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335 sheet music found Beethoven: Sonata Op. 49 No. 2 for Flute Quartet
Beethoven: Sonata Op. 49 No. 2 for Flute Quartet # Flute Quartet: 4 flutes # INTERMEDIATE # Classical # Ludwig van
Beethoven # James M # Beethoven: Sonata Op. 49 No. 2 # SheetMusicPlus
Flute Quartet
Instrumentation: 2 concert
flutes, 1 alto flute, 1 bass
flute - Intermediate -
Digital Download
Composed by Ludwig van
Beethoven (1770-...(+)
Flute Quartet
Instrumentation: 2 concert
flutes, 1 alto flute, 1 bass
flute - Intermediate -
Digital Download
Composed by Ludwig van
Beethoven (1770-1827).
Arranged by James M. Guthrie,
ASCAP. Classical Period,
Repertoire, European,
Wedding, Recital. Score, Set
of Parts. 52 pages. Published
by jmsgu3 Beethoven Sonata Op. 49 No. 2 arranged for flute quartet. Duration: ca: 10:15 Score: 30 pages, 242 measures. In two movements. A great recital piece to demonstrate nuances of the flute quartet.
Sonata Op. 49 No. 2
Arranged from Beethoven’s Piano Sonata No. 20, this isa simple but interesting work in two movements showing the composers sense ofhumor. The first movement “Allegro ma non troppo” and the second movement“Tempo di Menuetto” are both in the key of G. Both Sonatas 19 and 20 (op. 49,No. 1 & 2) are named “Easy Sonatas” because they are technically easierthan the usual Beethoven Sonatas. This makes them very popular among studentsand teachers alike.
BeethovenBackground
Ludwig vanBeethoven (1770 –1827) was certainly a German pianist. Aboveall, he was probably one of the greatest composers in history. As a result, heis a pivotal character in the progress between the Classical and Romantic periods.He is certainly one of the most famous and hence important of all composers.Seems like his most familiar and noteworthy works include symphonies 1-9; pianoconcertos 1-5; and furthermore, the violin concerto. Also, certainly of extremeimportance are the noteworthy 32 sonatas for the piano; the string quartets1-16; the Missa solemnis; and likewise, his only opera, Fidelio.
Beethoven Overview
First of all, Beethoven was born andconsequently raised in Bonn. Upon turning 21 he moved to Vienna probablyto study composition with Haydn. That’s when he consequently grew areputation as a brilliant pianist. Furthermore, he probably stayed in Viennathe rest of his life. In his late 20s it seems like his hearing certainly beganto decline. It slowly declined until consequently he was nearly totally deafprobably by the last decade of his life. As a result, he stopped conducting andperforming. Nevertheless, he continued to compose. As a result, some of hisgreatest works probably come from this period.
First Period
Seems like we often divideBeethoven’s life into three periods. Period 1 begins with Beethoven’s arrivalin Vienna. Hence, during this period, he mastered the Viennese style of Haydn& Mozart. He consequently began increasing the size and scale of his works.Furthermore, he experimented with extreme dynamics, and likewise extreme tempi.He worked similarly with chromatic harmony. His First and Second Symphoniestherefore belong to this period. Other important works also belong here: the firstsix string quartets and the Sonata Pathétique, Op. 13.
Second Period
His second period probably began assoon as he realized that he was going deaf. During this period, it seems likehe became obsessed with the idea of heroism. His works consequently become evenlarger and more massive. The most noteworthy of these include the symphonies 3– 8, piano concertos 5& 6, 5 string quartets, several important piano sonatas(Waldstein and Appassionata), the Kreutzer violinsonata, the violin concerto and his only opera: Fidelio.
