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1,681 sheet music found Parry - Te Deum Orchestrated by Adrian Connell - Flute 2
Parry - Te Deum Orchestrated by Adrian Connell - Flute 2 # Flute (band part) # Charles Hubert Hastings Parry # Adrian Connell # Parry - Te Deum Orchestrated b # Adrian Connell # SheetMusicPlus
Chamber Orchestra - Digital Download SKU: A0.823432 Composed by Charles Hubert Hastings Parry. Arranged by Adrian Connell. 20th Century,Praise & Worship,...(+)
Chamber Orchestra - Digital Download SKU: A0.823432 Composed by Charles Hubert Hastings Parry. Arranged by Adrian Connell. 20th Century,Praise & Worship,Romantic Period,Sacred. Score and parts. 2 pages. Adrian Connell #3141245. Published by Adrian Connell (A0.823432). Originally written for SATB choir and organ, I decided to orchestrate this work for a performance by my choir, Ruskin Chorale in 2012. The work is scored for a chamber orchestra of 2 flutes, oboe, 2 clarinets in A, bassoon, 2 horns, timpani and strings. Conflusion - Suite - Wind Ensemble - Flute 2
Conflusion - Suite - Wind Ensemble - Flute 2 # Flute (band part) # ADVANCED # Thomas Graf # Thomas Graf # Conflusion - Suite - Wind Ense # Thomas Graf - the-hit-factory.com # SheetMusicPlus
Woodwind Ensemble Flute - Level 5 - Digital Download SKU: A0.567883 Composed by Thomas Graf. Arranged by Thomas Graf. 20th Century,Contemporary,Jazz. 8 p...(+)
Woodwind Ensemble Flute - Level 5 - Digital Download SKU: A0.567883 Composed by Thomas Graf. Arranged by Thomas Graf. 20th Century,Contemporary,Jazz. 8 pages. Thomas Graf - the-hit-factory.com #1986085. Published by Thomas Graf - the-hit-factory.com (A0.567883). Conflusion - Suite - Wind Ensemble Phantasy in 3 mouvements for large wind ensemble, double bass and percussion 1. Movement: Deux Caractères 3’59’’ 2. Movement: Dialogues 3’18’’ 3. Movement: Dance de Conflusion 4’24’’ Find all info’s on Youtube: https://youtu.be/Qa4uoTTQ2-o Tatl duration 10‘41‘‘ Instrumentation: 3 flutes (with Piccolo), 3 Clarinets (including bass clarinet), 2 Oboes, cor anglais, 2 Bassoons, contra-bassoon, 3 trumpets, 3 trombones, tuba, double bass, 2 percussion I'm looking for an open-minded Orchestra for a recording, as well as partner(Orchestra and/or conductor) for an arrangement for symphonic wind band. Thomas H. Graf. Beethoven: Sonata Op. 49 No. 2 for Flute Quartet
Beethoven: Sonata Op. 49 No. 2 for Flute Quartet # Flute Quartet: 4 flutes # INTERMEDIATE # Classical # Ludwig van
Beethoven # James M # Beethoven: Sonata Op. 49 No. 2 # SheetMusicPlus
Flute Quartet
Instrumentation: 2 concert
flutes, 1 alto flute, 1 bass
flute - Intermediate -
Digital Download
Composed by Ludwig van
Beethoven (1770-...(+)
Flute Quartet
Instrumentation: 2 concert
flutes, 1 alto flute, 1 bass
flute - Intermediate -
Digital Download
Composed by Ludwig van
Beethoven (1770-1827).
Arranged by James M. Guthrie,
ASCAP. Classical Period,
Repertoire, European,
Wedding, Recital. Score, Set
of Parts. 52 pages. Published
by jmsgu3 Beethoven Sonata Op. 49 No. 2 arranged for flute quartet. Duration: ca: 10:15 Score: 30 pages, 242 measures. In two movements. A great recital piece to demonstrate nuances of the flute quartet.
Sonata Op. 49 No. 2
Arranged from Beethoven’s Piano Sonata No. 20, this isa simple but interesting work in two movements showing the composers sense ofhumor. The first movement “Allegro ma non troppo” and the second movement“Tempo di Menuetto” are both in the key of G. Both Sonatas 19 and 20 (op. 49,No. 1 & 2) are named “Easy Sonatas” because they are technically easierthan the usual Beethoven Sonatas. This makes them very popular among studentsand teachers alike.
