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41 sheet music found Handel: Largo from Xerxes for Baritone Sax & Piano
Handel: Largo from Xerxes for Baritone Sax & Piano # Baritone Saxophone, Piano # INTERMEDIATE # Classical # George Frideric Handel # James M # Handel: Largo from Xerxes for # jmsgu3 # SheetMusicPlus
Baritone Saxophone,Piano - Level 3 - Digital Download SKU: A0.549384 Composed by George Frideric Handel. Arranged by James M. Guthrie, ASCAP. Baroque,Sac...(+)
Baritone Saxophone,Piano - Level 3 - Digital Download SKU: A0.549384 Composed by George Frideric Handel. Arranged by James M. Guthrie, ASCAP. Baroque,Sacred,Standards,Wedding. Score and part. 9 pages. Jmsgu3 #3492299. Published by jmsgu3 (A0.549384). Duration: 4:55, Score: 6 pages, Solo part: 1 page, piano part: 2 pages. A very famous aria (Ombra mai fu) from XerxesSuitable for any venue requiring meditative music. Excellent choice for a recital encore.Xerxes Xerxes is, in fact, an opera seria in three acts by Handel. Moreover, Handel conducted the premiere performance in London in 1738. Handel casts the opera in Persia in 470 BC. The part of Xerxes was indeed originally sung by a soprano castrato. Nowadays, the part is generally sung by a mezzo-soprano or conversely a counter-tenor. In the first place, Xerxes sings an opening aria, Ombra mai fu to a plane tree. Handel sets this aria to one of his most truly famous melodies. Although many refer to it traditionally as Handel’s Largo, Handel has, on the contrary, clearly marked Larghetto in the score. Handel Background George Frideric Handel (1685 - 1759) was born in Germany, but eventually became a British citizen. Nonetheless, he was a famous Baroque composer. In fact, he became famous for his operas, oratorios, anthems, and organ concertos. Handel studied music and, by and large, worked as a composer in Germany and Italy before moving to London. On the whole, Handel was very familiar with the contemporary music of Italy and Germany. Career in England It is important to realize that Italian opera was all the rage in England at the time. Moreover, Handel was really good at writing them. Therefore, he started not one but three opera companies in England. Alexander's Feast was a huge success in 1736, but Handel nevertheless began composing English choral works. After success with the Messiah in 1742) he certainly never again wrote an Italian opera. Consequently, he died in 1759, a treasured genius. Accordingly, the English government gave him full state honors at his funeral. Hence, he is buried in Westminster Abbey in London. Legacy Music historians agree that Handel was in general one of the greatest composers of the Baroque era. To demonstrate, his works such as the Messiah, Water Music, and Music for the Royal Fireworks remain consistently popular up to the present time. He especially composed the coronation anthem, Zadok the Priest for the coronation of George II. Nevertheless, it has specifically been performed at every succeeding British coronation since. His oratorio Solomon has by all means also continued to be prevalent. As a matter of fact, the Sinfonia from act 3 was featured the 2012 London Olympics opening ceremony. Handel was particularly prolific. To enumerate, he wrote over forty operas. Since the late 1960s, we have expressly experienced a revival of baroque music. Similarly, we have especially seen a pique of interest in historically informed musical performance. Since his death in 1779, interest in Handel's music has, all in all, expanded. Register for free lifetime updates and revisions of this product at www.jamesguthrie.com. O Holy Night for Baritone Sax & Piano
O Holy Night for Baritone Sax & Piano # Baritone Saxophone, Piano # BEGINNER # Christmas # Adam # James M # O Holy Night for Baritone Sax # jmsgu3 # SheetMusicPlus
Baritone Saxophone,Piano - Level 1 - Digital Download SKU: A0.548670 Composed by Adam. Arranged by James M. Guthrie, ASCAP. Christian,Christmas. Score an...(+)
