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11,412 sheet music found Beethoven: Sonata Op. 49 No. 2 for Flute Quartet
Beethoven: Sonata Op. 49 No. 2 for Flute Quartet # Flute Quartet: 4 flutes # INTERMEDIATE # Classical # Ludwig van
Beethoven # James M # Beethoven: Sonata Op. 49 No. 2 # SheetMusicPlus
Flute Quartet
Instrumentation: 2 concert
flutes, 1 alto flute, 1 bass
flute - Intermediate -
Digital Download
Composed by Ludwig van
Beethoven (1770-...(+)
Flute Quartet
Instrumentation: 2 concert
flutes, 1 alto flute, 1 bass
flute - Intermediate -
Digital Download
Composed by Ludwig van
Beethoven (1770-1827).
Arranged by James M. Guthrie,
ASCAP. Classical Period,
Repertoire, European,
Wedding, Recital. Score, Set
of Parts. 52 pages. Published
by jmsgu3 Beethoven Sonata Op. 49 No. 2 arranged for flute quartet. Duration: ca: 10:15 Score: 30 pages, 242 measures. In two movements. A great recital piece to demonstrate nuances of the flute quartet.
Sonata Op. 49 No. 2
Arranged from Beethoven’s Piano Sonata No. 20, this isa simple but interesting work in two movements showing the composers sense ofhumor. The first movement “Allegro ma non troppo” and the second movement“Tempo di Menuetto” are both in the key of G. Both Sonatas 19 and 20 (op. 49,No. 1 & 2) are named “Easy Sonatas” because they are technically easierthan the usual Beethoven Sonatas. This makes them very popular among studentsand teachers alike.
BeethovenBackground
Ludwig vanBeethoven (1770 –1827) was certainly a German pianist. Aboveall, he was probably one of the greatest composers in history. As a result, heis a pivotal character in the progress between the Classical and Romantic periods.He is certainly one of the most famous and hence important of all composers.Seems like his most familiar and noteworthy works include symphonies 1-9; pianoconcertos 1-5; and furthermore, the violin concerto. Also, certainly of extremeimportance are the noteworthy 32 sonatas for the piano; the string quartets1-16; the Missa solemnis; and likewise, his only opera, Fidelio.
Beethoven Overview
First of all, Beethoven was born andconsequently raised in Bonn. Upon turning 21 he moved to Vienna probablyto study composition with Haydn. That’s when he consequently grew areputation as a brilliant pianist. Furthermore, he probably stayed in Viennathe rest of his life. In his late 20s it seems like his hearing certainly beganto decline. It slowly declined until consequently he was nearly totally deafprobably by the last decade of his life. As a result, he stopped conducting andperforming. Nevertheless, he continued to compose. As a result, some of hisgreatest works probably come from this period.
First Period
Seems like we often divideBeethoven’s life into three periods. Period 1 begins with Beethoven’s arrivalin Vienna. Hence, during this period, he mastered the Viennese style of Haydn& Mozart. He consequently began increasing the size and scale of his works.Furthermore, he experimented with extreme dynamics, and likewise extreme tempi.He worked similarly with chromatic harmony. His First and Second Symphoniestherefore belong to this period. Other important works also belong here: the firstsix string quartets and the Sonata Pathétique, Op. 13.
Second Period
His second period probably began assoon as he realized that he was going deaf. During this period, it seems likehe became obsessed with the idea of heroism. His works consequently become evenlarger and more massive. The most noteworthy of these include the symphonies 3– 8, piano concertos 5& 6, 5 string quartets, several important piano sonatas(Waldstein and Appassionata), the Kreutzer violinsonata, the violin concerto and his only opera: Fidelio.
