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10 sheet music found Ange Flégier: Dixtuor for flute, oboe, clarinet, bassoon, horn, two violins, viola, violoncello and
Ange Flégier: Dixtuor for flute, oboe, clarinet, bassoon, horn, two violins, viola, violoncello and # Woodwind Quintet: flute, oboe, bassoon, clarinet, horn # INTERMEDIATE/ADVANCED # Classical # Ange Flégier # Ange Flégier: Dixtuor for flu # Musik Fabrik Music Publishing # SheetMusicPlus
Woodwind Ensemble,Woodwind Quintet - Level 4 - Digital Download SKU: A0.534535 Composed by Ange Flégier. Romantic Period. 227 pages. Musik Fabrik Musi...(+)
The Song of Moses and Miriam at the Red Sea-Piccolo
The Song of Moses and Miriam at the Red Sea-Piccolo # Piccolo # EASY # Zachary Damm # The Song of Moses and Miriam a # Digital Print Publishing # SheetMusicPlus
Instrumental Solo,Piccolo - Level 2 - Digital Download SKU: A0.969554 Composed by Zachary Damm. Christian,Sacred,Spiritual. Individual part. 3 pages. Dig...(+)
Instrumental Solo,Piccolo - Level 2 - Digital Download SKU: A0.969554 Composed by Zachary Damm. Christian,Sacred,Spiritual. Individual part. 3 pages. Digital Print Publishing #3014273. Published by Digital Print Publishing (A0.969554). The music of this piece attempts to capture the mood behind the songs of the Israelites at the Red Sea. This choir piece is part of a larger work that utilizes an orchestra composed of piccolo, flute, oboe, B flat clarinet, bassoon, horn, B flat trumpet, trombone, tuba, violin, viola, cello, double bass, timpani, and tambourine, including piano and organ accompaniment. The vocal parts are an SATB choir which sings the Scriptural words. This is a great sacred piece for choirs and orchestras as well as church services. This is a copy of the piccolo part: see also all the individual instrumental parts under the same title. Mozart - Flute Concerto in G major K 313 for Flute and Orchestra - Score and Parts
Mozart - Flute Concerto in G major K 313 for Flute and Orchestra - Score and Parts # Flute, Orchestra # Classical # Wolfgang Amadeus
Mozart # Mozart - Flute Concerto in G m # Santino Cara # SheetMusicPlus
Composed by Wolfgang Amadeus
Mozart (1756-1791). Arranged
by Santino Cara. Classical
Period. Set of Parts, Sheet
Music Single. 153 pages.
Published by...(+)
Composed by Wolfgang Amadeus
Mozart (1756-1791). Arranged
by Santino Cara. Classical
Period. Set of Parts, Sheet
Music Single. 153 pages.
Published by Santino Cara Complete score and parts of the "Flute Concerto in G major K. 313" for Flute and Orchestra. Composed in 1777 by Wolfgang Amadeus Mozart. Rewritten and processed by Santino Cara in Rome in 2019.
Movements: 1. Allegro Maestoso, 2. Adagio ma non troppo, 3. Rondo (Tempo di minuetto).