Baritone Saxophone,Piano - Level 1 - Digital Download SKU: A0.548670 Composed by Adam. Arranged by James M. Guthrie, ASCAP. Christian,Christmas. Score and part. 10 pages. Jmsgu3 #3410425. Published by jmsgu3 (A0.548670). Duration: 4:56 Score 5 pg. 44 ms. Solo part: 2 pg. Piano part: 3 pg. Cantique de Noël The French composer Adolphe Adam was already famous as a composer of many successful ballets and operas. Then, in the 1840’s he wrote his most famous work - O Holy Night. The original song title was Minuit Chretiens or Cantique de Noël. Placide Cappeau provided the original song lyrics. The song was first performed in Roquemaure by the opera singer Emily Laurey at midnight mass in 1847. It became very popular among the French, much the way that Silent Night was famous elsewhere. In the 1850’s John S. Dwight, a Unitarian minister and music teacher translated the song into English. Adolphe Adam In his younger years, Adam studied organ and composition at the Paris Conservatoire. He also played the timpani in the Conservatoire orchestra. Adam used his savings and borrowed money to open a new opera house - the fourth opera house in Paris in 1847. Unfortunately, the Revolution of 1848 forced him to close. He taught composition at the Paris Conservatoire from 1849 until his death in 1856. Placide Cappeau The poet Cappeau was an advocate of the French Enlightenment philosopher Voltaire. Voltaire was renowned for criticizing the Catholic church, religious intolerance, and dogma in general. Consequently, Cappeau made the Redeemer figure in his song a kind of reformer of injustices, in particular, the problem of original sin. To begin with, people recognized Cappeau’s theology as eccentric, probably even doubtful. Theology In the earlier form of Minuit, the Christ figure descends to intervene with His Father’s plan to punish mankind. Traditional doctrine pronounces that Christ came from love, not to intervene. This version also declares that Christ appeared to expunge the original sin of Adam. Cappeau removed this part from his poem years later, because he just didn’t believe it. He preferred to portray Christ as the reformer of disparity and unfairness. Before long, the writer/politician Alphonse de Lamartine referred to the Minuit as the the Marseillaise of religion. Most French churchmen agreed with this idea but certainly did not consider it a tribute. Register for free lifetime updates and revisions at www.jamesguthrie.com O Mio Babbino Caro - for baritone sax solo (with piano accompaniment and chords)
O Mio Babbino Caro - for baritone sax solo (with piano accompaniment and chords) # Baritone Saxophone, Piano # EASY # Giacomo Puccini # Rodrigo Faleiros # O Mio Babbino Caro - for barit # Rodrigo Faleiros # SheetMusicPlus
Baritone Saxophone,Piano - Level 2 - Digital Download SKU: A0.1379102 Composed by Giacomo Puccini. Arranged by Rodrigo Faleiros. 19th Century,Contest,Fes...(+)
Baritone Saxophone,Piano - Level 2 - Digital Download SKU: A0.1379102 Composed by Giacomo Puccini. Arranged by Rodrigo Faleiros. 19th Century,Contest,Festival,Opera,Romantic Period. Score and part. 3 pages. Rodrigo Faleiros #963397. Published by Rodrigo Faleiros (A0.1379102). Enjoy the timeless beauty of Giacomo Puccini's opera Gianni Schicchi with our arrangement of the aria O Mio Babbino Caro for solo baritone sax. This beloved aria, known for its tender expression of love and longing, is now reimagined for baritone sax, allowing the melodic lines to shine with the accompaniment of a piano. With included chord symbols, this arrangement invites players to explore harmonies and add their personal touch to the performance, creating a captivating musical experience.Key Features: Baritone Sax Showcase: Tailored for a solo baritone sax, allowing for a captivating and expressive performance of the iconic aria. Piano Accompaniment: Enhance your performance and explore harmonies with included fully notated piano accompaniment with chord symbols. Instant Digital Download: Begin your musical exploration promptly with our easy-to-access PDF download. Whether you're preparing for a recital, a concert, or simply savoring the beauty of Puccini's operatic masterpiece, this arrangement of O Mio Babbino Caro for baritone sax and piano offers a poignant and unforgettable musical experience.Check out every other arrangement I've made for this and numerous other arias by clicking here. O Mio Babbino Caro - for baritone sax solo (with piano accompaniment)
