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56 sheet music found Saint-Saëns: The Swan for Clarinet & Piano
Saint-Saëns: The Swan for Clarinet & Piano # Clarinet and Piano # INTERMEDIATE # Classical # Camille Saint-Saens # James M # Saint-Saëns: The Swan for Cla # jmsgu3 # SheetMusicPlus
B-Flat Clarinet,Piano - Level 3 - Digital Download SKU: A0.1314273 Composed by Camille Saint-Saens. Arranged by James M. Guthrie. 19th Century,Chamber,Co...(+)
B-Flat Clarinet,Piano - Level 3 - Digital Download SKU: A0.1314273 Composed by Camille Saint-Saens. Arranged by James M. Guthrie. 19th Century,Chamber,Contest,Festival,Historic,Romantic Period. Score and part. 11 pages. Jmsgu3 #903015. Published by jmsgu3 (A0.1314273). Saint-Saëns: The Swan (Le Cygne) movement 13 from the Carnival of the Animals Suite. One of his most popular and widely recognized works, it is the only movement from the Carnival Suite that Saint-Saëns permitted to be performed publicly during his lifetime. This is an excellent recital encore to demonstrate melodic playing and strategic phrasing.The Carnival of the AnimalsThe Carnival of the Animals is an entertaining musical suite of fourteen movements by Camille Saint-Saëns. The work was composed for private performance by an ensemble of two pianos and solo instruments. The Swan (No. 13) is among the fourteen most famous movements. In its entirety, it lasts about 25 minutes.Saint-Saëns BackgroundCharles-Camille Saint-Saëns 1835 – 1921) was, by all means, in particular, a famous French composer, brilliant organist, and significant musical mastermind of the Romantic era. Indeed, his most famous compositions, in the long run, include his Piano Concerto No. 2 (1868), Cello Concerto No. 1 (1872), and the Danse macabre (1874). Notwithstanding, we must also add Violin Concerto No. 3 (1880), Symphony No. 3 (the Organ Symphony, 1886), and, it must be remembered, Carnival of the Animals (1886) to the list.ChildhoodIt is essential to realize that Saint-Saëns was undoubtedly, in fact, a child musical prodigy. Consequently, with this in mind, he made his concert debut, albeit at ten years old. Another critical point to remember is that he expressly studied at the Paris Conservatoire, then, despite reality, conversely followed a traditional career path as a church organist. Nevertheless, twenty years later, on the other hand, he left to become a successful freelance pianist and composer despite, as has been noted, his former employment situation. Furthermore, his performances were, after all, markedly in demand - not only in Europe but, above all, in the Americas all in all as well.YouthA point often overlooked is that in his youth, Saint-Saëns was undoubtedly excited about the modern music of the day. He was, in essence, fond of the music of his contemporaries, particularly Schumann, Liszt, and, for the most part, Wagner. In contrast, however, his compositions seemed, in fact, primarily confined within the conservative classical tradition. Be that as it may, he was, at the same time, nevertheless, a scholar of musical history.CriticismOn the whole, his conservatism, in fact, ultimately brought him into frequent conflict in his later years with composers of the impressionist and, in particular, the dodecaphonic schools of musical thought. A point often overlooked is that he included neoclassical elements in his music, contrary to some critics. Furthermore, in so doing, he provided the most compelling evidence that he predicted the techniques and works by Stravinsky and Les Six. To put it another way, given these points, he was regarded, perhaps for the most part unfairly, as a non-progressive reactionary henceforth around the time of his passing.LegacySaint-Saëns taught briefly in Paris, where his students included Gabriel Fauré. Maurice Ravel later studied with Fauré. In conclusion, both Ravel and Fauré were powerfully influenced by Saint-Saëns, whom they respected as a musical mastermind. My Shepherd Will Supply My Need (Psalm 23): Trio for Clarinet, Violin and Piano
My Shepherd Will Supply My Need (Psalm 23): Trio for Clarinet, Violin and Piano # Violin, Clarinet, Piano (trio) # INTERMEDIATE # Isaac Watts, Maurice Ravel # John A # My Shepherd Will Supply My Nee # John A. Dempsey # SheetMusicPlus
Clarinet,Piano,Violin - Level 3 - Digital Download SKU: A0.1436097 Composed by Isaac Watts, Maurice Ravel. Arranged by John A. Dempsey. Christian,Folk,Pr...(+)
Clarinet,Piano,Violin - Level 3 - Digital Download SKU: A0.1436097 Composed by Isaac Watts, Maurice Ravel. Arranged by John A. Dempsey. Christian,Folk,Praise & Worship,Sacred,Traditional. 19 pages. John A. Dempsey #1016254. Published by John A. Dempsey (A0.1436097). In this trio for Bb clarinet, violin and piano, the lush, gorgeous harmonies of Maurice Ravel have been inlaid into the solid stonework of Isaac Watts' inspirational hymn based on Psalm 23, My Shepherd Will Supply My Need. This hymn arrangement is recommended for traditional church services and other worship events, as a prelude, postlude, an offertory, interlude and special music. Also popular as a concert/recital selection. 15 pages of music (that includes separate two-page parts for clarinet and violin). Concert Key: C major. Solos for the Intermediate Clarinetist, Volume 1 for Clarinet & Piano 40026
Solos for the Intermediate Clarinetist, Volume 1 for Clarinet & Piano 40026 # Clarinet and Piano # INTERMEDIATE # Daniel Kelley # Daniel Kelley # Solos for the Intermediate Cla # Last Resort Music Publishing # SheetMusicPlus
