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21,814 sheet music found 18 Gospel Hymns Vol.2 for Solo Tenor Saxophone and Piano
18 Gospel Hymns Vol.2 for Solo Tenor Saxophone and Piano # Tenor Saxophone and Piano # EASY # Gospel/Spiritual # Various # Worship # 18 Gospel Hymns Vol.2 for Solo # David McKeown # SheetMusicPlus
Piano Accompaniment, Tenor
Sax - Early Intermediate -
Digital Download
Composed by Various. Arranged
by David McKeown. Christian,
Gospel, Spiritual, Sa...(+)
Piano Accompaniment, Tenor
Sax - Early Intermediate -
Digital Download
Composed by Various. Arranged
by David McKeown. Christian,
Gospel, Spiritual, Sacred,
Praise & Worship. Score, Solo
Part. 49 pages. Published by
David McKeown 18 Easy Gospel Hymns Vol.2 for Solo Tenor Saxophone and Piano is a beautiful collection of your best-loved Gospel Hymns and Spirituals. They are arranged simply in the most suitable range and key for the solo instrument. The preview only shows a few pages of the piano score, but this is followed by a separate solo instrumental part, adding up to 49 pages of quality music.
The standard is early intermediate. Players with a year or two’s experience will enjoy playing these Gospel hymns, with plenty of interest in both the solo and the piano parts. These hymns are ideal for use in concerts or worship, formal or informal.
The hymns are in alphabetical order and are as follows
· O Mary Don’t You Weep,
· O When the Saints,
· Old Time Religion,
· Onward Christian Soldiers,
· Rock of Ages,
· Shall We Gather at the River,
· Stand Up, Stand Up for Jesus,
· Standing in the Need of Prayer,
· Swing Low Sweet Chariot,
· Steal Away,
· There is a Fountain Filled with Blood,
· There is Power in the Blood,
· This Little Light of Mine,
· Wade in the Water,
· Were You There?
· What a Friend We Have in Jesus,
· When the Roll Is Called Up Yonder,
· When We All Get to Heaven. Amazing Grace (Trio for Clarinet, Alto Sax and Piano)
Amazing Grace (Trio for Clarinet, Alto Sax and Piano) # Clarinet, Saxophone, Piano # Gospel/Spiritual # John Newton,
Virginia Harmon # John A # Amazing Grace # John
A. Dempsey # SheetMusicPlus
Clarinet, Alto Sax, Piano -
Intermediate - Digital
Download
Composed by John Newton,
Virginia Harmony. Arranged by
John A. Dempsey. Christian,
Spirit...(+)
Clarinet, Alto Sax, Piano -
Intermediate - Digital
Download
Composed by John Newton,
Virginia Harmony. Arranged by
John A. Dempsey. Christian,
Spiritual, Sacred, World,
Easter. Score, Set of Parts.
17 pages. Published by John
A. Dempsey A trio for Bb clarinet, alto sax and piano, this hymn arrangement of "Amazing Grace" begins in shaded tranquility but soon triumphant, effervescent touches emerge as the music progresses with tempo variation, dynamic shading and embellishments. Recommended for traditional church services and other worship events, as a prelude, postlude, an offertory or special music. Also makes a touching performance piece for concerts and recitals. 13 pages of music (that includes separate two-page pullout parts for clarinet and alto sax). Concert Key (Piano): F major. Clarinet Key: G major. Alto Sax Key: D major. Tango Pour Claude for Alto Saxophone and Piano
Tango Pour Claude for Alto Saxophone and Piano # Alto Saxophone and Piano # INTERMEDIATE # Tango # Richard Galliano # Tango Pour Claude for Alto Sax # Diego
Marani # SheetMusicPlus
Piano Accompaniment, Alto
Sax, Baritone Sax -
Intermediate - Digital
Download
By Richard Galliano. Arranged
by Diego Marani. Individual
Part, Score, ...(+)
Piano Accompaniment, Alto
Sax, Baritone Sax -
Intermediate - Digital
Download
By Richard Galliano. Arranged
by Diego Marani. Individual
Part, Score, Solo Part. 12
pages. Published by Diego
Marani Richard Galliano is a French accordionist of Italian heritage. After a long and intense period of study, at 14, in a search to expand his ideas on the accordion, he began listening to jazz and heard records by the trumpet player Clifford Brown. The second decisive meeting took place in 1980, with the Argentinean composer and bandoneonist Astor Piazzolla.
Astor strongly encouraged Richard to create the French “New Musette”, as he himself had previously invented the Argentinean “New Tango”.
Some later collaboration include Chet Baker, Eddy Louiss, Ron Carter, Wynton Marsalis, Charlie Haden,
Gary Burton, Michel Portal, Toots Thielemans and Kurt Elling.