O Mio Babbino Caro - for baritone sax solo (with piano accompaniment) # Baritone Saxophone, Piano # EASY # Giacomo Puccini # Rodrigo Faleiros # O Mio Babbino Caro - for barit # Rodrigo Faleiros # SheetMusicPlus
Baritone Saxophone,Piano - Level 2 - Digital Download SKU: A0.1379073 Composed by Giacomo Puccini. Arranged by Rodrigo Faleiros. 19th Century,Contest,Fes...(+)
Baritone Saxophone,Piano - Level 2 - Digital Download SKU: A0.1379073 Composed by Giacomo Puccini. Arranged by Rodrigo Faleiros. 19th Century,Contest,Festival,Opera,Romantic Period. Score and part. 3 pages. Rodrigo Faleiros #963430. Published by Rodrigo Faleiros (A0.1379073). Enjoy the timeless beauty of Giacomo Puccini's opera Gianni Schicchi with our arrangement of the aria O Mio Babbino Caro for solo baritone sax. This beloved aria, known for its tender expression of love and longing, is now reimagined for baritone sax, allowing the melodic lines to shine with the accompaniment of a piano. This arrangement invites players to add their personal touch to the performance, creating a captivating musical experience.Key Features: Baritone Sax Showcase: Tailored for a solo baritone sax, allowing for a captivating and expressive performance of the iconic aria. Piano Accompaniment: Enhance your performance and explore harmonies with included fully notated piano accompaniment. Instant Digital Download: Begin your musical exploration promptly with our easy-to-access PDF download. Whether you're preparing for a recital, a concert, or simply savoring the beauty of Puccini's operatic masterpiece, this arrangement of O Mio Babbino Caro for baritone sax and piano offers a poignant and unforgettable musical experience.Check out every other arrangement I've made for this and numerous other arias by clicking here. Habanera (for solo baritone sax w/ piano accompaniment)
Habanera (for solo baritone sax w/ piano accompaniment) # Baritone Saxophone, Piano # INTERMEDIATE # Opera # Classical # Georges Bizet # Rodrigo Faleiros # Habanera # Rodrigo Faleiros # SheetMusicPlus
Baritone Saxophone,Piano - Level 3 - Digital Download SKU: A0.1292034 Composed by Georges Bizet. Arranged by Rodrigo Faleiros. 19th Century,Chamber,Conte...(+)
Baritone Saxophone,Piano - Level 3 - Digital Download SKU: A0.1292034 Composed by Georges Bizet. Arranged by Rodrigo Faleiros. 19th Century,Chamber,Contest,Festival,Opera,Romantic Period. Score and part. 4 pages. Rodrigo Faleiros #882603. Published by Rodrigo Faleiros (A0.1292034). Introducing a delightful adaptation of Georges Bizet's iconic aria Habanera from the beloved opera Carmen, now expertly arranged for solo baritone sax with a rhythmic and hypnotic piano accompaniment. This accessible sheet music offers a seamless fusion of the main melody line, thoughtfully transposed to both C minor and C major keys, ensuring a smooth and enjoyable playing experience for musicians of varying skill levels. Ideal for intermediate players seeking to showcase their artistry, this arrangement also warmly welcomes beginners to explore the enchanting world of classical music. Immerse yourself in the timeless charm of this operatic gem.Don't miss other arrangements I've made for this and other classical works. You can check them all clicking here. Habanera (for solo baritone sax w/ piano accompaniment)
Habanera (for solo baritone sax w/ piano accompaniment) # Baritone Saxophone, Piano # INTERMEDIATE # Opera # Classical # Georges Bizet # Rodrigo Faleiros # Habanera # Rodrigo Faleiros # SheetMusicPlus
