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You've selected:
D Jazz
CLARINET
Clarinet Quintet: 5 clarinets
Sheetmusic to print
7 sheet music found
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Jazz Christmas Collection: Volume I (Clarinet Quintet)
Jazz Christmas Collection: Volume I (Clarinet Quintet)
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Clarinet Quintet: 5 clarinets
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EASY
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Christmas
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Various
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Noah Allen
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Jazz Christmas Collection: Vol
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N.D.A.
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SheetMusicPlus
Woodwind Ensemble,Woodwind Quintet Clarinet - Level 2 - Digital Download SKU: A0.929900 Composed by Various. Arranged by Noah Allen. Christmas,Holiday,Ja...
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Woodwind Ensemble,Woodwind Quintet Clarinet - Level 2 - Digital Download SKU: A0.929900 Composed by Various. Arranged by Noah Allen. Christmas,Holiday,Jazz. 32 pages. N.D.A. #4790047. Published by N.D.A. (A0.929900). All sheet music viewable here: https://www.youtube.com/playlist?list=PLFtGPyvifXkV8ZVufidOa3ytXrCGl5Bgp Enjoy five Christmas carols with a stylistic twist! They're great for holiday concerts, church services, jam sessions, and much more. Parts and scores are fully articulated, both for easy sightreading and accessibility for beginning ensembles. Includes complete score (with chord symbols) and set of parts for each carol. Carols included are:Go Tell It On The Mountain (concert Bb major)Silent Night (concert Eb major)God Rest Ye Merry, Gentlemen (concert G minor)Hark! the Herald Angels Sing (concert Bb major)We Wish You A Merry Christmas (concert Bb major)Need this arrangement for a different ensemble? Be sure to explore my other listings here: https://www.sheetmusicplus.com/publishers/n-d-a-sheet-music/3011808 Feel free to email the arranger at brassclass466.16@gmail.com if you have any questions or comments, or need alternative transpositions.Make sure to check out Jazz Christmas Collection: Volume II!Edit history: Reuploaded 10.10.19 with corrections to minor engraving errors in 2nd clarinet and bass clarinet parts.
$19.99 ≈
18.69€
Jazz Christmas Collection: Volume II (Clarinet Quintet)
Jazz Christmas Collection: Volume II (Clarinet Quintet)
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Clarinet Quintet: 5 clarinets
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INTERMEDIATE
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Christmas
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Jazz
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Various
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Jazz Christmas Collection: Vol
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N.D.A.
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SheetMusicPlus
Composed by Various. Arranged by Noah Allen. Christmas, Jazz, Latin, Rock. 34 pages. N.D.A. #5375595. Published by N.D.A....
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Composed by Various. Arranged by Noah Allen. Christmas, Jazz, Latin, Rock. 34 pages. N.D.A. #5375595. Published by N.D.A.
$19.99 ≈
18.69€
A Night In Tunisia
A Night In Tunisia
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Clarinet Quintet: 5 clarinets
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INTERMEDIATE
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Jazz
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Dizzy Gillespie
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Keith Terrett
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A Night In Tunisia
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Keith Terrett
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SheetMusicPlus
Woodwind Ensemble,Woodwind Quintet Clarinet - Level 3 - Digital Download SKU: A0.746990 By Dizzy Gillespie. By Dizzy Gillespie and Frank Paparelli. Arran...
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Woodwind Ensemble,Woodwind Quintet Clarinet - Level 3 - Digital Download SKU: A0.746990 By Dizzy Gillespie. By Dizzy Gillespie and Frank Paparelli. Arranged by Keith Terrett. Jazz. 13 pages. Keith Terrett #5827845. Published by Keith Terrett (A0.746990). A great sounding arrangement of A Night in Tunisia, your Clarinet Quintet will love it!A jazz solo is written out for you, if you wish you can improvise on the given chord symbols!A Night in Tunisia is a musical composition written by Dizzy Gillespie around 1941–42, while Gillespie was playing with the Benny Carter band. It has become a jazz standard.It is also known as Interlude. Gillespie called the tune Interlude and said some genius decided to call it 'Night in Tunisia'. He said the tune was composed at the piano at Kelly's Stables in New York. He gave Frank Paparelli co-writer credit in compensation for some unrelated transcription work, but Paparelli had nothing to do with the song. A Night in Tunisia was one of the signature pieces of Gillespie's bebop big band, and he also played it with his small groups. In January 2004, The Recording Academy added the 1946 Victor recording by Gillespie to the Grammy Hall of Fame.On the album A Night at Birdland Vol. 1, Art Blakey introduced his 1954 cover version with this statement: At this time we'd like to play a tune [that] was written by the famous Dizzy Gillespie. I feel rather close to this tune because I was right there when he composed it in Texas on the bottom of a garbage can. The audience laughs, but Blakey responds, Seriously. The liner notes say, The Texas department of sanitation can take a low bow.The complex ostinato bass line in the A section is notable for avoiding the standard walking bass pattern of straight quarter notes, and the use of oscillating half-step-up/half-step-down chord changes (using the Sub V, a tritone substitute chord for the dominant chord) gives the song a unique, mysterious feeling. The B section is notable for having an unresolved minor II-V, since the chord progression of the B section is taken from the B section of the standard Alone Together, causing the V chord to lead back into the Sub V of the A section.Like many of Gillespie's tunes, it features a short written introduction and a brief interlude that occurs between solo sections - in this case, a twelve-bar sequence leading into a four-bar break for the next soloist.
