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6 sheet music found 5 Famous Songs by Bach for Oboe Quintet
5 Famous Songs by Bach for Oboe Quintet # Oboe ensemble # BEGINNER # Classical # Bach, Martin Luther # Ander # whe. # 5 Famous Songs by Bach for Obo # Woods Only, Arrangements # SheetMusicPlus
Woodwind Ensemble,Woodwind Quintet Oboe - Level 1 - Digital Download SKU: A0.957289 Composed by Bach, Martin Luther. Arranged by Ander. Baroque,Easter,Re...(+)
Woodwind Ensemble,Woodwind Quintet Oboe - Level 1 - Digital Download SKU: A0.957289 Composed by Bach, Martin Luther. Arranged by Ander. Baroque,Easter,Renaissance,Sacred,Wedding. 51 pages. Woods Only, Arrangements #6748229. Published by Woods Only, Arrangements (A0.957289). This album contains 5 of Johann Sebastian Bach's most famous and versatile pieces for oboe quintet, all very well suited for the beginners who want to get to know the baroque repertoire. They are also suitable for performances at events such as: weddings, Christian and church ceremonies, Easter, and academic recitals or concerts. They can be used in music institutions and by teachers as repertoire material and study methods, either for performance or instrumental technique. This collection includes a totally free bonus for you to enjoy: Martin Luther's A Mighty Fortress is Our God, a Renaissance sacred song for choir, which has been adapted for this set. You can also buy each one individually by checking right at the end of each description of each work.1: Air on the G String - The original piece is part of Johann Sebastian Bach's Suite No. 3 for orchestra, in D Major, BWV 1068, written for Prince Leopold of Anhalt. The so-called Air on the G String dates from one of these latter employments. In the service of the Prince of Cöthen, Bach composed not only the famous Brandenburg Concertos, but also several orchestral suites, from the third of which comes the Air on the G String. This curious title derives from a later arrangement of this piece for violin solo, in which the melody is played entirely on the lower, higher string of the instrument. ID: S0.11897472: Arioso - The Cantata 156 (BWV 156) was written for the third Sunday after Epiphany in 1729, and was first performed on January 23 of that year. The text is by Picander, one of Bach's favorite librettists. Of the four cantatas written by Bach for the feast, it was the last and only one scored for solo voice. This is a choral cantata, employing a choral melody in several movements. Cantata 156, in fact, employs two different choral melodies and texts in the second and sixth movements. A cantata is a sung symphony consisting of several parts, one of which is the Arioso, which is the initial instrumental part. ID: S0.11899673: Jesu, joy of man's desiring - This is one of Bach's most beautiful cantatas, made famous by the Jesus the Joy of Men chorus. It was originally composed for Advent 1716 in Weimar. Years later, already in Leipzig, Advent was tempus clausum, there was no music in the churches. Bach then reworked it for the Feast of Mary's Visitation. It is the final chorale of the cantata Herz und Mund und Tat und Leben. Although it is the 32nd cantata composed by Bach, of those that have survived, it was given BWV 147 in the complete catalog of his works. ID: S0.11900194: O Jesulein süss, o Jesulein mild - The Jesulein süß, the Jesulein mild is an original traditional German choral melody for voice and continuous bass arranged by Johann Sebastian Bach around 1735. With lyrics by Valentin Thilo, O Jesulein süss is a sacred melody adapted and catalogued as BWV 493. The first translation is by Dirk van Hogendorp, who made it more of a song for the time of suffering. ID: S0.11901355: Minuet in G major - This famous piece has traditionally been attributed to Johann Sebastian Bach, as it appears in the Notebook for Anna Magdalena , a notebook that Bach gave to his wife Anna Magdalena in 1725 and which was to be filled with the favorite selections of Bach family members. However, recent research has concluded that this minuet, sometimes referred to as BWV Anhang 114. was probably composed by Christian Petzold, a German composer and organist contemporary with Bach. ID: S0.1190355Bonuses: A Mighty Fortress is Our God, by Martin Luther - Ein feste Burg ist unser Gott is a hymn written by Martin Luther probably before 1529. The melody was also considered his work for a long time, but it was created at least with the collaboration of Johann Walter. The song is of great symbolic power for Protestantism; whe. Josquin: 22 Duets for Oboe & Bassoon