Third Period
In contrast, Beethoven's thirdperiod is branded above all by works of incredible intellectual depth, formalinnovation, and penetrating expression. It seems like he continued to expandhis works. Consequently, the string quartet Op. 131 spills over into sevenconnected movements. Likewise, in the Ninth Symphony he adds choral forcesto his orchestra probably for the first time in history. Even more, otherworks from this period include his Missa solemnis, the final 5string quartets (including the enormous Große Fuge) and the finalfive sonatas for piano. Spring (from The Four Seasons Concerto No. 1 in E major, RV 269) / Antonio Vivaldi
Spring (from The Four Seasons Concerto No. 1 in E major, RV 269) / Antonio Vivaldi # 2 Flutes (duet) # INTERMEDIATE # Antonio Vivaldi # Kan Saito / Japan Duo Notes # Spring # Japan Duo Notes # SheetMusicPlus
Flute Duet Flute - Level 3 - Digital Download SKU: A0.1491281 Composed by Antonio Vivaldi. Arranged by Kan Saito / Japan Duo Notes. Baroque,Classical,Ear...(+)
Flute Duet Flute - Level 3 - Digital Download SKU: A0.1491281 Composed by Antonio Vivaldi. Arranged by Kan Saito / Japan Duo Notes. Baroque,Classical,Early Music,Film/TV,Wedding. Score. 4 pages. Japan Duo Notes #1068019. Published by Japan Duo Notes (A0.1491281). Title: Spring (from The Four Seasons Concerto No. 1 in E major, RV 269) by Antonio Vivaldi – Flute Duet ArrangementDescription:Celebrate the arrival of Spring with this delightful flute duet arrangement of Antonio Vivaldi’s iconic Concerto No. 1 in E major from The Four Seasons. One of the most beloved pieces in the classical repertoire, Vivaldi’s Spring is full of bright, joyful melodies that capture the essence of nature’s rebirth. This arrangement for two flutes brings Vivaldi’s timeless work to life, allowing both players to share in the playful and lively spirit of the original violin concerto.Key Features:Composer: Antonio VivaldiArrangement: Flute DuetDifficulty Level: Intermediate to AdvancedFormat: Digital Sheet Music PDFPages: Score: 4 pagesThis flute duet arrangement of Spring from The Four Seasons preserves the vibrant energy and melodic charm of Vivaldi’s masterpiece. With intricate harmonies and interwoven melodies, both flutes engage in a musical dialogue that mirrors the original concerto’s celebration of nature and the joy of springtime. Ideal for concerts, recitals, and special events, this arrangement is a perfect showcase of baroque elegance and vitality.Why Choose This Arrangement?Faithful Adaptation: Captures the bright and energetic spirit of Vivaldi’s Spring from The Four Seasons, arranged for two flutes with attention to detail.Versatile and Joyful: Suitable for a range of performances, from formal recitals to spring-themed concerts and celebratory occasions.Musically Engaging: Ideal for intermediate to advanced flutists, offering a rewarding blend of technical challenge and expressive performance.Embrace the vibrant energy of Vivaldi’s Spring with this beautifully arranged flute duet. This arrangement brings one of classical music’s most iconic works to your flute repertoire, perfect for flutists seeking a lively and joyful performance piece.Keywords: Antonio Vivaldi, Spring, The Four Seasons, Concerto No. 1, flute duet, flute sheet music, baroque music, classical music, Vivaldi arrangements, intermediate flute music, concert flute duet, recital music, joyful flute music. Beethoven: Sonata Op. 49 No. 2 for Flute Choir
Beethoven: Sonata Op. 49 No. 2 for Flute Choir # Flute ensemble # INTERMEDIATE # Classical # Ludwig van
Beethoven # James M # Beethoven: Sonata Op. 49 No. 2 # jmsgu3 # SheetMusicPlus
Flute choir: 1piccolo, 4
concert flutes, 1 alto, 1
bass, 1 contrabass (optional)
and 1 cello (optional). -
Intermediate - Digital
Download
Composed b...(+)
Flute choir: 1piccolo, 4
concert flutes, 1 alto, 1
bass, 1 contrabass (optional)
and 1 cello (optional). -
Intermediate - Digital
Download
Composed by Ludwig van
Beethoven (1770-1827).
Arranged by James M. Guthrie,
ASCAP. Baroque Period,
Repertoire, European,
Wedding, Recital. Score, Set
of Parts. 103 pages.