Third Period
In contrast, Beethoven's thirdperiod is branded above all by works of incredible intellectual depth, formalinnovation, and penetrating expression. It seems like he continued to expandhis works. Consequently, the string quartet Op. 131 spills over into sevenconnected movements. Likewise, in the Ninth Symphony he adds choral forcesto his orchestra probably for the first time in history. Even more, otherworks from this period include his Missa solemnis, the final 5string quartets (including the enormous Große Fuge) and the finalfive sonatas for piano. Our Father for woodwind quartet
Our Father for woodwind quartet # Flute, Oboe, Clarinet, Bassoon # EASY # David Warin Solomons # Our Father for woodwind quarte # David Warin Solomons # SheetMusicPlus
Woodwind Ensemble,Woodwind Quartet - Level 2 - Digital Download SKU: A0.576624 Composed by David Warin Solomons. 20th Century,Christian,Contemporary,Sacr...(+)
Woodwind Ensemble,Woodwind Quartet - Level 2 - Digital Download SKU: A0.576624 Composed by David Warin Solomons. 20th Century,Christian,Contemporary,Sacred. 6 pages. David Warin Solomons #44119. Published by David Warin Solomons (A0.576624). The Our Father setting, which I set as part of my Preces and Responses, is now also published separately in various versions: choral (with doxology and without doxology [1662 BCP version]), brass quartet (various combinations of brass instruments), string quartet, flute quartet, clarinet quartet, saxophone quartet, woodwind quartet, - all in appropriate keys for the various combinations of instruments. ==== The music is lyrical and is reminiscent of the early 1662 settings complete with an English cadence at the end, but with a curious addition of a quote from Tchaikovksy's fate theme at the deliver us from evil section. === The pdf files of the instrumental versions contain score and parts. The sound samples are all electronic previews. Air on the G String by Bach for Flute and Strings
Air on the G String by Bach for Flute and Strings # Flute and Strings Trio # BEGINNER # Classical # Johann Sebastian Bach # Ander # Air on the G String by Bach fo # Woods Only, Arrangements # SheetMusicPlus
Cello,Flute,Viola,Violin - Level 1 - Digital Download SKU: A0.1077957 Composed by Johann Sebastian Bach. Arranged by Ander. Baroque,Christmas,Easter,Sacr...(+)
Cello,Flute,Viola,Violin - Level 1 - Digital Download SKU: A0.1077957 Composed by Johann Sebastian Bach. Arranged by Ander. Baroque,Christmas,Easter,Sacred,Wedding. 8 pages. Woods Only, Arrangements #682153. Published by Woods Only, Arrangements (A0.1077957). This easy arrangement for flute and string quartet was written to be uncomplicated to perform and understand the structure of the piece. It can be freely played by beginning students, because of the ease imposed on the piece; however, this does not prevent it from being played by professionals and music teachers. It is also ideal for academic recitals, student method and ceremonies that are arranged in the same way as the piece contains. The original piece is part of Johann Sebastian Bach's Suite No. 3 for orchestra, in D Major, BWV 1068, written for Prince Leopold of Anhalt. The so-called Air on the G String dates from one of these latter employments. In the service of the Prince of Cöthen, Bach composed not only the famous Brandenburg Concertos, but also several orchestral suites, from the third of which comes the Air on the G String. This curious title derives from a later arrangement of this piece for violin solo, in which the melody is played entirely on the lower, higher string of the instrument. The Third Book of Songs for Flute Quartet
The Third Book of Songs for Flute Quartet # Flute Quartet: 4 flutes # INTERMEDIATE # Renaissance # a Fountain Where I Lay
# John Dowland # Lisa Ochoco #   # The Third Book of Songs for Fl # Lisa L Ochoco # SheetMusicPlus
Flute Quartet,Woodwind Ensemble Alto Flute - Level 3 - Digital Download SKU: A0.559766 Composed by John Dowland. Arranged by Lisa Ochoco. Renaissance. 66...(+)
