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19 sheet music found Flying South - Oboe Solo with Orchestra
Flying South - Oboe Solo with Orchestra # Oboe, Piano (duet) # Contemporary # Brendan Elliget MAGA 537 # Flying South - Oboe Solo with # BJE Music # SheetMusicPlus
Flute,Harp,Oboe,Piano - Digital Download SKU: A0.1071508 Composed by Brendan Elliget MAGA 537. Contemporary. Accompaniment. Duration 188. BJE Music #4608...(+)
Flute,Harp,Oboe,Piano - Digital Download SKU: A0.1071508 Composed by Brendan Elliget MAGA 537. Contemporary. Accompaniment. Duration 188. BJE Music #4608999. Published by BJE Music (A0.1071508). This little piece features a plaintive yet restful Oboe Solo theme with Small Orchestra of Flute, Oboe, 3 Clarinets, Horns in F, Bassoon, Violin 1, Violin 2, Viola, Cello, Double Bass, Piano, and Harp… It suggested to me a bird or group of birds flying. Let me know what you think…The MP3 was recorded with Sibelius Sounds. Duration 3 mins. . Mendelssohn: Wedding March for Oboe & Piano
Mendelssohn: Wedding March for Oboe & Piano # Oboe, Piano (duet) # INTERMEDIATE # Classical # Felix Bartholdy Mendelssohn # James M # Mendelssohn: Wedding March for # jmsgu3 # SheetMusicPlus
Oboe,Piano - Level 3 - Digital Download SKU: A0.549890 Composed by Felix Bartholdy Mendelssohn. Arranged by James M. Guthrie, ASCAP. Romantic Period,Stan...(+)
Oboe,Piano - Level 3 - Digital Download SKU: A0.549890 Composed by Felix Bartholdy Mendelssohn. Arranged by James M. Guthrie, ASCAP. Romantic Period,Standards,Wedding. Score and part. 23 pages. Jmsgu3 #3602933. Published by jmsgu3 (A0.549890). Score: 12 pages, piano part: 6 pages, oboe part: 4 pages. duration: ca. 5'. This is the famous wedding march from Op. 61 composed in 1842 and commonly performed as a recessional march at the end of a wedding. The piece was originally composed for orchestra then arranged for organ and performed by Mendelssohn himself. Mendelssohn: Wedding March Mendelssohn’s Wedding March is so popular that it’s difficult to imagine a wedding without it. It seems like it’s been around for eternity. In any case, it was only 150 years or so ago that the Wedding March came about. It was performed in Potsdam for the first time in 1842, as a piece of Mendelssohn’s music for the Shakespeare play A Midsummer Night’s Dream. It was first used for a wedding in 1858 Mendelssohn Background Felix Mendelssohn (1809 –1847) was, by all means, a German mastermind composer, musician and orchestra conductor of the Romantic period. Consequently, Mendelssohn composed in the usual forms of the time - symphonies, concertos, oratorios, piano music, and chamber music. To summarize, his most famous works include his music for A Midsummer Night's Dream, the Italian Symphony, the Scottish Symphony, The Hebrides Overture, his later Concerto for Violin & Orchestra, and his Octet for Strings. His most well-known piano pieces, by and large, are the Songs Without Words. Artistic Standing Musical tastes change from time to time. Moreover, just such a change occurred in the late 19th and early 20th centuries. This plus rampant antisemitism brought a corresponding amount of undue criticism. Fortunately, however, his artistic inventiveness has indeed been critically re-evaluated. As a result, Mendelssohn is once again among the most prevalent composers of the Romantic era. Early Family Life Mendelssohn was, in fact, born into a prominent Jewish family. His grandfather was, notably, the philosopher Moses Mendelssohn. Felix was, in fact, raised without religion. At the age of seven, he was all of a sudden baptized as a Reformed Christian. He was, moreover, a child musical prodigy. Nevertheless, his parents did not attempt to exploit his talent. Early Adulthood Mendelssohn was, in general, successful in Germany. He conducted, in particular, a revival of the music of Johann Sebastian Bach, specifically with his presentation of the St Matthew Passion in 1829. Felix was truly in demand throughout Europe as a composer, conductor, and soloist. For example, he visited Britain ten times. There, he premiered, namely, many of his major works. His taste in music was. To be sure, inventive and well-crafted yet markedly conservative. This conservatism separated him by all means from more audacious musical colleagues like Liszt, Wagner, and Berlioz. Mendelssohn founded the Leipzig Conservatoire which, to clarify, became a defender of this conservative