Published by jmsgu3 Beethoven Sonata Op. 49 No. 2 arranged for flute choir. Duration: ca: 10:15 Score: 60 pages, 242 measures. In two movements. A great recital piece to demonstrate nuances of the flute choir. Adagio (Oboe Concerto in D minor, S.Z799) / A. Marcello
Adagio (Oboe Concerto in D minor, S.Z799) / A. Marcello # 2 Flutes (duet) # INTERMEDIATE # Allesandro Marcello # Kan Saito / Japan Duo Notes # Adagio # Japan Duo Notes # SheetMusicPlus
Flute Duet Flute - Level 3 - Digital Download SKU: A0.1490331 Composed by Allesandro Marcello. Arranged by Kan Saito / Japan Duo Notes. Baroque,Classical...(+)
Flute Duet Flute - Level 3 - Digital Download SKU: A0.1490331 Composed by Allesandro Marcello. Arranged by Kan Saito / Japan Duo Notes. Baroque,Classical,Early Music,Film/TV. Score. 2 pages. Japan Duo Notes #1067171. Published by Japan Duo Notes (A0.1490331). Adagio (from Oboe Concerto in D minor, S.Z. 799) by Alessandro Marcello – Flute Duet ArrangementDescription:Experience the hauntingly beautiful Adagio from Alessandro Marcello’s Oboe Concerto in D minor, S.Z. 799 with this exquisite flute duet arrangement. This Adagio is renowned for its lyrical grace and expressive depth, showcasing Marcello’s masterful ability to convey emotion through melodic lines. Arranged for two flutes, this version captures the essence of the original oboe concerto, offering a new and enchanting way to enjoy this Baroque classic.Key Features:Composer: Alessandro MarcelloArrangement: Flute DuetDifficulty Level: Intermediate to AdvancedFormat: Digital Sheet Music PDFPages: Score: 2 pagesThis flute duet arrangement of the Adagio preserves the elegant melodies and rich harmonic textures of Marcello’s original composition, allowing flutists to explore the piece’s profound beauty and lyrical character. Ideal for concert performances, recitals, and chamber music settings, this arrangement provides a refined and evocative addition to any flute repertoire.Why Choose This Arrangement?Authentic Adaptation: Maintains the lyrical and emotional qualities of Marcello’s original Adagio, thoughtfully arranged for two flutes.Versatile Performance Piece: Suitable for a variety of settings, including formal recitals, chamber music concerts, and intimate gatherings.Musically Rewarding: Designed for intermediate to advanced flutists, offering a blend of technical challenge and expressive opportunity.Elevate your flute repertoire with this beautifully crafted arrangement of Alessandro Marcello’s Adagio from the Oboe Concerto in D minor. It’s an ideal choice for flutists who appreciate Baroque elegance and wish to perform a timeless work with a fresh, elegant twist.Keywords: Alessandro Marcello, Adagio, Oboe Concerto in D minor, S.Z. 799, flute duet, flute sheet music, Marcello arrangements, Baroque music, flute ensemble, intermediate flute music, advanced flute duet, classical music, concert flute duet, recital music. Gabrieli: Canzon Septimi Toni Ch 172 for Flute Choir
Gabrieli: Canzon Septimi Toni Ch 172 for Flute Choir # Flute ensemble # INTERMEDIATE # Gabrieli # James M # Gabrieli: Canzon Septimi Toni # jmsgu3 # SheetMusicPlus
Woodwind Ensemble Flute - Level 3 - Digital Download SKU: A0.549201 Composed by Gabrieli. Arranged by James M. Guthrie, ASCAP. Renaissance,Standards. 58 ...(+)
Woodwind Ensemble Flute - Level 3 - Digital Download SKU: A0.549201 Composed by Gabrieli. Arranged by James M. Guthrie, ASCAP. Renaissance,Standards. 58 pages. Jmsgu3 #3460719. Published by jmsgu3 (A0.549201). Instrumentation: 2 piccolos, 3 concert flutes, 1 alto flute, 1 bass flute, 1 cello. Arranged in two antiphonal choirs. Full Score: 28 pg. Study Score: 14 pg. Parts: 2 pg ea. Duration: ca. 3:00 Innovations First of all, Gabrieli preferred sacred vocal and certainly instrumental music. Hence, he concentrated on music that consequently took advantage of resonance and likewise reverberation for maximum effect. Seems like Gabrieli may have invented dynamics – or was rather the first to indicate them such as in his Sonata Pian’ e Forte. Consequently, he was also a pioneer in spatial techniques. He therefore developed and used very specific notation to indicate instrumentation. Gabrieli experimented with assembling massive instrumental forces