Flute Quartet,Woodwind Ensemble Alto Flute - Level 3 - Digital Download SKU: A0.559766 Composed by John Dowland. Arranged by Lisa Ochoco. Renaissance. 66 pages. Lisa L Ochoco #4726485. Published by Lisa L Ochoco (A0.559766). John Dowland (1562 – 1626) was a lutenist and singer in the Renaissance Period. The lute was a stringed instrument, most closely related to our guitar. He wrote quite a lot of music that is still played and sung by guitarists and singers today. Although his music was written for stringed instruments in general, many arrangers have adapted his works for wind instruments.This collection of 20 songs from his Third Book of Songs is arranged for flute quartet – 4 C flutes or 3 C flutes and alto. Most of these songs are rather short, so it is recommended that each song is played in its entirety at least twice. I arranged these songs so that the 1st flute always has the melody. To practice fairness in all parts, the parts should be rotated, to give each musician a chance to play the melody. Song list: 1. Farewell Too Fair 2. Time Stands Still 3. Behold a Wonder Here 4. Daphne Was Not so Chaste 5. Me, Me, and None but Me 6. When Phoebus First did Daphne Love 7. Say Love if Ever Thou Didst Find 8. Flow Not so Fast Ye Fountains 9. What if I Never Speed? 10. Love Stood Amaz’d 11. Lend Your Ears to My Sorrow 12. By a Fountain Where I Lay 13. O What Hath Overwrought 14. Farewell Unkind 15. Weep You no More, Sad Fountains 16. Fie on This Feigning 17. I Must Complain 18. It was a Time When Silly Bees 19. The Lowest Trees Have Tops 20. What Poor Astronomers are They If each song is played twice in its entirety, you will have almost an hour's worth of music. If you love Renaissance music, this will be a great addition to your repertoire! A Thousand Years (part 2)
A Thousand Years (part 2) # Flute and Strings Trio # EASY # Christina Perri Featuring Stev # Christina Perri and David Hodg # Alex E # A Thousand Years # Müller Publishing company # SheetMusicPlus
Cello,Flute,Viola,Violin - Level 2 - Digital Download SKU: A0.965721 By Christina Perri Featuring Steve Kazee. By Christina Perri and David Hodges. Arran...(+)
Cello,Flute,Viola,Violin - Level 2 - Digital Download SKU: A0.965721 By Christina Perri Featuring Steve Kazee. By Christina Perri and David Hodges. Arranged by Alex E. Contemporary,Film/TV,Pop,Wedding. 22 pages. Müller Publishing company #571421. Published by Müller Publishing company (A0.965721). A Thousand Years - Arrangement for Flute with String Quartet (Violin I, Violin II, Viola, and Cello)Dive into the romantic and timeless atmosphere of A Thousand Years, the iconic song that rose to fame through the Twilight saga. Composed by Christina Perri and David Hodges, this track has quickly become one of the most beloved ballads of recent times, evoking deep feelings of love and hope in listeners around the world.This arrangement, meticulously adapted for flute accompanied by a string quartet consisting of Violin I, Violin II, Viola, and Cello, captures all the emotion and delicacy of the original version. Designed to provide a rich musical experience for both musicians and listeners, this sheet music set is harmoniously balanced, with each instrument playing a vital role in recreating the magic of the song.In addition to being a valuable addition to any musician's repertoire, this arrangement is especially suitable for music teachers. It serves as an excellent educational tool, allowing students to explore diverse techniques and dynamics while collaborating together to craft an engaging and harmonious performance. The inclusion of the string quartet as accompaniment accentuates the melodic atmosphere, elevating the arrangement to an even more refined level.Perfect for weddings: Make your wedding ceremony even more special with the enchanting sounds of A Thousand Years. Whether you're a bride and groom looking for that perfect song to walk down the aisle to, or a wedding musician or planner seeking to create a memorable atmosphere, this arrangement with flute and string quartet is the ideal choice.Don't miss the opportunity to bring the essence of A Thousand Years to your wedding or any special event. Purchase your sheet music now and relive the emotion of this unforgettable song in a unique and captivating format! Beethoven: Adagio from Sonata Pathetique for Alto Flute & Piano
