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You've selected:
Mozart Violin
SAXOPHONE
Sheetmusic to print
26 sheet music found
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1
26
Symphony No.40 (1st movement) for Alto Saxophone and Violin
Symphony No.40 (1st movement) for Alto Saxophone and Violin
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Saxophone, Violin (duet)
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BEGINNER
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Classical
#
Wolfgang Amadeus Mozart
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David Burndrett
#
Symphony No.40
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David Burndrett
#
SheetMusicPlus
Alto Saxophone,Instrumental Duet,Violin - Level 1 - Digital Download SKU: A0.1353264 Composed by Wolfgang Amadeus Mozart. Arranged by David Burndrett. Cl...
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Alto Saxophone,Instrumental Duet,Violin - Level 1 - Digital Download SKU: A0.1353264 Composed by Wolfgang Amadeus Mozart. Arranged by David Burndrett. Classical. 5 pages. David Burndrett #938053. Published by David Burndrett (A0.1353264). This Mozart Classic is about grade 3 standard upwards.Download includes the score and all of the parts.
$4.95 ≈
4.45€
Minuet (In F Major), Wolfgang Amadeus Mozart, For Violin & Piano
Minuet (In F Major), Wolfgang Amadeus Mozart, For Violin & Piano
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Soprano Saxophone and Piano
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BEGINNER
#
Classical
#
Wolfgang Amadeus Mozart
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Eugene Egorov
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Minuet
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Eugene Egorov
#
SheetMusicPlus
Piano,Soprano Saxophone - Level 1 - Digital Download SKU: A0.637525 Composed by Wolfgang Amadeus Mozart. Arranged by Eugene Egorov. Classical. Score and ...
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Piano,Soprano Saxophone - Level 1 - Digital Download SKU: A0.637525 Composed by Wolfgang Amadeus Mozart. Arranged by Eugene Egorov. Classical. Score and part. 1 pages. Eugene Egorov #4820751. Published by Eugene Egorov (A0.637525).
$4.99 ≈
4.49€
Amadeus Grooves: 2nd B-flat Tenor Saxophone
Amadeus Grooves: 2nd B-flat Tenor Saxophone
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Saxophone (band part)
#
Classical
#
Wolfgang Amadeus Mozart
#
Mike Lewis
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Amadeus Grooves: 2nd B-flat Te
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Alfred Music - Digital Sheet Music
#
SheetMusicPlus
Jazz Ensemble - Digital Download SKU: AX.00-PC-0016173_TX2 2nd B-flat Tenor Saxophone. Composed by Wolfgang Amadeus Mozart. Arranged by Mike Lewis...
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Jazz Ensemble - Digital Download SKU: AX.00-PC-0016173_TX2 2nd B-flat Tenor Saxophone. Composed by Wolfgang Amadeus Mozart. Arranged by Mike Lewis. Classical. Part. 1 pages. Alfred Music - Digital Sheet Music #00-PC-0016173_TX2. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0016173_TX2). UPC: 038081275604.Celebrate Mozart's 250th anniversary with a jazz chart! Mike Lewis arranged Mozart's 40th Symphony using a swing feel with no individual solos---just plenty of ensemble. The brass range is accessible, the rhythms are easy, and this chart bounces the melody back and forth between sections. Add the string players to this chart; check out the optional string parts for violin, viola, and cello plus all the regular optional wind parts.
$3.00 ≈
2.70€
Amadeus Grooves: E-flat Baritone Saxophone
Amadeus Grooves: E-flat Baritone Saxophone
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Saxophone (band part)
#
Classical
#
Wolfgang Amadeus Mozart
#
Mike Lewis
#
Amadeus Grooves: E-flat Barito
#
Alfred Music - Digital Sheet Music
#
SheetMusicPlus
Jazz Ensemble - Digital Download SKU: AX.00-PC-0016173_BTX E-flat Baritone Saxophone. Composed by Wolfgang Amadeus Mozart. Arranged by Mike Lewis....
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Jazz Ensemble - Digital Download SKU: AX.00-PC-0016173_BTX E-flat Baritone Saxophone. Composed by Wolfgang Amadeus Mozart. Arranged by Mike Lewis. Classical. Part. 1 pages. Alfred Music - Digital Sheet Music #00-PC-0016173_BTX. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0016173_BTX). UPC: 038081275604.Celebrate Mozart's 250th anniversary with a jazz chart! Mike Lewis arranged Mozart's 40th Symphony using a swing feel with no individual solos---just plenty of ensemble. The brass range is accessible, the rhythms are easy, and this chart bounces the melody back and forth between sections. Add the string players to this chart; check out the optional string parts for violin, viola, and cello plus all the regular optional wind parts.
$3.00 ≈
2.70€
Amadeus Grooves: 2nd E-flat Alto Saxophone
Amadeus Grooves: 2nd E-flat Alto Saxophone
#
Saxophone (band part)
#
Classical
#
Wolfgang Amadeus Mozart
#
Mike Lewis
#
Amadeus Grooves: 2nd E-flat Al
#
Alfred Music - Digital Sheet Music
#
SheetMusicPlus
Jazz Ensemble - Digital Download SKU: AX.00-PC-0016173_AX2 2nd E-flat Alto Saxophone. Composed by Wolfgang Amadeus Mozart. Arranged by Mike Lewis....
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Jazz Ensemble - Digital Download SKU: AX.00-PC-0016173_AX2 2nd E-flat Alto Saxophone. Composed by Wolfgang Amadeus Mozart. Arranged by Mike Lewis. Classical. Part. 1 pages. Alfred Music - Digital Sheet Music #00-PC-0016173_AX2. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0016173_AX2). UPC: 038081275604.Celebrate Mozart's 250th anniversary with a jazz chart! Mike Lewis arranged Mozart's 40th Symphony using a swing feel with no individual solos---just plenty of ensemble. The brass range is accessible, the rhythms are easy, and this chart bounces the melody back and forth between sections. Add the string players to this chart; check out the optional string parts for violin, viola, and cello plus all the regular optional wind parts.
$3.00 ≈
2.70€
Rondo Alla Turca (Turkish March) | Sax Quartet Sheet Music
Rondo Alla Turca (Turkish March) | Sax Quartet
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Saxophone Quartet: 4 saxophones
#
INTERMEDIATE/ADVANCED
#
Classical
#
Wolfgang Amadeus Mozart
#
Benzaiten Editions
#
Rondo Alla Turca
#
Benzaiten Editions
#
SheetMusicPlus
Saxophone Quartet,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 4 - Digital Download SKU: A0.1283772 Comp...