Baritone Saxophone,Piano - Level 3 - Digital Download SKU: A0.1292050 Composed by Georges Bizet. Arranged by Rodrigo Faleiros. 19th Century,Chamber,Conte...(+)
Baritone Saxophone,Piano - Level 3 - Digital Download SKU: A0.1292050 Composed by Georges Bizet. Arranged by Rodrigo Faleiros. 19th Century,Chamber,Contest,Festival,Opera,Romantic Period. Score and part. 4 pages. Rodrigo Faleiros #882624. Published by Rodrigo Faleiros (A0.1292050). Introducing a delightful adaptation of Georges Bizet's iconic aria Habanera from the beloved opera Carmen, now expertly arranged for solo baritone sax with a rhythmic and hypnotic piano accompaniment. This accessible sheet music offers a seamless fusion of the main melody line, thoughtfully transposed to both C minor and C major keys, ensuring a smooth and enjoyable playing experience for musicians of varying skill levels. Ideal for intermediate players seeking to showcase their artistry, this arrangement also warmly welcomes beginners to explore the enchanting world of classical music. Immerse yourself in the timeless charm of this operatic gem.Don't miss other arrangements I've made for this and other classical works. You can check them all clicking here. Sullivan: The Lost Chord for Baritone Sax & Piano
Sullivan: The Lost Chord for Baritone Sax & Piano # Baritone Saxophone, Piano # INTERMEDIATE/ADVANCED # Sir Arthur Seymour Sullivan # James M # dynamic control # Sullivan: The Lost Chord for B # jmsgu3 # SheetMusicPlus
Baritone Saxophone,Piano - Level 4 - Digital Download SKU: A0.549445 Composed by Sir Arthur Seymour Sullivan. Arranged by James M. Guthrie, ASCAP. Instru...(+)
Baritone Saxophone,Piano - Level 4 - Digital Download SKU: A0.549445 Composed by Sir Arthur Seymour Sullivan. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Sacred,Standards. Score and part. 15 pages. Jmsgu3 #3497127. Published by jmsgu3 (A0.549445). Score: 10 pages, solo part: 2 pages, piano part: 3 pages. Duration: 4:25. Not difficult, but requires sensitivity & dynamic control. Suitable for recitals, church meditations, or school programs. School Years First of all, Sullivan attended music school at the Royal Academy of Music. Because Sullivan was so talented, the Academy awarded him the Mendelssohn Scholarship for two years in a row. He, therefore, studied with John Goss, who studied with Thomas Atwood, who in turn studied with Mozart. Sullivan similarly studied the piano at the Academy with Arthur O’Leary. Study Abroad During his first year, he also earned money by singing solos in the Chapel Royal. At the end of his second year, the Academy consequently continued his scholarship and sent him to study at the Leipzig Conservatoire. He certainly studied composition, and likewise counterpoint and piano. Hence, during his final year in Leipzig, Sullivan finally completed his graduation composition project: Incidental Music for Shakespeare’s The Tempest. Association with Gilbert It seems like Sullivan built the bulk of his composing career largely in the 1860s. As a result, he became famous for his incidental music for the Tempest and his Irish Symphony. He, therefore, began collaborating with the poet W. S. Gilbert in the 1870s. Rather than focus on serious opera, Gilbert and Sullivan, in contrast, concentrated on comic operas such as H. M. S. Pinafore, the Pirates of Penzance, and the Mikado. Therefore, certainly as a result of his education and experience, Sullivan composed a total of 24 operas, 11 symphonic works, and 10 choral pieces. Even more, he wrote a large number of noteworthy hymns such as Onward Christian Soldiers. Lost Chord The general style of his music is maybe similar to Mendelssohn, Schumann, and perhaps Liszt. It seems like Sullivan was fond of writing distinct melodies for each character in his operettas. His melodies combine together as the characters did. Furthermore, he was a master orchestrator, and therefore played the flute, clarinet, trumpet, and trombone fluently. The Lost Chord Sullivan wrote his most noteworthy song the Lost Chord in 1877. As a result, it was a great success and was certainly performed all over the world by a variety of singers such as Enrico Caruso. Because Sullivan was the most famous composer in England, the Lost Chord became the most famous of all British or American songs of the 1870s and 1890s. Consequently, in 1888 Thomas Edison recorded The Lost Chord for the phonograph. It was one of the first songs ever recorded. Furthermore, Queen Victoria knighted Sullivan in 1883.  