with taking classical works and crafting versions in his own inimitable style. Carnival of Venice was one of his most famous features and here you have a true-to-the-original arrangement to feature your cornet soloist created by one of the greatest arrangers of jazz for Brass Band Mark Freeh.A Brass Band classic given the jazz treatment Carnival of Venice will astound and amaze your audiences every time. Not to be missed.

If you've been learning how to play recorder for a little while, you are probably eager to learn some familiar songs. This book includes a wide variety of favorite songs, from pop hits and movie themes to classical melodies and folk songs. Includes: All You Need Is Love (The Beatles) · Believer (Imagine Dragons) · Carnival of Venice · Evermore (from Beauty and the Beast) · Fly Me to the Moon (In Other Words) (Frank Sinatra) · God Bless America® (Irving Berlin) · Hello (Adele) · I Will Always Love You (Whitney Houston) · Just Give Me a Reason (Pink) · Let It Go (from Frozen)· Moon River (Henry Mancini) · Perfect (Ed Sheeran) · Roar (Katy Perry) · Shake It Off (Taylor Swift) · Uptown Funk (Bruno Mars) · and more./ Recueil / Flûte à Bec

The importance of Venice in the 16th and 17th centuries hardly needs emphasizing here and in many ways this collection of eight motets represents some of the most well known composers in the renaissance and baroque eras; figures such as Andrea Gabrieli Willaert and Monteverdi. In fact most of the composers represented here were employed at the infamous basilica of S. Marco at some point in their careers providing a wonderful coherence to the collection.

A facsimile of the original manuscript-This publication provides guitarists with the opportunity to play Lawrence's fantastic incidental music from the film 'Merchant of Venice'.

with Piano Accompaniment-This compilation of 11 Trumpet solos from the legendary Rubank educational library now includes online access to:Full-performance and accompaniment-only audio tracksPDF Piano accompaniment filesPLAYBACK A multi-functional audio player that allows you to adjust tempo without changing pitch change keys and create practice loops - available exclusively from Hal Leonard.Contents: (by VanderCook unless noted) 'Andante from Concerto in Eb' (Haydn) 'Ballade' (Shelukov) 'Bonita' (Valse Brilliante) 'Carnival of Venice' (Davis) 'The Cavalier' (Shelukov) 'Debonnaire' 'The Executant' (Endresen) 'Fanfare March'(Shelukov) 'Premier Solo de Coucours' (Maniet) 'Punchinello' 'The Technician' (Endresen)

Trombone parts edited and recorded by Canadian Brass virtuoso Eugene Watts piano parts recorded by Bill Casey. Arrangements by Bill Boyd. Companion CD includes full performances and accompaniments. Contents: Amazing Grace · Canadian Brass Blues · Carnival of Venice · The Cruel War is Raging · Doxology · Finlandia · Give My Regards to Broadway · I Gave My Love a Cherry (The Riddle Song) · Just a Closer Walk with Thee · Marine's Hymn · My Country 'Tis of Thee (America) · Ode to Joy · The Skaters (Waltz) · Streets of Laredo · Take Me Out to the Ball Game · Volga Boat Song · Yankee Doodle.

Invisible Cities for Orchestra by Swedish composer Britta Byström (2013). Programme note: Invisible Cities is an orchestral piece inspired by the Italian writer Italo Calvino's novel 'Le città invisible' (1972). The novel consists of many short poetical descriptions of wondrous cities. This is what the explorer Marco Polo reports to Kublai Khan of what he has seen during his travels. Gradually though Kublai Khan begins to suspect that Marco Polo all the time describes one and the same city but in many different ways: Marco Polo's own hometownVenice.  This was also my musical idea: to present the same motif in many different ways. The piece has eleven movements just as the novel consists of eleven different kinds of cities. Before every new musical 'city' there is a 'walk' – a little piano line which takes the listener from one city to another. This piano line is a quotation from Witold Lutoslawski'sVenetian Games. There are also other music connected to Venice hidden in my piece: the well-known Barcarolle by Offenbach and some fragments from Carnival in Venice. These references are the 'invisible cities' of my piece the material hidden under the music's surface. Marco Polo explains to Kublai Khan: 'To distinguish the other cities' qualities I must speak of a first city that remains implicit. For me it is Venice.'  (c) Britta Byström  Britta Byström’s careful ear for musical qualities such as timbre and resonance has resulted in an idiom that could almost be labeled impressionistic. She began composing already as a teenager and later studied composition at Musikhögskolan in Stockholm with Pär Lindgren and Bent Sørensen.