Beethoven: Adagio from Sonata Pathetique for Alto Flute & Piano # Flute and Piano # INTERMEDIATE # Classical # Ludwig van Beethoven # James M # piano concertos 1-5 # Beethoven: Adagio from Sonata # jmsgu3 # SheetMusicPlus
Flute,Piano - Level 3 - Digital Download SKU: A0.549643 Composed by Ludwig van Beethoven. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Roma...(+)
Flute,Piano - Level 3 - Digital Download SKU: A0.549643 Composed by Ludwig van Beethoven. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Period,Sacred,Standards. Score and part. 16 pages. Jmsgu3 #3516599. Published by jmsgu3 (A0.549643). Duration: ca 5:20, Score: 8 pages, solo part: 3 pages, piano part: 4 pages. One of Beethoven's finest and most famous works. Program for a recital, church meditation or school program. Bring your best espressivo and plan to rehearse the many subtle dynamic changes.Sonata Pathétique Op. 13 First of all, this is an arrangement of the second movement of Beethoven’s Sonata Pathétique. It seems like Beethoven wrote this piece before becoming troubled by deafness. Published in 1799, it consequently remains one of the most celebrated pieces Beethoven ever wrote. As a result of its popularity, the movement was therefore performed by Karl Haas. Hass recorded it for a popular radio show called: Adventures in Good Music. Beethoven Background Ludwig van Beethoven (1770 –1827) was certainly a German pianist. Above all, he was probably one of the greatest composers in history. As a result, he is a pivotal character in the progress between the Classical and Romantic periods. He is certainly one of the most famous and hence important of all composers. Seems like his most familiar and noteworthy works include symphonies 1-9; piano concertos 1-5; and furthermore, the violin concerto. Also, certainly of extreme importance are the noteworthy 32 sonatas for the piano; the string quartets 1-16; the Missa solemnis; and likewise, his only opera, Fidelio. Beethoven Overview First of all, Beethoven was born and consequently raised in Bonn. Upon turning 21 he moved to Vienna probably to study composition with Haydn. That’s when he consequently grew a reputation as a brilliant pianist. Furthermore, he probably stayed in Vienna for the rest of his life. In his late 20s, it seems like his hearing certainly began to decline. It slowly declined until consequently, he was nearly totally deaf probably by the last decade of his life. As a result, he stopped conducting and performing. Nevertheless, he continued to compose. As a result, some of his greatest works probably come from this period. First Period Seems like we often divide Beethoven’s life into three periods. Period 1 begins with Beethoven’s arrival in Vienna. Hence, during this period, he mastered the Viennese style of Haydn & Mozart. He consequently began increasing the size and scale of his works. Furthermore, he experimented with extreme dynamics, and likewise extreme tempi. He worked similarly with chromatic harmony. His First and Second Symphonies, therefore, belong to this period. Other important works also belong here: the first six string quartets and the Sonata Pathétique, Op. 13. Second Period His second period probably began as soon as he realized that he was going deaf. During this period, it seems like he became obsessed with the idea of heroism. His works consequently become even larger and more massive. The most noteworthy of these include the symphonies 3 – 8, piano concertos 5& 6, 5 string quartets, several important piano sonatas (Waldstein and Appassionata), the Kreutzer violin sonata, the violin concerto and his only opera: Fidelio. Third Period In contrast, Beethoven's third period is branded above all by works of incredible intellectual depth, formal innovation, and penetrating expression. It seems like he continued to expand his works. Consequently, the string quartet Op. 131 spills over into seven connected movements. Likewise, in the Ninth Symphony, he adds choral forces to his orchestra probably for the first time in history. Even more, other works from this period include his Missa solemnis, the final 5 string quartets (including the enormous Große Fuge) and the final five sonatas for piano. Register for free lifetime revisions and updates at www.jamesguthrie.com Beethoven: Adagio from Sonata Pathetique for Flute & Piano
