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1,057 sheet music found Quando Me'n Vo for Flute & Piano
Quando Me'n Vo for Flute & Piano # Flute and Piano # INTERMEDIATE # Keith Terrett # Keith Terrett # Quando Me'n Vo for Flute & Pia # Keith Terrett # SheetMusicPlus
Flute,Piano - Level 3 - Digital Download SKU: A0.1046388 By Keith Terrett. By Giacomo Puccini. Arranged by Keith Terrett. Classical,Opera,Romantic Period...(+)
Flute,Piano - Level 3 - Digital Download SKU: A0.1046388 By Keith Terrett. By Giacomo Puccini. Arranged by Keith Terrett. Classical,Opera,Romantic Period. Score and part. 6 pages. Keith Terrett #650903. Published by Keith Terrett (A0.1046388). An arrangement of one of Puccini’s greatest arias for Flute & Piano. Great piece to improve trumpeter’s player’s bell canto style of playing. Take a listen to Conrad Gozzo’s playing on the Tutti Trumpet CD for a fine example! Quando me'n vo', also known as Musetta's Waltz, is a soprano aria, a waltz in act two of Puccini's 1896 opera La bohème. It is sung by Musetta, in the presence of her bohemian friends, hoping to reclaim the attention of her occasional boyfriend Marcello. This scene takes place at the Café Momus [fr]. Shortly after Mimì, Rodolfo, and their friends have taken seats for a drink, Marcello's former girlfriend, Musetta, shows up with her current patron, the elderly Alcindoro. They quarrel for a bit, then the episode begins as Musetta initiates her move on Marcello. She grabs the spotlight, musically speaking, for a short self-promoting aria (Quando me'n vo'). It is a song directed at the people in the café as much as at the audience in the theater. Popular renditions of the melody were produced during the 1950s, including an American Top 40 hit by Sammy Kaye (You) and a version by Della Reese (Don't You Know?), which reached number two on the U.S. Billboard Hot 100. You will find more Italian arias and Neapolitan songs in my Sibelius & ArrangeMe stores. Daylight
Daylight # Flute and Piano # EASY # David Kushner # BTmusic # Daylight # BTmusic # SheetMusicPlus
Piano,Soprano Flute - Level 2 - Digital Download SKU: A0.1226401 By David Kushner. By David Kushner, Hayden Hubers, Jeremy Fedryk, and Josh Bruce William...(+)
Piano,Soprano Flute - Level 2 - Digital Download SKU: A0.1226401 By David Kushner. By David Kushner, Hayden Hubers, Jeremy Fedryk, and Josh Bruce Williams. Arranged by BTmusic. Multicultural,Pop,Rock,Standards,Wedding,World. Score and part. 7 pages. BTmusic #822405. Published by BTmusic (A0.1226401). This is a very nice arrangement of Daylight, by David Kushner, for Flute and Piano duet. Sheet music comes with Chord Symbols.David Kushner - Daylight - Flute and Piano Sheet Music - Piano Accompaniment. Daylight
Daylight # Flute and Piano # EASY # David Kushner # BTmusic # Daylight # BTmusic # SheetMusicPlus
Piano,Soprano Flute - Level 2 - Digital Download SKU: A0.1226402 By David Kushner. By David Kushner, Hayden Hubers, Jeremy Fedryk, and Josh Bruce William...(+)
Piano,Soprano Flute - Level 2 - Digital Download SKU: A0.1226402 By David Kushner. By David Kushner, Hayden Hubers, Jeremy Fedryk, and Josh Bruce Williams. Arranged by BTmusic. Multicultural,Pop,Rock,Standards,Wedding,World. Score and part. 7 pages. BTmusic #822406. Published by BTmusic (A0.1226402). This is a very nice arrangement of Daylight, by David Kushner, for Flute and Piano duet. David Kushner - Daylight - Flute and Piano Sheet Music - Piano Accompaniment. Scriabin: Prelude Op. 11 No. 2 for Alto Flute & Piano
Scriabin: Prelude Op. 11 No. 2 for Alto Flute & Piano # Flute and Piano # INTERMEDIATE # Alexander Scriabin # James M # Scriabin: Prelude Op. 11 No. 2 # jmsgu3 # SheetMusicPlus
Flute,Piano - Level 3 - Digital Download SKU: A0.549473 Composed by Alexander Scriabin. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romant...(+)
Flute,Piano - Level 3 - Digital Download SKU: A0.549473 Composed by Alexander Scriabin. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Period,Sacred,Standards. Score and part. 12 pages. Jmsgu3 #3499833. Published by jmsgu3 (A0.549473). Score: 8 pages, solo part: 2 pages, piano part: 2 pages. Duration: 3:10. An introspective and meditative work with a lot of dynamic and phrasing nuance. Works well for church meditations or recital encores.BackgroundOp.11/2 Alto Clarinet version. First of all, Scriabin composed mostly for the solo piano and also the orchestra. This is probably because he was a gifted pianist and therefore certainly appreciated the piano. Scriabin grew up in the late Romantic period, consequently, he was fond of the great piano masters of the time. As a result, he wrote his first noteworthy compositions in the manner of Chopin and Liszt.FormsLikewise, Scriabin used many