viewpoint. Mature Adulthood Schumann notably wrote that Mendelssohn was the Mozart of the nineteenth century, the most brilliant musician, the one who most clearly sees through the contradictions of the age and for the first time reconciles them. This observation points to a couple of features in particular that illustrate Mendelssohn's works and his artistic procedure. Musical Features In the first place, his musical style was fixed in his methodical mastery of the style of preceding masters. This being said, he certainly recognized and even developed early romanticism from the music of Beethoven and Weber. Secondly, it indicates that Mendelssohn sought to strengthen his inherited musical legacy rather than to exchange it with new forms and styles or replace it with exotic orchestration. Consequently, he diverged his contemporaries in the romantic period, such as Wagner, Be. Beethoven: Adagio from Sonata Pathetique for Oboe & Piano
Beethoven: Adagio from Sonata Pathetique for Oboe & Piano # Oboe, Piano (duet) # INTERMEDIATE # Classical # Ludwig van Beethoven # James M # piano concertos 1-5 # Beethoven: Adagio from Sonata # jmsgu3 # SheetMusicPlus
Oboe,Piano - Level 3 - Digital Download SKU: A0.549637 Composed by Ludwig van Beethoven. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Peri...(+)
Oboe,Piano - Level 3 - Digital Download SKU: A0.549637 Composed by Ludwig van Beethoven. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Sacred,Standards. Score and part. 16 pages. Jmsgu3 #3516553. Published by jmsgu3 (A0.549637). Duration: ca 5:20, Score: 8 pages, solo part: 3 pages, piano part: 4 pages. One of Beethoven's finest and most famous works. Program for a recital, church meditation, or school program. Bring your best espressivo and plan to rehearse the many subtle dynamic changes. Sonata Pathétique Op. 13 First of all, this is an arrangement of the second movement of Beethoven’s Sonata Pathétique. It seems like Beethoven wrote this piece before becoming troubled by deafness. Published in 1799, it consequently remains one of the most celebrated pieces Beethoven ever wrote. As a result of its popularity, the movement was therefore performed by Karl Haas. Hass recorded it for a popular radio show called: Adventures in Good Music. Beethoven Background Ludwig van Beethoven (1770 –1827) was certainly a German pianist. Above all, he was probably one of the greatest composers in history. As a result, he is a pivotal character in the progress between the Classical and Romantic periods. He is certainly one of the most famous and hence important of all composers. Seems like his most familiar and noteworthy works include symphonies 1-9; piano concertos 1-5; and furthermore, the violin concerto. Also, certainly of extreme importance are the noteworthy 32 sonatas for the piano; the string quartets 1-16; the Missa solemnis; and likewise, his only opera, Fidelio. Beethoven Overview First of all, Beethoven was born and consequently raised in Bonn. Upon turning 21 he moved to Vienna probably to study composition with Haydn. That’s when he consequently grew a reputation as a brilliant pianist. Furthermore, he probably stayed in Vienna for the rest of his life. In his late 20s, it seems like his hearing certainly began to decline. It slowly declined until consequently, he was nearly totally deaf probably by the last decade of his life. As a result, he stopped conducting and performing. Nevertheless, he continued to compose. As a result, some of his greatest works probably come from this period. First Period Seems like we often divide Beethoven’s life into three periods. Period 1 begins with Beethoven’s arrival in Vienna. Hence, during this period, he mastered the Viennese style of Haydn & Mozart. He consequently began increasing the size and scale of his works. Furthermore, he experimented with extreme dynamics, and likewise extreme tempi. He worked similarly with chromatic harmony. His First and Second Symphonies, therefore, belong to this period. Other important works also belong here: the first six string quartets and the Sonata Pathétique, Op. 13. Second Period His second period probably began as soon as he realized that he was going deaf. During this period, it seems like he became obsessed with the idea of heroism. His works consequently become even larger and more massive. The most noteworthy of these include the symphonies 3 – 8, piano concertos 5& 6, 5 string quartets, several important