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You've selected:
Liszt Hymn Sacred
FLUTE
Sheetmusic to print
5 sheet music found
<
1
L'Hymne du Pape-Flute-Cello duet
L'Hymne du Pape-Flute-Cello duet
#
Flute, Violoncello
#
INTERMEDIATE
#
Classical
#
Franz Liszt
#
Phil Beaman
#
L'Hymne du Pape-Flute-Cello du
#
Phil Beaman
#
SheetMusicPlus
Instrumental Duet Cello,Flute,Instrumental Duet - Level 3 - Digital Download SKU: A0.845045 Composed by Franz Liszt. Arranged by Phil Beaman. Concert,Gra...
(+)
Instrumental Duet Cello,Flute,Instrumental Duet - Level 3 - Digital Download SKU: A0.845045 Composed by Franz Liszt. Arranged by Phil Beaman. Concert,Graduation,Romantic Period,Sacred,Wedding. Score and parts. 7 pages. Phil Beaman #6102713. Published by Phil Beaman (A0.845045).
$5.99 ≈
5.52€
Ave Maria by Franz Schubert, Flute and Clarinet Duet
Ave Maria by Franz Schubert, Flute and Clarinet Duet
#
Flute, Clarinet (duet)
#
INTERMEDIATE
#
Classical
#
Franz Schubert
#
David McKeown
#
Ave Maria by Franz Schubert, F
#
David McKeown
#
SheetMusicPlus
Instrumental Duet Clarinet,Flute,Instrumental Duet - Level 3 - Digital Download SKU: A0.587357 Composed by Franz Schubert. Arranged by David McKeown. Pra...
(+)
Instrumental Duet Clarinet,Flute,Instrumental Duet - Level 3 - Digital Download SKU: A0.587357 Composed by Franz Schubert. Arranged by David McKeown. Praise & Worship,Romantic Period,Sacred,Wedding. Score and parts. 5 pages. David McKeown #3210665. Published by David McKeown (A0.587357). Ave Maria was written by Franz Schubert in 1825 as the sixth song in his song cycle based on Walter Scott’s poem The Lady of the Lake. It is perhaps the best known of all his melodies, adapted for piano by Franz Liszt, and for orchestra many times since. It is often sung with the Latin lyrics of the Catholic hymn of the same name and has been heard everywhere from the Disney movie Fantasia to the funeral of J.F. Kennedy. This version is arranged as a duet for one Flute and one Clarinet. Musicians at an intermediate level and above will find this ideal for formal and informal performances. Both parts play the melody. The overall performance time is around four and a half minutes. The sample recording is from the Clarinet and Alto Saxophone version of this duet. The full length youtube performance is of the Clarinet version. Teachers will enjoy using this arrangement as a fun way to help with phrasing and expressive playing. The rhythms are straightforward though there are extended triplet quaver arpeggios which will pose a challenge for finger coordination and breathing. There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203
$4.60 ≈
4.24€
Ave Maria by Franz Schubert, Duet for two Flutes
Ave Maria by Franz Schubert, Duet for two Flutes
#
2 Flutes (duet)
#
INTERMEDIATE
#
Classical
#
Franz Schubert
#
David McKeown
#
Ave Maria by Franz Schubert, D
#
David McKeown
#
SheetMusicPlus
Flute Duet Flute - Level 3 - Digital Download SKU: A0.587360 Composed by Franz Schubert. Arranged by David McKeown. Praise & Worship,Romantic Period,Sacr...
(+)
Flute Duet Flute - Level 3 - Digital Download SKU: A0.587360 Composed by Franz Schubert. Arranged by David McKeown. Praise & Worship,Romantic Period,Sacred,Wedding. Score. 5 pages. David McKeown #3210671. Published by David McKeown (A0.587360). Ave Maria was written by Franz Schubert in 1825 as the sixth song in his song cycle based on Walter Scott’s poem The Lady of the Lake. It is perhaps the best known of all his melodies, adapted for piano by Franz Liszt, and for orchestra many times since. It is often sung with the Latin lyrics of the Catholic hymn of the same name and has been heard everywhere from the Disney movie Fantasia to the funeral of J.F. Kennedy. This version is arranged as a duet for two Flutes. Musicians at an intermediate level and above will find this ideal for formal and informal performances. Both parts play the melody. The overall performance time is around four and a half minutes. The sample recording is from the Clarinet and Alto Saxophone version of this duet. The full length youtube performance is of the Clarinet version. Teachers will enjoy using this arrangement as a fun way to help with phrasing and expressive playing. The rhythms are straightforward though there are extended triplet quaver arpeggios which will pose a challenge for finger coordination and breathing. There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203
$4.60 ≈
4.24€
Sullivan: The Lost Chord for Alto Flute & Piano
Sullivan: The Lost Chord for Alto Flute & Piano
#
Flute and Piano
#
INTERMEDIATE/ADVANCED
#
Sir Arthur Seymour Sullivan
#
James M
#
dynamic control
#
Sullivan: The Lost Chord for A
#
jmsgu3
#
SheetMusicPlus
Flute,Piano - Level 4 - Digital Download SKU: A0.549456 Composed by Sir Arthur Seymour Sullivan. Arranged by James M. Guthrie, ASCAP. Instructional,Roman...