This arrangement for alto sax with piano of one of his most famous and performed pieces (with clear rhythmic references to the Piazzolla's "Libertango") is suitable for classroom, repertoire and recital. Italian Polka for Alto Saxophone & Piano
Italian Polka for Alto Saxophone & Piano # Alto Saxophone and Piano # INTERMEDIATE # Sergei Rachmaninoff # Diego Marani # Italian Polka for Alto Saxopho # Diego Marani # SheetMusicPlus
Alto Saxophone,Piano - Level 3 - Digital Download SKU: A0.669259 Composed by Sergei Rachmaninoff. Arranged by Diego Marani. 20th Century,Classical,Instru...(+)
Alto Saxophone,Piano - Level 3 - Digital Download SKU: A0.669259 Composed by Sergei Rachmaninoff. Arranged by Diego Marani. 20th Century,Classical,Instructional,Romantic Period,Standards. Score and part. 8 pages. Diego Marani #278257. Published by Diego Marani (A0.669259). Sergei Vasilyevich Rachmaninoff was a Russian composer, virtuoso pianist, and conductor. Rachmaninoff is widely considered one of the finest pianists of his day and, as a composer, one of the last great representatives of Romanticism in Russian classical music. Early influences of Tchaikovsky, Rimsky-Korsakov, and other Russian composers gave way to a thoroughly personal idiom notable for its song-like melodicism, expressiveness and rich orchestral colours. The Polka Italienne (Italian Polka) is originally a piano work for two pianos. This arrangement for alto sax with piano accompaniment is suitable for classroom, repertoire, recital and for a funny encore. Saint-Saens: The Swan for Soprano Sax & Piano
Saint-Saens: The Swan for Soprano Sax & Piano # Soprano Saxophone and Piano # EASY # Camille Saint-Saëns # James M # Saint-Saens: The Swan for Sopr # jmsgu3 # SheetMusicPlus
Piano,Soprano Saxophone - Level 2 - Digital Download SKU: A0.549121 Composed by Camille Saint-Saëns (1835 – 1921). Arranged by James M. Guthrie...(+)
Piano,Soprano Saxophone - Level 2 - Digital Download SKU: A0.549121 Composed by Camille Saint-Saëns (1835 – 1921). Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Standards. Score and part. 9 pages. Jmsgu3 #3452273. Published by jmsgu3 (A0.549121). Saint-Saens: The Swan (Le Cygne) movement 13 from the Carnival of the Animals Suite. Duration: 2:50 Score: 5 pg, 28 ms. Solo part: 1 pg. Piano part: 3 pg. Performance: Level: Early intermediate and up. One of his most popular and widely recognized works, it is the only movement from the Carnival Suite that Saint-Saens permitted to be performed in public during his lifetime. This is an excellent recital encore choice to demonstrate melodic playing and strategic phrasing. The Carnival of the Animals The Carnival of the Animals is an entertaining musical suite of fourteen movements by Camille Saint-Saëns. The work was composed for private performance by an ensemble of two pianos and solo instruments. The Swan (No. 13) is one of the most popular of the fourteen movements. In its entirety, it lasts about 25 minutes. Saint-Saëns Background Charles-Camille Saint-Saëns (1835 – 1921) was, by all means, in particular, a famous French composer, brilliant organist, and significant musical mastermind of the Romantic era. Indeed, his most famous compositions, in the long run, including his Piano Concerto No. 2 (1868), Cello Concerto No. 1 (1872), and the Danse macabre (1874). Notwithstanding, we must also add Violin Concerto No. 3 (1880), Symphony No. 3 (the Organ Symphony, 1886), it must be remembered, Carnival of the Animals (1886) to the list. Childhood It is important to realize that Saint-Saëns was certainly, in fact, a child musical prodigy. Consequently, with this in mind, he made his concert debut albeit at ten years old. Another key point to remember is that he expressly studied at the Paris Conservatoire, then in spite of reality conversely followed a traditional career path as a church organist. Nevertheless, twenty years later, on the other hand, he left to become a successful freelance pianist and composer despite, as has been noted, his former employment situation. Furthermore, his performances were after all markedly in demand - not only in Europe but above all in the Americas all in all as well. Youth A point often overlooked is that in his youth, Saint-Saëns was certainly excited about the modern music of the day. He was in essence fond of the music of his contemporaries, in particular, Schumann, Liszt, and for the most part Wagner. In contrast, however, his own compositions seemed in fact largely confined within the conservative classical tradition. Be that as it may, he was at the same time nevertheless, in fact, a scholar of musical history. Criticism On the whole, his conservatism in fact ultimately brought him into frequent conflict in his later years with composers of the impressionist and in particular the dodecaphonic schools of musical thought.  A point often overlooked is that he included neoclassical elements in his music contrary to some critics. Furthermore, in so doing he provided the most compelling evidence that he predicted the techniques and works by Stravinsky and Les Six. To put it another way, given these points, he was regarded, perhaps for the most part unfairly so, as a non-progressive reactionary henceforth around the time of his passing. Legacy To sum up, Saint-Saëns taught for a short time in Paris, where his students included namely Gabriel Fauré. To clarify, Maurice Ravel later studied with Fauré. In conclusion, both Ravel and Fauré were powerfully influenced by Saint-Saëns, whom they respected as a musical mastermind. Italian Polka for Soprano Saxophone & Piano