BeethovenBackground
Ludwig vanBeethoven (1770 –1827) was certainly a German pianist. Aboveall, he was probably one of the greatest composers in history. As a result, heis a pivotal character in the progress between the Classical and Romantic periods.He is certainly one of the most famous and hence important of all composers.Seems like his most familiar and noteworthy works include symphonies 1-9; pianoconcertos 1-5; and furthermore, the violin concerto. Also, certainly of extremeimportance are the noteworthy 32 sonatas for the piano; the string quartets1-16; the Missa solemnis; and likewise, his only opera, Fidelio.
Beethoven Overview
First of all, Beethoven was born andconsequently raised in Bonn. Upon turning 21 he moved to Vienna probablyto study composition with Haydn. That’s when he consequently grew areputation as a brilliant pianist. Furthermore, he probably stayed in Viennathe rest of his life. In his late 20s it seems like his hearing certainly beganto decline. It slowly declined until consequently he was nearly totally deafprobably by the last decade of his life. As a result, he stopped conducting andperforming. Nevertheless, he continued to compose. As a result, some of hisgreatest works probably come from this period.
First Period
Seems like we often divideBeethoven’s life into three periods. Period 1 begins with Beethoven’s arrivalin Vienna. Hence, during this period, he mastered the Viennese style of Haydn& Mozart. He consequently began increasing the size and scale of his works.Furthermore, he experimented with extreme dynamics, and likewise extreme tempi.He worked similarly with chromatic harmony. His First and Second Symphoniestherefore belong to this period. Other important works also belong here: the firstsix string quartets and the Sonata Pathétique, Op. 13.
Second Period
His second period probably began assoon as he realized that he was going deaf. During this period, it seems likehe became obsessed with the idea of heroism. His works consequently become evenlarger and more massive. The most noteworthy of these include the symphonies 3– 8, piano concertos 5& 6, 5 string quartets, several important piano sonatas(Waldstein and Appassionata), the Kreutzer violinsonata, the violin concerto and his only opera: Fidelio.
Third Period
In contrast, Beethoven's thirdperiod is branded above all by works of incredible intellectual depth, formalinnovation, and penetrating expression. It seems like he continued to expandhis works. Consequently, the string quartet Op. 131 spills over into sevenconnected movements. Likewise, in the Ninth Symphony he adds choral forcesto his orchestra probably for the first time in history. Even more, otherworks from this period include his Missa solemnis, the final 5string quartets (including the enormous Große Fuge) and the finalfive sonatas for piano. The Latest Whistledown from Bridgerton for Flute Choir
The Latest Whistledown from Bridgerton for Flute Choir # Flute ensemble # INTERMEDIATE/ADVANCED # Film/TV # Lisa Ochoco # The Latest Whistledown from Br # Lisa
Ochoco # SheetMusicPlus
Flute Choir - Advanced
Intermediate - Digital
Download
Arranged by Lisa Ochoco.
Score, Set of Parts. 18
pages. Published by Lisa
Ochoco...(+)
Flute Choir - Advanced
Intermediate - Digital
Download
Arranged by Lisa Ochoco.
Score, Set of Parts. 18
pages. Published by Lisa
Ochoco For those Bridgerton fans out there, Lady Whistledown's Society Paper is how her dearest readers discovered the juiciest news about everyone who was someone in London. "If there's a scandal, she shall uncover it, and share every last detail." Even the queen read it!
The Netflix series burst onto the screen in December 2020, amid a pandemic, and became one of the most popular shows around the world.
Kris Bowers wrote the soundtrack for Bridgerton. The recording was done remotely by just 8 orchestra musicians. It proves, as many musicians have during the pandemic, that you don't have to be in the same room to make great music with others - the process is just a little weird.
The Latest Whistledown is a lively piece that is quite a delight. This arrangement is a bit beefier than the original recording, as it makes no sense to me to have members of the choir just sitting there with nothing to play while the others may think they have too many notes. This piece also includes a key change that the original does not have, because it helps lengthen the delight a little more.
