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11 sheet music found 14 Traditional Scottish Tunes for Flute
14 Traditional Scottish Tunes for Flute # Flute # BEGINNER # Traditional # Robert Newth # 14 Traditional Scottish Tunes # Robert Newth # SheetMusicPlus
Flute Solo - Level 1 - Digital Download SKU: A0.1075539 Composed by Traditional. Arranged by Robert Newth. Celtic,Folk,Irish,Multicultural,Patriotic,Worl...(+)
Flute Solo - Level 1 - Digital Download SKU: A0.1075539 Composed by Traditional. Arranged by Robert Newth. Celtic,Folk,Irish,Multicultural,Patriotic,World. Individual part. 9 pages. Robert Newth #679732. Published by Robert Newth (A0.1075539). This book of Scottish songs and melodies contains 14 of the most popular tunes, from the love songs of Robert Burns, to the toe-tapping fiddle tunes you'd find at a Ceilidh dance. The pieces have been selected to give a wide variety of Scottish traditional music, and are aimed at flute students at the late elementary stage, although can be appreciated by all! The 14 tunes are: Ae Fond Kiss Auld Lang Syne Coulter's Candy Eriskay Love Lilt Hey, Johnnie Cope Killiecrankie Loch Lomond Mhairi's Wedding O My Love is Like a Red, Red Rose Scotland the Brave Scots Wha Hae Skye Boat Song Wild Mountain Thyme Ye Banks and Braes If you enjoy this collection, please consider leaving a review! Songs for the Midnight Sun
Songs for the Midnight Sun # Flute, harp and violin # INTERMEDIATE # Beth Kolle # Songs for the Midnight Sun # Afghan Press Music for the Harp # SheetMusicPlus
Small Ensemble Flute,Harp,Violin - Level 3 - Digital Download SKU: A0.797341 Arranged by Beth Kolle. Concert,Folk,World. Score and parts. 40 pages. Afgha...(+)
Small Ensemble Flute,Harp,Violin - Level 3 - Digital Download SKU: A0.797341 Arranged by Beth Kolle. Concert,Folk,World. Score and parts. 40 pages. Afghan Press Music for the Harp #4808447. Published by Afghan Press Music for the Harp (A0.797341). Songs for the Midnight Sun comprises fifteen Nordic folk melodies, dance tunes, songs and ballads that have captured the arranger's imagination over the years. For Beth Kolle, Scandinavian music is the expression of the unparalleled beauty of the Nordic countries. The exotically different modes and harmonies evoke wild nature, and unseen beings of the ancient folk beliefs. This is music meant to be sung, danced to, or crooned to sleepy children, preferably in an age-old log cabin redolent of sweet, mellow resin and many years of comforting fires. As with all her other books, these arrangements are meant to be adjusted to your own playing style. Use them as a stepping-off point for making the arrangement your own, or use some of my ideas in a different song. Consider yourself warned: many Scandinavian tunes are addictive and tend to roll around in your head. The cure for that, of course, is to find another tune to replace the one in your head. And so on....good luck with that.Contains: Song from Venjan, Traditional Song, Dalarna, Sweden, The Dream, Göran ‘Freddy’ Fredriksson, Sweden (also has flute/fiddle part), Polska from Hälleforsnäs, Traditional Polska, Sweden, Ball Polska, Traditional Polska, Sweden, Funk Fars Polska, Traditional Polska, Rättvik, Sweden, Marjankukka (Berry Flower), Lauri Keskinen, Finland (Flute or Fiddle part included), Springtime Waltz, Traditional Waltz, Sweden (Flute or Fiddle included), Walking Tune (GÃ¥nglÃ¥t efter Hamare), Traditional GÃ¥nglÃ¥t, Sweden, The Lost Sheep, Traditional Melody, Telemark, Norway, Waltz from Denmark, Traditional Waltz, Denmark, Amanda, Roger Tallroth, Sweden ,Waltz from Folldal, Traditional Waltz, Norway (Flute or Fiddle part included), Bridal March from Äppelbo, Traditional Wedding March, Sweden, Griffenfeldt, Traditional Reinlender, Norway, La Folia, Traditional Polska, Sweden (Flute or Fiddle part included) Bartók: Rumanian Folk Dances Sz.56 (Complete) - wind quintet
Bartók: Rumanian Folk Dances Sz.56 (Complete) - wind quintet # Woodwind Quintet: flute, oboe, bassoon, clarinet, horn # ADVANCED # Contemporary # Bela Bartok
# Ray
Thompson # Bartók: Rumanian Folk Dances # SheetMusicPlus
Flute, Oboe, Clarinet,
Bassoon, Woodwind Quintet,
Horn in F - Advanced -
Digital Download
Composed by Bela Bartok
(1881-1945). Arranged by Ray
Thompson. 20...(+)
Flute, Oboe, Clarinet,
Bassoon, Woodwind Quintet,
Horn in F - Advanced -
Digital Download
Composed by Bela Bartok
(1881-1945). Arranged by Ray
Thompson. 20th Century,
Folk, Recital. Score, Set of
Parts. 26 pages. Published
by RayThompsonMusic Romanian Folk Dances Sz. 56, BB 68 is a suite of six short piano pieces composed by Béla Bartók in 1915. He later orchestrated it for small ensemble in 1917 as Sz. 68, BB 76.
It is based on seven Romanian tunes from Transylvania, originally played on fiddle or shepherd's flute.
The original name for the piece was titled Romanian Folk Dances from Hungary but was later changed by Bartók when Transylvania became part of Romania in 1920. It is nowadays available in the 1971 edition which is written with key signatures although Bartók rarely ever used key signatures.
This set of dances consists of six movements and, according to the composer, it should take four minutes and three seconds to perform, but most professional pianists take up to five minutes. The list of the movements is as follows (with the original Hungarian title listed first, the most commonly known Romanian title second, and the English translation in parentheses):
Bot tánc / Jocul cu bâtand#259; (Stick Dance)The melody of the first movement, according to Bartók, came from the Mezand#337;szabad (present-day Voiniceni) village that was part of Mezand#337;csávás (present-day Ceuaand#537;u de Câmpie) commune which was located in the Maros-Tordaadministrative county within Transylvania, and he first heard it when two gypsy violinists were playing it.
Brâul (Sash Dance)The second movement is a typical dance from Romania called Brâul, for which traditionally a sash or a waistband was used. This melody came from Egres (present-day Igriand#537;), in the Banat region.
Topogó / Pe loc (In One Spot)The third dance comes also from Egres (Igriand#537;), but its theme is much darker and its melody recreates Middle Eastern instruments, such as the flute.[4]
Bucsumí tánc / Buciumeana (Dance from Bucsum)The fourth dance came from Bucsony, Alsó-Fehér County (today Bucium, Alba county in Romania)
Román polka / Poarga Româneascand#259; (Romanian Polka)The fifth dance is an old Romanian dance similar to the Polka and comes from Belényes (present-day Beiuand#351;, in Bihor county), near the border between Hungary and Romania.
Aprózó / Mand#259;runand#539;el (Fast Dance)The sixth and last dance is formed by two different melodies: the first one comes from Belényes (present-day Beiuand#537;) and the second one comes from the then named Nyagra (present-day Neagra) village within the Palotailva (present-day Lunca Bradului) commune. Both on the orchestral version and on the original piano version, the final two dances are performed attacca?without a break between movements.