piano sonatas (Waldstein and Appassionata), the Kreutzer violin sonata, the violin concerto, and his only opera: Fidelio. Third Period In contrast, Beethoven's third period is branded above all by works of incredible intellectual depth, formal innovation, and penetrating expression. It seems like he continued to expand his works. Consequently, the string quartet Op. 131 spills over into seven connected movements. Likewise, in the Ninth Symphony, he adds choral forces to his orchestra probably for the first time in history. Even more, other works from this period include his Missa solemnis, the final 5 string quartets (including the enormous Große Fuge), and the final five sonatas for piano.  Romance in F for Oboe and Piano
Romance in F for Oboe and Piano # Oboe, Piano (duet) # INTERMEDIATE # Classical # Ludwig van Beethoven # Diego Marani # Romance in F for Oboe and Pian # Diego Marani # SheetMusicPlus
Oboe,Piano - Level 3 - Digital Download SKU: A0.528181 Composed by Ludwig van Beethoven. Arranged by Diego Marani. Classical,Concert,Instructional,Romant...(+)
Oboe,Piano - Level 3 - Digital Download SKU: A0.528181 Composed by Ludwig van Beethoven. Arranged by Diego Marani. Classical,Concert,Instructional,Romantic Period,Standards. Score and part. 12 pages. Diego Marani #5191027. Published by Diego Marani (A0.528181). Beethoven’s two romances for violin are the closest of siblings: No. 2 is in F Major, while No. 1 is in G Major. Both were dedicated to the same violin virtuoso, Ignaz Schuppanzigh. Musically, No. 2 shares the stately pace and singing quality of No. 1, as well as its rondo structure, which allows Beethoven to repeat the theme with additional material at each iteration. Some listeners hear the melancholy of lost love in this romance’s languorous melody, while others hear a more philosophical musing, poetic and contemplative.Originally composed for violin and orchestra, this arrangement is a faithful transcription for oboe and piano (in a more comfortable key of D Major). . Mendelssohn: Song Without Words Op. 109 for Oboe & Piano
Mendelssohn: Song Without Words Op. 109 for Oboe & Piano # Oboe, Piano (duet) # INTERMEDIATE # Felix Mendelssohn # James M # Mendelssohn: Song Without Word # jmsgu3 # SheetMusicPlus
Oboe,Piano - Level 3 - Digital Download SKU: A0.549488 Composed by Felix Mendelssohn (1809 –1847). Arranged by James M. Guthrie, ASCAP. Instructio...(+)
Oboe,Piano - Level 3 - Digital Download SKU: A0.549488 Composed by Felix Mendelssohn (1809 –1847). Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Sacred,Standards. Score and part. 20 pages. Jmsgu3 #3500659. Published by jmsgu3 (A0.549488). Score: 11 pages, solo part: 3 pages, piano part: 5 pages. Duration: 4:20. This is a popular recital piece that would work well also in church or school programs. Mendelssohn Background Felix Mendelssohn (1809 –1847) was, by all means, a German mastermind composer, musician, and orchestra conductor of the Romantic period. Consequently, Mendelssohn composed in the usual forms of the time - symphonies, concertos, oratorios, piano music, and chamber music. To summarize, his most famous works include his music for A Midsummer Night's Dream, the Italian Symphony, the Scottish Symphony, The Hebrides Overture, his later Concerto for Violin & Orchestra, and his Octet for Strings. His most well-known piano pieces, by and large, are the Songs Without Words. Artistic Standing  Musical tastes change from time to time. Moreover, just such a change occurred in the late 19th and early 20th centuries. This plus rampant antisemitism brought a corresponding amount of undue criticism. Fortunately, however, his artistic inventiveness has indeed been critically re-evaluated. As a result, Mendelssohn is once again among the most prevalent composers of the Romantic era. Early Family Life Mendelssohn was, in fact, born into a prominent Jewish family. His grandfather was, notably, the philosopher Moses Mendelssohn. Felix was, in fact, raised without religion. At the age of seven, he was suddenly baptized as a Reformed Christian. He was, moreover, a child musical prodigy. Nevertheless, his parents did not attempt to exploit his talent. Early Adulthood Mendelssohn was, in general, successful in Germany. He conducted, in particular, a revival of the music of Johann Sebastian Bach, specifically with his presentation of the St Matthew Passion in 1829. Felix was truly in demand throughout Europe