B-Flat Clarinet,Piano - Level 3 - Digital Download SKU: A0.789211 By Daniel Kelley. By Various. Arranged by Daniel Kelley. Baroque,Classical,Instructiona...(+)
B-Flat Clarinet,Piano - Level 3 - Digital Download SKU: A0.789211 By Daniel Kelley. By Various. Arranged by Daniel Kelley. Baroque,Classical,Instructional,Romantic Period. Score and part. 79 pages. Last Resort Music Publishing #396462. Published by Last Resort Music Publishing (A0.789211). Favorites arranged in progressive order for the developing clarinetist! Includes works by Bach, Bartok, Brahms, Chopin, Ravel, Stravinsky and more! Table of Contents - 40026 March in D Major from the Anna Magdalene Bach Notebook (Bach) Braul & Joc Cu Bata from Rumanian Folk Dances (Bartok) Ode to Joy from Symphony #9 (Beethoven) Waltz from Waltz in Ab Major, Op. 39 #15 (Brahms) Grande Valse Brilliante from Waltz in Eb Major, Op. 18 (Chopin) Nocturne from Op. 9 #2 for piano (Chopin) Trumpet Voluntary (Clarke) Bourree, Menuet & La Rejouissance from The Fireworks Music (Handel) Largo from Xerxes (Handel) Waltz from Waves of the Danube, #1 (Ivanovici) Nocturne from A Midsummer Night's Dream (Mendelssohn) Rondeau from Sinfonies de Fanfares (Mouret) Ave Verum Corpus (Mozart) Allegro from Eine Kleine Nachtmusic (Mozart) Pavane pour une Infante Defunte (Ravel) Traumerei from Kinderscenen, Op. 15, #7 (Schumann) Gavotta from Pulcinella (Stravinsky) Larghetto (Stravinsky) Allegro from Violin Concerto in F Major, Op. 8 #3 - Autumn (Vivaldi) Allegro from Violin Concerto in E Major, Op. 8 #1 - Spring (Vivaldi) Published by Last Resort Music Publishing Inc. www.lastresortmusic.com. Saint-Saëns: The Swan for Bass Clarinet & Piano
Saint-Saëns: The Swan for Bass Clarinet & Piano # Bass Clarinet # INTERMEDIATE # Classical # Camille Saint-Saens # James M # Saint-Saëns: The Swan for Bas # jmsgu3 # SheetMusicPlus
Bass Clarinet,Instrumental Solo - Level 3 - Digital Download SKU: A0.1314265 Composed by Camille Saint-Saens. Arranged by James M. Guthrie. 19th Century,...(+)
Bass Clarinet,Instrumental Solo - Level 3 - Digital Download SKU: A0.1314265 Composed by Camille Saint-Saens. Arranged by James M. Guthrie. 19th Century,Chamber,Contest,Festival,Historic,Wedding. Individual part. 11 pages. Jmsgu3 #903006. Published by jmsgu3 (A0.1314265). Saint-Saëns: The Swan (Le Cygne) movement 13 from the Carnival of the Animals Suite. One of his most popular and widely recognized works, it is the only movement from the Carnival Suite that Saint-Saëns permitted to be performed publicly during his lifetime. This is an excellent recital encore to demonstrate melodic playing and strategic phrasing.The Carnival of the AnimalsThe Carnival of the Animals is an entertaining musical suite of fourteen movements by Camille Saint-Saëns. The work was composed for private performance by an ensemble of two pianos and solo instruments. The Swan (No. 13) is among the fourteen most famous movements. In its entirety, it lasts about 25 minutes.Saint-Saëns BackgroundCharles-Camille Saint-Saëns 1835 – 1921) was, by all means, in particular, a famous French composer, brilliant organist, and significant musical mastermind of the Romantic era. Indeed, his most famous compositions, in the long run, include his Piano Concerto No. 2 (1868), Cello Concerto No. 1 (1872), and the Danse macabre (1874). Notwithstanding, we must also add Violin Concerto No. 3 (1880), Symphony No. 3 (the Organ Symphony, 1886), and, it must be remembered, Carnival of the Animals (1886) to the list.ChildhoodIt is essential to realize that Saint-Saëns was undoubtedly, in fact, a child musical prodigy. Consequently, with this in mind, he made his concert debut, albeit at ten years old. Another critical point to remember is that he expressly studied at the Paris Conservatoire, then, despite reality, conversely followed a traditional career path as a church organist. Nevertheless, twenty years later, on the other hand, he left to become a successful freelance pianist and composer despite, as has been noted, his former employment situation. Furthermore, his performances were, after all, markedly in demand - not only in Europe but, above all, in the Americas all in all as well.YouthA point often overlooked is that in his youth, Saint-Saëns was undoubtedly excited about the modern music of the day. He was, in essence, fond of the music of his contemporaries, particularly Schumann, Liszt, and, for the most part, Wagner. In contrast, however, his compositions seemed, in fact, primarily confined within the conservative classical tradition. Be that as it may, he was, at the same time, nevertheless, a scholar of musical history.CriticismOn the whole, his conservatism, in fact, ultimately brought him into frequent conflict in his later years with composers of the impressionist and, in particular, the dodecaphonic schools of musical thought. A point often overlooked is that he included neoclassical elements in his music, contrary to some critics. Furthermore, in so doing, he provided the most compelling evidence that he predicted the techniques and works by Stravinsky and Les Six. To put it another way, given these points, he was regarded, perhaps for the most part unfairly, as a non-progressive reactionary henceforth around the time of his passing.LegacySaint-Saëns taught briefly in Paris, where his students included Gabriel Fauré. Maurice Ravel later studied with Fauré. In conclusion, both Ravel and Fauré were powerfully influenced by Saint-Saëns, whom they respected as a musical mastermind.