Beethoven: Adagio from Sonata Pathetique for Flute & Piano # Flute and Piano # INTERMEDIATE # Classical # Ludwig van Beethoven # James M # piano concertos 1-5 # Beethoven: Adagio from Sonata # jmsgu3 # SheetMusicPlus
Flute,Piano - Level 3 - Digital Download SKU: A0.549636 Composed by Ludwig van Beethoven. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Roma...(+)
Flute,Piano - Level 3 - Digital Download SKU: A0.549636 Composed by Ludwig van Beethoven. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Period,Sacred,Standards. Score and part. 16 pages. Jmsgu3 #3516309. Published by jmsgu3 (A0.549636). Duration: ca 5:20, Score: 8 pages, solo part: 3 pages, piano part: 4 pages. One of Beethoven's finest and most famous works. Program for a recital, church meditation or school program. Sonata Pathétique Op. 13 First of all, this is an arrangement of the second movement of Beethoven’s Sonata Pathétique. It seems like Beethoven wrote this piece before becoming troubled by deafness. Published in 1799, it consequently remains one of the most celebrated pieces Beethoven ever wrote. As a result of its popularity, the movement was therefore performed by Karl Haas. Hass recorded it for a popular radio show called: Adventures in Good Music. Beethoven Background Ludwig van Beethoven (1770 –1827) was certainly a German pianist. Above all, he was probably one of the greatest composers in history. As a result, he is a pivotal character in the progress between the Classical and Romantic periods. He is certainly one of the most famous and hence important of all composers. Seems like his most familiar and noteworthy works include symphonies 1-9; piano concertos 1-5; and furthermore, the violin concerto. Also, certainly of extreme importance are the noteworthy 32 sonatas for the piano; the string quartets 1-16; the Missa solemnis; and likewise, his only opera, Fidelio. Beethoven Overview First of all, Beethoven was born and consequently raised in Bonn. Upon turning 21 he moved to Vienna probably to study composition with Haydn. That’s when he consequently grew a reputation as a brilliant pianist. Furthermore, he probably stayed in Vienna for the rest of his life. In his late 20s, it seems like his hearing certainly began to decline. It slowly declined until consequently, he was nearly totally deaf probably by the last decade of his life. As a result, he stopped conducting and performing. Nevertheless, he continued to compose. As a result, some of his greatest works probably come from this period. First Period Seems like we often divide Beethoven’s life into three periods. Period 1 begins with Beethoven’s arrival in Vienna. Hence, during this period, he mastered the Viennese style of Haydn & Mozart. He consequently began increasing the size and scale of his works. Furthermore, he experimented with extreme dynamics, and likewise extreme tempi. He worked similarly with chromatic harmony. His First and Second Symphonies, therefore, belong to this period. Other important works also belong here: the first six string quartets and the Sonata Pathétique, Op. 13. Second Period His second period probably began as soon as he realized that he was going deaf. During this period, it seems like he became obsessed with the idea of heroism. His works consequently become even larger and more massive. The most noteworthy of these include the symphonies 3 – 8, piano concertos 5& 6, 5 string quartets, several important piano sonatas (Waldstein and Appassionata), the Kreutzer violin sonata, the violin concerto and his only opera: Fidelio. Third Period In contrast, Beethoven's third period is branded above all by works of incredible intellectual depth, formal innovation, and penetrating expression. It seems like he continued to expand his works. Consequently, the string quartet Op. 131 spills over into seven connected movements. Likewise, in the Ninth Symphony, he adds choral forces to his orchestra probably for the first time in history. Even more, other works from this period include his Missa solemnis, the final 5 string quartets (including the enormous Große Fuge) and the final five sonatas for piano. "Elegie" from Serenade Op. 48 for Flute Quartet