Josquin: 22 Duets for Oboe & Bassoon # Oboe, Bassoon (duet) # EASY # Josquin des Prez # James M # Josquin: 22 Duets for Oboe & B # jmsgu3 # SheetMusicPlus
Bassoon,Instrumental Duet,Oboe - Level 2 - Digital Download SKU: A0.1073981 Composed by Josquin des Prez. Arranged by James M. Guthrie. Contest,Festival,...(+)
Bassoon,Instrumental Duet,Oboe - Level 2 - Digital Download SKU: A0.1073981 Composed by Josquin des Prez. Arranged by James M. Guthrie. Contest,Festival,Instructional,Renaissance,Wedding. 50 pages. Jmsgu3 #678247. Published by jmsgu3 (A0.1073981). Josquin des Prez (c.1450-1521) was a composer of the Renaissance period, widely regarded as one of the greatest composers of all time. His compositions set the standard for polyphonic music and are considered a high point in the history of music. He wrote a wide range of works, including masses, motets, and chansons, and was the first composer to set popular secular tunes as mass movements. His influence can be seen in the works of many later composers, including Johann Sebastian Bach, Antonio Vivaldi, and George Frideric Handel.Josquin des Prez was a prolific composer of chamber music and duets during the Renaissance period. He wrote several types of chamber music and duets, including madrigals, chansons, and motets. His compositions are characterized by their intricate counterpoint, as well as their harmonic richness and emotional expressiveness. His works often featured two voices in harmony, and he was known to use imitation and complex canonic techniques to create interesting musical textures. Josquin's chamber music and duets are renowned for their complexity and beauty, and they remain some of the most influential and admired works from the Renaissance period.Josquin Desprez is widely regarded as one of the most influential composers of the Renaissance period. His innovative use of counterpoint and canon helped to revolutionize the musical landscape of the time. Counterpoint is a technique of combining two or more independent melodies in a way that creates harmony and a cohesive musical texture. Josquin was a master of this technique, often combining multiple voices in complex contrapuntal textures. His use of canon, or round, was also highly influential. Canon involves two or more voices repeating the same melody in different registers and often with different rhythms. Josquin wrote canons in various styles and forms, including the popular “circular canon†and the more complex “strict canon.†He was also an early adopter of the “inverted canon†form, in which the same melody is repeated but in an inverted form. Josquin’s use of counterpoint and canon had a lasting impact on the development of Western music and helped to establish the foundation for many of the musical forms and techniques still used today.Contents: I. Duo from the Augsberger LiederbuchII. Agnus Dei II from Missa De Beata Virgine III. Duo from the Hör Organ tablatureIV. Agnus Dei II from Missa Ave maris stellaV. Benedictus from Missa GaudeamusVI. Agnus Dei II from Missa GaudeamusVII. Pleni sunt coeli from the Sanctus of Missa Hercules dux Ferrarie VIII. Agnus Dei II from Missa La sol fa re mi IX. Benedictus from Missa L'homme armé super voces musicalesX. Benedictus from Missa L'homme armé Sexti Toni XI. Pleni sunt coeli from Missa Malheur me bat XII. Pleni sunt from Missa Mater patris (canon at the major second)XIII. Benedictus from Missa Mater patris XIV. Agnus Dei II from Missa Mater patris (canon at the unison)XV. Pleni sunt caeli from Missa Pange lingua XVI. Benedictus from Missa Pange lingua XVII. Agnus Dei II from Missa Pange lingua XVIII. Pleni sunt from Missa sine nomine XIX. Domine non secundum peccata nostra XX. Ave verum and Cuius latus XXI. In principio erat verbum from Motet Verbum caro factus est XXII. Per illud ave prolatum - Secunda pars of motet Benedicta es caelorum regina. leopold mozart minuet in f oboe and bassoon sheet music arezzo sheet music engraver
