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189 sheet music found His Yoke is Easy from Handel's Messiah for Flute Choir
His Yoke is Easy from Handel's Messiah for Flute Choir # Flute ensemble # INTERMEDIATE/ADVANCED # Classical # George Frideric
Handel # His Yoke is Easy from Handel's # Lisa Ochoco # SheetMusicPlus
Flute Choir - Advanced
Intermediate - Digital
Download
Composed by George Frideric
Handel (1685-1759). Arranged
by Lisa Ochoco. Baroque
Period, Chri...(+)
Flute Choir - Advanced
Intermediate - Digital
Download
Composed by George Frideric
Handel (1685-1759). Arranged
by Lisa Ochoco. Baroque
Period, Christian, Sacred,
Christmas, Recital. Score,
Set of Parts. 18 pages.
Published by Lisa Ochoco Handel's Messiah is one of the most popular musical works of all time, and choirs around the world perform Part 1 of Messiah every Christmas season.
His Yoke is Easy would be a great closer for your Christmas concert. It is the last movement in the Christmas section of Messiah. The Hallelujah Chorus is usually what is sung after this.
This arrangement is for the more advanced choir, however, parts 5 & 6 could be used for those who aren't as advanced.
Scored for 6 C flutes, alto, bass, and optional contrabass. There is also a cello part, which can also be played by any C instrument in a similar range, such as a bassoon. Beethoven: Sonata Op. 49 No. 2 for Flute Choir
Beethoven: Sonata Op. 49 No. 2 for Flute Choir # Flute ensemble # INTERMEDIATE # Classical # Ludwig van
Beethoven # James M # Beethoven: Sonata Op. 49 No. 2 # jmsgu3 # SheetMusicPlus
Flute choir: 1piccolo, 4
concert flutes, 1 alto, 1
bass, 1 contrabass (optional)
and 1 cello (optional). -
Intermediate - Digital
Download
Composed b...(+)
Flute choir: 1piccolo, 4
concert flutes, 1 alto, 1
bass, 1 contrabass (optional)
and 1 cello (optional). -
Intermediate - Digital
Download
Composed by Ludwig van
Beethoven (1770-1827).
Arranged by James M. Guthrie,
ASCAP. Baroque Period,
Repertoire, European,
Wedding, Recital. Score, Set
of Parts. 103 pages.
Published by jmsgu3 Beethoven Sonata Op. 49 No. 2 arranged for flute choir. Duration: ca: 10:15 Score: 60 pages, 242 measures. In two movements. A great recital piece to demonstrate nuances of the flute choir. Gabrieli: Canzon Septimi Toni Ch 172 for Flute Choir
Gabrieli: Canzon Septimi Toni Ch 172 for Flute Choir # Flute ensemble # INTERMEDIATE # Gabrieli # James M # Gabrieli: Canzon Septimi Toni # jmsgu3 # SheetMusicPlus
Woodwind Ensemble Flute - Level 3 - Digital Download SKU: A0.549201 Composed by Gabrieli. Arranged by James M. Guthrie, ASCAP. Renaissance,Standards. 58 ...(+)
Woodwind Ensemble Flute - Level 3 - Digital Download SKU: A0.549201 Composed by Gabrieli. Arranged by James M. Guthrie, ASCAP. Renaissance,Standards. 58 pages. Jmsgu3 #3460719. Published by jmsgu3 (A0.549201). Instrumentation: 2 piccolos, 3 concert flutes, 1 alto flute, 1 bass flute, 1 cello. Arranged in two antiphonal choirs. Full Score: 28 pg. Study Score: 14 pg. Parts: 2 pg ea. Duration: ca. 3:00 Innovations First of all, Gabrieli preferred sacred vocal and certainly instrumental music. Hence, he concentrated on music that consequently took advantage of resonance and likewise reverberation for maximum effect. Seems like Gabrieli may have invented dynamics – or was rather the first to indicate them such as in his Sonata Pian’ e Forte. Consequently, he was also a pioneer in spatial techniques. He therefore developed and used very specific notation to indicate instrumentation. Gabrieli experimented with assembling massive instrumental forces into isolated groups separated by space. In this way, he consequently contributed heavily to the Baroque Concertato style. Polychoral Works Gabrieli probably used the layout of the San Marco church for his experiments. This is because he worked there as a musician and composer. Furthermore, the church had two choir lofts facing each other. He certainly used these to create striking spatial effects between instrumental forces. Certainly, many of his works are composed such that a choir or instrumental group could first be heard on one side, then consequently followed by a response from the group on the other side. Sometimes there was probably a third group positioned near the main altar as well. Spatial Music Above all, Gabrieli studied carefully detailed groups of instruments and singers. Furthermore, it seems like he created precise