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322 sheet music found Ragtime Miniatures for Two Flutes - Set 2
Ragtime Miniatures for Two Flutes - Set 2 # 2 Flutes (duet) # INTERMEDIATE # Ragtime # Pat Holmberg # Ragtime Miniatures for Two Flu # Patricia
Tanttila Holmberg # SheetMusicPlus
Flute - Intermediate -
Digital Download
Composed by Pat Holmberg.
21st Century, Ragtime,
Repertoire. Score. 24 pages.
Published by Patricia
Tanttila ...(+)
Flute - Intermediate -
Digital Download
Composed by Pat Holmberg.
21st Century, Ragtime,
Repertoire. Score. 24 pages.
Published by Patricia
Tanttila Holmberg Here are fourteen ragtime style flute duets - very contrapuntal - equally challenging and fun in both parts - sure to help teenage flute students keep on with their lessons! Below, find some reviews by flute teachers:Here are some reviews for these duets from flute teachers: ByDr. Mom on November 19, 2013 As a flute teacher, I watch for new and interesting music for my students. These Rags are terrific! They are harmonically and musically interesting, introduce a style to the students with which they may be unfamiliar yet has a "jazzy" feel, and are simple enough in range, rhythm and length (they're relatively brief) to be approachable to the intermediate student - a level at which one often needs interesting music to keep them going! - and above. I had one student who is versed in jazz (plays jazz trumpet) who tried to swing these, so I had the opportunity to work with him on how Rags differ from "swung" jazz, which was kind of fun. I feel these duets fill a need in the modern flute studio, and recommend them highly. Something to Rag about - for students & performers a-like! By Em on November 16, 2013 This 12-piece book is a delightful introduction to ragtime for flutists, who usually don't get the chance to play much jazz or "rag" music. What I perhaps enjoy most about the book is, the 2nd flute part has many chances for nice melodic interplay or fun walking bass lines to accompany the 1st flute. (Unlike many duet books that have a rather stagnant bass line for the 2nd flute/accompaniment.) If you are playing with students who are new to the territory, it is a great book to have them develop an ear for jazz chords. You'll need to review how to swing eighths, since that isn't covered here --it's for Intermediate players after all :). The lines should not be incredibly challenging though, and it is presented in such a way that whether up or down tempo, it's still fun to play. I did like playing most of the pieces up-tempo, though! My top favorite pieces are #5- "Forget-Me-Not", #6 - "Cotton Candy Rag", #11 - "High Country Stomp" (it's nice got a nice lilting feel) and #12- "Green Mountain Saunter." There is a great variety, and each piece has a memorable melody. Grab a flutist friend and play these! If you like to have up-beat and playful tunes (especially during these cold winter months) these will warm you up real fast. Hi Patricia,The Ragtime Miniatures for Two Flutes – Set 1 Intermediate by Patricia Holmberg lends itself to development in rhythmic and reading skills. It offers studies of syncopated rhythms in 4/4 and 12/8. The 12/8 duets support improvement in the student’s triple feel. Also, the changes in meter challenge and support the enhanced reading skills of the student. Furthermore, the chromatic tones offer stylistic colors to the student’s assortment of fingering patterns. Students using the book had a positive response to the melodic content: it was fun to play—a breath of fresh air.Thank you for bringing your book to my attention. We await set two. Phyllis G. Ragtime Miniatures- Intermediate By Jean A. E. on November 7, 2013 This is Intermediate level music, it can satisfy several levels of players, and altho rags come over stylistically the same , these are varied enough . Except for mostly using flat key signatures, and having some confusion in finding your way around repeats and da capos, these are pleasant little works, some of which would make nice concert encores. The only feature I as a performer corrected when my friend and I played them thru was to 8 va some of the too low 2nd parts. Doing this seemed to improve the voicing.So In general, nice work,Pat!!Professional Flutist/ performer Jean A. "Back to School 2015". Five Star Studies
Five Star Studies # Flute # BEGINNER # Studies # Aiva Elsina # Five Star Studies # Aiva
Elsina # SheetMusicPlus
Flute - Easy/Beginner -
Digital Download
Composed by Aiva Elsina.
Etudes and Exercises. Score.
25 pages. Published by Aiva
Elsina...(+)
Flute - Easy/Beginner -
Digital Download
Composed by Aiva Elsina.