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Saxophone Quartet,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 4 - Digital Download SKU: A0.1283772 Composed by Wolfgang Amadeus Mozart. Arranged by Benzaiten Editions. 19th Century,Chamber,Classical,Multicultural,World. 14 pages. Benzaiten Editions #874962. Published by Benzaiten Editions (A0.1283772). Hey! Are you a sax player who wants to learn how to play Rondo Alla Turca (Turkish March) by Mozart? It's your lucky day! 🎵Rondo Alla Turca (Turkish March) - Sax Quartet Sheet Music The Benzaiten Editions Sax Quartet Arrangement Embark on a musical journey to the exotic and lively world of Mozart's Rondo Alla Turca with our captivating saxophone quartet sheet music! This vibrant and spirited piece, also known as the Turkish March, is a delightful showcase of Mozart's genius and is sure to enchant both players and audiences alike. Our arrangement of Rondo Alla Turca for sax quartet brings out the playful and energetic nature of the composition while maintaining the grandeur of Mozart's original work. The interplay of violins, viola, and cello creates a harmonious tapestry of sound that captures the essence of this famous march. Perfect for saxophone quartets seeking to explore classical masterpieces or add a touch of excitement to their repertoire, our sheet music strikes a balance between accessibility and musicality. About Turkish March Rondo Alla Turca is the exhilarating final movement from Mozart's Piano Sonata No. 11, often referred to as the Turkish March. The piece exudes a sense of adventure and flair, evoking images of the lively and exotic sounds of Turkey. Mozart's intricate melodies and rhythmic patterns showcase his unparalleled compositional skill, making this march a true gem of classical music. As you and your sax quartet perform Rondo Alla Turca, you'll whisk your listeners away to a world of vivacious dance and sparkling melodies. The quartet's collective artistry will breathe new life into this timeless composition, transporting audiences to the heart of Mozart's musical genius. Whether you're a seasoned quartet seeking to dazzle your audience or simply passionate about exploring classical treasures, Rondo Alla Turca offers an unforgettable musical experience that will leave a lasting impression. Embark on a musical adventure with our captivating saxophone quartet sheet music for Mozart's Rondo Alla Turca and bring the excitement and brilliance of this Turkish March to life like never before. Get ready to delight and thrill your audience with the effervescent charm of Mozart's genius!
$9.99 ≈
8.99€
Beethoven: Adagio from Sonata Pathetique for Tenor Sax & Piano
Beethoven: Adagio from Sonata Pathetique for Tenor Sax & Piano
#
Tenor Saxophone and Piano
#
INTERMEDIATE
#
Classical
#
Ludwig van Beethoven
#
James M
#
piano concertos 1-5
#
Beethoven: Adagio from Sonata
#
jmsgu3
#
SheetMusicPlus
Piano,Tenor Saxophone - Level 3 - Digital Download SKU: A0.549642 Composed by Ludwig van Beethoven. Arranged by James M. Guthrie, ASCAP. Concert,Instruct...
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Piano,Tenor Saxophone - Level 3 - Digital Download SKU: A0.549642 Composed by Ludwig van Beethoven. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Period,Sacred,Standards. Score and part. 16 pages. Jmsgu3 #3516585. Published by jmsgu3 (A0.549642). Duration: ca 5:20, Score: 8 pages, solo part: 3 pages, piano part: 4 pages.One of Beethoven's finest and most famous works. Program for a recital, church meditation or school program.Bring your best espressivo and plan to rehearse the many subtle dynamic changes.Sonata Pathétique Op. 13 First of all, this is an arrangement of the second movement of Beethoven’s Sonata Pathétique. It seems like Beethoven wrote this piece before becoming troubled by deafness. Published in 1799, it consequently remains one of the most celebrated pieces Beethoven ever wrote. As a result of its popularity, the movement was therefore performed by Karl Haas. Hass recorded it for a popular radio show called: Adventures in Good Music. Beethoven Background Ludwig van Beethoven (1770 –1827) was certainly a German pianist. Above all, he was probably one of the greatest composers in history. As a result, he is a pivotal character in the progress between the Classical and Romantic periods. He is certainly one of the most famous and hence important of all composers. Seems like his most familiar and noteworthy works include symphonies 1-9; piano concertos 1-5; and furthermore, the violin concerto. Also, certainly of extreme importance are the noteworthy 32 sonatas for the piano; the string quartets 1-16; the Missa solemnis; and likewise, his only opera, Fidelio. Beethoven Overview First of all, Beethoven was born and consequently raised in Bonn. Upon turning 21 he moved to Vienna probably to study composition with Haydn. That’s when he consequently grew a reputation as a brilliant pianist. Furthermore, he probably stayed in Vienna for the rest of his life. In his late 20s, it seems like his hearing certainly began to decline. It slowly declined until consequently, he was nearly totally deaf probably by the last decade of his life. As a result, he stopped conducting and performing. Nevertheless, he continued to compose. As a result, some of his greatest works probably come from this period. First Period Seems like we often divide Beethoven’s life into three periods. Period 1 begins with Beethoven’s arrival in Vienna. Hence, during this period, he mastered the Viennese style of Haydn & Mozart. He consequently began increasing the size and scale of his works. Furthermore, he experimented with extreme dynamics, and likewise extreme tempi. He worked similarly with chromatic harmony. His First and Second Symphonies, therefore, belong to this period. Other important works also belong here: the first six string quartets and the Sonata Pathétique, Op. 13. Second Period His second period probably began as soon as he realized that he was going deaf. During this period, it seems like he became obsessed with the idea of heroism. His works consequently become even larger and more massive. The most noteworthy of these include the symphonies 3 – 8, piano concertos 5& 6, 5 string quartets, several important piano sonatas (Waldstein and Appassionata), the Kreutzer violin sonata, the violin concerto and his only opera: Fidelio. Third Period In contrast, Beethoven's third period is branded above all by works of incredible intellectual depth, formal innovation, and penetrating expression. It seems like he continued to expand his works. Consequently, the string quartet Op. 131 spills over into seven connected movements. Likewise, in the Ninth Symphony, he adds choral forces to his orchestra probably for the first time in history. Even more, other works from this period include his Missa solemnis, the final 5 string quartets (including the enormous Große Fuge) and the final five sonatas for piano.