directions for instrumentation in rather more than two groups. The instruments, because they could be appropriately situated, could consequently be heard with perfect clearness at distant locations. As a result, arrangements which seem bizarre on paper, can in contrast sound perfectly in-balance. First Works Finally, Gabrieli published his first motets along with his uncle Andrea's compositions in Concerti (1587). These compositions furthermore indicate considerable usage of dialogue and echo effects. Consequently, here we see low and high choirs with the variance between their ranges indicated by instrumental accompaniment. Seems like Gabrieli’s later motets Sacrae Symphoniae (1597) move away from close antiphony. In contrast, he moves towards not simply echoing the material, but developing it by sequential choral entrances. Even more, he takes this procedure to the extreme in the Motet Omnes Gentes. Unlike earlier works, here the instruments are certainly an essential part of the presentation. Also, only parts marked: Capella are supposed to be sung. Homophony Hence, after 1605, Gabrieli moves to a much more homophonic style. He writes sections purely for instruments – which calls Sinfonia – and smaller sections for vocal soloists, accompanied by a basso continuo. Gabrieli: Sonata Pian e Forte Ch. 175 for Flute Choir
Gabrieli: Sonata Pian e Forte Ch. 175 for Flute Choir # Flute ensemble # INTERMEDIATE # Gabrieli # James M # Gabrieli: Sonata Pian e Forte # jmsgu3 # SheetMusicPlus
Woodwind Ensemble Flute - Level 3 - Digital Download SKU: A0.549210 Composed by Gabrieli. Arranged by James M. Guthrie, ASCAP. Renaissance,Standards. 59 ...(+)
Woodwind Ensemble Flute - Level 3 - Digital Download SKU: A0.549210 Composed by Gabrieli. Arranged by James M. Guthrie, ASCAP. Renaissance,Standards. 59 pages. Jmsgu3 #3464701. Published by jmsgu3 (A0.549210). A musical monument: the first composition to employ dynamics. Instrumentation: 1 piccolo, 5 concert flutes, 1 alto flute, 1 bass flute 1 cello. Arranged in two antiphonal choirs. Full Score: 27 pg. 81 ms 4/2, Study Score: 14 pg., Instrumental parts: 2 pg. Duration: 3:45 at half-note = 86. Innovations First of all, Gabrieli preferred sacred vocal and certainly instrumental music. Hence, he concentrated on music that consequently took advantage of resonance and likewise reverberation for maximum effect. Seems like Gabrieli may have invented dynamics – or was rather the first to indicate them such as in his Sonata Pian’ e Forte. Consequently, he was also a pioneer in spatial techniques. He therefore developed and used very specific notation to indicate instrumentation. Gabrieli experimented with assembling massive instrumental forces into isolated groups separated by space. In this way, he consequently contributed heavily to the Baroque Concertato style. Polychoral Works Gabrieli probably used the layout of the San Marco church for his experiments. This is because he worked there as a musician and composer. Furthermore, the church had two choir lofts facing each other. He certainly used these to create striking spatial effects between instrumental forces. Certainly, many of his works are composed such that a choir or instrumental group could first be heard on one side, then consequently followed by a response from the group on the other side. Sometimes there was probably a third group positioned near the main altar as well. Spatial Music Above all, Gabrieli studied carefully detailed groups of instruments and singers. Furthermore, it seems like he created precise directions for instrumentation in rather than two groups. The instruments, because they could be appropriately situated, could consequently be heard with perfect clearness at distant locations. As a result, arrangements that seem bizarre on paper, can in contrast sound perfectly in balance. First Works Finally, Gabrieli published his first motets along with his uncle Andrea's compositions in Concerti (1587). These compositions furthermore indicate considerable usage of dialogue and echo effects. Consequently, here we see low and high choirs with the variance between their ranges indicated by instrumental accompaniment. Seems like Gabrieli’s later motets Sacrae Symphoniae (1597) move away from close antiphony. In contrast, he moves towards not simply echoing the material, but developing it through sequential choral entrances. Even more, he takes this procedure to the extreme in the Motet Omnes Gentes. Unlike earlier works, here the instruments are certainly an essential part of the presentation. Also, only parts marked: Capella are supposed to be sung. Homophony Hence, after 1605, Gabrieli moves to a much more homophonic style. He writes sections purely for instruments – which calls Sinfonia – and smaller sections for vocal soloists, accompanied by a basso continuo. La Vigilance (from "Heroic Music") (Bb) (Brass Choir - 3 Trp, 1 Hrn, 2 Trb, 1 Euph, 1 Tuba)