as a composer, conductor, and soloist. For example, he visited Britain ten times. There, he premiered, namely, many of his significant works. His taste in music was. To be sure, inventive and well-crafted yet markedly conservative. This conservatism separated him by all means from more audacious musical colleagues like Liszt, Wagner, and Berlioz. Mendelssohn founded the Leipzig Conservatoire which, to clarify, became a defender of this conservative viewpoint. Mature Adulthood Schumann notably wrote that Mendelssohn was the Mozart of the nineteenth century, the most brilliant musician, the one who most clearly sees through the contradictions of the age and for the first time reconciles them. This observation points to a couple of features in particular that illustrate Mendelssohn's works and his artistic procedure. Musical Features In the first place, his musical style was fixed in his systematic mastery of the style of preceding masters. This being said, he certainly recognized and even developed early romanticism from the music of Beethoven and Weber. Secondly, it indicates that Mendelssohn sought to strengthen his inherited musical legacy rather than to exchange it with new forms and styles or replace it with exotic orchestration. Consequently, he diverged his contemporaries in the romantic period, such as Wagner, Berlioz, and Liszt. Mendelssohn revered Liszt's virtuosity at the keyboard but found his music rather insubstantial. Korean Simple Suite No.1 (For Oboe and Piano)
Korean Simple Suite No.1 (For Oboe and Piano) # Oboe, Piano (duet) # INTERMEDIATE/ADVANCED # Han-Ki Kim # Korean Simple Suite No.1 # Han-Ki Kim # SheetMusicPlus
Instrumental Duet Instrumental Duet,Oboe,Piano - Level 4 - Digital Download SKU: A0.511809 Composed by Han-Ki Kim. Contemporary,Multicultural,Romantic Pe...(+)
Instrumental Duet Instrumental Duet,Oboe,Piano - Level 4 - Digital Download SKU: A0.511809 Composed by Han-Ki Kim. Contemporary,Multicultural,Romantic Period,Standards,World. Score and parts. 27 pages. Han-Ki Kim #6363729. Published by Han-Ki Kim (A0.511809). Korean Simple Suite No.1 For Oboe and Piano is consist of 5 movements.All piece's main theme is generally based on Oriental pentatonic tone(Do, Re, Mi, Sol, La). Originaly, this piece was composed for Violin and Piano, and Dedicated to Andreas Buschatz, Concertmaster of Leipzig Gewandhaus Orchestra. All piece's main theme is generally based on Oriental pentatonic tone(Do, Re, Mi, Sol, La).1st movement(Prologue-Greeting) is just for a Greeting. And for 2nd movement(Oriental Flute), there is tried to express oriental flute's feeling, and for 3rd movement(Cheerfulness), adapted Korean Traditional rhythm, for example, such as Kutkuri Jajinmori. 4th movement(Sorrow) is major key, but it has a deep sorrow. For Finale(Festival), Rondo form is used, and Korean Traditional Children's song is adapted as main Theme.This music transcribed for Cello and Piano was a Competition Repertorie Requirement of Tennessee Cello Workshop(2021.2.26.-28), University of Tennessee, School of Music. Attached music file is recorded by Violin and Piano, it's just for a reference. Out Under the Sky! (WIND QUARTET & PIANO)
Out Under the Sky! (WIND QUARTET & PIANO) # Oboe, Piano (duet) # INTERMEDIATE/ADVANCED # Sacred music # Traditional Appalachian Carol # Greg Engell # Out Under the Sky! # Greg Engell # SheetMusicPlus
Small Ensemble Clarinet,Flute,Horn,Oboe,Piano - Level 4 - Digital Download SKU: A0.1082112 Composed by Traditional Appalachian Carol AND John H. Hopkins ...(+)
Small Ensemble Clarinet,Flute,Horn,Oboe,Piano - Level 4 - Digital Download SKU: A0.1082112 Composed by Traditional Appalachian Carol AND John H. Hopkins Jr. Arranged by Greg Engell. Christmas,Holiday,Praise & Worship,Sacred,Spiritual. Score and parts. 46 pages. Greg Engell #686251. Published by Greg Engell (A0.1082112). Ring in the Christmas Season with this medley of two sacred classics...Appalachian Carol / We Three Kings. From the opening fanfare to the refelctive melody, your listeners will feel the awe of that first Christmas night. Look up, gaze into the sky...imagine the Star! This set Is arranged for a WIND QUARTET with PIANO. Flute, Oboe, Clarinet, Horn are the main instruments with SUB PARTS for Flute 2 (Oboe), Clarinet 2 (Oboe), Alto Saxophone (Horn) Suitable for concert and worship settings. Rehearsal Piano Track also available. similar versions available for full orchestra (MJ104-SOR) ;ADVANCED and INTERMEDIATE FLUTE SOLO (MJ104-FS): VIOLIN/CELLO DUET (MJ!04-VCS) .Demo Audio is MIDI. Air on the G String by Bach for Oboe and Piano