$24.95 ≈
22.44€
Beethoven: Adagio from Sonata Pathetique for Alto Sax & Piano
Beethoven: Adagio from Sonata Pathetique for Alto Sax & Piano
#
Alto Saxophone and Piano
#
INTERMEDIATE
#
Classical
#
Ludwig van Beethoven
#
James M
#
piano concertos 1-5
#
Beethoven: Adagio from Sonata
#
jmsgu3
#
SheetMusicPlus
Alto Saxophone,Piano - Level 3 - Digital Download SKU: A0.549639 Composed by Ludwig van Beethoven. Arranged by James M. Guthrie, ASCAP. Concert,Instructi...
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Alto Saxophone,Piano - Level 3 - Digital Download SKU: A0.549639 Composed by Ludwig van Beethoven. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Period,Sacred,Standards. Score and part. 16 pages. Jmsgu3 #3516567. Published by jmsgu3 (A0.549639). Duration: ca 5:20, Score: 8 pages, solo part: 3 pages, piano part: 4 pages.One of Beethoven's finest and most famous works. Program for a recital, church meditation or school program.Bring your best espressivo and plan to rehearse the many subtle dynamic changes.Sonata Pathétique Op. 13 First of all, this is an arrangement of the second movement of Beethoven’s Sonata Pathétique. It seems like Beethoven wrote this piece before becoming troubled by deafness. Published in 1799, it consequently remains one of the most celebrated pieces Beethoven ever wrote. As a result of its popularity, the movement was therefore performed by Karl Haas. Hass recorded it for a popular radio show called: Adventures in Good Music. Beethoven Background Ludwig van Beethoven (1770 –1827) was certainly a German pianist. Above all, he was probably one of the greatest composers in history. As a result, he is a pivotal character in the progress between the Classical and Romantic periods. He is certainly one of the most famous and hence important of all composers. Seems like his most familiar and noteworthy works include symphonies 1-9; piano concertos 1-5; and furthermore, the violin concerto. Also, certainly of extreme importance are the noteworthy 32 sonatas for the piano; the string quartets 1-16; the Missa solemnis; and likewise, his only opera, Fidelio. Beethoven Overview First of all, Beethoven was born and consequently raised in Bonn. Upon turning 21 he moved to Vienna probably to study composition with Haydn. That’s when he consequently grew a reputation as a brilliant pianist. Furthermore, he probably stayed in Vienna for the rest of his life. In his late 20s, it seems like his hearing certainly began to decline. It slowly declined until consequently, he was nearly totally deaf probably by the last decade of his life. As a result, he stopped conducting and performing. Nevertheless, he continued to compose. As a result, some of his greatest works probably come from this period. First Period Seems like we often divide Beethoven’s life into three periods. Period 1 begins with Beethoven’s arrival in Vienna. Hence, during this period, he mastered the Viennese style of Haydn & Mozart. He consequently began increasing the size and scale of his works. Furthermore, he experimented with extreme dynamics, and likewise extreme tempi. He worked similarly with chromatic harmony. His First and Second Symphonies, therefore, belong to this period. Other important works also belong here: the first six string quartets and the Sonata Pathétique, Op. 13. Second Period His second period probably began as soon as he realized that he was going deaf. During this period, it seems like he became obsessed with the idea of heroism. His works consequently become even larger and more massive. The most noteworthy of these include the symphonies 3 – 8, piano concertos 5& 6, 5 string quartets, several important piano sonatas (Waldstein and Appassionata), the Kreutzer violin sonata, the violin concerto and his only opera: Fidelio. Third Period In contrast, Beethoven's third period is branded above all by works of incredible intellectual depth, formal innovation, and penetrating expression. It seems like he continued to expand his works. Consequently, the string quartet Op. 131 spills over into seven connected movements. Likewise, in the Ninth Symphony, he adds choral forces to his orchestra probably for the first time in history. Even more, other works from this period include his Missa solemnis, the final 5 string quartets (including the enormous Große Fuge) and the final five sonatas for piano. Register for free lifetime revisions and updates at www.jamesguthrie.co.
$24.95 ≈
22.44€
Adagio and Fugue Kv 546 for Saxophone Quartet
Adagio and Fugue Kv 546 for Saxophone Quartet
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Saxophone Quartet: 4 saxophones
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INTERMEDIATE
#
Classical
#
Wolfgang Amadeus Mozart
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Diego Marani
#
musicologist
#
Adagio and Fugue Kv 546 for Sa
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Diego Marani
#
SheetMusicPlus
Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 3 - Digital Download SKU: A0.528383 Compos...
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Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 3 - Digital Download SKU: A0.528383 Composed by Wolfgang Amadeus Mozart. Arranged by Diego Marani. Classical,Concert,Instructional,Standards. 20 pages. Diego Marani #5889493. Published by Diego Marani (A0.528383). The Adagio and Fugue in C minor, K. 546, is a composition by Wolfgang Amadeus Mozart for strings. Mozart entered it into his own work catalogue on 26 June 1788 in Vienna as A short Adagio for two violins, viola and bass, for a fugue which I wrote some time ago for two Pianos. The fugue in question was the two piano fugue in C minor, K. 426, written in December 1783.The work is in two sections:AdagioFuga (Allegro)The 52-bar Adagio has a very ominous and foreboding tone; musicologist Robert D. Levin said: “Angular outbursts alternate with an unearthly hush; its suggestions of violence and mysticism make the ensuing geometry of the fugue seem a reliefâ€.This arrangement for sax quartet (Bb Soprano, Eb Alto, Bb Tenor, Eb Baritone) is a faithful transcription of the original.
$12.99 ≈
11.68€
Trio in B-flat Major, D471
Trio in B-flat Major, D471
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3 Saxophones (trio)
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INTERMEDIATE/ADVANCED
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Franz Schubert
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Robert Stevens
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Trio in B-flat Major, D471
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SAXpress.com
#
SheetMusicPlus
Saxophone Trio,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 4 - Digital Download SKU: A0.1476309 Compose...
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Saxophone Trio,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 4 - Digital Download SKU: A0.1476309 Composed by Franz Schubert. Arranged by Robert Stevens. Chamber,Classical. 28 pages. SAXpress.com #1053823. Published by SAXpress.com (A0.1476309). Trio in B-flat Major, D471 Franz Schubert (1797 – 1828) Saxophone Trio SAB/SAT Trio in B-flat Major, D471 by Franz Schubert, arranged for Saxophone Trio SAB/SAT.Like so many of Schubert's instrumental works, Trio in B-flat D471 is an incomplete composition. The string trio consists of a completed first movement marked ‘Allegro’ and only a few bars of a slower second movement. In many ways it looks back to earlier composers such as Haydn and Mozart. This transcription for saxophone trio is of the complete first movement only.Included in this arrangement: Full trio score (SAT) Soprano Saxophone part Alto Saxophone part Tenor Saxophone part Baritone Saxophone part (tenor saxophone alternate) There is one instance of altissimo in each of the soprano, alto, and baritone parts. Suggestions are given for alternate notes should that be necessary. The tenor part require no altissimo. Additionally the bari part often goes quite high in its normal range. Trio in B-flat D471 was originally scored for the usual string trio ensemble of violin, viola, and cello. This transcription is for saxophone trio: soprano, alto, and either tenor or baritone saxophones (parts are included for both). It is a straightforward example of Classical sonata-allegro form. This arrangement is in the original key of B-flat major. It is in common time (4/4) throughout. The tempo stays at 'allegro' throughout. Intermediate-advanced players should have no problems with this work.