Instrumentation: Two Oboes (In the 1st and 3rd movements), Two Flutes (only in the 2nd movement), Two Horns in G (In the 1st and 3rd movements), Two Horns in D (only in the 2nd movement), Flute solo, Violins I, Violins II, Violas, Violoncello and Double basses. MOZART FIVE COUNTRY DANCES K. 609 FOR WOODWIND QUINTET
MOZART FIVE COUNTRY DANCES K. 609 FOR WOODWIND QUINTET # Woodwind Quintet: flute, oboe, bassoon, clarinet, horn # INTERMEDIATE # W # Pat Spence # MOZART FIVE COUNTRY DANCES K. # Piper Publications # SheetMusicPlus
Small Ensemble Bassoon,Clarinet,Flute,Horn,Oboe - Level 3 - Digital Download SKU: A0.811721 Composed by W. A. MOZART (1756 - 1791). Arranged by Pat Spenc...(+)
Small Ensemble Bassoon,Clarinet,Flute,Horn,Oboe - Level 3 - Digital Download SKU: A0.811721 Composed by W. A. MOZART (1756 - 1791). Arranged by Pat Spence. Classical,Concert,Holiday,Standards,Wedding. Score and parts. 28 pages. Piper Publications #5297023. Published by Piper Publications (A0.811721). Five dances, all in duple time, were originally written for small orchestra without violas in either 1787 or 1791. No. 1, 'non più andrai' will be familiar to most people. The dances make good repertoire pieces for players of intermediate standard and above. Gaúcho - Corta-Jaca By Chiquinha Gonzaga for flute
Gaúcho - Corta-Jaca By Chiquinha Gonzaga for flute # Flute # INTERMEDIATE # Idalmo Santos # Idalmo Santos # Gaúcho - Corta-Jaca By Chiqui # Idalmo Santos # SheetMusicPlus
Flute Solo - Level 3 - Digital Download SKU: A0.1083310 By Idalmo Santos. By Francisca Gonzaga (Chiquinha Gonzaga 1847-1935). Arranged by Idalmo Santos. ...(+)
Flute Solo - Level 3 - Digital Download SKU: A0.1083310 By Idalmo Santos. By Francisca Gonzaga (Chiquinha Gonzaga 1847-1935). Arranged by Idalmo Santos. Latin,Multicultural,World. Individual part. 2 pages. Idalmo Santos #687512. Published by Idalmo Santos (A0.1083310). The famous Corta-jaca, the name with which the tango Gaúcho became popular, is one of Chiquinha Gonzaga's most recorded and best-known songs, along with Ó abre alas, Lua branca, and Atraente. It was born on the stages of musical theaters, where it was danced in the final scene of the burlesque operetta of national costumes Zizinha Maxixe, imitated from French by an anonymous author, performed at the Teatro Éden Lavradio, in August 1895. Actor Machado Careca (José Machado Pinheiro e Costa), the anonymous author of the play, ended up putting verses to the music of Corta-jaca, helping to popularize it, especially after his version was recorded on disc by the duo Os Geraldos. Throughout history, Corta-jaca frequented other stages and repertoires: café-cantante, chope-berrante, rodas de choro... But it was at the Palácio do Catete, in 1914, that it achieved its glory. Performed on the guitar by first lady Nair de Teffé, it caused political scandal and ended up nicknaming the administration of Hermes da Fonseca. The reaction can be measured by the impassioned speech that Senator Rui Barbosa made from the rostrum. When asked what was the corta-jaca he had heard so much about, he concluded: The lowest, the most vulgar, the rudest of all wild dances, the twin sister of batuque, cateretê and samba. But at presidential receptions the corta-jaca is performed with all the honors of Wagner's music, and one does not want the conscience of this country to revolt, our faces to blush and the youth to laugh! Never before in the history of Brazil had eminently popular music been performed at the seat of government, in front of the diplomatic corps and the country's elite. Corta-jaca has become a classic of the great repertoire of Brazilian instrumental music, meriting recordings by, among others, Abel Ferreira, Altamiro Carrilho, Antonio Adolfo, Artur Moreira Lima, Clara Sverner, Conjunto Regional do Donga, Eudóxia de Barros, Guio de Morais, Itamar Assieré, Leandro Braga, Marcus Viana, Maria Teresa Madeira, Marcelo Verzoni, Paulo Moura, Radamés Gnatalli, Rosária Gatti, Talitha Peres, TurÃbio Santos, countless bands, and some sung versions. It was written by the maestro also for singing and piano and small orchestra: oboe, viola, timpani, horns (bass), bassoon. Mr. Blue Sky