Turkish March by Beethoven for Baritone Sax
Turkish March by Beethoven for Baritone Sax # Baritone Saxophone, Piano # EASY # Classical # Classical # Ludwig van Beethoven # Ander # Turkish March by Beethoven for # Woods Only, Arrangements # SheetMusicPlus
Baritone Saxophone,Piano - Level 2 - Digital Download SKU: A0.1155648 Composed by Ludwig van Beethoven. Arranged by Ander. Classical,Folk,March,Opera,Rom...(+)
Baritone Saxophone,Piano - Level 2 - Digital Download SKU: A0.1155648 Composed by Ludwig van Beethoven. Arranged by Ander. Classical,Folk,March,Opera,Romantic Period. Score and part. 4 pages. Woods Only, Arrangements #755952. Published by Woods Only, Arrangements (A0.1155648). This arrangement adapted for baritone saxophone and piano was written keeping the characteristics of the original work, in order to be performed by young music students who want to enter the symphonic music. Besides, it can also be used by professional musicians for recitals, repertoire, academic presentations and didactic material. The transcription remains faithful to the structure, with only one change in tone, so that it is comfortable for all the instruments in the formation, as well as being used as an activity in ensemble practice among musicians of different traditions. Beethoven's Turkish March (Op. 113) is the 4th movement of the operatic work: The Ruins of Athens, a set of incidental pieces written in 1812 by Ludwig van Beethoven, where the melody was originally written in 1809 as Theme with Six Variations for Piano, Op. 76. The work was written to accompany the play of the same name by August von Kotzebue, for the dedication of a new theater in Pest. Perhaps the best known part of the composition is the Marcia alla turca, In Latin America, this movement became known in Jean-Jacques Perrey's version (who titled it The Elephant never Forgets) since it was used as the opening theme of the successful Mexican TV comedy El Chavo del Ocho. The opening and the turkish march are often performed separately, and the other pieces in this set are not often heard. O Mio Babbino Caro - G.Puccini - Baritone Sax and Piano
O Mio Babbino Caro - G.Puccini - Baritone Sax and Piano # Baritone Saxophone, Piano # EASY # G # Raymond Fenech # O Mio Babbino Caro - G.Puccini # Raymond Fenech # SheetMusicPlus
Baritone Saxophone,Piano - Level 2 - Digital Download SKU: A0.1073256 Composed by G.Puccini. Arranged by Raymond Fenech. Christmas,Easter,Opera,Romantic ...(+)
Baritone Saxophone,Piano - Level 2 - Digital Download SKU: A0.1073256 Composed by G.Puccini. Arranged by Raymond Fenech. Christmas,Easter,Opera,Romantic Period,Wedding. Score and part. 11 pages. Raymond Fenech #677519. Published by Raymond Fenech (A0.1073256). O mio babbino caro (Oh my dear Papaâ€) is an aria from the opera Gianni Schicchi (1918) by Giacomo Puccini to a libretto by Giovacchino Forzano. It is sung by Lauretta after tensions between her father Schicchi and the family of Rinuccio, the boy she loves, have reached a breaking point that threatens to separate her from Rinuccio. It provides an interlude expressing lyrical simplicity and love in contrast with the atmosphere of hypocrisy, jealousy, double-dealing, and feuding in medieval Florence. It provides the only set-piece in the through-composed opera. This Aria is arranged by Raymond Fenech The duration is 3.21 minutes and it is an Intermediate level piece.