$14.95 ≈
13.45€
Mendelssohn: Wedding March for Alto Sax & Piano
Mendelssohn: Wedding March for Alto Sax & Piano
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Alto Saxophone and Piano
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INTERMEDIATE
#
Classical
#
Felix Bartholdy Mendelssohn
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James M
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Mendelssohn: Wedding March for
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jmsgu3
#
SheetMusicPlus
Alto Saxophone,Piano - Level 3 - Digital Download SKU: A0.549892 Composed by Felix Bartholdy Mendelssohn. Arranged by James M. Guthrie, ASCAP. Romantic P...
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Alto Saxophone,Piano - Level 3 - Digital Download SKU: A0.549892 Composed by Felix Bartholdy Mendelssohn. Arranged by James M. Guthrie, ASCAP. Romantic Period,Standards,Wedding. Score and part. 23 pages. Jmsgu3 #3603399. Published by jmsgu3 (A0.549892). Score: 12 pages, piano part: 6 pages, alto sax part: 4 pages. duration: ca. 5'. This is the famous wedding march from Op. 61 composed in 1842 and commonly performed as a recessional march at the end of a wedding. The piece was originally composed for orchestra then arranged for organ and performed by Mendelssohn himself.Mendelssohn: Wedding March Mendelssohn’s Wedding March is so popular that it’s difficult to imagine a wedding without it. It seems like it’s been around for eternity. In any case, it was only 150 years or so ago that the Wedding March came about. It was performed in Potsdam for the first time in 1842, as a piece of Mendelssohn’s music for the Shakespeare play A Midsummer Night’s Dream. It was first used for a wedding in 1858 Mendelssohn Background Felix Mendelssohn (1809 –1847) was, by all means, a German mastermind composer, musician and orchestra conductor of the Romantic period. Consequently, Mendelssohn composed in the usual forms of the time - symphonies, concertos, oratorios, piano music, and chamber music. To summarize, his most famous works include his music for A Midsummer Night's Dream, the Italian Symphony, the Scottish Symphony, The Hebrides Overture, his later Concerto for Violin & Orchestra, and his Octet for Strings. His most well-known piano pieces, by and large, are the Songs Without Words. Artistic Standing Musical tastes change from time to time. Moreover, just such a change occurred in the late 19th and early 20th centuries. This plus rampant antisemitism brought a corresponding amount of undue criticism. Fortunately, however, his artistic inventiveness has indeed been critically re-evaluated. As a result, Mendelssohn is once again among the most prevalent composers of the Romantic era. Early Family Life Mendelssohn was, in fact, born into a prominent Jewish family. His grandfather was, notably, the philosopher Moses Mendelssohn. Felix was, in fact, raised without religion. At the age of seven, he was all of a sudden baptized as a Reformed Christian. He was, moreover, a child musical prodigy. Nevertheless, his parents did not attempt to exploit his talent. Early Adulthood Mendelssohn was, in general, successful in Germany. He conducted, in particular, a revival of the music of Johann Sebastian Bach, specifically with his presentation of the St Matthew Passion in 1829. Felix was truly in demand throughout Europe as a composer, conductor, and soloist. For example, he visited Britain ten times. There, he premiered, namely, many of his major works. His taste in music was. To be sure, inventive and well-crafted yet markedly conservative. This conservatism separated him by all means from more audacious musical colleagues like Liszt, Wagner, and Berlioz. Mendelssohn founded the Leipzig Conservatoire which, to clarify, became a defender of this conservative viewpoint. Mature Adulthood Schumann notably wrote that Mendelssohn was the Mozart of the nineteenth century, the most brilliant musician, the one who most clearly sees through the contradictions of the age and for the first time reconciles them. This observation points to a couple of features in particular that illustrate Mendelssohn's works and his artistic procedure. Musical Features In the first place, his musical style was fixed in his methodical mastery of the style of preceding masters. This being said, he certainly recognized and even developed early romanticism from the music of Beethoven and Weber. Secondly, it indicates that Mendelssohn sought to strengthen his inherited musical legacy rather than to exchange it with new forms and styles or replace it with exotic orchestration. Consequently, he diverged his contemporaries in the romantic period, such as Wagner, Berlioz, and Liszt. Mendelssohn revered Liszt's virtuos.
$32.95 ≈
29.64€
Mendelssohn: Wedding March for Soprano Sax & Piano
Mendelssohn: Wedding March for Soprano Sax & Piano
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Soprano Saxophone and Piano
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INTERMEDIATE
#
Classical
#
Felix Bartholdy Mendelssohn
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James M
#
Mendelssohn: Wedding March for
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jmsgu3
#
SheetMusicPlus
Piano,Soprano Saxophone - Level 3 - Digital Download SKU: A0.549895 Composed by Felix Bartholdy Mendelssohn. Arranged by James M. Guthrie, ASCAP. Romanti...