into isolated groups separated by space. In this way, he consequently contributed heavily to the Baroque Concertato style. Polychoral Works Gabrieli probably used the layout of the San Marco church for his experiments. This is because he worked there as a musician and composer. Furthermore, the church had two choir lofts facing each other. He certainly used these to create striking spatial effects between instrumental forces. Certainly, many of his works are composed such that a choir or instrumental group could first be heard on one side, then consequently followed by a response from the group on the other side. Sometimes there was probably a third group positioned near the main altar as well. Spatial Music Above all, Gabrieli studied carefully detailed groups of instruments and singers. Furthermore, it seems like he created precise directions for instrumentation in rather more than two groups. The instruments, because they could be appropriately situated, could consequently be heard with perfect clearness at distant locations. As a result, arrangements which seem bizarre on paper, can in contrast sound perfectly in-balance. First Works Finally, Gabrieli published his first motets along with his uncle Andrea's compositions in Concerti (1587). These compositions furthermore indicate considerable usage of dialogue and echo effects. Consequently, here we see low and high choirs with the variance between their ranges indicated by instrumental accompaniment. Seems like Gabrieli’s later motets Sacrae Symphoniae (1597) move away from close antiphony. In contrast, he moves towards not simply echoing the material, but developing it by sequential choral entrances. Even more, he takes this procedure to the extreme in the Motet Omnes Gentes. Unlike earlier works, here the instruments are certainly an essential part of the presentation. Also, only parts marked: Capella are supposed to be sung. Homophony Hence, after 1605, Gabrieli moves to a much more homophonic style. He writes sections purely for instruments – which calls Sinfonia – and smaller sections for vocal soloists, accompanied by a basso continuo. Gabrieli: Sonata Pian e Forte Ch. 175 for Flute Choir
Gabrieli: Sonata Pian e Forte Ch. 175 for Flute Choir # Flute ensemble # INTERMEDIATE # Gabrieli # James M # Gabrieli: Sonata Pian e Forte # jmsgu3 # SheetMusicPlus
Woodwind Ensemble Flute - Level 3 - Digital Download SKU: A0.549210 Composed by Gabrieli. Arranged by James M. Guthrie, ASCAP. Renaissance,Standards. 59 ...(+)
Woodwind Ensemble Flute - Level 3 - Digital Download SKU: A0.549210 Composed by Gabrieli. Arranged by James M. Guthrie, ASCAP. Renaissance,Standards. 59 pages. Jmsgu3 #3464701. Published by jmsgu3 (A0.549210). A musical monument: the first composition to employ dynamics. Instrumentation: 1 piccolo, 5 concert flutes, 1 alto flute, 1 bass flute 1 cello. Arranged in two antiphonal choirs. Full Score: 27 pg. 81 ms 4/2, Study Score: 14 pg., Instrumental parts: 2 pg. Duration: 3:45 at half-note = 86. Innovations First of all, Gabrieli preferred sacred vocal and certainly instrumental music. Hence, he concentrated on music that consequently took advantage of resonance and likewise reverberation for maximum effect. Seems like Gabrieli may have invented dynamics – or was rather the first to indicate them such as in his Sonata Pian’ e Forte. Consequently, he was also a pioneer in spatial techniques. He therefore developed and used very specific notation to indicate instrumentation. Gabrieli experimented with assembling massive instrumental forces into isolated groups separated by space. In this way, he consequently contributed heavily to the Baroque Concertato style. Polychoral Works Gabrieli probably used the layout of the San Marco church for his experiments. This is because he worked there as a musician and composer. Furthermore, the church had two choir lofts facing each other. He certainly used these to create striking spatial effects between instrumental forces. Certainly, many of his works are composed such that a choir or instrumental group could first be heard on one side, then consequently followed by a response from the group on the other side. Sometimes there was probably a third group positioned near the main altar as