Scored for piccolo, 3 C flutes, alto, bass, and contrabass flutes. There is an optional upright string bass part that doubles the contrabass part. It can be played by any bass clef C instrument in a similar range.
Duration: 2 minutes Silver Wedding, Klezmer Tune for Flute Duet
Silver Wedding, Klezmer Tune for Flute Duet # 2 Flutes (duet) # INTERMEDIATE # Wedding/Ballad # Wedding/Ballad # Traditional # David McKeown # Silver Wedding, Klezmer Tune f # David McKeown # SheetMusicPlus
Flute Duet - Intermediate -
Digital Download
Composed by Traditional.
Arranged by David McKeown.
Jewish, Israeli, Klezmer,
Wedding, Bar or Bat Mitzvah....(+)
Flute Duet - Intermediate -
Digital Download
Composed by Traditional.
Arranged by David McKeown.
Jewish, Israeli, Klezmer,
Wedding, Bar or Bat Mitzvah.
Score. 5 pages. Published by
David McKeown Silver Wedding, (Die Silberne Khasene in Yiddish), is a Jewish Folk tune, often performed by Klezmer musicians. This version is arranged as a duet for two Flutes.
Jewish Wedding bands, prominent in early twentieth century New York, were well placed to take advantage of the phonograph recording revolution. Accordingly, we are fortunate to have a rich record of the musical style of the time. Silver Wedding first appeared in a 1915 recording by Abe Elenkrig’s Orchestra. Elenkrig was born in Ukraine, which may point to the origins of the tune. Silver Wedding is in a Bulgar style, a happy piece designed to escort the newly-weds from the ceremony to the feast.
Silver Wedding is simply arranged in a key and range best suited to the instruments. The melody is in three sections; overall the tune is played twice with a short introduction and coda and with constant variations in the accompaniment. Silver Wedding is suitable for players at an intermediate level and above. With a performance time of around three minutes, this version of Silver Wedding is perfect for weddings, celebrations and concert performances, both formal and informal. Click the link above to listen to a full Youtube performance of the Clarinet version of this duet.
There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203 A Little Piece Of Heaven for Flute Choir
A Little Piece Of Heaven for Flute Choir # Flute ensemble # INTERMEDIATE/ADVANCED # Rock # Avenged Sevenfold # Lisa Ochoco # A Little Piece Of Heaven for F # Lisa
Ochoco # SheetMusicPlus
Flute, Woodwind Choir or
Ensemble, Flute Choir -
Advanced Intermediate -
Digital Download
By Avenged Sevenfold.
Arranged by Lisa Ochoco.
Score, Set o...(+)
Flute, Woodwind Choir or
Ensemble, Flute Choir -
Advanced Intermediate -
Digital Download
By Avenged Sevenfold.
Arranged by Lisa Ochoco.
Score, Set of Parts. 31
pages. Published by Lisa
Ochoco Flute choir meets heavy metal!
Avenged Sevenfold is one of my absolute favorite heavy metal bands. I don't usually hear a flute choir when I listen to their songs, or mostly any heavy metal songs for that matter, but A Little Piece of Heaven is so creative, so musical, and so funny, that I couldn't help it. Also, Oingo Boingo headed up the instrumental parts of the original song, which is evident.
If you are unfamiliar with heavy metal, you don't need to know anything about this song, other than it's incredibly unique and has to be played with an attitude. Accentuate the down beats, lay off the full vibratos, keep pushing the tempo - it never should slow down, and channel your inner rocker.
This song was the brainchild of the late James "The Rev" Sullivan. With the help of Oingo Boingo musicians, the song was scored to include an orchestra, full wind section, and choir. This arrangement is less than half the length of the original song, but it still clocks in at around 3 1/2 minutes.
This arrangement is scored for 4 flutes, alto, bass, contrabass, and upright string bass or keyboard. It is essential that there is a strong bass line. The upright bass part could also be played by any bass clef C instrument, like a euphonium, trombone, or tuba. If you are lucky enough to know a drummer, that would help a great deal too. I did not include a drum part, only because I am not knowledgeable enough at writing for drums and would rather leave it out than mess it up!
I hope you and your group will enjoy playing this song as much as I enjoyed arranging it. And I hope your audience will like it too!