Jazz Not classified 15,505
Piano & keyboards
Guitars
Voice
WoodwindClarinet 2,048Clarinet (band part) 848Eb Instruments 691Clarinet and Piano 646Clarinet Quartet: 4 clarinets 605Flute, Oboe, Clarinet, Bassoon 536Woodwind Quintet: flute, oboe, bassoon, clarinet, horn 5002 Clarinets (duet) 3603 Clarinets (trio) 189Clarinet Quintet: 5 clarinets 147Saxophone, Clarinet (duet) 142Flute, Clarinet (duet) 120Clarinet, Violin (duet) 105Clarinet Ensemble 100Clarinet, Trumpet (duet) 93Oboe, Clarinet (duet) 63Clarinet and Viola 45Bass Clarinet, Piano 34Clarinet, Bassoon (duet) 22Bass Clarinet 18Flute, Oboe, Clarinet (trio) 18Clarinet Quartet: Clarinet, Violin, Viola, Cello 9Clarinet, Guitar (duet) 9Clarinet, Cello (duet) 62 Clarinets, Bassoon 62 Clarinets, Piano 6Flute, Clarinet, Piano (trio) 6Clarinet, Cello, Piano (trio) 5Clarinet, Harp (duet) 4Clarinet, Tuba 3Clarinet, Double bass (duet) 2
Others
|
|
Digital sheet music, access after purchasing
2 sheet music found O Come, Emmanuel - jazz clarinet and upright double bass O Come, Emmanuel - jazz clarinet and upright double bass #Clarinet, Double bass (duet) #EASY #Phil Beaman #O Come, Emmanuel - jazz clarin #Phil Beaman #SheetMusicPlus
B-Flat Clarinet,Double Bass,Instrumental Duet - Level 2 - Digital Download SKU: A0.1349240 Composed by Phil Beaman. Advent,Christmas,Early Music,Jazz,Ren...(+)
B-Flat Clarinet,Double Bass,Instrumental Duet - Level 2 - Digital Download SKU: A0.1349240 Composed by Phil Beaman. Advent,Christmas,Early Music,Jazz,Renaissance. 4 pages. Phil Beaman #933985. Published by Phil Beaman (A0.1349240). This jazz composition is based on the hauntingly beautiful 15th century medieval tune that is commonly used for the Advent carol O Come, O Come, Emmanuel. Â I have reharmonized it with the accompaniment in a Key Signature a fifth above that of the melody. Â The accompaniment, part 2, has a broken two chord ostinato throughout written as a walking bass line. Â I have altered the melody, part 1, and moved much of it to the off beats. Â As in period early music, I allow occassional dissonances in order to keep the ostinato. Â This piece makes a wonderfully useful and unique addition to the season's repertoire. Â (I have also published a version on this site with text so it can be sung by a soloist or unison choir with piano accompaniment.) Â (Also as a piano solo.)range - part 1 melody - 10th, middle C to E; part 2 walking bass line, octave and a half, bass clef low A to D above middle C2 pages score, 1 page @ part, Â 2:05 minutes.
|