La Vigilance (from "Heroic Music") (Bb) (Brass Choir - 3 Trp, 1 Hrn, 2 Trb, 1 Euph, 1 Tuba) # Flute, Oboe, Clarinet, Bassoon # INTERMEDIATE # Georg Philipp Telemann # Regis Bookshar # La Vigilance # Regis Bookshar # SheetMusicPlus
Brass Ensemble Euphonium,Horn,Trombone,Trumpet,Tuba - Level 3 - Digital Download SKU: A0.1223998 Composed by Georg Philipp Telemann. Arranged by Regis Bo...(+)
Brass Ensemble Euphonium,Horn,Trombone,Trumpet,Tuba - Level 3 - Digital Download SKU: A0.1223998 Composed by Georg Philipp Telemann. Arranged by Regis Bookshar. Baroque,Chamber,Historic,Instructional,March. Score and Parts. 16 pages. Regis Bookshar #820115. Published by Regis Bookshar (A0.1223998). La Vigilance (from Heroic Music) - Georg Philipp Telemann - Brass Choir - Intermediate - Digital Download.Heroic Music (or Heldenmusik) is a suite of twelve short marches and processionals, written by Georg Philipp Telemann in 1728, and is associated with various attributes of Heroism such as Dignity, Bravery and Alertness. All twelve movements have now been transcribed and arranged by Regis Bookshar to be played by Trumpet Quintets or Brass Quintets. Some of them have also been arranged for Sextets, Septets, Octets, Nonets and Brass Choirs. Some also include a Timpani. They can be purchased individually, or, if you prefer, as a complete set of all twelve at a huge saving.Any of these selections would be a wonderful addition to any music library. They are perfectly suited to recitals and public performances, can stand alone as short interludes and are generally well received by audiences. They are suitable for high school and college students but professional musicians would also enjoy playing these arrangements. These selections are some of the many arrangements from The Regis Bookshar Trumpet Ensemble's extensive music library which are being made available for the first time. In the past, these compositions have often been performed by a soloist playing on a Piccolo Trumpet, but these new arrangements are Bb Trumpet friendly as one player stated after playing through them, making them much easier for most high school students.This selection, La Vigilance (from Heroic Music), is arranged for a Brass Choir with parts for 3 Bb Trumpets, 1 French Horn, 2 Trombones, 1 Euphonium and 1 Tuba, and is associated with the heroic quality of Alertness. There is also a version which includes a Timpani, if you would prefer. The parts may be doubled as needed. Included are a score and a complete set of parts (16 pages).Many of these selections are readily available for a wide variety of instrumental ensembles. Please take the time to look for other versions of this composition. You may find something else that may also suit your needs. I would also encourage you to search for other arrangements by Regis Bookshar, as well, as there are numerous selections in a variety of styles, also available for purchase. You may find something else which might interest you. Please continue to check periodically because new arrangements are being added as often as possible. I am certain that these wonderful arrangements of Georg Philipp Telemann's Heroic Music will continue to entertain both performers and audiences alike for years to come. Pastoral Symphony from Messiah for Flute Choir
Pastoral Symphony from Messiah for Flute Choir # Flute ensemble # INTERMEDIATE # Classical # George Frideric Handel # Lisa Ochoco # Pastoral Symphony from Messiah # Lisa L Ochoco # SheetMusicPlus
Flute Choir,Woodwind Ensemble Alto Flute,Bass Flute - Level 3 - Digital Download SKU: A0.1137187 Composed by George Frideric Handel. Arranged by Lisa Och...(+)