well. Spatial Music Above all, Gabrieli studied carefully detailed groups of instruments and singers. Furthermore, it seems like he created precise directions for instrumentation in rather than two groups. The instruments, because they could be appropriately situated, could consequently be heard with perfect clearness at distant locations. As a result, arrangements that seem bizarre on paper, can in contrast sound perfectly in balance. First Works Finally, Gabrieli published his first motets along with his uncle Andrea's compositions in Concerti (1587). These compositions furthermore indicate considerable usage of dialogue and echo effects. Consequently, here we see low and high choirs with the variance between their ranges indicated by instrumental accompaniment. Seems like Gabrieli’s later motets Sacrae Symphoniae (1597) move away from close antiphony. In contrast, he moves towards not simply echoing the material, but developing it through sequential choral entrances. Even more, he takes this procedure to the extreme in the Motet Omnes Gentes. Unlike earlier works, here the instruments are certainly an essential part of the presentation. Also, only parts marked: Capella are supposed to be sung. Homophony Hence, after 1605, Gabrieli moves to a much more homophonic style. He writes sections purely for instruments – which calls Sinfonia – and smaller sections for vocal soloists, accompanied by a basso continuo. Mendelssohn: Song Without Words Op. 109 for Flute & Piano
Mendelssohn: Song Without Words Op. 109 for Flute & Piano # Flute and Piano # INTERMEDIATE # Felix Mendelssohn # James M # Mendelssohn: Song Without Word # jmsgu3 # SheetMusicPlus
Flute,Piano - Level 3 - Digital Download SKU: A0.549486 Composed by Felix Mendelssohn (1809 –1847). Arranged by James M. Guthrie, ASCAP. Instructi...(+)
Flute,Piano - Level 3 - Digital Download SKU: A0.549486 Composed by Felix Mendelssohn (1809 –1847). Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Sacred,Standards. Score and part. 20 pages. Jmsgu3 #3500637. Published by jmsgu3 (A0.549486). CONCERT FLUTE & PIANO - Score: 11 pages, solo part: 3 pages, piano part: 5 pages. Duration: 4:20. This is a popular recital piece that would work well also in church or school programs. Mendelssohn Background Felix Mendelssohn (1809 –1847) was, by all means, a German mastermind composer, musician, and orchestra conductor of the Romantic period. Consequently, Mendelssohn composed in the usual forms of the time - symphonies, concertos, oratorios, piano music, and chamber music. To summarize, his most famous works include his music for A Midsummer Night's Dream, the Italian Symphony, the Scottish Symphony, The Hebrides Overture, his later Concerto for Violin & Orchestra, and his Octet for Strings. His most well-known piano pieces, by and large, are the Songs Without Words. Artistic Standing  Musical tastes change from time to time. Moreover, just such a change occurred in the late 19th and early 20th centuries. This plus rampant antisemitism brought a corresponding amount of undue criticism. Fortunately, however, his artistic inventiveness has indeed been critically re-evaluated. As a result, Mendelssohn is once again among the most prevalent composers of the Romantic era. Early Family Life Mendelssohn was, in fact, born into a prominent Jewish family. His grandfather was, notably, the philosopher Moses Mendelssohn. Felix was, in fact, raised without religion. At the age of seven, he was suddenly baptized as a Reformed Christian. He was, moreover, a child musical prodigy. Nevertheless, his parents did not attempt to exploit his talent. Early Adulthood Mendelssohn was, in general, successful in Germany. He conducted, in particular, a revival of the music of Johann Sebastian Bach, specifically with his presentation of the St Matthew Passion in 1829. Felix was truly in demand throughout Europe as a composer, conductor, and soloist. For example, he visited Britain ten times. There, he premiered, namely, many of his significant works. His taste in music was. To be sure, inventive and well-crafted yet markedly conservative. This conservatism separated him by all means from more audacious musical colleagues like Liszt, Wagner, and Berlioz. Mendelssohn founded the