Air on the G String by Bach for Oboe and Piano # Oboe, Piano (duet) # BEGINNER # Classical # Johann Sebastian Bach # Ander # Air on the G String by Bach fo # Woods Only, Arrangements # SheetMusicPlus
Oboe,Piano - Level 1 - Digital Download SKU: A0.1045593 Composed by Johann Sebastian Bach. Arranged by Ander. Baroque,Easter,Traditional,Wedding. Score a...(+)
Oboe,Piano - Level 1 - Digital Download SKU: A0.1045593 Composed by Johann Sebastian Bach. Arranged by Ander. Baroque,Easter,Traditional,Wedding. Score and part. 4 pages. Woods Only, Arrangements #650172. Published by Woods Only, Arrangements (A0.1045593). This easy arrangement for oboe and piano was written to be uncomplicated to perform and understand the structure of the piece. It can be freely played by beginning students, because of the ease imposed on the piece; however, this does not prevent it from being played by professionals and music teachers. It is also ideal for academic recitals, student method and ceremonies that are arranged in the same way as the piece contains. The original piece is part of Johann Sebastian Bach's Suite No. 3 for orchestra, in D Major, BWV 1068, written for Prince Leopold of Anhalt. The so-called Air on the G String dates from one of these latter employments. In the service of the Prince of Cöthen, Bach composed not only the famous Brandenburg Concertos, but also several orchestral suites, from the third of which comes the Air on the G String. This curious title derives from a later arrangement of this piece for violin solo, in which the melody is played entirely on the lower, higher string of the instrument. DvoÅ™ák: Largo from the New World Symphony for Oboe & Piano
DvoÅ™ák: Largo from the New World Symphony for Oboe & Piano # Oboe, Piano (duet) # EASY # AntonÃn Dvořák # James M # DvoÅ™ák: Largo from the Ne # jmsgu3 # SheetMusicPlus
Oboe,Piano - Level 2 - Digital Download SKU: A0.549426 Composed by AntonÃn Dvořák. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic ...(+)
Oboe,Piano - Level 2 - Digital Download SKU: A0.549426 Composed by AntonÃn Dvořák. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Sacred,Standards. Score and part. 12 pages. Jmsgu3 #3494023. Published by jmsgu3 (A0.549426). Score: 7 pages, solo part: 2 pages, piano part: 3 pages. Duration: 4:25  Not difficult, but requires sensitivity & dynamic control. Suitable for recitals, church meditations, or school programs. Dvořák Background AntonÃn Dvořák (1841 –1904) was, of course, a composer from Czechoslovakia. As a matter of fact, he was among the first Bohemian composers to attain universal recognition. It is important to realize that the late Romantic Nationalist period featured composers who used traditional and folk elements to portray the character of their nation. In particular, we see this in the music of Grieg (Norway), Finland (Sibelius), and Smetana (Bohemia).  Dvořák relied markedly on rhythms and other characteristics of Moravian and Bohemian folk music. Ascent to Fame Dvořák was truly a child musical prodigy on the violin. The premiere performances of his compositions notably occurred in 1872 and 1873. He submitted his First Symphony in particular to a German competition, but it failed to win. Consequently, in 1874 he presented two more symphonies to the Austrian State Prize for Composition. Johannes Brahms was the principal of the jury and was accordingly very impressed. They forthwith awarded the prize to Dvořák in 1874, 1876, and 1877. At this point, Brahms thereupon endorsed Dvořák to the publisher Simrock. Later, the publisher commissioned Dvořák to compose the Slavonic Dances, Op. 46. These became popular overnight and, as a result, Dvořák's worldwide status was launched. International Status Dvořák visited England upon invitation all nine times. On each visit, he frequently conducted performances of his own compositions. He conducted concerts of his music, especially in Moscow and St. Petersburg. Eventually, the Prague Conservatory in fact appointed Dvořák as a professor. There, to be sure, he wrote his famous Dumky Trio. United States Consequently, the National Conservatory of Music of America appointed him as director in 1892. As a result, Dvořák composed his two most famous symphonic works: the Symphony No. 9 (From the New World), which spread his name universally, and his Concerto for Cello and Orchestra, one of the most famous of all cello works. Moreover, he wrote his most celebrated American String Quartet during this time. At the same time, because of his growing recognition in Europe and his homesickness for his own country, he left to return to Bohemia in 1895. Adagio from Concerto for Oboe and Violin in C Minor (Reconstruction after Concerto for 2 Harpsichor
