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16 sheet music found 10 Easter Rock'n'Roll Duets for Clarinet and Alto Saxophone
10 Easter Rock'n'Roll Duets for Clarinet and Alto Saxophone # Saxophone, Clarinet (duet) # INTERMEDIATE # David McKeown # 10 Easter Rock'n'Roll Duets fo # David McKeown # SheetMusicPlus
Instrumental Duet Alto Saxophone,Clarinet,Instrumental Duet - Level 3 - Digital Download SKU: A0.591451 Composed by David McKeown. Blues,Easter,Pop,R & B...(+)
Instrumental Duet Alto Saxophone,Clarinet,Instrumental Duet - Level 3 - Digital Download SKU: A0.591451 Composed by David McKeown. Blues,Easter,Pop,R & B,Rock. Score and parts. 24 pages. David McKeown #6295161. Published by David McKeown (A0.591451). 10 Easter Rock’n’Roll Duets is a fun collection of original compositions by David McKeown for one Clarinet and one Alto Saxophone.Each Easter themed duet is inspired by a different American dance style from the golden age of Rock’n’Roll. These duets are ideal for players of an Intermediate standard and above. While the keys and range are easily accessible for your instrument, the style of music requires accidentals and syncopated rhythms. Click the link above to hear short samples of each duet on YouTube played on clarinet.10 Easter Rock’n’Roll Duets areperfect for concert performances large and small; each piece lasts between one and two minutes. Perfect upbeat pieces to get you moving after a long winter, but playable any time of year. fully articulated to help interpret each style. great for helping with complex rhythms. road tested with scores of students and performed all over the world.fun to play. an exciting introduction to different musical Rock’n’Roll styles. 23 pages adding up to nearly twenty minutes of quality music. The ten titles are, Tulip Ch’Boogie, Baby Sheep Shuffle, Candy Cakewalk, Chocolate Chalypso, Daffodil Doo-Wop, Easter Bonnet Bop, Easter Bunny Hop, Easter Egg Rock, Jellybean Jive and Spring Chicken Swing.There are many more top quality arrangements and compositions by David McKeown for you to browse at https://www.sheetmusicplus.com/publishers/david-mckeown/6203 Grá, (Irish Gaelic for Love), Clarinet and Alto Saxophone Duet
Grá, (Irish Gaelic for Love), Clarinet and Alto Saxophone Duet # Saxophone, Clarinet (duet) # INTERMEDIATE # David McKeown # Grá, # David McKeown # SheetMusicPlus
Instrumental Duet Alto Saxophone,Clarinet,Instrumental Duet - Level 3 - Digital Download SKU: A0.590542 Composed by David McKeown. Celtic,Folk,Holiday,Lo...(+)
Instrumental Duet Alto Saxophone,Clarinet,Instrumental Duet - Level 3 - Digital Download SKU: A0.590542 Composed by David McKeown. Celtic,Folk,Holiday,Love,Wedding. Score and parts. 4 pages. David McKeown #6212665. Published by David McKeown (A0.590542). Grá, (Irish for Love), is a beautiful original composition by David McKeown, arranged as a duet for one Clarinet and one Alto Saxophone.This duet is inspired by the Irish sean-nós style of singing. Originally sung unaccompanied in the Irish Gaelic language, in more recent times the melodies have been adapted as instrumentals, harmonised and given accompaniment. The songs are most often about love and loss and Grá aims to capture this melancholy mood.Grá is written for players at an intermediate standard and upwards. Expressive throughout, the first part of the melody is played above a drone. Simple accompaniment then builds towards a climax before the melody slips away like a distant echo. Players can add their own appropriate ornaments and variations to the melody if they wish. Grá has a performance time of a little over three minutes. Click the link above to hear a full performance of the Clarinet version of Grá on Youtube.There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203 Merengue de Merlín, for Clarinet and Trumpet Duet
Merengue de Merlín, for Clarinet and Trumpet Duet # Clarinet, Trumpet (duet) # INTERMEDIATE # David McKeown # Merengue de Merlín, for Clari # David McKeown # SheetMusicPlus
Instrumental Duet Clarinet,Instrumental Duet,Trumpet - Level 3 - Digital Download SKU: A0.588587 Composed by David McKeown. Concert,Latin,Standards,World...(+)