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Piano,Soprano Saxophone - Level 3 - Digital Download SKU: A0.549895 Composed by Felix Bartholdy Mendelssohn. Arranged by James M. Guthrie, ASCAP. Romantic Period,Standards,Wedding. Score and part. 23 pages. Jmsgu3 #3603415. Published by jmsgu3 (A0.549895). Score: 12 pages, piano part: 6 pages, soprano sax part: 4 pages. duration: ca. 5'. This is the famous wedding march from Op. 61 composed in 1842 and commonly performed as a recessional march at the end of a wedding. The piece was originally composed for orchestra then arranged for organ and performed by Mendelssohn himself. Mendelssohn: Wedding MarchMendelssohn’s Wedding March is so popular that it’s difficult to imagine a wedding without it. It seems like it’s been around for eternity. In any case, it was only 150 years or so ago that the Wedding March came about. It was performed in Potsdam for the first time in 1842, as a piece of Mendelssohn’s music for the Shakespeare play A Midsummer Night’s Dream. It was first used for a wedding in 1858Mendelssohn BackgroundFelix Mendelssohn (1809 –1847) was, by all means, a German mastermind composer, musician and orchestra conductor of the Romantic period. Consequently, Mendelssohn composed in the usual forms of the time - symphonies, concertos, oratorios, piano music, and chamber music. To summarize, his most famous works include his music for A Midsummer Night's Dream, the Italian Symphony, the Scottish Symphony, The Hebrides Overture, his later Concerto for Violin & Orchestra, and his Octet for Strings. His most well-known piano pieces, by and large, are the Songs Without Words. Artistic Standing Musical tastes change from time to time. Moreover, just such a change occurred in the late 19th and early 20th centuries. This plus rampant antisemitism brought a corresponding amount of undue criticism. Fortunately, however, his artistic inventiveness has indeed been critically re-evaluated. As a result, Mendelssohn is once again among the most prevalent composers of the Romantic era.Early Family LifeMendelssohn was, in fact, born into a prominent Jewish family. His grandfather was, notably, the philosopher Moses Mendelssohn. Felix was, in fact, raised without religion. At the age of seven, he was all of a sudden baptized as a Reformed Christian. He was, moreover, a child musical prodigy. Nevertheless, his parents did not attempt to exploit his talent.Early AdulthoodMendelssohn was, in general, successful in Germany. He conducted, in particular, a revival of the music of Johann Sebastian Bach, specifically with his presentation of the St Matthew Passion in 1829. Felix was truly in demand throughout Europe as a composer, conductor, and soloist. For example, he visited Britain ten times. There, he premiered, namely, many of his major works. His taste in music was. To be sure, inventive and well-crafted yet markedly conservative. This conservatism separated him by all means from more audacious musical colleagues like Liszt, Wagner, and Berlioz. Mendelssohn founded the Leipzig Conservatoire which, to clarify, became a defender of this conservative viewpoint.Mature AdulthoodSchumann notably wrote that Mendelssohn was the Mozart of the nineteenth century, the most brilliant musician, the one who most clearly sees through the contradictions of the age and for the first time reconciles them. This observation points to a couple of features in particular that illustrate Mendelssohn's works and his artistic procedure.Musical FeaturesIn the first place, his musical style was fixed in his methodical mastery of the style of preceding masters. This being said, he certainly recognized and even developed early romanticism from the music of Beethoven and Weber. Secondly, it indicates that Mendelssohn sought to strengthen his inherited musical legacy rather than to exchange it with new forms and styles or replace it with exotic orchestration. Consequently, he diverged his contemporaries in the romantic period, such as Wagner, Berlioz, and Liszt. Mendelssohn revered Liszt's virtuosity at the keyboard but found his musi.
$32.95 ≈
29.64€
Deck the Halls - Welsh Traditional - Chamber music - Woodwind - 2 Alto Saxes Easy level
Deck the Halls - Welsh Traditional - Chamber music - Woodwind - 2 Alto Saxes Easy level
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2 Saxophones (duet)
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BEGINNER
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Christmas
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Welsh Traditional
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Raymond Fenech
#
Deck the Halls - Welsh Traditi
#
Raymond Fenech
#
SheetMusicPlus
Alto Saxophone Duet Alto Saxophone - Level 1 - Digital Download SKU: A0.760457 Composed by Welsh Traditional. Arranged by Raymond Fenech. Christmas,Class...
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Alto Saxophone Duet Alto Saxophone - Level 1 - Digital Download SKU: A0.760457 Composed by Welsh Traditional. Arranged by Raymond Fenech. Christmas,Classical,Holiday,Instructional,Spiritual. 2 scores. 6 pages. Raymond Fenech #3866455. Published by Raymond Fenech (A0.760457). The music to Deck the Halls is believed to Welsh in origin and was reputed to have come from a tune called Nos Galan dated back to the sixteenth century. In the eighteenth century Mozart used the tune to Deck the Halls for a violin and piano duet. The first publication date of Deck the Halls is 1881. The Level is Easy, and the duration is approximately 0.44 minutes. It could be played in any type of Christmas concert.
$3.99 ≈
3.59€
Deck the Halls - Welsh Traditional - Chamber music - Woodwind - 2 Tenor Saxes Easy level
Deck the Halls - Welsh Traditional - Chamber music - Woodwind - 2 Tenor Saxes Easy level
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2 Saxophones (duet)
#
BEGINNER
#
Christmas
#
Welsh Traditional
#
Raymond Fenech
#
Deck the Halls - Welsh Traditi
#
Raymond Fenech
#
SheetMusicPlus
Tenor Saxophone Duet Tenor Saxophone - Level 1 - Digital Download SKU: A0.760465 Composed by Welsh Traditional. Arranged by Raymond Fenech. Christmas,Cla...
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Tenor Saxophone Duet Tenor Saxophone - Level 1 - Digital Download SKU: A0.760465 Composed by Welsh Traditional. Arranged by Raymond Fenech. Christmas,Classical,Holiday,Instructional,Spiritual. Score. 6 pages. Raymond Fenech #3866477. Published by Raymond Fenech (A0.760465). The music to Deck the Halls is believed to Welsh in origin and was reputed to have come from a tune called Nos Galan dated back to the sixteenth century. In the eighteenth century Mozart used the tune to Deck the Halls for a violin and piano duet. The first publication date of Deck the Halls is 1881. The Level is Easy, and the duration is approximately 0.44 minutes. It could be played in any type of Christmas concert.
$3.99 ≈
3.59€
Mendelssohn: Song Without Words Op. 109 for Alto Sax & Piano
Mendelssohn: Song Without Words Op. 109 for Alto Sax & Piano
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Alto Saxophone and Piano
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INTERMEDIATE
#
Classical
#
Felix Bartholdy Mendelssohn
#
James M
#
Mendelssohn: Song Without Word
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jmsgu3
#
SheetMusicPlus
Alto Saxophone,Piano - Level 3 - Digital Download SKU: A0.549489 Composed by Felix Bartholdy Mendelssohn. Arranged by James M. Guthrie, ASCAP. Instructio...