$14.99 ≈
14.01€
Clinch at midnight - Charleston/Two Step - Clarinet Quintet
Clinch at midnight - Charleston/Two Step - Clarinet Quintet
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Clarinet Quintet: 5 clarinets
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INTERMEDIATE
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Jazz
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Thomas Graf
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Thomas Graf
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Clarinet in Eb (opt
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Clinch at midnight - Charlesto
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Thomas Graf - the-hit-factory.com
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SheetMusicPlus
Woodwind Ensemble Bass Clarinet,E-Flat Clarinet - Level 3 - Digital Download SKU: A0.569421 Composed by Thomas Graf. Arranged by Thomas Graf. Jazz. 27 pa...
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Woodwind Ensemble Bass Clarinet,E-Flat Clarinet - Level 3 - Digital Download SKU: A0.569421 Composed by Thomas Graf. Arranged by Thomas Graf. Jazz. 27 pages. Thomas Graf - the-hit-factory.com #6348639. Published by Thomas Graf - the-hit-factory.com (A0.569421). A top arrangement for your ensemble, simple key (D minor), funny melody (a pinch Muppet Show, a spoon Charleston, an associated shot ragtime, a little blues scale, its simple form (AABA) - a simple recipe your audience will love! Ein Top-Arrangement für Ihr Ensemble, einfache Tonart (D-minor), lustige Melodie (eine Prise Muppetshow, ein Löffel Charleston, ein gehöriger Schuss Ragtime, ein wenig Blues-Scale, seine einfache Form (A-A-B-A) - ein einfaches Rezept, das Ihre Zuhörer begeistern wird! Instrumentation: Clarinet in Eb (opt.), Clarinet 1 in Bb, Clarinet 2 in Bb, Clarinet 3 in Bb/Eb (Alto), Clarinet 4 in Bb/Eb (Alto), Bass Clarinet in Bb , Drums (opt.) Format: Score and part are in letter format. Listen to the video recording - a challenge for your ensemble. Please don't forget to review your purchase - you will help other musicians to choose the perfect arrangement for their ensemble. Thank you very much! Check out our latest uploads: http://www.sheetmusicplus.com/publishers/thomas-graf-the-hit-factory-com/smp-press/3001412+1303131?N... Any individual arrangement and substitute parts are available on request. Call +49 (0) 172 2515987 E-Mail: info@the-hit-factory.com. www.the-hit-factory.com facebook: https://www.facebook.com/hitfactorymusic .
$14.99 ≈
14.01€
Clarinet Quintet - Ding Dong Merrliy on High
Clarinet Quintet - Ding Dong Merrliy on High
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Clarinet Quintet: 5 clarinets
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INTERMEDIATE
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Traditional
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Mike Lyons
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Clarinet Quintet - Ding Dong M
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Lyons Music Services
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SheetMusicPlus
Woodwind Ensemble,Woodwind Quintet Clarinet - Level 3 - Digital Download SKU: A0.767532 Composed by Traditional. Arranged by Mike Lyons. Christian,Christ...
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Woodwind Ensemble,Woodwind Quintet Clarinet - Level 3 - Digital Download SKU: A0.767532 Composed by Traditional. Arranged by Mike Lyons. Christian,Christmas. 32 pages. Lyons Music Services #5044657. Published by Lyons Music Services (A0.767532). This is a clarinet quintet arrangement of my brand new and somewhat quirky arrangement of the well-known Christmas Carol. I've given the 2nd. Clarinet and Bass some of the spotlight in this setting. At letter D the music slips into a Jazz Waltz style and it is important to swing the quavers to get the full effect, which produces some interesting results. and at letter F, we find ourselves creating a little Hocket, with fragments of the tune passed around the enemble - but without it losing any of its cohesion. At letter G the music returns (almost) to normal. and this reprise leads to the end. Please pay attention to all the articulations and slurs, which are very specific to create the effects.
$10.99 ≈
10.27€
Watermelon Man for Clarinet Quintet & Opt. Drumset
Watermelon Man for Clarinet Quintet & Opt. Drumset
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Clarinet Quintet: 5 clarinets
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INTERMEDIATE
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Jazz
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Herbie Hancock
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Keith Terrett
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Watermelon Man for Clarinet Qu
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Music for all Occasions
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SheetMusicPlus
By Herbie Hancock. Arranged by Keith Terrett. Score, Set of Parts. 22 pages. Published by Music for all Occasions ...