Leipzig Conservatoire which, to clarify, became a defender of this conservative viewpoint. Mature Adulthood Schumann notably wrote that Mendelssohn was the Mozart of the nineteenth century, the most brilliant musician, the one who most clearly sees through the contradictions of the age and for the first time reconciles them. This observation points to a couple of features in particular that illustrate Mendelssohn's works and his artistic procedure. Musical Features In the first place, his musical style was fixed in his systematic mastery of the style of preceding masters. This being said, he certainly recognized and even developed early romanticism from the music of Beethoven and Weber. Secondly, it indicates that Mendelssohn sought to strengthen his inherited musical legacy rather than to exchange it with new forms and styles or replace it with exotic orchestration. Consequently, he diverged his contemporaries in the romantic period, such as Wagner, Berlioz, and Liszt. Mendelssohn revered Liszt's virtuosity at the keyboard but found his music rather insubstantial. Berceuse by Ilyinsky arranged for 5 flutes / flute ensemble / flute quintet
Berceuse by Ilyinsky - 5 flutes / flute ensemble / flute quintet # Flute ensemble # INTERMEDIATE # Classical # Alexander
Ilyinsky # a " do Ray me "
fl # do Ray me " # Berceuse by Ilyinsky - 5 flute # a " do
Ray me " flute studio
production # SheetMusicPlus
Composed by Alexander
Ilyinsky (1859-1920).
Arranged by a " do Ray me "
flute studio production, Ray-
Michael Kauffman. Romantic
Period, Repe...(+)
Composed by Alexander
Ilyinsky (1859-1920).
Arranged by a " do Ray me "
flute studio production, Ray-
Michael Kauffman. Romantic
Period, Repertoire, Mother's
Day, Wedding, Recital.
Individual Part, Lead Sheet,
Octavo, Piano Reduction,
Score, Set of Parts, Sheet
Music Single, Solo Part. 16
pages. Published by a " do
Ray me " flute studio
production https://youtu.be/Mw3wD_kzxrc
This beloved piece, well known by many early music students, is a sweet expressive addition for your flute ensemble/ group/ choir. Simplistic enough to intermediate performers, yet complex enough to create something magical for performers and audience. This simple yet sweet melody, added with my rich textured harmonies adds a new flare to this piece, and would be perfect for playing for so many venues , concerts, churches, programs, graduation, memorial
services, and many other choices. A great way for newer players to learn expressive playing and emotional phrasing. A sure hit for all !
set for 4 c flutes, and alto flute in g , and / or bass flute . Can be used as a quintet or sextet , or small flute ensemble. A piece where all flute players can play, sharing the melody back and forth through the sections .
Thanks for looking, and please check out my website @ doRaymeflute.com Concert Flute Trios - Book 1
Concert Flute Trios - Book 1 # Flute Trio: 3 flutes # EASY # Paul Barker Music # Paul Barker # Concert Flute Trios - Book 1 # Paul Barker Music # SheetMusicPlus
Flute Trio,Woodwind Ensemble Flute - Level 2 - Digital Download SKU: A0.1398522 By Paul Barker Music. By Beethoven, Elgar and Haydn. Arranged by Paul Bar...(+)
Flute Trio,Woodwind Ensemble Flute - Level 2 - Digital Download SKU: A0.1398522 By Paul Barker Music. By Beethoven, Elgar and Haydn. Arranged by Paul Barker. Classical,Contemporary,Contest,Festival,Instructional,Romantic Period. 27 pages. Paul Barker Music #981798. Published by Paul Barker Music (A0.1398522). An easily accessible collection of three popular concert classics, which includes: Ode To Joy (Beethoven), Nimrod (Elgar), and the Surprise Symphony (Haydn). Imaginatively scored for Flute Trio, this collection is ideal for general concerts, recitals, and festivals. Performance recordings are available separately for rehearsal and performance accompaniment.Also, explore our extensive range of Christmas Holiday arrangements for the same instrumentation and level. Â Â Â Â Â Â Â Â Â Â Â Â Â Level: Early Intermediate - Grade 2+Duration: VariousOccasion: General Concert - Formal/Informal Occasions - FestivalsInstrumentation: Flute Trio. Allegro (from "Concerto for Four Claviers") (A min) (Flute Quintet)