Instrumental Duet Clarinet,Instrumental Duet,Trumpet - Level 3 - Digital Download SKU: A0.588587 Composed by David McKeown. Concert,Latin,Standards,World. Score and parts. 8 pages. David McKeown #5743955. Published by David McKeown (A0.588587). Merengue de MerlÃn is an exciting original composition by David McKeown, arranged as a duet for one Clarinet and one Trumpet.This duet is based on the traditional Latin style of Merengue that emerged in the Dominican Republic during the Nineteenth Century. Merengue Tipico bands maintain the traditional instrumentation of the double-headed tambora drum, güira, accordion and vocal, while urban bands in the North American diaspora often add saxophone, bass and other percussion. The Merengue dance became hugely popular in the 1950s and new forms continue to draw audiences around the world.If you play to an intermediate standard and upwards, then you and your audience will enjoy this piece. The steady quintilla tambora rhythm is present throughout, and following the precise articulation in the score will help convey the style. The main challenge is the fast tempo and melodies should be clearly articulated. Merengue de MerlÃn has a performance time of around two and a half minutes at full tempo. You can listen to a full performance the Alto Saxophone version of this duet by following the YouTube link above.There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203 Merengue de Merlín, for Clarinet and Violin Duet
Merengue de Merlín, for Clarinet and Violin Duet # Clarinet, Violin (duet) # INTERMEDIATE # David McKeown # Merengue de Merlín, for Clari # David McKeown # SheetMusicPlus
Instrumental Duet Clarinet,Instrumental Duet,Violin - Level 3 - Digital Download SKU: A0.588644 Composed by David McKeown. Concert,Latin,Standards,World....(+)
Instrumental Duet Clarinet,Instrumental Duet,Violin - Level 3 - Digital Download SKU: A0.588644 Composed by David McKeown. Concert,Latin,Standards,World. Score and parts. 8 pages. David McKeown #5743959. Published by David McKeown (A0.588644). Merengue de MerlÃn is an exciting original composition by David McKeown, arranged as a duet for one Clarinet and one Violin.This duet is based on the traditional Latin style of Merengue that emerged in the Dominican Republic during the Nineteenth Century. Merengue Tipico bands maintain the traditional instrumentation of the double-headed tambora drum, güira, accordion and vocal, while urban bands in the North American diaspora often add saxophone, bass and other percussion. The Merengue dance became hugely popular in the 1950s and new forms continue to draw audiences around the world.If you play to an intermediate standard and upwards, then you and your audience will enjoy this piece. The steady quintilla tambora rhythm is present throughout, and following the precise articulation in the score will help convey the style. The main challenge is the fast tempo and melodies should be clearly articulated. Merengue de MerlÃn has a performance time of around two and a half minutes at full tempo. You can listen to a full performance the Alto Saxophone version of this duet by following the YouTube link above.There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203 Merengue de Merlín, for Clarinet and Alto Clarinet Duet
Merengue de Merlín, for Clarinet and Alto Clarinet Duet # 2 Clarinets (duet) # INTERMEDIATE # David McKeown # Merengue de Merlín, for Clari # David McKeown # SheetMusicPlus
Instrumental Duet E-Flat Clarinet,Instrumental Duet - Level 3 - Digital Download SKU: A0.588686 Composed by David McKeown. Latin,Multicultural,Standards,...(+)
Instrumental Duet E-Flat Clarinet,Instrumental Duet - Level 3 - Digital Download SKU: A0.588686 Composed by David McKeown. Latin,Multicultural,Standards,World. Score and parts. 8 pages. David McKeown #5743949. Published by David McKeown (A0.588686). Merengue de MerlÃn is an exciting original composition by David McKeown, arranged as a duet for one Clarinet and one Alto Clarinet.This duet is based on the traditional Latin style of Merengue that emerged in the Dominican Republic during the Nineteenth Century. Merengue Tipico bands maintain the traditional instrumentation of the double-headed tambora drum, güira, accordion and vocal, while urban bands in the North American diaspora often add saxophone, bass and other percussion. The Merengue dance became hugely popular in the 1950s and new forms continue to draw audiences around the world.If you play to an intermediate standard and upwards, then you and your audience will enjoy this piece. The steady quintilla tambora rhythm is present throughout, and following the precise articulation in the score will help convey the style. The main challenge is the fast tempo and melodies should be clearly articulated. Merengue de MerlÃn has a performance time of around two and a half minutes at full tempo. You can listen to a full performance the Alto Saxophone version of this duet by following the YouTube link above.There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203 Merengue de Merlín, for Clarinet Duet