Adagio from Concerto for Oboe and Violin in C Minor (Reconstruction after Concerto for 2 Harpsichor # Classical # Johann Sebastian Bach # Flavio Regis Cunha # Adagio from Concerto for Oboe # Flavio Regis Cunha # SheetMusicPlus
Instrumental Duet,Piano Instrumental Duet,Oboe,Piano,Violin - Level 4 - Digital Download SKU: A0.597544 Composed by Johann Sebastian Bach. Arranged by Fl...(+)
Instrumental Duet,Piano Instrumental Duet,Oboe,Piano,Violin - Level 4 - Digital Download SKU: A0.597544 Composed by Johann Sebastian Bach. Arranged by Flavio Regis Cunha. Baroque,Contemporary,Easter. Score and parts. 12 pages. Flavio Regis Cunha #6440903. Published by Flavio Regis Cunha (A0.597544). The concerto for two harpsichords in C minor, BWV 1060, is a concerto for two harpsichords and string orchestra by Johann Sebastian Bach. It is likely to have originated in the second half of the 1730s as an arrangement of an earlier concerto, also in C minor, for oboe and violin. That conjectural original version of the concerto, which may have been composed in Bach's Köthen years (1717–1723), is lost, but has been reconstructed in several versions known as BWV 1060R. While the extant 18th-century manuscripts present the concerto in a form for two harpsichords and strings, the assumption that it originated as concerto for violin and oboe has become widely accepted since the late 19th century. The Adagio middle movement, where the melody lines of both solo instruments imitate one another without distinction in texture and figuration, has been likened to the middle movement of Bach's double violin concerto, BWV 1043. Here we present the reconstruction by Wilfried Fischer for Oboe Concertato, Violin Concertato and Piano. Mr. Blue Sky
Mr. Blue Sky # Oboe, Piano (duet) # INTERMEDIATE # Electric Light Orchestra # Lawrence H Underwood # Mr. Blue Sky # Lawrence H Underwood # SheetMusicPlus
Oboe,Piano - Level 3 - Digital Download SKU: A0.1091659 By Electric Light Orchestra. By Jeff Lynne. Arranged by Lawrence H Underwood. 20th Century,Film/T...(+)
Oboe,Piano - Level 3 - Digital Download SKU: A0.1091659 By Electric Light Orchestra. By Jeff Lynne. Arranged by Lawrence H Underwood. 20th Century,Film/TV,Pop,Rock. Score and part. 12 pages. Lawrence H Underwood #695813. Published by Lawrence H Underwood (A0.1091659). This classic track from the Electric Light Orchestra found a whole new audience when director James Gunn used it to great effect in the hit film “Guardians of the Galaxy, Vol. 2.†A favorite with audiences – both young and old – and now playable as an instrumental solo with piano accompaniment. Sure to be an audience – and performer – favorite! This arrangement from veteran performer and music educator Lawrence Underwood is available in versions for solo flute, oboe, bassoon, clarinet, bass clarinet, alto sax, tenor sax, bari sax, horn in F, trumpet, trombone, baritone/euphonium, tuba, mallet percussion, violin, viola, cello, or double bass (with piano accompaniment). Be sure to check out the other titles in this series! Telephone Line
Telephone Line # Oboe, Piano (duet) # INTERMEDIATE # Pop music # Electric Light Orchestra # Fishel Pustilnik # Telephone Line # F & N Enterprise # SheetMusicPlus
Oboe,Piano - Level 3 - Digital Download SKU: A0.635908 By Electric Light Orchestra. By Jeff Lynne. Arranged by Fishel Pustilnik. Pop. Score and part. 8 p...(+)