Flute Choir,Woodwind Ensemble Alto Flute,Bass Flute - Level 3 - Digital Download SKU: A0.1137187 Composed by George Frideric Handel. Arranged by Lisa Ochoco. Baroque,Christmas,Sacred. 12 pages. Lisa L Ochoco #737388. Published by Lisa L Ochoco (A0.1137187). Pastoral Symphony is the 13th movement in Handel's Messiah. This is the beginning of Scene 4 of the oratorio, The Annunciation to the Shepherds, after the birth of Jesus. The word pastorale in baroque music is a melody in thirds over a drone bass. Originally called Pifa, this movement was named after the shepherd bagpipers - pifferari - who used to play their instruments in the streets of Rome at Christmastime. Scored for 2 C, alto, and bass flute. If your choir has a contrabass flute, it can double the bass part. There is an optional cello part that doubles the bass an octave lower. Duration: 2.5 minutes. 5 Famous Songs by Bach for Flute Choir Quintet
5 Famous Songs by Bach for Flute Choir Quintet # Flute Quintet : 5 flutes # BEGINNER # Classical # Bach, Martin Luther # Ander # 5 Famous Songs by Bach for Flu # Woods Only, Arrangements # SheetMusicPlus
Woodwind Ensemble,Woodwind Quintet Flute - Level 1 - Digital Download SKU: A0.957286 Composed by Bach, Martin Luther. Arranged by Ander. Baroque,Easter,R...(+)
Woodwind Ensemble,Woodwind Quintet Flute - Level 1 - Digital Download SKU: A0.957286 Composed by Bach, Martin Luther. Arranged by Ander. Baroque,Easter,Renaissance,Sacred,Wedding. 51 pages. Woods Only, Arrangements #6748223. Published by Woods Only, Arrangements (A0.957286). This album contains 5 of Johann Sebastian Bach's most famous and versatile pieces for flute choir quintet, all very well suited for the beginners who want to get to know the baroque repertoire. They are also suitable for performances at events such as: weddings, Christian and church ceremonies, Easter, and academic recitals or concerts. They can be used in music institutions and by teachers as repertoire material and study methods, either for performance or instrumental technique. This collection includes a totally free bonus for you to enjoy: Martin Luther's A Mighty Fortress is Our God, a Renaissance sacred song for choir, which has been adapted for this set. You can also buy each one individually by checking right at the end of each description of each work.1: Air on the G String - The original piece is part of Johann Sebastian Bach's Suite No. 3 for orchestra, in D Major, BWV 1068, written for Prince Leopold of Anhalt. The so-called Air on the G String dates from one of these latter employments. In the service of the Prince of Cöthen, Bach composed not only the famous Brandenburg Concertos, but also several orchestral suites, from the third of which comes the Air on the G String. This curious title derives from a later arrangement of this piece for violin solo, in which the melody is played entirely on the lower, higher string of the instrument. ID: S0.11897272: Arioso - The Cantata 156 (BWV 156) was written for the third Sunday after Epiphany in 1729, and was first performed on January 23 of that year. The text is by Picander, one of Bach's favorite librettists. Of the four cantatas written by Bach for the feast, it was the last and only one scored for solo voice. This is a choral cantata, employing a choral melody in several movements. Cantata 156, in fact, employs two different choral melodies and texts in the second and sixth movements. A cantata is a sung symphony consisting of several parts, one of which is the Arioso, which is the initial instrumental part. ID: S0.11899613: Jesu, joy of man's desiring - This is one of Bach's most beautiful cantatas, made famous by the Jesus the Joy of Men chorus. It was originally composed for Advent 1716 in Weimar. Years later, already in Leipzig, Advent was tempus clausum, there was no music in the churches. Bach then reworked it for the Feast of Mary's Visitation. It is the final chorale of the cantata Herz und Mund und Tat und Leben. Although it is the 32nd cantata composed by Bach, of those that have survived, it was given BWV 147 in the complete catalog of his works. ID: S0.11900114: O Jesulein süss, o Jesulein mild - The Jesulein süß, the Jesulein mild is an original traditional German choral melody for voice and continuous bass arranged by Johann Sebastian Bach around 1735. With lyrics by Valentin Thilo, O Jesulein süss is a sacred melody adapted and catalogued as BWV 493. The first translation is by Dirk van Hogendorp, who made it more of a song for the time of suffering. ID: S0.11901175: Minuet in G major - This famous piece has traditionally been attributed to Johann Sebastian Bach, as it appears in the Notebook for Anna Magdalena , a notebook that Bach gave to his wife Anna Magdalena in 1725 and which was to be filled with the favorite selections of Bach family members. However, recent research has concluded that this minuet, sometimes referred to as BWV Anhang 114. was probably composed by Christian Petzold, a German composer and organist contemporary with Bach. ID: S0.1190347Bonuses: A Mighty Fortress is Our God, by Martin Luther - Ein feste Burg ist unser Gott is a hymn written by Martin Luther probably before 1529. The melody was also considered his work for a long time, but it was created at least with the collaboration of Johann Walter. The song is of great symbolic power f. 5 Famous Songs by Bach for Recorder Choir Quintet
5 Famous Songs by Bach for Recorder Choir Quintet # Woodwind Quintet: flute, oboe, bassoon, clarinet, horn # BEGINNER # Classical # Bach, Martin Luther # Ander # 5 Famous Songs by Bach for Rec # Woods Only, Arrangements # SheetMusicPlus
Woodwind Ensemble,Woodwind Quintet - Level 1 - Digital Download SKU: A0.957288 Composed by Bach, Martin Luther. Arranged by Ander. Baroque,Easter,Renaiss...(+)
Woodwind Ensemble,Woodwind Quintet - Level 1 - Digital Download SKU: A0.957288 Composed by Bach, Martin Luther. Arranged by Ander. Baroque,Easter,Renaissance,Sacred,Wedding. 51 pages. Woods Only, Arrangements #6748227. Published by Woods Only, Arrangements (A0.957288). This album contains 5 of Johann Sebastian Bach's most famous and versatile pieces for recorder choir quintet, all very well suited for the beginners who want to get to know the baroque repertoire. They are also suitable for performances at events such as: weddings, Christian and church ceremonies, Easter, and academic recitals or concerts. They can be used in music institutions and by teachers as repertoire material and study methods, either for performance or instrumental technique. This collection includes a totally free bonus for you to enjoy: Martin Luther's A Mighty Fortress is Our God, a Renaissance sacred song for choir, which has been adapted for this set. You can also buy each one individually by checking right at the end of each description of each work.1: Air on the G String - The original piece is part of Johann Sebastian Bach's Suite No. 3 for orchestra, in D Major, BWV 1068, written for Prince Leopold of Anhalt. The so-called Air on the G String dates from one of these latter employments. In the service of the Prince of Cöthen, Bach composed not only the famous Brandenburg Concertos, but also several orchestral suites, from the third of which comes the Air on the G String. This curious title derives from a later arrangement of this piece for violin solo, in which the melody is played entirely on the lower, higher string of the instrument. ID: S0.11897412: Arioso - The Cantata 156 (BWV 156) was written for the third Sunday after Epiphany in 1729, and was first performed on January 23 of that year. The text is by Picander, one of Bach's favorite librettists. Of the four cantatas written by Bach for the feast, it was the last and only one scored for solo voice. This is a choral cantata, employing a choral melody in several movements. Cantata 156, in fact, employs two different choral melodies and texts in the second and sixth movements. A cantata is a sung symphony consisting of several parts, one of which is the Arioso, which is the initial instrumental part. ID: S0.11899653: Jesu, joy of man's desiring - This is one of Bach's most beautiful cantatas, made famous by the Jesus the Joy of Men chorus. It was originally composed for Advent 1716 in Weimar. Years later, already in Leipzig, Advent was tempus clausum, there was no music in the churches. Bach then reworked it for the Feast of Mary's Visitation. It is the final chorale of the cantata Herz und Mund und Tat und Leben. Although it is the 32nd cantata composed by Bach, of those that have survived, it was given BWV 147 in the complete catalog of his works. ID: S0.11900154: O Jesulein süss, o Jesulein mild - The Jesulein süß, the Jesulein mild is an original traditional German choral melody for voice and continuous bass arranged by Johann Sebastian Bach around 1735. With lyrics by Valentin Thilo, O Jesulein süss is a sacred melody adapted and catalogued as BWV 493. The first translation is by Dirk van Hogendorp, who made it more of a song for the time of suffering. ID: S0.11901295: Minuet in G major - This famous piece has traditionally