Etudes and Exercises. Score.
25 pages. Published by Aiva
Elsina Five star studies is a collection of 20 short technical pieces for beginner flutists, starting with the very first three notes B, A, G and gradually increasing in difficulty.
The studies introduce new technical terms step by step.
The five star sections at the bottom of every page are dedicated to such components as rhythm, dynamics, notes, posture, articulation, expression, sound, etc. Some of the boxes are already filled in, but the empty ones are left for the teacher to choose the technical difficulty to work on while practicing the study.
The teacher should evaluate how many stars the student has earned based on overall impression during the lesson. The goal for the student is to practice at home paying attention to every single block and manage to add more stars at the next lesson.
The study is considered “done” when the student has earned all the stars in all five blocks. Selections from Etudes Tableaux | Flute Quintet
Selections from Etudes Tableaux | Flute Quintet # Flute Quintet : 5 flutes # ADVANCED # Sergei Rachmaninoff # Michael Barrera # Selections from Etudes Tableau # Michael Barrera # SheetMusicPlus
Flute Quintet,Woodwind Ensemble Alto Flute,Bass Flute - Level 5 - Digital Download SKU: A0.1494539 Composed by Sergei Rachmaninoff. Arranged by Michael B...(+)
Flute Quintet,Woodwind Ensemble Alto Flute,Bass Flute - Level 5 - Digital Download SKU: A0.1494539 Composed by Sergei Rachmaninoff. Arranged by Michael Barrera. 20th Century,Classical. 114 pages. Michael Barrera #1071127. Published by Michael Barrera (A0.1494539). Https://www.michaelbarreraflute.com/flute/etudes-tableauxProgram NotesRachmaninoff's Etudes Tableaux are two sets of piano etudes. These are “picture pieces,” intended to be studies in musical composition focused on a variety of themes. Each etude explores a distinct scene left to the listener’s interpretation. Op. 33 No. 4, Moderato – This march begins and ends with an open fifth echo-like motif. As the movement progresses, it gains more textural and harmonic complexity. Op. 39 No. 8, Allegro Moderato – This lyrical piece has long legato melodies, requiring precision and agility from the performer. Op. 39 No. 4, Allegro Assai – Filled with harmonic color and interweaved motives, this gavotte is pointed and energetic. Op 39 No. 7, Lento Lugubre – Slow and laborious, the funeral march is dense with emotion, ending with a glorious bell-like theme. Op. 33 No. 6, Allegro con Fuoco - “The Fair” is exuberant in its rhythm and harmony. The fanfare motifs have a jubilant energy. InstrumentationFlute Quintet -2 Flutes2 Alto Flutes1 Bass Flute. Donut Etudes vol. 3: Don’t Step in the Holes! - Flute Quartet
Donut Etudes vol. 3: Don’t Step in the Holes! - Flute Quartet # Flute Quartet: 4 flutes # INTERMEDIATE # Instructional # Joshua Hauser #   # Donut Etudes vol. 3: Don’t S # Slide Ride # SheetMusicPlus
Flute Solo - Level 3 - Digital Download SKU: A0.784325 Composed by Joshua Hauser. Instructional. Individual part. 38 pages. Slide Ride #5288633. Publishe...(+)
Flute Solo - Level 3 - Digital Download SKU: A0.784325 Composed by Joshua Hauser. Instructional. Individual part. 38 pages. Slide Ride #5288633. Published by Slide Ride (A0.784325). Donut Etudes vol. 3: Don’t Step in the Holes!1 Octave Scale Studies in 15+ keys for 4-part ensembles of like or mixed instruments If this is your first exposure to these scale studies, you are in for a treat! Donuts, if you make a mistake!The initial incarnation of these studies were written for trombone quartet and we would play them in the Tennessee Tech Trombone Choir with the challenge that whomever made the first mistake had to buy donuts for the rest of the ensemble. Since then I have brought that version to several clinics and warm up sessions. One time before I got to explain the title, a fellow trombone professor said, Oh, I get it! Don’t step in the holes!I only wish I had thought of that myself... Since we have one of the best donut shops in TN here in Cookeville, treating the studio to sugar coated goodies was always my intent.As with those initial exercises, you can vary these as much as you’d like.· Choose a tempo.· Choose a dynamic.