Mr. Blue Sky # Flute and Piano # INTERMEDIATE # Electric Light Orchestra # Lawrence H Underwood # Mr. Blue Sky # Lawrence H Underwood # SheetMusicPlus
Flute,Piano - Level 3 - Digital Download SKU: A0.1091657 By Electric Light Orchestra. By Jeff Lynne. Arranged by Lawrence H Underwood. 20th Century,Film/...(+)
Flute,Piano - Level 3 - Digital Download SKU: A0.1091657 By Electric Light Orchestra. By Jeff Lynne. Arranged by Lawrence H Underwood. 20th Century,Film/TV,Pop,Rock. Score and part. 12 pages. Lawrence H Underwood #695811. Published by Lawrence H Underwood (A0.1091657). This classic track from the Electric Light Orchestra found a whole new audience when director James Gunn used it to great effect in the hit film “Guardians of the Galaxy, Vol. 2.†A favorite with audiences – both young and old – and now playable as an instrumental solo with piano accompaniment. Sure to be an audience – and performer – favorite! This arrangement from veteran performer and music educator Lawrence Underwood is available in versions for solo flute, oboe, bassoon, clarinet, bass clarinet, alto sax, tenor sax, bari sax, horn in F, trumpet, trombone, baritone/euphonium, tuba, mallet percussion, violin, viola, cello, or double bass (with piano accompaniment). Be sure to check out the other titles in this series! Monteverdi - The Seventh Book of Madrigals (1619) - 24. Con che soavità
Monteverdi - The Seventh Book of Madrigals (1619) - 24. Con che soavità # Flute, Oboe, Clarinet, Bassoon # INTERMEDIATE/ADVANCED # Classical # Claudio Monteverdi # Mike Lyons # Monteverdi - The Seventh Book # Lyons Music Services # SheetMusicPlus
Brass Ensemble Euphonium,Horn,Trombone,Trumpet,Tuba - Level 4 - Digital Download SKU: A0.767363 Composed by Claudio Monteverdi. Arranged by Mike Lyons. B...(+)
Brass Ensemble Euphonium,Horn,Trombone,Trumpet,Tuba - Level 4 - Digital Download SKU: A0.767363 Composed by Claudio Monteverdi. Arranged by Mike Lyons. Baroque,Renaissance. Score and parts. 56 pages. Lyons Music Services #3544649. Published by Lyons Music Services (A0.767363). At long last I have nearly finished the 7th book. This book has posed some issues as it is such complex music it is almost impossible to cut it down to 5 parts while maintaining its integrity. As a result, some songs will be in 6 or more parts. This is the largest song so far. It is very complex and was originally composed as a Soprano solo with a 9-part 'orchestra' split into three unequally sized 'choirs'. Choir 1 consisted of two cittarones (a kind of theorbo or archlute), a clavicembalo (early harpsichord) and a spinet. Choir 2 comprised a string orchestra (viole da brazza, violins, viole da braccia, clavicembano (sic) and basso continuo). Choir 3 comprised individual instruments viola da braccio or gamba, basso da braccio or gamba, contrabass and an (unnamed) keyboard. As you might imagine, this was well nigh impossible to reduce to 5 players, so I have transcribed it for 9 brass instruments, more or less keeping to the original 'choir' groupings with a trumpet/cornet solo line. This is also one of the longest songs so far. I hope you enjoy the result. The text translates as: How softly, scented lips, I kiss you or listen to you. The poet is describing his inability to both kiss and hear his beloved's voice at the same time. The following parts are supplied: Part 1 in Bb (Solo) - Trumpet/Cornet Part 2 in Bb (Tutti 1) - Trumpet/Cornet Part 3 in C/Bb (Basso) - Euphonium/Trombone/Baritone Part 4 in Bb (Tutti 2) - Trumpet/Cornet Part 5 in Bb (Tutti 3) - Trumpet/Cornet Part 6 in F/Eb - Horn Part 7 in F/Eb - Horn Part 8 in C/Bb - Trombone/Euphonium/Baritone Part 9 in C/Bb - Trombone/Euphonium/Baritone Part 10 in C/Eb - Tuba/Eb Bass The seventh book is quite a change from the earlier ones. Monteverdi seems to be concentrating on developing solos and duets, trios and small accompanied ensembles. The accompaniments are often written out with more than just long note chords. The intricate instrumental parts are more than just filling in the harmony (hence the difficulty in paring them down.) Once again, these songs are exquisitely crafted and travel well onto brass.