of the same forms as Chopin. These certainly include the étude, prelude, nocturne, and even the mazurka. In contrast, as he developed his own sense of style his music became more and more unusual. So, the last five of his Piano Sonatas do not have a key signature and therefore lean towards atonality.PhilosophyScriabin also developed a keen interest in philosophy and likewise poetry. He was above all particularly fascinated by Nietzsche, Delville, and Blavatsky. Consequently, he finally established his own ideas about metaphysics and certainly mysticism. Scriabin consequently advanced theories about the relationship between color and musical keys.SynesthesiaHe also may have experienced a condition called synesthesia where he could probably sense a response created from a different stimulus. Therefore, it was almost as if he could see music and hear colors. Scriabin, therefore, arranged the colors in a circle similar to the circle-of-fifths and assigned each key area a color. Finally, he assigned the key of C to the color red, while the key of G was orange. Similarly, he assigned D to yellow, A to green, and so forth. Strangely, he did not differentiate between major and minor key colors. MultimediaHence, his ability to translate colors into music certainly gave Scriabin a most noteworthy interest in creating multimedia events. Furthermore, He designed his biggest work, the Mysterium, to last an entire week. Even more, Scriabin made plans not only for music, but also colored lights, incense, and dancing. He designed the performance to occur in the foothills of the Himalaya mountains. The Mysterium was never performed, and only sketches of the work remain.Modern PerformancesIn modern times, we often experience performances of Scriabin’s most famous completed works accompanied by colored laser lights and incense. These are the Poem of Ecstasy (completed in 1908) and the Poem of Fire (completed in 1910). The lighting effects for these early performances were accomplished by the clavier à lumiéres. It was a keyboard instrument that projected colored light onto a screen. Scriabin: Prelude Op. 11 No. 2 for Flute & Piano
Scriabin: Prelude Op. 11 No. 2 for Flute & Piano # Flute and Piano # INTERMEDIATE # Alexander Scriabin # James M # Scriabin: Prelude Op. 11 No. 2 # jmsgu3 # SheetMusicPlus
Flute,Piano - Level 3 - Digital Download SKU: A0.549464 Composed by Alexander Scriabin. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romant...(+)
Flute,Piano - Level 3 - Digital Download SKU: A0.549464 Composed by Alexander Scriabin. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Period,Sacred,Standards. Score and part. 12 pages. Jmsgu3 #3499727. Published by jmsgu3 (A0.549464). Score: 8 pages, solo part: 2 pages, piano part: 2 pages. Duration: 3:10. An introspective and meditative work with a lot of dynamic and phrasing nuance. Works well for church meditations or recital encores. Background Op.11/2 Alto Clarinet version. First of all, Scriabin composed mostly for the solo piano and also the orchestra. This is probably because he was a gifted pianist and therefore certainly appreciated the piano. Scriabin grew up in the late Romantic period, consequently, he was fond of the great piano masters of the time. As a result, he wrote his first noteworthy compositions in the manner of Chopin and Liszt. Forms Likewise, Scriabin used many of the same forms as Chopin. These certainly include the étude, prelude, nocturne, and even the mazurka. In contrast, as he developed his own sense of style his music became more and more unusual. So, the last five of his Piano Sonatas do not have a key signature and therefore lean towards atonality. Philosophy Scriabin also developed a keen interest in philosophy and likewise poetry. He was above all particularly fascinated by Nietzsche, Delville, and Blavatsky. Consequently, he finally established his own ideas about metaphysics and certainly mysticism. Scriabin consequently advanced theories about the relationship between color and musical keys. Synesthesia He also may have experienced a condition called synesthesia where he could probably sense a response created from a different stimulus. Therefore, it was almost as if he could see music and hear colors. Scriabin, therefore, arranged the colors in a circle similar to the circle-of-fifths and assigned each key area a color. Finally, he assigned the key of C to the color red, while the key of G was orange. Similarly, he assigned D to yellow, A to green, and so forth. Strangely, he did not differentiate between major and minor key colors. Multimedia Hence, his ability to translate colors into music certainly gave Scriabin a most noteworthy interest in creating multimedia events. Furthermore, He designed his