· Choose an articulation/style.One way I like to play these is to have one person be the model, playing the entire scale over and over while everyone else plays the fragmented versions. That helps everyone to keep on track and stay in time. Double or triple up the parts for ensemble cohesion with a larger group.Practice one key, gradually speeding it up to improve fluidity, or choose a variation and take it through all keys, playing version A, B, C, or D then skipping to play the same set in a new key.If you want an additional challenge, play them in different octaves or change the key. Play the F Major set in f minor (all forms), different modes, etc. Players really have to be on their toes to remember if they are playing melodic minor in the ascending or descending form! For jazz players, try swinging them in dorian or mixolydian modes.The variations are endless!If you are using these with transposing instruments, 1) is F Major in Concert Pitch, 2) is Bb Major in Concert pitch, and so on. When you reach a scale that is enharmonic for another key (Db/C#, Gb/F#, or Cb/B), they are presented in both keys for each instrument so Trumpets can play in Eb while the Flutes are playing in C# with similar examples for all keys.All Donut Etudes with the same volume number are compatible so you can play them in mixed quartets or large ensembles with one or more instruments/people on part 1 and a different instrument on part 2, etc. Since the quartets are all identical, conductors/coaches can use any of the scores to tell which part should be playing at what time. Once you have played a scale with one set of parts, everyone can rotate to a different part and play the same scales again!Enjoy! Thérèse Brenet: Sonata for flute and piano
Thérèse Brenet: Sonata for flute and piano # Flute and Piano # ADVANCED # Therese Brenet # Thérèse Brenet: Sonata for f # Musik Fabrik Music Publishing # SheetMusicPlus
Flute,Piano - Level 5 - Digital Download SKU: A0.533397 Composed by Therese Brenet. Concert,Contemporary,Standards. Score and part. 30 pages. Musik Fabri...(+)
Flute,Piano - Level 5 - Digital Download SKU: A0.533397 Composed by Therese Brenet. Concert,Contemporary,Standards. Score and part. 30 pages. Musik Fabrik Music Publishing #2894443. Published by Musik Fabrik Music Publishing (A0.533397). A sonata in three movements for flute and piano: I. EphémèreII. La lune s'éteignitIII. Miroirs The sonata lasts aproximately 13 minutes. Thérèse BRENET, born 22 October 1935 in Paris, France began her musical studies at a very early age, receiving her first prize in Piano from the Conservatoire de Reims.At the Paris Conservatory, her prinicipal teachers were Jean Rivier, Darius Milhaud, Maurice Duruflé, Noël Gallon and Henri Dutilleux and she obtained First Prizes in Harmony, Counterpoint, and Fugue. She finished her studies in 1965, receiving a First Prize in Orchestration, A First Prize with highest honors in Composition and the First Grand Prix de Rome in musical composition.She also won the Halphen Prize for Composition and the Fugue, a grant from the Coplay Foundation of Chigaco and was named honorable member of the National Academy of History of Reims. In 1971, she received the Stéphane Chapelier-Clergue-Gabriel Marie Prize from the SACEM and in 1973, the Silver Medal from the City of Paris.After her stay at the French Academy at the Villa Médicis in Rome, Thérèse Brenet undertook several post-graduate voyages for study, notably to Poland. Upon her return in Paris in 1970, she was immediately named to the Faculty of the Paris Conservatory (CNSMD de Paris) where she also was frequently part of the juries for music theory and composition, as well as electroacoustical music.Thérèse Brenet receiving her definitive SACEM membership from Georges Auric She retired from the Paris Conservatory in 2000 and has since devoted her time to musical composition. She uses both tonal and atonal musical language, which she uses to suit her personal style. Her works are strongly influenced by literature, by painting and by science (especially astronomy). She believes that a composer should use all technical means at his or her disposal and use them rather than be used by them.Her first commission from the French National Radio, Clamavit, for Narrator, Chorus and Orchestra which was premièred by the Orchestre Lyrique de l'O.R.T.F., under the direction of André Girard, with Michel Bouquet as the Narrator, was selected to represent France in the Composer's Forum of 'U.N.E.S.C.O., and was performed in many countries. Many other works have also been performed outside of France in countries such as Switzerland, England, Germany, Belgium, Ireland, the former Yugoslavia, Italy, Portugal, the Netherlands, Libya, Canada, Uruguay, Japan and the United States etc...