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Alto Saxophone,Piano - Level 3 - Digital Download SKU: A0.549489 Composed by Felix Bartholdy Mendelssohn. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Sacred,Standards. Score and part. 20 pages. Jmsgu3 #3500661. Published by jmsgu3 (A0.549489). ALTO SAX & PIANO - Score: 11 pages, solo part: 3 pages, piano part: 5 pages. Duration: 4:20. This is a popular recital piece that would work well also in church or school programs. Mendelssohn Background Felix Mendelssohn (1809 –1847) was, by all means, a German mastermind composer, musician, and orchestra conductor of the Romantic period. Consequently, Mendelssohn composed in the usual forms of the time - symphonies, concertos, oratorios, piano music, and chamber music. To summarize, his most famous works include his music for A Midsummer Night's Dream, the Italian Symphony, the Scottish Symphony, The Hebrides Overture, his later Concerto for Violin & Orchestra, and his Octet for Strings. His most well-known piano pieces, by and large, are the Songs Without Words. Artistic Standing  Musical tastes change from time to time. Moreover, just such a change occurred in the late 19th and early 20th centuries. This plus rampant antisemitism brought a corresponding amount of undue criticism. Fortunately, however, his artistic inventiveness has indeed been critically re-evaluated. As a result, Mendelssohn is once again among the most prevalent composers of the Romantic era. Early Family Life Mendelssohn was, in fact, born into a prominent Jewish family. His grandfather was, notably, the philosopher Moses Mendelssohn. Felix was, in fact, raised without religion. At the age of seven, he was suddenly baptized as a Reformed Christian. He was, moreover, a child musical prodigy. Nevertheless, his parents did not attempt to exploit his talent. Early Adulthood Mendelssohn was, in general, successful in Germany. He conducted, in particular, a revival of the music of Johann Sebastian Bach, specifically with his presentation of the St Matthew Passion in 1829. Felix was truly in demand throughout Europe as a composer, conductor, and soloist. For example, he visited Britain ten times. There, he premiered, namely, many of his significant works. His taste in music was. To be sure, inventive and well-crafted yet markedly conservative. This conservatism separated him by all means from more audacious musical colleagues like Liszt, Wagner, and Berlioz. Mendelssohn founded the Leipzig Conservatoire which, to clarify, became a defender of this conservative viewpoint. Mature Adulthood Schumann notably wrote that Mendelssohn was the Mozart of the nineteenth century, the most brilliant musician, the one who most clearly sees through the contradictions of the age and for the first time reconciles them. This observation points to a couple of features in particular that illustrate Mendelssohn's works and his artistic procedure. Musical Features In the first place, his musical style was fixed in his systematic mastery of the style of preceding masters. This being said, he certainly recognized and even developed early romanticism from the music of Beethoven and Weber. Secondly, it indicates that Mendelssohn sought to strengthen his inherited musical legacy rather than to exchange it with new forms and styles or replace it with exotic orchestration. Consequently, he diverged his contemporaries in the romantic period, such as Wagner, Berlioz, and Liszt. Mendelssohn revered Liszt's virtuosity at the keyboard but found his music rather insubstantial.
$32.95 ≈
29.64€
Deck the Halls - Welsh Traditional - Chamber music - Woodwind - 2 Soprano Saxes Easy level
Deck the Halls - Welsh Traditional - Chamber music - Woodwind - 2 Soprano Saxes Easy level
#
2 Saxophones (duet)
#
BEGINNER
#
Christmas
#
Welsh Traditional
#
Raymond Fenech
#
Deck the Halls - Welsh Traditi
#
Raymond Fenech
#
SheetMusicPlus
Soprano Saxophone Duet Soprano Saxophone - Level 1 - Digital Download SKU: A0.760464 Composed by Welsh Traditional. Arranged by Raymond Fenech. Christmas...
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Soprano Saxophone Duet Soprano Saxophone - Level 1 - Digital Download SKU: A0.760464 Composed by Welsh Traditional. Arranged by Raymond Fenech. Christmas,Classical,Holiday,Instructional,Spiritual. Score. 6 pages. Raymond Fenech #3866473. Published by Raymond Fenech (A0.760464). The music to Deck the Halls is believed to Welsh in origin and was reputed to have come from a tune called Nos Galan dated back to the sixteenth century. In the eighteenth century Mozart used the tune to Deck the Halls for a violin and piano duet. The first publication date of Deck the Halls is 1881. The Level is Easy, and the duration is approximately 0.44 minutes. It could be played in any type of Christmas concert.
$3.99 ≈
3.59€
Mendelssohn: Wedding March for Baritone Sax & Piano
Mendelssohn: Wedding March for Baritone Sax & Piano
#
Baritone Saxophone, Piano
#
INTERMEDIATE
#
Classical
#
Felix Bartholdy Mendelssohn
#
James M
#
Mendelssohn: Wedding March for
#
jmsgu3
#
SheetMusicPlus
Baritone Saxophone,Piano - Level 3 - Digital Download SKU: A0.549893 Composed by Felix Bartholdy Mendelssohn. Arranged by James M. Guthrie, ASCAP. Romant...
(+)
Baritone Saxophone,Piano - Level 3 - Digital Download SKU: A0.549893 Composed by Felix Bartholdy Mendelssohn. Arranged by James M. Guthrie, ASCAP. Romantic Period,Standards,Wedding. Score and part. 23 pages. Jmsgu3 #3603411. Published by jmsgu3 (A0.549893). Score: 12 pages, piano part: 6 pages, baritone sax part: 4 pages. duration: ca. 5'. Mendelssohn: Wedding March Mendelssohn’s Wedding March is so popular that it’s difficult to imagine a wedding without it. It seems like it’s been around for eternity. In any case, it was only 150 years or so ago that the Wedding March came about. It was performed in Potsdam for the first time in 1842, as a piece of Mendelssohn’s music for the Shakespeare play A Midsummer Night’s Dream. It was first used for a wedding in 1858 Mendelssohn Background Felix Mendelssohn (1809 –1847) was, by all means, a German mastermind composer, musician and orchestra conductor of the Romantic period. Consequently, Mendelssohn composed in the usual forms of the time - symphonies, concertos, oratorios, piano music, and chamber music. To summarize, his most famous works include his music for A Midsummer Night's Dream, the Italian Symphony, the Scottish Symphony, The Hebrides Overture, his later Concerto for Violin & Orchestra, and his Octet for Strings. His most well-known piano pieces, by and large, are the Songs Without Words. Artistic Standing Musical tastes change from time to time. Moreover, just such a change occurred in the late 19th and early 20th centuries. This plus rampant antisemitism brought a corresponding amount of undue criticism. Fortunately, however, his artistic inventiveness has indeed been critically re-evaluated. As a result, Mendelssohn is once again among the most prevalent composers of the Romantic era. Early Family Life Mendelssohn was, in fact, born into a prominent Jewish family. His grandfather was, notably, the philosopher Moses Mendelssohn. Felix was, in fact, raised without religion. At the age of seven, he was all of a sudden baptized as a Reformed Christian. He was, moreover, a child musical prodigy. Nevertheless, his parents did not attempt to exploit his talent. Early Adulthood Mendelssohn was, in general, successful in Germany. He conducted, in particular, a revival of the music of Johann Sebastian Bach, specifically with his presentation of the St Matthew Passion in 1829. Felix was truly in demand throughout Europe as a composer, conductor, and soloist. For example, he visited Britain ten times. There, he premiered, namely, many of his major works. His taste in music was. To be sure, inventive and well-crafted yet markedly conservative. This conservatism separated him by all means from more audacious musical colleagues like Liszt, Wagner, and Berlioz. Mendelssohn founded the Leipzig Conservatoire which, to clarify, became a defender of this conservative viewpoint. Mature Adulthood Schumann notably wrote that Mendelssohn was the Mozart of the nineteenth century, the most brilliant musician, the one who most clearly sees through the contradictions of the age and for the first time reconciles them. This observation points to a couple of features in particular that illustrate Mendelssohn's works and his artistic procedure. Musical Features In the first place, his musical style was fixed in his methodical mastery of the style of preceding masters. This being said, he certainly recognized and even developed early romanticism from the music of Beethoven and Weber. Secondly, it indicates that Mendelssohn sought to strengthen his inherited musical legacy rather than to exchange it with new forms and styles or replace it with exotic orchestration. Consequently, he diverged his contemporaries in the romantic period, such as Wagner, Berlioz, and Liszt. Mendelssohn revered Liszt's virtuosity at the keyboard but found his music rather insubstantial.Register for free lifetime revisions and updates at www.jamesguthrie.com &n.