been attributed to Johann Sebastian Bach, as it appears in the Notebook for Anna Magdalena , a notebook that Bach gave to his wife Anna Magdalena in 1725 and which was to be filled with the favorite selections of Bach family members. However, recent research has concluded that this minuet, sometimes referred to as BWV Anhang 114. was probably composed by Christian Petzold, a German composer and organist contemporary with Bach. ID: S0.1190351Bonuses: A Mighty Fortress is Our God, by Martin Luther - Ein feste Burg ist unser Gott is a hymn written by Martin Luther probably before 1529. The melody was also considered his work for a long time, but it was created at least with the collaboration of Johann Walter. The song is of great symbolic power for Protesta. Pastoral Symphony from Messiah for Low Flute Choir
Pastoral Symphony from Messiah for Low Flute Choir # Flute ensemble # INTERMEDIATE # Classical # George Frideric Handel # Lisa Ochoco # Pastoral Symphony from Messiah # Lisa L Ochoco # SheetMusicPlus
Flute Choir,Woodwind Ensemble Alto Flute,Bass Flute - Level 3 - Digital Download SKU: A0.1164626 Composed by George Frideric Handel. Arranged by Lisa Och...(+)
Flute Choir,Woodwind Ensemble Alto Flute,Bass Flute - Level 3 - Digital Download SKU: A0.1164626 Composed by George Frideric Handel. Arranged by Lisa Ochoco. Baroque,Christmas,Sacred. 14 pages. Lisa L Ochoco #764960. Published by Lisa L Ochoco (A0.1164626). Pastoral Symphony is the 13th movement in Handel's Messiah. Â This is the beginning of Scene 4 of the oratorio, The Annunciation to the Shepherds, after the birth of Jesus. Â The word pastorale in baroque music is a melody in thirds over a drone bass. Â Originally called Pifa, this movement was named after the shepherd bagpipers - pifferari - Â who used to play their instruments in the streets of Rome at Christmastime. Â Scored for 2 altos, bass, optional contra alto in G, and contrabass flutes. Â There is an optional cello part that doubles the contrabass.Duration: 2.5 minutes. Minuet in G major by Bach for Saxophone Choir Quartet
Minuet in G major by Bach for Saxophone Choir Quartet # Flute, Oboe, Clarinet, Bassoon # BEGINNER # Classical # Johann Sebastian Bach # Ander # Minuet in G major by Bach for # Woods Only, Arrangements # SheetMusicPlus
Woodwind Ensemble,Woodwind Quartet - Level 1 - Digital Download SKU: A0.957393 Composed by Johann Sebastian Bach. Arranged by Ander. Baroque,Easter,Multi...(+)
Woodwind Ensemble,Woodwind Quartet - Level 1 - Digital Download SKU: A0.957393 Composed by Johann Sebastian Bach. Arranged by Ander. Baroque,Easter,Multicultural,Standards,Wedding,World. 7 pages. Woods Only, Arrangements #6864565. Published by Woods Only, Arrangements (A0.957393). This easy arrangement for saxophone choir quartet has been adapted to be simple to perform and understand the period minuet form of the original work for various levels of musical knowledge. It can be freely played by beginning students due to the ease built into the piece in relation to the author's suggested interpretation. Recommended for performance in academic recitals, and public festivals, it also serves as a study of Baroque repertoire. a Theme by Bach ( excerpt from St. Matthew's Passion ) for flute choir / ensemble
a Theme by Bach ( excerpt from St. Matthew's Passion ) for flute choir / ensemble # Flute ensemble # INTERMEDIATE # Johann Sebastion Bach , J S Ba # Ray-Michael Kauffman # a Theme by Bach # as do Ray meflute studio production # SheetMusicPlus
Choral Choir (Mixed) - Level 3 - Digital Download SKU: A0.874240 Composed by Johann Sebastion Bach , J S Bach. Arranged by Ray-Michael Kauffman. Baroque,...(+)
Choral Choir (Mixed) - Level 3 - Digital Download SKU: A0.874240 Composed by Johann Sebastion Bach , J S Bach. Arranged by Ray-Michael Kauffman. Baroque,Contemporary,Easter,Spiritual,Standards. Octavo. 28 pages. As do Ray meflute studio production #3483869. Published by as do Ray meflute studio production (A0.874240). https://www.youtube.com/watch?v=i-KERymlx1M&feature=youtu.behttps://www.youtube.com/watch?v=IoQTyU-V3H4by J S Bach, this theme is an excerpt from St. Matthews Passion for flute choir / ensemble. Beautiful, simple, but complex textures and colors . Would make a great addition to you choir's library whether for church, Easter, Good Friday, Psalm Sunday, Concert setting , or any performance. Bach goes well with everything!!doraymeflute.com