(+)
Flute,Piano - Level 4 - Digital Download SKU: A0.549456 Composed by Sir Arthur Seymour Sullivan. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Sacred,Standards. Score and part. 15 pages. Jmsgu3 #3497233. Published by jmsgu3 (A0.549456). Score: 10 pages, solo part: 2 pages, piano part: 3 pages. Duration: 4:25. Not difficult, but requires sensitivity & dynamic control. Suitable for recitals, church meditations, or school programs.  School Years First of all, Sullivan attended music school at the Royal Academy of Music. Because Sullivan was so talented, the Academy awarded him the Mendelssohn Scholarship for two years in a row. He, therefore, studied with John Goss, who studied with Thomas Atwood, who in turn studied with Mozart. Sullivan similarly studied the piano at the Academy with Arthur O’Leary. Study Abroad During his first year, he also earned money by singing solos in the Chapel Royal. At the end of his second year, the Academy consequently continued his scholarship and sent him to study at the Leipzig Conservatoire. He certainly studied composition, and likewise counterpoint and piano. Hence, during his final year in Leipzig, Sullivan finally completed his graduation composition project: Incidental Music for Shakespeare’s The Tempest. Association with Gilbert It seems like Sullivan built the bulk of his composing career largely in the 1860s. As a result, he became famous for his incidental music for the Tempest and his Irish Symphony. He, therefore, began collaborating with the poet W. S. Gilbert in the 1870s. Rather than focus on serious opera, Gilbert and Sullivan, in contrast, concentrated on comic opera such as H. M. S. Pinafore, the Pirates of Penzance, and the Mikado. Therefore, certainly as a result of his education and experience, Sullivan composed a total of 24 operas, 11 symphonic works, 10 choral pieces. Even more, he wrote a large number of noteworthy hymns such as Onward Christian Soldiers. The general style of his music is maybe similar to Mendelssohn, Schumann, and perhaps Liszt. It seems like Sullivan was fond of writing distinct melodies for each character in his operettas. His melodies combine together as the characters did. Furthermore, he was a master orchestrator, and therefore played the flute, clarinet, trumpet, and trombone fluently. The Lost Chord Sullivan wrote his most noteworthy song the Lost Chord in 1877. As a result, it was a great success and was certainly performed all over the world by a variety of singers such as Enrico Caruso. Because Sullivan was the most famous composer in England, the Lost Chord became the most famous of all British or American songs of the 1870s and 1890s. Consequently, in 1888 Thomas Edison recorded The Lost Chord for the phonograph. It was one of the first songs ever recorded. Furthermore, Queen Victoria knighted Sullivan in 1883. Â
$26.95 ≈
24.82€
Sullivan: The Lost Chord for Piccolo & Piano
Sullivan: The Lost Chord for Piccolo & Piano
#
Piccolo, Piano
#
INTERMEDIATE/ADVANCED
#
Sir Arthur Seymour Sullivan
#
James M
#
dynamic control
#
Sullivan: The Lost Chord for P
#
jmsgu3
#
SheetMusicPlus
Instrumental Solo,Piano,Piccolo - Level 4 - Digital Download SKU: A0.549453 Composed by Sir Arthur Seymour Sullivan. Arranged by James M. Guthrie, ASCAP....
(+)
Instrumental Solo,Piano,Piccolo - Level 4 - Digital Download SKU: A0.549453 Composed by Sir Arthur Seymour Sullivan. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Sacred,Standards. Score and individual part. 15 pages. Jmsgu3 #3497211. Published by jmsgu3 (A0.549453). Score: 10 pages, solo part: 2 pages, piano part: 3 pages. Duration: 4:25.Not difficult, but requires sensitivity & dynamic control. Suitable for recitals, church meditations, or school programs. School Years First of all, Sullivan attended music school at the Royal Academy of Music. Because Sullivan was so talented, the Academy awarded him the Mendelssohn Scholarship for two years in a row. He, therefore, studied with John Goss, who studied with Thomas Atwood, who in turn studied with Mozart. Sullivan similarly studied the piano at the Academy with Arthur O’Leary. Study Abroad During his first year, he also earned money by singing solos in the Chapel Royal. At the end of his second year, the Academy consequently continued his scholarship and sent him to study at the Leipzig Conservatoire. He certainly studied composition, and likewise counterpoint and piano. Hence, during his final year in Leipzig, Sullivan finally completed his graduation composition project: Incidental Music for Shakespeare’s The Tempest. Association with Gilbert It seems like Sullivan built the bulk of his composing career largely in the 1860s. As a result, he became famous for his incidental music for the Tempest and his Irish Symphony. He, therefore, began collaborating with the poet W. S. Gilbert in the 1870s. Rather than focus on serious opera, Gilbert and Sullivan, in contrast, concentrated on comic opera such as H. M. S. Pinafore, the Pirates of Penzance, and the Mikado. Therefore, certainly as a result of his education and experience, Sullivan composed a total of 24 operas, 11 symphonic works, 10 choral pieces. Even more, he wrote a large number of noteworthy hymns such as Onward Christian Soldiers. Lost Chord The general style of his music is maybe similar to Mendelssohn, Schumann, and perhaps Liszt. It seems like Sullivan was fond of writing distinct melodies for each character in his operettas. His melodies combine together as the characters did. Furthermore, he was a master orchestrator, and therefore played the flute, clarinet, trumpet, and trombone fluently. The Lost Chord Sullivan wrote his most noteworthy song the Lost Chord in 1877. As a result, it was a great success and was certainly performed all over the world by a variety of singers such as Enrico Caruso. Because Sullivan was the most famous composer in England, the Lost Chord became the most famous of all British or American songs of the 1870s and 1890s. Consequently, in 1888 Thomas Edison recorded The Lost Chord for the phonograph. It was one of the first songs ever recorded. Furthermore, Queen Victoria knighted Sullivan in 1883. Â
$26.95 ≈
24.82€
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1
Liszt Hymn Sacred
