CLARINET
Baroque Piano & keyboards
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Woodwind Woodwind Quintet: flute, oboe, bassoon, clarinet, horn 594 Flute, Oboe, Clarinet, Bassoon 549 Clarinet and Piano 510 Clarinet Quartet: 4 clarinets 487 2 Clarinets (duet) 454 3 Clarinets (trio) 293 Clarinet 275 Flute, Clarinet (duet) 183 Clarinet Ensemble 148 Clarinet Quintet: 5 clarinets 141 Flute, Oboe, Clarinet (trio) 116 Clarinet, Bassoon (duet) 95 Oboe, Clarinet (duet) 91 Oboe, Clarinet, Bassoon (trio) 81 Clarinet, Violin (duet) 61 Clarinet, Cello (duet) 52 Bass Clarinet, Piano 49 Saxophone, Clarinet (duet) 49 Clarinet, Guitar (duet) 49 2 Clarinets, Bassoon 35 Clarinet (band part) 29 Clarinet, Harp (duet) 25 Flute, Clarinet, Piano (trio) 21 Clarinet and Viola 13 2 Clarinets, Piano 12 Clarinet, Trombone (duet) 8 Clarinet, Cello, Piano (trio) 8 Clarinet, Bassoon, Piano (trio) 7 Clarinet, Trumpet (duet) 6 Bass Clarinet 5 Clarinet, Orchestra 4 Clarinet Quintet: Clarinet, String Quartet 4 Clarinet Quartet: Clarinet, Violin, Viola, Cello 4 Flute, Clarinet, Violin (trio) 2 Clarinet, trumpet and piano 1 Clarinet, Tuba 1
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974 sheet music found COMPLETE String Quartet Music Book - pack of 21 essential pieces: wedding, Christmas, baroque, slow melody, Welsh
COMPLETE String Quartet Music Book - pack of 21 essential pieces: wedding, Christmas, baroque, slow melody, Welsh # String Orchestra # ADVANCED # Christmas # Wedding/Ballad # Mendelssohn,
Richard Wagner, # Austin Ralphson # COMPLETE String Quartet Music # SheetMusicPlus
Composed by Mendelssohn,
Richard Wagner, Bach,
Pachelbel, Handel, Purcell,
Widor, Gluck, Satie,
Beethoven, Gruber, Mason.
Arranged by Austin Ralphson....(+)
Composed by Mendelssohn,
Richard Wagner, Bach,
Pachelbel, Handel, Purcell,
Widor, Gluck, Satie,
Beethoven, Gruber, Mason.
Arranged by Austin Ralphson.
Romantic Period, Classical
Period, Baroque Period,
Wedding, Recital. Score, Set
of Parts. 305 pages. Published
by Austin Ralphson This is a mega-bundle of string quartet repertoire, totalling 21 pieces and over 250 pages of music. Full scores and parts are provided for all pieces, covering weddings, Christmas music, slow melodies, traditional Welsh melodies and baroque classics. This is the full list:
1. WeddingMarch (from A Midsummer Night’s Dream) (Mendelssohn)
2. WeddingMarch (Bridal Chorus from Lohengrin) (RichardWagner)
3. BrandenburgConcerto No. 3, complete (Bach)
4. BrandenburgConcerto No. 5, mvt. 3 (Bach)
5. Canon(Pachelbel)
6. LaRéjouissance from ’Music for the Royal Fireworks’ (Handel)
7. Rondofrom ‘Abdelazer’ (Purcell)
8. Largofrom ‘Xerxes’ (Handel)
9. Toccata(from Symphony V) (Widor)
10. AllThrough The Night (Welsh trad.)
11. ArLan y Môr (Welsh trad.)
12. Davidof the White Rock (Welsh trad.)
13. Myfanwy(Welsh trad.)
14. SuoGan (Welsh trad.)
15. Andante(Gluck)
16. GymnopédieNo.1 (Satie)
17. PianoSonata No.8 Op.13 ‘Pathétique’ - 2nd mvt. (Beethoven)
18. HappyBirthday
19. 15Christmas Carols
20. SilentNight (Gruber)
21. JoyTo The World (Mason)
This pack represents a huge saving over the individually priced music.