$24.95 ≈
22.44€
Schubert: Ave Maria for Baritone Sax & Piano
Schubert: Ave Maria for Baritone Sax & Piano
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Baritone Saxophone, Piano
#
BEGINNER
#
Classical
#
Franz Schubert
#
James M
#
Schubert: Ave Maria for Barito
#
jmsgu3
#
SheetMusicPlus
Baritone Saxophone,Piano - Level 1 - Digital Download SKU: A0.548692 Composed by Franz Schubert. Arranged by James M. Guthrie, ASCAP. Christmas,Easter,St...
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Baritone Saxophone,Piano - Level 1 - Digital Download SKU: A0.548692 Composed by Franz Schubert. Arranged by James M. Guthrie, ASCAP. Christmas,Easter,Standards. Score and part. 4 pages. Jmsgu3 #3411133. Published by jmsgu3 (A0.548692). A Baritone Sax Christmas/Easter classic! Duration: 4:55 Score: 3 pg. Baritone Sax part: 1 pg. Piano reads from the score. Schubert seems to have composed this piece as a song-setting. This is because he wanted to portray a poignant emotional event from a poem. The poem was Walter Scott's The Lady of the Lake. Consequently, this song became an integral part of Schubert's Song cycle. Therefore the cycle is called: the Lady of the Lake. In the poem, Ellen Douglas is the Lady of the Lake. The lake is probably Loch Katrine in the Scottish Highlands. First of all, Ellen goes with her father to stay in the Goblin's cave. They go because he earlier refused to join in a rebellion against King James. Roderick Dhu, the chief of the rebellious Alpine Clan, marches up the mountain with his army. But before the battle, he, first of all, hears Ellen singing. She is singing a prayer calling for help from the Virgin Mary. Schubert's piece was first performed at the castle of Countess Sophie Weissenwolff in Steyregg, Austria.  Schubert dedicated the arrangement to her, and as a result, she became famous as the lady of the lake.The incipit of Ellen's song is Ave Maria which is Latin for Hail Mary. It seems like this similarity led Schubert to adapt the melody to accommodate the Roman Catholic prayer Ave Maria. Consequently, the Latin version of Ave Maria finally became more famous than the original so that consequently many believe he wrote the Latin version first. Schubert Franz Schubert (1797–1828) was, in fact, a famous Austrian composer. Moreover, he composed during the late Classical and early Romantic periods. Schubert was comparatively prolific. He wrote more than 600 secular vocal works, seven symphonies, and, correspondingly, a massive amount of piano and chamber music. Critics agree, as a matter of fact, that his most famous works include his Piano Quintet in A major, D. 667 (also known as the Trout Quintet), the Symphony No. 8 in B minor, D. 759 (Unfinished Symphony), the last sonatas for piano (D. 958–960), and the song cycles Die schöne Müllerin (D. 795) and Winterreise (D. 911). Education Schubert was furthermore a musical child prodigy. He studied violin with his father as well as piano with his older brother. In addition, when Schubert was eleven he studied at Stadtkonvikt school, where he became familiar with the orchestral music of Haydn, Mozart, and likewise Beethoven. In due time he left school and returned home where he studied to become an educator; nevertheless, he continued studying composition with Antonio Salieri. Performance Eventually, Schubert was admitted to the Gesellschaft der Musikfreunde as a performer. This appointment straightaway established his name in Vienna as a composer and pianist. Finally, he gave his only composition recital in 1828. He died suddenly a few months later probably due to typhoid fever. Legacy Schubert’s music was by and large underappreciated while he was alive. There were all in all only a few enthusiasts in Vienna. After he died, however, interest in his work in fact increased. Felix Mendelssohn, Robert Schumann, Franz Liszt, Johannes Brahms and other famous composers in due time discovered his compositions. Nowadays, historians rank Schubert expressly among the greatest composers of the era, and his music remains in general very popular.
$29.95 ≈
26.94€
Schubert: Ave Maria for Tenor Sax & Piano
Schubert: Ave Maria for Tenor Sax & Piano
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Tenor Saxophone and Piano
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BEGINNER
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Classical
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Franz Schubert
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James M
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Schubert: Ave Maria for Tenor
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jmsgu3
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SheetMusicPlus
Piano,Tenor Saxophone - Level 1 - Digital Download SKU: A0.548700 Composed by Franz Schubert. Arranged by James M. Guthrie, ASCAP. Christmas,Easter,Stand...