Oboe,Piano - Level 3 - Digital Download SKU: A0.635908 By Electric Light Orchestra. By Jeff Lynne. Arranged by Fishel Pustilnik. Pop. Score and part. 8 pages. F & N Enterprise #6027315. Published by F & N Enterprise (A0.635908). An excellent arrangement of the famous Song Telephone Line for Oboe and Piano-Jazz/Pop Version. The video for Violin and Piano: https://youtu.be/qyzkj_vACqo The composition is easy to read, fun to play, and sound professional when performed. Arranged by Fishel Pustilnik, very well known as Composer/Publisher. His books Jazz & Pop Piano Paradise (Volumes 1-5) have become a commercial success and a hit with music teachers and students in Canada. (Thousands of books already sold in Canada). They are also starting to enter the US, Brazil, Norway, Russia, Holland, Israel, Belgium, Sweden, Finland, Greece, Latvia, and the UK markets. This is a wonderful new publication. These pieces offer much appeal for the young pianist and excellent choice for a supplementary book for students from Grade 3 to 8. Lore Ruschiensky, Editor, (from the review in The Canadian Music Teacher) Yesterday I spent at least two pleasure-filled hours playing through your imaginatively inventive compositions. Congratulations! I trust students will decide to program your well crafted and entertaining works on recitals and examinations. Review from Dr. Jack Behrens, B.Sc. (Julliard), Ph.D. (Harvard), Director of Academic Studies, The Glenn Gould School I liked this book the best so far. Great work! You have a gift for melody and your arrangements are very playable. Congratulations on the 3rd Volume. Mark Carlstein, Hal Leonard, Keyboard Publications. Journeying (for Oboe Solo)
Journeying (for Oboe Solo) # Oboe, Piano (duet) # INTERMEDIATE # Adam Lenhart # Journeying # Adam Lenhart # SheetMusicPlus
Oboe,Piano - Level 3 - Digital Download SKU: A0.949369 Composed by Adam Lenhart. Contemporary,Instructional,Standards. Score and part. 7 pages. Adam Lenh...(+)
Oboe,Piano - Level 3 - Digital Download SKU: A0.949369 Composed by Adam Lenhart. Contemporary,Instructional,Standards. Score and part. 7 pages. Adam Lenhart #5214713. Published by Adam Lenhart (A0.949369). Journeying is a new and original composition designed around a long and exciting travel. This piece modulates constantly to show the changing environments of the journey, yet maintains the walking and bouncy pace of the adventurer. This solo is designed to show off the player's ability to perform accurate and clean arpeggios in 10 different major keys, as well as their ability keep the constant walking pace throughout the entire song.Journeying was also selected as the winner for the University of Toledo Young Composers Competition in 2020.Includes full score and individual solo part.This piece is also available for the following solo instruments: Flute, Violin.---------------------------Adam Lenhart (b. 2002) is a University of Michigan student of music theory, composition, voice and organ from Ottawa Lake, Michigan. As a theorist, his areas of study vary widely, including 18th century counterpoint, the early American Sacred Harp tradition and impressionism. As a composer, his music draws inspiration from nature, mathematics and poetry. In 2020 he was awarded the Michigan Music Education Association’s Young Composers of Michigan award, as well as first prize in the University of Toledo Young Composers competition. Lenhart has also participated in numerous ensembles across Michigan, including the MYAF All-State Choir, Tecumseh Pops Orchestra, University of Michigan Men’s Glee Club and the SMTD University Choir. He thoroughly enjoys collaboration with other composers, performers, poets and visual artists. Some of his recent projects include collaborations with individuals from the University of Michigan Chamber Music, History, and Poetry departments. The Song of Moses and of Miriam at the Red Sea-Oboe
The Song of Moses and of Miriam at the Red Sea-Oboe # Oboe (band part) # EASY # Zachary Damm # The Song of Moses and of Miria # Digital Print Publishing # SheetMusicPlus
Oboe Solo - Level 2 - Digital Download SKU: A0.969556 Composed by Zachary Damm. Christian,Sacred,Spiritual. Individual part. 3 pages. Digital Print Publi...(+)
Oboe Solo - Level 2 - Digital Download SKU: A0.969556 Composed by Zachary Damm. Christian,Sacred,Spiritual. Individual part. 3 pages. Digital Print Publishing #3014291. Published by Digital Print Publishing (A0.969556). The music of this piece attempts to capture the mood behind the songs of the Israelites at the Red Sea. This choir piece is part of a larger work that utilizes an orchestra composed of piccolo, flute, oboe, B flat clarinet, bassoon, horn, B flat trumpet, trombone, tuba, violin, viola, cello, double bass, timpani, and tambourine, including piano and organ accompaniment. The vocal parts are an SATB choir which sings the Scriptural words. This is a great sacred piece for choirs and orchestras as well as church services. This is a copy of the oboe part: see also all the individual instrumental parts under the same title.