Complete string catalogue arr. Austin Ralphson is here (copy and paste to new tab):
www.ralphsonstrings.com A Baroque Journey for String Orchestra
A Baroque Journey for String Orchestra # String Orchestra # Classical # Wedding/Ballad # Rameau, Corelli, Händel, Loei # Elin Korneliussen # A Baroque Journey for String O # Elin Korneliussen # SheetMusicPlus
Composed by Rameau, Corelli, Händel, Loeillet, Neefe, Purcell. Arranged by Elin Korneliussen. Baroque Period, Wedding, Recital. 51 pages. Published by Elin Kor...(+)
Carson Cooman: Concerto for Portatif Organ and Strings (2006), score and complete parts
Carson Cooman: Concerto for Portatif Organ and Strings (2006), score and complete parts # String Orchestra # ADVANCED # Carson Cooman # Carson Cooman: Concerto for Po # Musik Fabrik Music Publishing # SheetMusicPlus
String Orchestra - Level 5 - Digital Download SKU: A0.533701 Composed by Carson Cooman. Baroque,Contemporary,Standards. Score and parts. 77 pages. Musik ...(+)
String Orchestra - Level 5 - Digital Download SKU: A0.533701 Composed by Carson Cooman. Baroque,Contemporary,Standards. Score and parts. 77 pages. Musik Fabrik Music Publishing #3038897. Published by Musik Fabrik Music Publishing (A0.533701). Concerto for Portatif Organ and Strings (2006) was commissioned by the Harvard Baroque Chamber Orchestra and its director, Robert Mealy. The work is dedicated to organist Nancy Granert, for whom the solo part was written. The work was commissioned in celebration of the von Clemm Chamber Organ at The Memorial Church, Harvard University, built in 2006 by Klop Organ Builders.As with many of my works, relationships between old and new musical concepts are explored. In this piece, musical aspects of the Baroque organ concerto tradition (and Baroque style string playing) co-exist with more contemporary musical elements. In particular, the directness of expression found in many Baroque concertante works is present throughout. Musical material is shared between the movements in a motivic fashion.The title of the first movement, Bricolage, is defined as “something made or put together using whatever materials happen to be available.†Thus, the musical material for the movement is of varying characters; these elements are assembled together in ways that allow them to comment on and inform each other. Some of these musical elements include: a traditional “overture†texture, a Basse de Trompette texture (with an organ reed stop in the left hand) common in French Baroque organ music, and the French keyboard toccata style.The second movement, Elegia, is dark and searching in tone. It begins with a rageful roar before quieting down to introduce its basic musical material – a simple “lament†theme in a folk-inflected style. This material is used for further explorations, building to passionate climaxes. Finally, the opening music returns, but this time with a whisper. The movement winds down to a sad conclusion.After the soul-searching of the second movement, the third movement, Rondeau, is sprightly and energetic. The basic material is a set of Baroque and Classical-style figurations (with a few American gospel inflections thrown in), firmly grounded in G major. After minor diversions, the original material continues to return and ends the work with unfettered joy. Carson Cooman: Concerto for Portatif Organ and Strings, score only
Carson Cooman: Concerto for Portatif Organ and Strings, score only # String Orchestra # ADVANCED # Carson Cooman # Carson Cooman: Concerto for Po # Musik Fabrik Music Publishing # SheetMusicPlus
String Orchestra - Level 5 - Digital Download SKU: A0.533700 Composed by Carson Cooman. Baroque,Contemporary,Standards. Score and parts. 38 pages. Musik ...(+)
String Orchestra - Level 5 - Digital Download SKU: A0.533700 Composed by Carson Cooman. Baroque,Contemporary,Standards. Score and parts. 38 pages. Musik Fabrik Music Publishing #3038895. Published by Musik Fabrik Music Publishing (A0.533700). Concerto for Portatif Organ and Strings (2006) was commissioned by the HarvardBaroque Chamber Orchestra and its director, Robert Mealy. The work is dedicatedto organist Nancy Granert, for whom the solo part was written. The work wascommissioned in celebration of the von Clemm Chamber Organ at The MemorialChurch, Harvard University, built in 2006 by Klop Organ Builders.As with many of my works, relationships between old and new musical concepts areexplored. In this piece, musical aspects of the Baroque organ concerto tradition(and Baroque style string playing) co-exist with more contemporary musicalelements. In particular, the directness of expression found in many Baroqueconcertante works is present throughout. Musical material is shared between themovements in a motivic fashion.The title of the first movement, Bricolage, is defined as “something made or puttogether using whatever materials happen to be available.†Thus, the musicalmaterial for the movement is of varying characters; these elements are assembledtogether in ways that allow them to comment on and inform each other. Some ofthese musical elements include: a traditional “overture†texture, a Basse deTrompette texture (with an organ reed stop in the left hand) common in FrenchBaroque organ music, and the French keyboard toccata style.The second movement, Elegia, is dark and searching in tone. It begins with arageful roar before quieting down to introduce its basic musical material – a simple“lament†theme in a folk-inflected style. This material is used for further explorations,building to passionate climaxes. Finally, the opening music returns, but this timewith a whisper. The movement winds down to a sad conclusion.After the soul-searching of the second movement, the third movement, Rondeau, issprightly and energetic. The basic material is a set of Baroque and Classical-stylefigurations (with a few American gospel inflections thrown in), firmly grounded in Gmajor. After minor diversions, the original material continues to return and ends thework with unfettered joy.This item is the score only. The score and complete parts are available for sale as another item. Allemande for First Position String Orchestra
Allemande for First Position String Orchestra # String Orchestra # Michael Bomier # Allemande for First Position S # Michael Butkus-Bomier # SheetMusicPlus
String Orchestra - Digital Download SKU: A0.862525 Composed by Michael Bomier. Baroque,Contemporary,Instructional,Sacred,Standards. Score and parts. 11 p...(+)
String Orchestra - Digital Download SKU: A0.862525 Composed by Michael Bomier. Baroque,Contemporary,Instructional,Sacred,Standards. Score and parts. 11 pages. Michael Butkus-Bomier #2032899. Published by Michael Butkus-Bomier (A0.862525). The Allemande was a German dance form used in many Baroque Era suites. Its characteristic rhythm was the dotted-eighth-sixteenth figure, which is used throughout this piece. The real substance of this composition is not the dance form, however, but the strict and highly evocative use of the ascending and descending forms of the melodic minor scale. Since this was such a Baroque Era staple, I felt the piece had to use Baroque forms, techniques and structures as well. So, the key is D minor. C and Bb going down, B and C# going up. No accidentals but these were used. D minor is not the happiest of keys, and accordingly the mood here is somber. The orchestral texture is NOT rich and lush, like other pieces in the series, but is thinner and more contrapuntally transparent. There are three internal cadences before the ending sequence. Suspensions, voice leading, and dissonances are all treated in a standard Baroque fashion. Bowings by string pedagogue Lori Sandell Lacey. Running time is approx 3 mins 30 secs.at suggested tempo. The piece could certainly go faster if your group can handle it. Each part is but a single page, for easy management of music in rehearsal and performance. MBB.