Merengue de Merlín, for Clarinet Duet # 2 Clarinets (duet) # INTERMEDIATE # David McKeown # Merengue de Merlín, for Clari # David McKeown # SheetMusicPlus
Clarinet Duet Clarinet - Level 3 - Digital Download SKU: A0.588710 Composed by David McKeown. Concert,Latin,Standards,World. 2 scores. 8 pages. David McK...(+)
Clarinet Duet Clarinet - Level 3 - Digital Download SKU: A0.588710 Composed by David McKeown. Concert,Latin,Standards,World. 2 scores. 8 pages. David McKeown #5743961. Published by David McKeown (A0.588710). Merengue de MerlÃn is an exciting original composition by David McKeown, arranged as a duet for two Clarinets.This duet is based on the traditional Latin style of Merengue that emerged in the Dominican Republic during the Nineteenth Century. Merengue Tipico bands maintain the traditional instrumentation of the double-headed tambora drum, güira, accordion and vocal, while urban bands in the North American diaspora often add saxophone, bass and other percussion. The Merengue dance became hugely popular in the 1950s and new forms continue to draw audiences around the world.If you play to an intermediate standard and upwards, then you and your audience will enjoy this piece. The steady quintilla tambora rhythm is present throughout, and following the precise articulation in the score will help convey the style. The main challenge is the fast tempo and melodies should be clearly articulated. Merengue de MerlÃn has a performance time of around two and a half minutes at full tempo. You can listen to a full performance the Alto Saxophone version of this duet by following the YouTube link above.There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203 Merengue de Merlín, for Violin and Clarinet Duet
Merengue de Merlín, for Violin and Clarinet Duet # Clarinet, Violin (duet) # INTERMEDIATE # David McKeown # Merengue de Merlín, for Violi # David McKeown # SheetMusicPlus
Instrumental Duet Clarinet,Instrumental Duet,Violin - Level 3 - Digital Download SKU: A0.588666 Composed by David McKeown. Concert,Latin,Standards,World....(+)
Instrumental Duet Clarinet,Instrumental Duet,Violin - Level 3 - Digital Download SKU: A0.588666 Composed by David McKeown. Concert,Latin,Standards,World. Score and parts. 8 pages. David McKeown #5744019. Published by David McKeown (A0.588666). Merengue de MerlÃn is an exciting original composition by David McKeown, arranged as a duet for one Violin and one Clarinet.This duet is based on the traditional Latin style of Merengue that emerged in the Dominican Republic during the Nineteenth Century. Merengue Tipico bands maintain the traditional instrumentation of the double-headed tambora drum, güira, accordion and vocal, while urban bands in the North American diaspora often add saxophone, bass and other percussion. The Merengue dance became hugely popular in the 1950s and new forms continue to draw audiences around the world.If you play to an intermediate standard and upwards, then you and your audience will enjoy this piece. The steady quintilla tambora rhythm is present throughout, and following the precise articulation in the score will help convey the style. The main challenge is the fast tempo and melodies should be clearly articulated. Merengue de MerlÃn has a performance time of around two and a half minutes at full tempo. You can listen to a full performance the Alto Saxophone version of this duet by following the YouTube link above.There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203 Hamacando a las mellizas [clarinet quartet]
Hamacando a las mellizas [clarinet quartet] # Clarinet Quartet: 4 clarinets # INTERMEDIATE # Juan MarÃa Solare # Hamacando a las mellizas [clar # Juan Maria Solare # SheetMusicPlus