Italian Polka for Soprano Saxophone & Piano # Soprano Saxophone and Piano # INTERMEDIATE # Sergei Rachmaninoff # Diego Marani # Italian Polka for Soprano Saxo # Diego Marani # SheetMusicPlus
Piano,Soprano Saxophone - Level 3 - Digital Download SKU: A0.669255 Composed by Sergei Rachmaninoff. Arranged by Diego Marani. 20th Century,Classical,Ins...(+)
Piano,Soprano Saxophone - Level 3 - Digital Download SKU: A0.669255 Composed by Sergei Rachmaninoff. Arranged by Diego Marani. 20th Century,Classical,Instructional,Romantic Period,Standards. Score and part. 8 pages. Diego Marani #278251. Published by Diego Marani (A0.669255). Sergei Vasilyevich Rachmaninoff was a Russian composer, virtuoso pianist, and conductor. Rachmaninoff is widely considered one of the finest pianists of his day and, as a composer, one of the last great representatives of Romanticism in Russian classical music. Early influences of Tchaikovsky, Rimsky-Korsakov, and other Russian composers gave way to a thoroughly personal idiom notable for its song-like melodicism, expressiveness and rich orchestral colours. The Polka Italienne (Italian Polka) is originally a piano work for two pianos. This arrangement for soprano sax (or Tenor Sax) with piano accompaniment is suitable for classroom, repertoire, recital and for a funny encore. Saint-Saëns: The Swan for Alto Sax & Piano
Saint-Saëns: The Swan for Alto Sax & Piano # Alto Saxophone and Piano # INTERMEDIATE # Classical # Camille Saint-Saens # James M # Saint-Saëns: The Swan for Alt # jmsgu3 # SheetMusicPlus
Alto Saxophone,Piano - Level 3 - Digital Download SKU: A0.1314328 Composed by Camille Saint-Saens. Arranged by James M. Guthrie. 19th Century,Chamber,Con...(+)
Alto Saxophone,Piano - Level 3 - Digital Download SKU: A0.1314328 Composed by Camille Saint-Saens. Arranged by James M. Guthrie. 19th Century,Chamber,Contest,Festival,Historic,Romantic Period. Score and part. 11 pages. Jmsgu3 #903072. Published by jmsgu3 (A0.1314328). Saint-Saëns: The Swan (Le Cygne) movement 13 from the Carnival of the Animals Suite. One of his most popular and widely recognized works, it is the only movement from the Carnival Suite that Saint-Saëns permitted to be performed publicly during his lifetime. This is an excellent recital encore to demonstrate melodic playing and strategic phrasing.The Carnival of the AnimalsThe Carnival of the Animals is an entertaining musical suite of fourteen movements by Camille Saint-Saëns. The work was composed for private performance by an ensemble of two pianos and solo instruments. The Swan (No. 13) is among the fourteen most famous movements. In its entirety, it lasts about 25 minutes.Saint-Saëns BackgroundCharles-Camille Saint-Saëns 1835 – 1921) was, by all means, in particular, a famous French composer, brilliant organist, and significant musical mastermind of the Romantic era. Indeed, his most famous compositions, in the long run, include his Piano Concerto No. 2 (1868), Cello Concerto No. 1 (1872), and the Danse macabre (1874). Notwithstanding, we must also add Violin Concerto No. 3 (1880), Symphony No. 3 (the Organ Symphony, 1886), and, it must be remembered, Carnival of the Animals (1886) to the list.ChildhoodIt is essential to realize that Saint-Saëns was undoubtedly, in fact, a child musical prodigy. Consequently, with this in mind, he made his concert debut, albeit at ten years old. Another critical point to remember is that he expressly studied at the Paris Conservatoire, then, despite reality, conversely followed a traditional career path as a church organist. Nevertheless, twenty years later, on the other hand, he left to become a successful freelance pianist and composer despite, as has been noted, his former employment situation. Furthermore, his performances were, after all, markedly in demand - not only in Europe but, above all, in the Americas all in all as well.YouthA point often overlooked is that in his youth, Saint-Saëns was undoubtedly excited about the modern music of the day. He was, in essence, fond of the music of his contemporaries, particularly Schumann, Liszt, and, for the most part, Wagner. In contrast, however, his compositions seemed, in fact, primarily confined within the conservative classical tradition. Be that as it may, he was, at the same time, nevertheless, a scholar of musical history.CriticismOn the whole, his conservatism, in fact, ultimately brought him into frequent conflict in his later years with composers of the impressionist and, in particular, the dodecaphonic schools of musical thought. A point often overlooked is that he included neoclassical elements in his music, contrary to some critics. Furthermore, in so doing, he provided the most compelling evidence that he predicted the techniques and works by Stravinsky and Les Six. To put it another way, given these points, he was regarded, perhaps for the most part unfairly, as a non-progressive reactionary henceforth around the time of his passing.LegacySaint-Saëns taught briefly in Paris, where his students included Gabriel Fauré. Maurice Ravel later studied with Fauré. In conclusion, both Ravel and Fauré were powerfully influenced by Saint-Saëns, whom they respected as a musical mastermind.