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Piano,Tenor Saxophone - Level 1 - Digital Download SKU: A0.548700 Composed by Franz Schubert. Arranged by James M. Guthrie, ASCAP. Christmas,Easter,Standards. Score and part. 4 pages. Jmsgu3 #3411149. Published by jmsgu3 (A0.548700). A Tenor Sax Christmas/Easter classic! Duration: 4:55 Score: 3 pg. Alto Flute part: 1 pg. Piano reads from the score. Schubert seems to have composed this piece as a song-setting. This is because he wanted to portray a poignant emotional event from a poem. The poem was Walter Scott's The Lady of the Lake. Consequently, this song became an integral part of Schubert's Song cycle. Therefore the cycle is called: the Lady of the Lake. In the poem, Ellen Douglas is the Lady of the Lake. The lake is probably Loch Katrine in the Scottish Highlands. First of all, Ellen goes with her father to stay in the Goblin's cave. They go because he earlier refused to join in a rebellion against King James. Roderick Dhu, the chief of the rebellious Alpine Clan, marches up the mountain with his army. But before the battle, he, first of all, hears Ellen singing. She is singing a prayer calling for help from the Virgin Mary. Schubert's piece was first performed at the castle of Countess Sophie Weissenwolff in Steyregg, Austria.  Schubert dedicated the arrangement to her, and as a result, she became famous as the lady of the lake.The incipit of Ellen's song is Ave Maria which is Latin for Hail Mary. It seems like this similarity led Schubert to adapt the melody to accommodate the Roman Catholic prayer Ave Maria. Consequently, the Latin version of Ave Maria finally became more famous than the original so that consequently many believe he wrote the Latin version first. Schubert Franz Schubert (1797–1828) was, in fact, a famous Austrian composer. Moreover, he composed during the late Classical and early Romantic periods. Schubert was comparatively prolific. He wrote more than 600 secular vocal works, seven symphonies, and, correspondingly, a massive amount of piano and chamber music. Critics agree, as a matter of fact, that his most famous works include his Piano Quintet in A major, D. 667 (also known as the Trout Quintet), the Symphony No. 8 in B minor, D. 759 (Unfinished Symphony), the last sonatas for piano (D. 958–960), and the song cycles Die schöne Müllerin (D. 795) and Winterreise (D. 911). Education Schubert was furthermore a musical child prodigy. He studied violin with his father as well as piano with his older brother. In addition, when Schubert was eleven he studied at Stadtkonvikt school, where he became familiar with the orchestral music of Haydn, Mozart, and likewise Beethoven. In due time he left school and returned home where he studied to become an educator; nevertheless, he continued studying composition with Antonio Salieri. Performance Eventually, Schubert was admitted to the Gesellschaft der Musikfreunde as a performer. This appointment straightaway established his name in Vienna as a composer and pianist. Finally, he gave his only composition recital in 1828. He died suddenly a few months later probably due to typhoid fever. Legacy Schubert’s music was by and large underappreciated while he was alive. There were all in all only a few enthusiasts in Vienna. After he died, however, interest in his work in fact increased. Felix Mendelssohn, Robert Schumann, Franz Liszt, Johannes Brahms and other famous composers in due time discovered his compositions. Nowadays, historians rank Schubert expressly among the greatest composers of the era, and his music remains in general very popular.
$29.95 ≈
26.94€
Mendelssohn: Song Without Words Op. 109 for Baritone Sax & Piano
Mendelssohn: Song Without Words Op. 109 for Baritone Sax & Piano
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Baritone Saxophone, Piano
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INTERMEDIATE
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Felix Mendelssohn
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James M
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Mendelssohn: Song Without Word
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jmsgu3
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SheetMusicPlus
Baritone Saxophone,Piano - Level 3 - Digital Download SKU: A0.549490 Composed by Felix Mendelssohn (1809 –1847. Arranged by James M. Guthrie, ASCA...
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Baritone Saxophone,Piano - Level 3 - Digital Download SKU: A0.549490 Composed by Felix Mendelssohn (1809 –1847. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Sacred,Standards. Score and part. 20 pages. Jmsgu3 #3500665. Published by jmsgu3 (A0.549490). BARITONE SAX & PIANO - Score: 11 pages, solo part: 3 pages, piano part: 5 pages. Duration: 4:20. This is a popular recital piece that would work well also in church or school programs. Mendelssohn Background Felix Mendelssohn (1809 –1847) was, by all means, a German mastermind composer, musician, and orchestra conductor of the Romantic period. Consequently, Mendelssohn composed in the usual forms of the time - symphonies, concertos, oratorios, piano music, and chamber music. To summarize, his most famous works include his music for A Midsummer Night's Dream, the Italian Symphony, the Scottish Symphony, The Hebrides Overture, his later Concerto for Violin & Orchestra, and his Octet for Strings. His most well-known piano pieces, by and large, are the Songs Without Words. Artistic Standing  Musical tastes change from time to time. Moreover, just such a change occurred in the late 19th and early 20th centuries. This plus rampant antisemitism brought a corresponding amount of undue criticism. Fortunately, however, his artistic inventiveness has indeed been critically re-evaluated. As a result, Mendelssohn is once again among the most prevalent composers of the Romantic era. Early Family Life Mendelssohn was, in fact, born into a prominent Jewish family. His grandfather was, notably, the philosopher Moses Mendelssohn. Felix was, in fact, raised without religion. At the age of seven, he was suddenly baptized as a Reformed Christian. He was, moreover, a child musical prodigy. Nevertheless, his parents did not attempt to exploit his talent. Early Adulthood Mendelssohn was, in general, successful in Germany. He conducted, in particular, a revival of the music of Johann Sebastian Bach, specifically with his presentation of the St Matthew Passion in 1829. Felix was truly in demand throughout Europe as a composer, conductor, and soloist. For example, he visited Britain ten times. There, he premiered, namely, many of his significant works. His taste in music was. To be sure, inventive and well-crafted yet markedly conservative. This conservatism separated him by all means from more audacious musical colleagues like Liszt, Wagner, and Berlioz. Mendelssohn founded the Leipzig Conservatoire which, to clarify, became a defender of this conservative viewpoint. Mature Adulthood Schumann notably wrote that Mendelssohn was the Mozart of the nineteenth century, the most brilliant musician, the one who most clearly sees through the contradictions of the age and for the first time reconciles them. This observation points to a couple of features in particular that illustrate Mendelssohn's works and his artistic procedure. Musical Features In the first place, his musical style was fixed in his systematic mastery of the style of preceding masters. This being said, he certainly recognized and even developed early romanticism from the music of Beethoven and Weber. Secondly, it indicates that Mendelssohn sought to strengthen his inherited musical legacy rather than to exchange it with new forms and styles or replace it with exotic orchestration. Consequently, he diverged his contemporaries in the romantic period, such as Wagner, Berlioz, and Liszt. Mendelssohn revered Liszt's virtuosity at the keyboard but found his music rather insubstantial.
$32.95 ≈
29.64€
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Mozart Violin