Allegro (from "Concerto for Four Claviers") (A min) (Flute Quintet) # Flute Quintet : 5 flutes # ADVANCED # Classical # Johann Sebastian Bach # Regis Bookshar # Allegro # Regis Bookshar # SheetMusicPlus
Woodwind Ensemble Flute - Level 5 - Digital Download SKU: A0.813371 Composed by Johann Sebastian Bach. Arranged by Regis Bookshar. Baroque,Instructional,...(+)
Woodwind Ensemble Flute - Level 5 - Digital Download SKU: A0.813371 Composed by Johann Sebastian Bach. Arranged by Regis Bookshar. Baroque,Instructional,Multicultural,Standards,World. 45 pages. Regis Bookshar #6209749. Published by Regis Bookshar (A0.813371). Flute Quintet - Advanced - Digital Download. This must-have arrangement would be a fabulous addition to any music library and could be performed for concerts and recitals and could also be performed for church services. This brilliant work by Johann Sebastian Bach is an adaptation of Antonio Vivaldi's Concerto for Four Violins and String Orchestra in B minor. Bach had gotten to know Vivaldi's concertos while he was an organist at Weimar, where he transcribed ten of them for solo harpsichord and six of them for organ. Originally written in B minor, Bach transposed it to A minor and, while preserving the melodic outline as conceived by Vivaldi for four violins, this later adaptation, from around 1730, for four harpsichords and string orchestra, is far more ambitious. In it, Bach has both tightened and expanded Vivaldi's counterpoint, enriched it with lusher harmonies and expanded the solo parts with greater complexity and greater clarity. The result is a composition that actually improves on the original work. Written in the standard three-movement concerto form of the Baroque period, Bach's Concerto for Four Claviers in A minor is a virtuoso piece for the soloists. Regis Bookshar has now rearranged the first movement of this concerto, marked Allegro, for a Flute Quintet, while maintaining the energy and virtuosity of Bach's original work. This arrangement is intended to be performed by accomplished players and may prove to be a huge challenge for many players, but, I think, it will be worth the effort. Included are a score and a complete set of parts (45 pages). In addition to this version for 5 Flutes, other arrangements of this selection are also available for a variety of Instrumental Quintets, some of which are in the original key of Concert A minor and some have been transposed to Concert G minor, making it a little easier for some performers, as well as numerous other arrangements in a wide variety of styles. I would encourage you to search for other arrangements by Regis Bookshar. You may find something else which might interest you as well. I'm certain that this exciting arrangement will be a challenge to many performers but will continue to entertain both performers and audiences alike for years to come. I hope you will enjoy it as much as I have enjoyed working on it. Allegro (from "Concerto for Four Claviers") (G min) (Flute Quintet)
Allegro (from "Concerto for Four Claviers") (G min) (Flute Quintet) # Flute Quintet : 5 flutes # ADVANCED # Classical # Johann Sebastian Bach # Regis Bookshar # Allegro # Regis Bookshar # SheetMusicPlus
Woodwind Ensemble Flute - Level 5 - Digital Download SKU: A0.813397 Composed by Johann Sebastian Bach. Arranged by Regis Bookshar. Baroque,Instructional,...(+)
Woodwind Ensemble Flute - Level 5 - Digital Download SKU: A0.813397 Composed by Johann Sebastian Bach. Arranged by Regis Bookshar. Baroque,Instructional,Multicultural,Standards,World. 45 pages. Regis Bookshar #6209805. Published by Regis Bookshar (A0.813397). Flute Quintet - Advanced - Digital Download. This must-have arrangement would be a fabulous addition to any music library and could be performed for concerts and recitals and could also be performed for church services. This brilliant work by Johann Sebastian Bach is an adaptation of Antonio Vivaldi's Concerto for Four Violins and String Orchestra in B minor. Bach had gotten to know Vivaldi's concertos while he was an organist at Weimar, where he transcribed ten of them for solo harpsichord and six of them for organ. Originally written in B minor, Bach transposed it to A minor and, while preserving the melodic outline as conceived by Vivaldi for four violins, this later adaptation, from