Woodwind Ensemble,Woodwind Quartet Clarinet - Level 3 - Digital Download SKU: A0.596611 Composed by Juan MarÃa Solare. Blues,Children,Instructional,Ja...(+)
Woodwind Ensemble,Woodwind Quartet Clarinet - Level 3 - Digital Download SKU: A0.596611 Composed by Juan MarÃa Solare. Blues,Children,Instructional,Jazz. 18 pages. Juan Maria Solare #6132589. Published by Juan Maria Solare (A0.596611). Juan MarÃa Solare: Hamacando a las mellizas (Swinging Twins or Swinging the twins) a children blues for piano This work was born -precisely- while rocking (swinging) my twins Laura and Alma, as an improvised melody that accompanied their activity (or rather mine). From there to write it down there was only one step. As a second theme, it seemed appropriate to invert the melody, since twinhood implies a certain specular symmetry. Hamacando a las mellizas has the traditional structure of the twelve-bar blues, and a merry, innocent and carefree character. Hamacando a las mellizas was composed in Bremen (Germany) between June 21 and 23, 2020. Shortly afterwards, adaptations for a variety of instrumental combinations were written, such as - alto saxophone, double bass and piano (*) - clarinet, double bass and piano - violin and piano - clarinet quartet The version for clarinet quartet was premiered within the framework of the IV International Festival of Clarinets of San MartÃn de los Andes (Argentina), which took place online from November 12 to 15, 2020. Performers (from right to left): - Gabriel Blasberg (Buenos Aires) - Lorena Portilla (Saladillo, province of Buenos Aires) - Amelia Saftich (San MartÃn de los Andes, province of Neuquén) - Ximena Hegen (Inu) (Bariloche, province of RÃo Negro). - Video editing: Bernabé Arrighi https://youtu.be/UkcAALkVn88 (*) find this version in Spotify, Apple Music etc. from 1 January 2021. "To God alone on high be glory" for Clarinet and String Quartet
"To God alone on high be glory" for Clarinet and String Quartet # Clarinet Quintet: Clarinet, String Quartet # EASY # Max Reger # Cristiano Vecchi # "To God alone on high be glory # Cristiano Vecchi # SheetMusicPlus
Large Ensemble Cello,Clarinet,Flute,Oboe,Soprano Saxophone,Viola,Violin - Level 2 - Digital Download SKU: A0.963372 Composed by Max Reger. Arranged by Cr...(+)
Large Ensemble Cello,Clarinet,Flute,Oboe,Soprano Saxophone,Viola,Violin - Level 2 - Digital Download SKU: A0.963372 Composed by Max Reger. Arranged by Cristiano Vecchi. 20th Century,Instructional,Praise & Worship,Sacred,Standards. Score and parts. 10 pages. Cristiano Vecchi #4892411. Published by Cristiano Vecchi (A0.963372). The N.2 from 30 Little Choral Preludes, op.135a for organ by Max Reger: a traditional lutheran hymn, Allein Gott in der Höh' sei Ehr' , written in five real parts; here transposed in Bb Major, a third above, to get a brighter sound. Duration: 1'20.Version for Clarinet in Bb and String Quartet (included an extra part in actual pitches to use a C instrument for the melody, like Flute or Oboe or Violin).SCORE and PARTS.MP3 also available on this website.Also available for Woodwind Quintet. Watermelon Man for Clarinet Quintet & Opt. Drumset
Watermelon Man for Clarinet Quintet & Opt. Drumset # Clarinet Quintet: 5 clarinets # INTERMEDIATE # Jazz # Herbie Hancock # Keith Terrett # Watermelon Man for Clarinet Qu # Music for all Occasions # SheetMusicPlus
By Herbie Hancock. Arranged by
Keith Terrett. Score, Set of
Parts. 22 pages. Published by
Music for all Occasions ...(+)
By Herbie Hancock. Arranged by
Keith Terrett. Score, Set of
Parts. 22 pages. Published by
Music for all Occasions Arranged for Clarinet Quintet & optional drumset, "Watermelon Man" is a jazz standard written by Herbie Hancock, first released on his debut album, Takin' Off (1962), in a grooving hard bop version that featured improvisations by Freddie Hubbard and Dexter Gordon.
A single of the tune reached the Top 100 of the pop charts. Cuban percussionist Mongo Santamaría released the tune as a latin pop single the next year on Battle Records, where it became a surprise hit, reaching #10 on the pop charts. Santamaría's recording was inducted into the Grammy Hall of Fame in 1998. Hancock radically re-worked the tune, combining elements of funk, for the album Head Hunters (1973).