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By Herbie Hancock. Arranged by Keith Terrett. Score, Set of Parts. 22 pages. Published by Music for all Occasions
Arranged for Clarinet Quintet & optional drumset, "Watermelon Man" is a jazz standard written by Herbie Hancock, first released on his debut album, Takin' Off (1962), in a grooving hard bop version that featured improvisations by Freddie Hubbard and Dexter Gordon.
A single of the tune reached the Top 100 of the pop charts. Cuban percussionist Mongo Santamaría released the tune as a latin pop single the next year on Battle Records, where it became a surprise hit, reaching #10 on the pop charts. Santamaría's recording was inducted into the Grammy Hall of Fame in 1998. Hancock radically re-worked the tune, combining elements of funk, for the album Head Hunters (1973).
Hancock's first version was released as a grooving hard bop record, and featured improvisations by Freddie Hubbard and Dexter Gordon. A single reached the Top 100 of the pop chart. Cuban percussionist Mongo Santamaría released the tune as a Latin pop single and it became a surprise hit, reaching No. 10 on the pop chart.[2] Santamaría's recording was inducted into the Grammy Hall of Fame in 1998. Hancock radically re-worked the tune, combining elements of funk, for the album Head Hunters (1973).
Hancock wrote the piece to help sell his debut album as a leader, Takin' Off (1962), on Blue Note Records; it was the first piece of music he had ever composed with a commercial goal in mind. The popularity of the piece, due primarily to Mongo Santamaría, paid Hancock's bills for five or six years. Hancock did not feel the composition was a sellout however, describing that structurally, it was one of his strongest pieces due to its almost mathematical balance.
The form is a sixteen bar blues. Recalling the piece, Hancock said, "I remember the cry of the watermelon man making the rounds through the back streets and alleys of Chicago. The wheels of his wagon beat out the rhythm on the cobblestones." The tune, based on a bluesy piano riff, drew on elements of R&B, soul jazz and bebop, all combined into a pop hook. Hancock joined bassist Butch Warren and drummer Billy Higgins in the rhythm section, with Freddie Hubbard on trumpet and Dexter Gordon on tenor saxophone. Hancock's chordal work draws from the gospel tradition, while he builds his solo on repeated riffs and trilled figures.
Hancock filled in for pianist Chick Corea in Mongo Santamaría's band one weekend at a nightclub in The Bronx when Corea gave notice that he was leaving. Hancock played the tune for Santamaría at friend Donald Byrd's urging. Santamaría started accompanying him on his congas, then his band joined in, and the small audience slowly got up from their tables and started dancing, laughing and having a great time. Santamaría later asked Hancock if he could record the tune. On December 17, 1962, Mongo Santamaría recorded a three-minute version, suitable for radio, where he joined timbalero Francisco "Kako" Baster in a cha-cha beat, while drummer Ray Lucas performed a backbeat. Santamaría included the track on his album Watermelon Man (1962). Santamaría's recording is sometimes considered the beginning of Latin boogaloo, a fusion of Afro-Cuban rhythms with those of R&B
Hancock re-recorded the tune for Head Hunters (1973), combining synthesizers with a Sly Stone and James Brown funk influence, adding an eight-bar section. Hancock described his composition "Chameleon", also from Head Hunters, to Down Beat magazine in 1979: "In the popular forms of funk, which I've been trying to get into, the attention is on the rhythmic interplay between different instruments. The part the Clavinet plays has to fit with the part the drums play and the line the bass plays and the line that the guitar plays. It's almost like African drummers where seven drummers play different parts"; "Watermelon Man" shares a similar construction. A live version was released on the double LP Flood (1975), recorded in Japan.
On the intro and outro of the tune, percussionist Bill Summers blows into beer bottles imitating hindewhu, a style of singing/whistle-playing found in Pygmy music of Central Africa. Hancock and Summers were struck by the sound, which they heard on the ethnomusicology LP, The Music of the Ba-Benzélé Pygmies (1966), by Simha Arom and Geneviève Taurelle.
This version was often featured on The Weather Channel's Local on the 8s segments.
The tune is a jazz standard and has been recorded over two hundred times. Hancock's recording has been sampled in "1-900-LL-Cool-J" from Walking with a Panther (1989) by LL Cool J, "Open Your Eyes" from Organized Konfusion (1991) by Organized Konfusion, "Smoke Some Kill" from Smoke Some Kill (1988) by Schoolly D, and "Pocket Full of Furl" from Uptown 4 Life (1996) by U.N.L.V. In 2003, pianist David Benoit covered the song from his album Right Here, Right Now.
A live and funky performance at the 1999 Montreux Jazz Festival Casino Lights '99 featured Fourplay, George Duke, Boney James and Kirk Whalum trading choruses, and Rick Braun.
$14.99 ≈
14.01€
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