around 1730, for four harpsichords and string orchestra, is far more ambitious. In it, Bach has both tightened and expanded Vivaldi's counterpoint, enriched it with lusher harmonies and expanded the solo parts with greater complexity and greater clarity. The result is a composition that actually improves on the original work. Written in the standard three-movement concerto form of the Baroque period, Bach's Concerto for Four Claviers in A minor is a virtuoso piece for the soloists. Regis Bookshar has now rearranged the first movement of this concerto, marked Allegro, for a Flute Quintet, while maintaining the energy and virtuosity of Bach's original work. This arrangement is intended to be performed by accomplished players. It may prove to be a huge challenge for many players, but, I think, it will be worth the effort. Included are a score and a complete set of parts (45 pages). In addition to this version for 5 Flutes, other arrangements of this selection are also available for a variety of Instrumental Quintets, some of which are in the original key of Concert A minor and some have been transposed to Concert G minor, making it a little easier for some performers, as well as numerous other arrangements in a wide variety of styles. I would encourage you to search for other arrangements by Regis Bookshar. You may find something else which might interest you as well. I'm certain that this exciting arrangement will be a challenge to many performers but will continue to entertain both performers and audiences alike for years to come. I hope you will enjoy it as much as I have enjoyed working on it. BACH: Trio Sonata No. 1 BWV 525 for Flute Trio
BACH: Trio Sonata No. 1 BWV 525 for Flute Trio # Flute Trio: 3 flutes # INTERMEDIATE/ADVANCED # Classical # Johann Sebastian Bach # James M # BACH: Trio Sonata No. 1 BWV 52 # jmsgu3 # SheetMusicPlus
Woodwind Ensemble,Woodwind Trio Alto Flute,Bass Flute - Level 4 - Digital Download SKU: A0.552649 Composed by Johann Sebastian Bach. Arranged by James M....(+)
Woodwind Ensemble,Woodwind Trio Alto Flute,Bass Flute - Level 4 - Digital Download SKU: A0.552649 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie. Baroque,Holiday,Standards,Wedding. 36 pages. Jmsgu3 #6492349. Published by jmsgu3 (A0.552649). Sonata No. 1 BWV 525, originally for organ, arranged for flute trio: 1 concert flute, 1 alto flute, 1 bass flute. Duration: 14:15, Score: 19 pages. In three movements.I. AllegroII. AdagioIII. AllegroJ.S. Bach's Trio Sonatas BWV 525-530 are some of the most popular and beloved works of the Baroque period. Composed in 1717, these six trio sonatas for the organ are among Bach's earliest works for the instrument. They are all in the traditional three-movement form and are composed in the style of the Italian concerto grosso, with two upper voices (treble and alto) and a basso continuo. The two upper voices often intertwine in intricate contrapuntal melodies, while the basso continuo provides harmonic support. The works are also full of virtuosic passages that demonstrate Bach's mastery of the organ. The Trio Sonatas are considered to be among the most important and influential works of the Baroque era, and they continue to be widely performed and studied today.The Bach Trio Sonatas have been successfully transcribed for a variety of ensembles, including wind, string, and brass ensembles. The parts are easily divided among a variety of wind instruments, including flute, oboe, clarinet, bassoon, and saxophone. In these transcriptions, the original material is retained, but often with some additional orchestration or embellishment. These transcriptions often emphasize the polyphonic texture of the original works, creating a rich soundscape.  The Sonatas have also been successfully adapted for a variety of string ensembles. In these versions, the original two-part texture with the basso is maintained, creating a full and satisfying sound that allows for a more nuanced interpretation of the works. In addition, these transcriptions often add a variety of dynamic markings and articulations that were not present in the original editions. These transcriptions provide performers with a variety of options for interpreting and performing these beloved works.