biggest work, the Mysterium, to last an entire week. Even more, Scriabin made plans not only for music, but also colored lights, incense, and dancing. He designed the performance to occur in the foothills of the Himalaya mountains. The Mysterium was never performed, and only sketches of the work remain. Modern Performances In modern times, we often experience performances of Scriabin’s most famous completed works accompanied by colored laser lights and incense. These are the Poem of Ecstasy (completed in 1908) and the Poem of Fire (completed in 1910). The lighting effects for these early performances were accomplished by the clavier à lumiéres. It was a keyboard instrument that projected colored light onto a screen. Romantic Sonata - Poems of Light
Romantic Sonata - Poems of Light # Flute and Piano # INTERMEDIATE/ADVANCED # Jeffrey Hoover # Romantic Sonata - Poems of Lig # Musicart Publications # SheetMusicPlus
Flute,Piano - Level 4 - Digital Download SKU: A0.971652 Composed by Jeffrey Hoover. 20th Century,Contemporary. Score and part. 35 pages. Musicart Publica...(+)
Flute,Piano - Level 4 - Digital Download SKU: A0.971652 Composed by Jeffrey Hoover. 20th Century,Contemporary. Score and part. 35 pages. Musicart Publications #4797933. Published by Musicart Publications (A0.971652). In three movements, Romantic Sonata - Poems of Light (flute and piano) communicates how light can be a metaphor for the emotional and spiritual aspects of life. There are also three paintings - also created by the composer - joining hearing with sight as a poetic way of understanding ideas and emotions.Of Light and Shadow possesses a monothematic sonata design (rather than a two-theme structure), with a primary musical theme that is developed, and a brief closing section. Colors in the Clouds, the second movement of the work, does not differ greatly in tempo from the first movement, but rather is more relaxed in character. A slower middle section of this movement explores tone color through expressive use of extended techniques for the flute. Prism of the Heart is variation of the classical chaconne, with an introduction and a closing section. The conclusion of the first movement is developed and becomes the closing section of the third movement. This connects the first and third movements, bringing one back to where one started, yet experiencing change after the musical journey. The score and flute part in this edition are arranged to be printed double-sided, with correct page turns, directly from the PDF. Jeffrey Hoover's compositions- music ranging from soloist to symphony orchestra -have received recognition through the prestigious Trieste prize, the international Luigi Russolo competition, awards from Mu Phi Epsilon, the Lancaster Fine Arts Festival, grants, publications fellowships and more than 20 commissions. He is a member of the ACME roster of Mu Phi Epsilon, recognized for distinguished achievement as a composer. One unique aspect of Hoover’s work is when he combines composition with his paintings, creating synergetic art that intrigues and captivate audiences and performers alike. His paintings are seen in exhibitions and in concerts where his paintings are projected while musicians perform his music. Hoover’s background as a performer includes both classical and jazz music, as saxophonist and conductor. His book The Arts and Society: Making New Worlds is published by Kendall Hunt Publishing. Hoover was born on September 11, 1959, in Anderson, Indiana. He holds a Ph.D. in Fine Arts (Composition and Interdisciplinary Fine Arts) from Texas Tech University, as well as and .Sc. from Ball State University. His career in higher education has included both faculty and arts administration appointments. Away in a Manger – Flute Solo with Piano
Away in a Manger – Flute Solo with Piano # Flute and Piano # BEGINNER # Traditional # Valdir Maia # Away in a Manger – Flute Sol # Valdir Maia # SheetMusicPlus
Flute,Piano - Level 1 - Digital Download SKU: A0.1505506 Composed by Traditional. Arranged by Valdir Maia. Advent,Christian,Christmas,Praise & Worship,Tr...(+)
Flute,Piano - Level 1 - Digital Download SKU: A0.1505506 Composed by Traditional. Arranged by Valdir Maia. Advent,Christian,Christmas,Praise & Worship,Traditional. Score and part. 2 pages. Valdir Maia #1080928. Published by Valdir Maia (A0.1505506). Away in a Manger – Flute Solo with PianoCelebrate the holiday season with this lovely arrangement of Away in a Manger for flute solo and piano. Perfect for festive performances, this traditional Christian Christmas song adds a light, melodic touch to any holiday event.Designed for musicians of all levels, this arrangement is ideal for church services or seasonal concerts. The flute's delicate, expressive tones, combined with the piano accompaniment, create a warm and enchanting atmosphere for your audience.PDF of high-quality score and parts available for immediate download. Add this timeless Christmas music to your repertoire today!**Key Features:**- Scored for flute solo and piano- Traditional Christian Christmas music- High-quality PDF download: scores and parts includedDon’t miss out—order your copy now and enhance your holiday performance! Beau Soir (Debussy) for Flute and Piano
