Der 13. Psalm (BRAHMS JOHANNES)

Herr, Wie Lange Willst Du Mein So Gar Vergessen. Par BRAHMS JOHANNES. Tonalité : g-Moll - Opus : 27 - Lunn, Jean (Trad. ) - / Psaumes / Répertoire / Cordes: Choeur SSA, 2 Violons, Alto, Violoncelle e

Herr, Wie Lange Willst Du Mein So Gar Vergessen. Par BRAHMS JOHANNES. Tonalité : g-Moll - Opus : 27 - Lunn, Jean (Trad. ) - / Psaumes / Répertoire / Cordes: Choeur SSA, 2 Violons, Alto, Violoncelle e

Herr, Wie Lange Willst Du Mein So Gar Vergessen. Par BRAHMS JOHANNES. Tonalité : g-Moll - Opus : 27 - Lunn, Jean (Trad. ) - / Psaumes / Répertoire / Cordes: Choeur SSA, 2 Violons, Alto, Violoncelle e

Par BRAHMS JOHANNES. Gattungen: Psalmen, deutsch - Verwendung / Anlässe: Frieden und Gerechtigkeit, Psalmvertonungen - Verwendung / Kirchenjahr: Besondere Tage, Ende des Kirchenjahres - / Psaumes / Répertoire / Choeur Mixte

Par SCHREKER FRANZ. Franz Schreker was an important representative of the “Wiener Moderne” and one of the most successful opera composers at the beginning of the 20th century. To conclude his studies at the Vienna Conservatory he set Psalm 116 for women’s choir and orchestra [1900] and dedicated to his “beloved teacher Robert Fuchs, in reverence. ” Fuchs, the highly respected composition teacher, was a close friend of Johannes Brahms and a champion of Brahms’s romantic classicism. Thus, Schreker’s psalm setting closely follows the tonal language of Brahms. In 1901 Psalm 116 was first performed in a concert of the Gesellschaft der Musikfreunde in Vienna, and was first published in the same yearby the Viennese publisher Adolf Robitschek. The scoring of the psalm is identical with that of Brahms’s Deutsches Requiem, which would suggest and facilitate a performance of both these on the same concert program. / Psaumes / Répertoire / Choeur SSA, 2 Flûtes Traversières, 2 Hautbois, 2 C

Par SCHREKER FRANZ. Franz Schreker was an important representative of the “Wiener Moderne” and one of the most successful opera composers at the beginning of the 20th century. To conclude his studies at the Vienna Conservatory he set Psalm 116 for women’s choir and orchestra [1900] and dedicated to his “beloved teacher Robert Fuchs, in reverence. ” Fuchs, the highly respected composition teacher, was a close friend of Johannes Brahms and a champion of Brahms’s romantic classicism. Thus, Schreker’s psalm setting closely follows the tonal language of Brahms. In 1901 Psalm 116 was first performed in a concert of the Gesellschaft der Musikfreunde in Vienna, and was first published in the same yearby the Viennese publisher Adolf Robitschek. The scoring of the psalm is identical with that of Brahms’s Deutsches Requiem, which would suggest and facilitate a performance of both these on the same concert program. / Psaumes / Répertoire / Choeur SSA, 2 Flûtes Traversières, 2 Hautbois, 2 C

Par SCHREKER FRANZ. Franz Schreker was an important representative of the “Wiener Moderne” and one of the most successful opera composers at the beginning of the 20th century. To conclude his studies at the Vienna Conservatory he set Psalm 116 for women’s choir and orchestra [1900] and dedicated to his “beloved teacher Robert Fuchs, in reverence. ” Fuchs, the highly respected composition teacher, was a close friend of Johannes Brahms and a champion of Brahms’s romantic classicism. Thus, Schreker’s psalm setting closely follows the tonal language of Brahms. In 1901 Psalm 116 was first performed in a concert of the Gesellschaft der Musikfreunde in Vienna, and was first published in the same yearby the Viennese publisher Adolf Robitschek. The scoring of the psalm is identical with that of Brahms’s Deutsches Requiem, which would suggest and facilitate a performance of both these on the same concert program. / Psaumes / Répertoire / Choeur SSA, 2 Flûtes Traversières, 2 Hautbois, 2 C

Par SCHREKER FRANZ. Franz Schreker was an important representative of the “Wiener Moderne” and one of the most successful opera composers at the beginning of the 20th century. To conclude his studies at the Vienna Conservatory he set Psalm 116 for women’s choir and orchestra [1900] and dedicated to his “beloved teacher Robert Fuchs, in reverence. ” Fuchs, the highly respected composition teacher, was a close friend of Johannes Brahms and a champion of Brahms’s romantic classicism. Thus, Schreker’s psalm setting closely follows the tonal language of Brahms. In 1901 Psalm 116 was first performed in a concert of the Gesellschaft der Musikfreunde in Vienna, and was first published in the same yearby the Viennese publisher Adolf Robitschek. The scoring of the psalm is identical with that of Brahms’s Deutsches Requiem, which would suggest and facilitate a performance of both these on the same concert program. / Psaumes / Répertoire / Choeur SSA, 2 Flûtes Traversières, 2 Hautbois, 2 C

Aus: Zwei Motetten. Par BRAHMS JOHANNES. Tonalité : G-Dur - Opus : 29 #2 - / Mottet / Date parution : 1975-01-01/ Répertoire / Choeur SAATBB

Les sacrées a cappella des oeuvres chorales de Johannes Brahms figurent parmi les oeuvres romantiques les plus importantes du genre.Cette nouvelle édition est basée sur des sources fiables qui comprennent des manuscrits autographes, les copies de graveur et des premières éditions.La collection contient le 7 op 'Marienlieder'. 22, 'Deux Motets', op. 29, 'Trois Choeurs sacrés' pour voix de femmes op. 37, 'Deux Motets', op. 74, 'Festund Gedenksprüche' op. 109 et op 'Trois Motets'. 110. Tous sacrées a cappella oeuvres chorales en un volume Autorité édition savante critique Informatif avantpropos (Ger / Eng) Commentaire critique (Eng) Commentaire critique détaillée (Ger) disponible en téléchargement / Choeur A Cappella