Hancock's first version was released as a grooving hard bop record, and featured improvisations by Freddie Hubbard and Dexter Gordon. A single reached the Top 100 of the pop chart. Cuban percussionist Mongo Santamaría released the tune as a Latin pop single and it became a surprise hit, reaching No. 10 on the pop chart.[2] Santamaría's recording was inducted into the Grammy Hall of Fame in 1998. Hancock radically re-worked the tune, combining elements of funk, for the album Head Hunters (1973).
Hancock wrote the piece to help sell his debut album as a leader, Takin' Off (1962), on Blue Note Records; it was the first piece of music he had ever composed with a commercial goal in mind. The popularity of the piece, due primarily to Mongo Santamaría, paid Hancock's bills for five or six years. Hancock did not feel the composition was a sellout however, describing that structurally, it was one of his strongest pieces due to its almost mathematical balance.
The form is a sixteen bar blues. Recalling the piece, Hancock said, "I remember the cry of the watermelon man making the rounds through the back streets and alleys of Chicago. The wheels of his wagon beat out the rhythm on the cobblestones." The tune, based on a bluesy piano riff, drew on elements of R&B, soul jazz and bebop, all combined into a pop hook. Hancock joined bassist Butch Warren and drummer Billy Higgins in the rhythm section, with Freddie Hubbard on trumpet and Dexter Gordon on tenor saxophone. Hancock's chordal work draws from the gospel tradition, while he builds his solo on repeated riffs and trilled figures.
Hancock filled in for pianist Chick Corea in Mongo Santamaría's band one weekend at a nightclub in The Bronx when Corea gave notice that he was leaving. Hancock played the tune for Santamaría at friend Donald Byrd's urging. Santamaría started accompanying him on his congas, then his band joined in, and the small audience slowly got up from their tables and started dancing, laughing and having a great time. Santamaría later asked Hancock if he could record the tune. On December 17, 1962, Mongo Santamaría recorded a three-minute version, suitable for radio, where he joined timbalero Francisco "Kako" Baster in a cha-cha beat, while drummer Ray Lucas performed a backbeat. Santamaría included the track on his album Watermelon Man (1962). Santamaría's recording is sometimes considered the beginning of Latin boogaloo, a fusion of Afro-Cuban rhythms with those of R&B
Hancock re-recorded the tune for Head Hunters (1973), combining synthesizers with a Sly Stone and James Brown funk influence, adding an eight-bar section. Hancock described his composition "Chameleon", also from Head Hunters, to Down Beat magazine in 1979: "In the popular forms of funk, which I've been trying to get into, the attention is on the rhythmic interplay between different instruments. The part the Clavinet plays has to fit with the part the drums play and the line the bass plays and the line that the guitar plays. It's almost like African drummers where seven drummers play different parts"; "Watermelon Man" shares a similar construction. A live version was released on the double LP Flood (1975), recorded in Japan.
On the intro and outro of the tune, percussionist Bill Summers blows into beer bottles imitating hindewhu, a style of singing/whistle-playing found in Pygmy music of Central Africa. Hancock and Summers were struck by the sound, which they heard on the ethnomusicology LP, The Music of the Ba-Benzélé Pygmies (1966), by Simha Arom and Geneviève Taurelle.
This version was often featured on The Weather Channel's Local on the 8s segments.
The tune is a jazz standard and has been recorded over two hundred times. Hancock's recording has been sampled in "1-900-LL-Cool-J" from Walking with a Panther (1989) by LL Cool J, "Open Your Eyes" from Organized Konfusion (1991) by Organized Konfusion, "Smoke Some Kill" from Smoke Some Kill (1988) by Schoolly D, and "Pocket Full of Furl" from Uptown 4 Life (1996) by U.N.L.V. In 2003, pianist David Benoit covered the song from his album Right Here, Right Now.
A live and funky performance at the 1999 Montreux Jazz Festival Casino Lights '99 featured Fourplay, George Duke, Boney James and Kirk Whalum trading choruses, and Rick Braun.