Beau Soir (Debussy) for Flute and Piano # Flute and Piano # INTERMEDIATE # Claude Debussy # Harry Walker # Beau Soir # SCORE EDITIONS # SheetMusicPlus
Flute,Piano - Level 3 - Digital Download SKU: A0.1501202 Composed by Claude Debussy. Arranged by Harry Walker. 19th Century,Chamber,Classical,Contest,Fes...(+)
Flute,Piano - Level 3 - Digital Download SKU: A0.1501202 Composed by Claude Debussy. Arranged by Harry Walker. 19th Century,Chamber,Classical,Contest,Festival,Romantic Period. Score and part. 8 pages. SCORE EDITIONS #1077160. Published by SCORE EDITIONS (A0.1501202). Beau Soir, composed by Claude Debussy, is a captivating piece that embodies the essence of French Impressionism. The title translates to Beautiful Evening, and the music, originally written for voice and piano, evokes a serene and idyllic twilight scene. The piece has been arranged for various instruments, including violin and piano, highlighting its lyrical and expressive qualities. Beau Soir features flowing melodies and rich harmonies that transport listeners to a tranquil, dreamlike landscape. Its gentle, evocative nature makes it a popular choice for recitals and performances, offering musicians the opportunity to explore subtle nuances and emotional depth. This timeless work by Debussy continues to enchant audiences with its delicate beauty and serene atmosphere. In this version, the composition was arranged for Flute and Piano by Harry Walker. New Heart Hymns: 10 Familiar Hymns for Solo Flute and Intermediate Piano
New Heart Hymns: 10 Familiar Hymns for Solo Flute and Intermediate Piano # Flute and Piano # EASY # Sacred music # Contemporary # Jennie Rhodes # Jennie
Rhodes # Worship, Sacred # New Heart Hymns: 10 Familiar H # Jennie Rhodes
Music # SheetMusicPlus
By Jennie Rhodes. By Jennie
Rhodes. Arranged by Jennie
Rhodes. Classical,
Contemporary, Instructional,
Praise & Worship, Sacred.
Score and part. 5...(+)
By Jennie Rhodes. By Jennie
Rhodes. Arranged by Jennie
Rhodes. Classical,
Contemporary, Instructional,
Praise & Worship, Sacred.
Score and part. 52 pages.
Jennie Rhodes Music #164838.
Published by Jennie Rhodes
Music "My students were tired of playing out of the hymn book. This collection makes them to feel like artists when they perform in their worship services!" This volume of 10 beloved, multi-denominational hymns are arranged with the aim of being easy enough for young players to master, yet beautiful enough for advanced musicians to enjoy. Perfect as short featured solos, or use the optional attaccas and links connecting the entire set for prelude/postlude settings. Also available for solo violin, viola, cello, oboe, clarinet, and piano. Listen to a playlist of the entire collection (as arranged for violin) on YouTube. DETAILS: Total length = 24 minutes. Solo instrument part = 15 pages. Piano score =29 pages . All texts included. SONG LIST: Abide With Me; Come, Come Ye Saints (All is Well); Come, Follow Me; Come, Thou Fount of Every Blessing; Count Your Blessings; How Firm a Foundation; I Know that My Redeemer Lives; I Stand All Amazed; Lead, Kindly Light; Nearer, My God, to Thee. www.jennierhodesmusic.com. I'm Beginning to See the Light: Piano Accompaniment
I'm Beginning to See the Light: Piano Accompaniment # Piano (band part) # Jazz # Don George, Duke Ellington, Ha # Paul Baker # I'm Beginning to See the Light # Alfred Music - Digital Sheet Music # SheetMusicPlus
Jazz Ensemble - Digital Download SKU: AX.00-PC-0017249_K Piano Accompaniment. Composed by Don George, Duke Ellington, Harry James, and Johnny Hodg...(+)
Jazz Ensemble - Digital Download SKU: AX.00-PC-0017249_K Piano Accompaniment. Composed by Don George, Duke Ellington, Harry James, and Johnny Hodges. Arranged by Paul Baker. Jazz. Part. 4 pages. Alfred Music - Digital Sheet Music #00-PC-0017249_K. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0017249_K). UPC: 038081451657.This is a swinger all the way! The tempo can be anywhere between 132--150 BPM and there is a written-out trumpet 2 solo. There's plenty of swingin' ensemble, a great sax section soli, plus optional parts for flute, clarinet, vibes, horn, baritone horn, and tuba. Add in trumpet plungers and sliding trombones and it's all great stuff! This title is available in SmartMusic.