"Elegie" from Serenade Op. 48 for Flute Quartet # Flute Quartet: 4 flutes # INTERMEDIATE # Classical # P # Diego Marani # "Elegie" from Serenade Op. 48 # Diego Marani # SheetMusicPlus
Woodwind Ensemble,Woodwind Quartet Flute - Level 3 - Digital Download SKU: A0.783052 Composed by P. I. Tchaikovsky. Arranged by Diego Marani. Classical,C...(+)
Woodwind Ensemble,Woodwind Quartet Flute - Level 3 - Digital Download SKU: A0.783052 Composed by P. I. Tchaikovsky. Arranged by Diego Marani. Classical,Contest,Festival,Instructional,Romantic Period,Standards. 17 pages. Diego Marani #390415. Published by Diego Marani (A0.783052). Tchaikovsky's Serenade for Strings in C Major was written with an ear towards one of his idols, a certain 18th century composer by the name of Mozart. The title and structure of the piece are taken from the serenades of the latter, though this is certainly Tchaikovsky's own particularly 19th century rendering of these older ideas. That it is a masterful work, is demonstrated by the fact that it still remains among the most performed and appreciated by the public alongside the serenades by AntonÃn Dvořák and Josef Suk. The third movement, entitled “Elegyâ€, is certainly the kind of direct, emotional and extremely lyrical writing for which Tchaikovsky is known. The harmony is robust and evocative, always the perfect underpinning for the melancholic melodies heard above. This arrangement for flute quartet (Flute1, Flute 2, Flute 3, Flute 4 or Alto Flute) reflects faithfully the original and is suitable for classroom, repertoire and recital. About Birds and Humans
About Birds and Humans # 2 Flutes (duet) # Sergio Roberto de Oliveira # About Birds and Humans # Sergio Roberto de Oliveira # SheetMusicPlus
Woodwind Ensemble - Digital Download SKU: A0.962360 Composed by Sergio Roberto de Oliveira. 20th Century,Contemporary,World. 44 pages. Sergio Roberto de ...(+)
Woodwind Ensemble - Digital Download SKU: A0.962360 Composed by Sergio Roberto de Oliveira. 20th Century,Contemporary,World. 44 pages. Sergio Roberto de Oliveira #5772405. Published by Sergio Roberto de Oliveira (A0.962360). Falls House Press has published his works Faces and Mot pour Laura in the United States. Various articles in specialized journals and sites have cited the composer, such as the Flutist Quarterly (Circus Brasilis - The flute music of Sergio Roberto de Oliveira), Early Music America (Something New for Early Music), Andante.com (The heirs of Villa-Lobos), 21st Century Music, Musicabrasileira.org, etc. Sergio Roberto de Oliveira has frequently been invited to lecture at American universities, and has spoken at more than a dozen institutions including Princeton and Duke. In 2009 he was Artist-in-Residence at Duke University. In addition the USA and the UK, Oliveira's music has also been played in many countries, with invitations for concerts exclusively with his music in México, Italy and Holland (Amsterdam). The Spanish Magazine Sonograma has published 2 interviews with Sergio. Sergio is the founder and a member of the group of composers Prelúdio 21. The group is one of the most active worldwide. It holds a distinguished place in Brazilian contemporary music, having been active for 15 consecutive seasons, with a permanent series of monthly concerts since 2008. In 2011 the group released the CD String Quartets, with performances by the Quarteto Radamés Gnattali. Oliveira is also a member of the group of composers Vox Novus, based in New York. To commemorate 15 years of activity as a composer, Oliveira released a box set with 4 CDs, as well as a CD with composer Mark Hagerty, and produced the series QUINZE, with 13 concerts including his works, between July and October of 2012. More than 130 musicians, including 28 composers, participated of QUINZE (CDs and series). His discography includes 14 CDs as producer, 14 as composer, 22 as general producer, 2 as arranger and 2 as pianist. His catalog of compositions includes approximately 115 works for various ensembles, including Symphony Orchestra. Sergio Roberto de Oliveira is a member of the Latin Academy of the Arts and Science of Recording. He died from pancreatic cancer in 2017.