leopold mozart minuet in f oboe and bassoon sheet music arezzo sheet music engraver # Oboe, Bassoon (duet) # BEGINNER # Leopold Mozart # Arezzo Music # leopold mozart minuet in f obo # Arezzo Music # SheetMusicPlus
Bassoon,Instrumental Duet,Oboe - Level 1 - Digital Download SKU: A0.1244958 By Leopold Mozart. By Leopold Mozart. Arranged by Arezzo Music. Chamber,Class...(+)
Bassoon,Instrumental Duet,Oboe - Level 1 - Digital Download SKU: A0.1244958 By Leopold Mozart. By Leopold Mozart. Arranged by Arezzo Music. Chamber,Classical. 3 pages. Arezzo Music #839887. Published by Arezzo Music (A0.1244958). Leopold mozart minuet in f oboe and bassoon sheet music arezzo sheet music engraverwe present a delightful collaboration between oboe and bassoon in the sheet music arrangement of Leopold Mozart's charming Minuet in F. Immerse yourself in the elegance and grace of this classical composition as the oboe and bassoon blend their voices to create a harmonious musical dialogue. Whether you're an oboist, a bassoonist, or simply a lover of classical music, this sheet music tutorial is perfect for you. The sheet music, meticulously engraved using Arezzo, the renowned sheet music engraving software, ensures clarity and precision, making it easier for you to follow along and play. Follow the provided sheet music and witness the seamless interplay between the oboe and bassoon as they bring the Minuet in F to life. We'll guide you through the nuances of this piece, highlighting the phrasing and dynamics that make it come alive. Join us as we explore the intricacies of Leopold Mozart's composition and let the oboe and bassoon captivate you with their beautiful melodies. Nine New York City Miniatures
Nine New York City Miniatures # Oboe (band part) # INTERMEDIATE/ADVANCED # Contemporary # Gary Powell Nash # Nine New York City Miniatures # Gary Powell Nash # SheetMusicPlus
Oboe Solo - Level 4 - Digital Download SKU: A0.881259 Composed by Gary Powell Nash. Contemporary. Individual part. 13 pages. Gary Powell Nash #5985465. P...(+)
Oboe Solo - Level 4 - Digital Download SKU: A0.881259 Composed by Gary Powell Nash. Contemporary. Individual part. 13 pages. Gary Powell Nash #5985465. Published by Gary Powell Nash (A0.881259). Nine New York City Miniatures (2020) oboe solo began with Movement 7, A Million Numbered Streets. A Million Numbered Streets was originally conceived for a Vox Novus Composers Voice 15 Minutes of Fame call for scores for a one minute oboe solo piece, specifically themed from New York City, New York. In preparation, Nash discovered nearly 1,000 songs dedicated to NYC. Many of those were titled after numbered streets, hence Nash’s title A Million Numbered Streets. Nash’s creation employs a medium-fast highly syncopated song-like melody, alluding to a restless and busy NYC street. In an attempt to make A Million Numbered Streets more marketable, Nash decided to compose 8 additional miniatures around it. The 8 complementary miniatures are all approximately 1 minute in length and alternating fast tempo and slow tempo movements. There are no direct quotes from other songs; however, 3 of the movements are derived from and inspired by New York City related songs. Movement #4, Downtown Music was inspired by the song Downtown by Tony Hatch (made popular by Petula Clark’s vocals). Movement #8, Success is based on the song New York, New York by John Kander (best known for Frank Sinatra singing it). The title Success was inspired by the phrase If I can make it there, I’ll make it anywhere. Movement #9, Uptown Music is derived from the song Uptown Girl by Billy Joel. In addition, the title Spreading the News for movement 1, as well as that for movement 6, Vagabond Shoes are also phrases from the song New York, New York.