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Luther: Out of the Depths for Baritone Sax & Piano
Luther: Out of the Depths for Baritone Sax & Piano
#
Baritone Saxophone, Piano
#
BEGINNER
#
Martin Luther
#
James M
#
Luther: Out of the Depths for
#
jmsgu3
#
SheetMusicPlus
Baritone Saxophone,Piano - Level 1 - Digital Download SKU: A0.548713 Composed by Martin Luther. Arranged by James M. Guthrie, ASCAP. Easter,Instructional...
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Baritone Saxophone,Piano - Level 1 - Digital Download SKU: A0.548713 Composed by Martin Luther. Arranged by James M. Guthrie, ASCAP. Easter,Instructional,Standards. Score and part. 4 pages. Jmsgu3 #3411737. Published by jmsgu3 (A0.548713). Out of the Depths I Cry to You by Martin Luther. The first verses feature modified counterpoint and harmony proceeding at quarter = 82. The final verse is reharmonized for maximum dramatic effect at a more contemplative tempo such as quarter = 64. Features the entire range of the instrument. Very powerful selection for Lent or Easter. Duration (3 verses) 3:05, 36 ms. Score: 3 pg. Solo part: 1 pg. The piano reads from the score. Out of the Depths Aus tiefer Not schrei ich zu dir (From deep affliction I cry out to you), is, of course, a hymn composed by Martin Luther. Moreover, Luther also wrote the lyrics, essentially a paraphrase of Psalm 130. First published in 1524, it is also one of eight songs in the original Lutheran hymnal. It appears likewise in many hymnals and in different translations. The lyrics furthermore stimulated compositions from the Renaissance to the contemporary. Consequently, composers such as Johann Sebastian Bach built an entire chorale cantata on it. Other composers similarly contributed pieces, such as Felix Mendelssohn and Max Reger. Luther Background Martin Luther, (1483 –1546) was a German professor of theology, composer, priest, and moreover, an influential character in the Protestant Reformation. Luther had a momentous impact on church and society due to his contributions to the musical arts. He wanted to disseminate the gospel among mankind and with this intention thought that the best way to do that was through music. Influence It is important to realize that other musicians, and their descendants, were encouraged by Luther’s songs and wrote their own hymns. Luther, to be sure, had a thorough musical education. For example, he knew secular and sacred songs from an early age. He, in particular, played the lute well and sang in the monastery when he was a monk. That is to say, music was an essential part of his life. He in fact first began writing songs in 1523, sometimes writing the melody as well as the lyrics. Luther was certainly able to evaluate the composers of his time. He thought especially highly of Josquin des and Ludwig Senfl. He was also acquainted, with this in mind, with other composers and their works. Legacy The Lutheran musical ethos soon covered all of Germany and later significantly fashioned Protestant musical culture. Heinrich Schütz and Johann Sebastian Bach are the most compelling evidence of this Protestant musical culture. Additionally, as a point often overlooked, the pedal organ, first refined in northern Germany, became universally prevalent. As a matter of fact, Dieterich Buxtehude established a regular evening organ concert series in Lübeck. Another key point is that this concert series, in turn, spread North German Musical ideas worldwide. Luther was especially convinced that music is a beautiful and exclusive offering of the divine.
$24.95 ≈
$34.22
Luther: Out of the Depths for Tenor Sax & Piano
Luther: Out of the Depths for Tenor Sax & Piano
#
Tenor Saxophone and Piano
#
BEGINNER
#
Martin Luther
#
James M
#
Luther: Out of the Depths for
#
jmsgu3
#
SheetMusicPlus
Piano,Tenor Saxophone - Level 1 - Digital Download SKU: A0.548723 Composed by Martin Luther. Arranged by James M. Guthrie, ASCAP. Easter,Instructional,St...
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Piano,Tenor Saxophone - Level 1 - Digital Download SKU: A0.548723 Composed by Martin Luther. Arranged by James M. Guthrie, ASCAP. Easter,Instructional,Standards. Score and part. 4 pages. Jmsgu3 #3411761. Published by jmsgu3 (A0.548723). Out of the Depths I Cry to You by Martin Luther. The first verses feature modified counterpoint and harmony proceeding at quarter = 82. The final verse is reharmonized for maximum dramatic effect at a more contemplative tempo such as quarter = 64. Features the entire range of the instrument. Very powerful selection for Lent or Easter. Duration (3 verses) 3:05, 36 ms. Score: 3 pg. Solo part: 1 pg. The piano reads from the score. Out of the Depths Aus tiefer Not schrei ich zu dir (From deep affliction I cry out to you), is, of course, a hymn composed by Martin Luther. Moreover, Luther also wrote the lyrics, essentially a paraphrase of Psalm 130. First published in 1524, it is also one of eight songs in the original Lutheran hymnal. It appears likewise in many hymnals and in different translations. The lyrics furthermore stimulated compositions from the Renaissance to the contemporary. Consequently, composers such as Johann Sebastian Bach built an entire chorale cantata on it. Other composers similarly contributed pieces, such as Felix Mendelssohn and Max Reger. Luther Background Martin Luther, (1483 –1546) was a German professor of theology, composer, priest, and moreover, an influential character in the Protestant Reformation. Luther had a momentous impact on church and society due to his contributions to the musical arts. He wanted to disseminate the gospel among mankind and with this intention thought that the best way to do that was through music. Influence It is important to realize that other musicians, and their descendants, were encouraged by Luther’s songs and wrote their own hymns. Luther, to be sure, had a thorough musical education. For example, he knew secular and sacred songs from an early age. He, in particular, played the lute well and sang in the monastery when he was a monk. That is to say, music was an essential part of his life. He in fact first began writing songs in 1523, sometimes writing the melody as well as the lyrics. Luther was certainly able to evaluate the composers of his time. He thought especially highly of Josquin des and Ludwig Senfl. He was also acquainted, with this in mind, with other composers and their works. Legacy The Lutheran musical ethos soon covered all of Germany and later significantly fashioned Protestant musical culture. Heinrich Schütz and Johann Sebastian Bach are the most compelling evidence of this Protestant musical culture. Additionally, as a point often overlooked, the pedal organ, first refined in northern Germany, became universally prevalent. As a matter of fact, Dieterich Buxtehude established a regular evening organ concert series in Lübeck. Another key point is that this concert series, in turn, spread North German Musical ideas worldwide. Luther was especially convinced that music is a beautiful and exclusive offering of the divine.
$24.95 ≈
$34.22
Luther: Out of the Depths for Soprano Sax & Piano
Luther: Out of the Depths for Soprano Sax & Piano
#
Soprano Saxophone and Piano
#
BEGINNER
#
Martin Luther
#
James M
#
Luther: Out of the Depths for
#
jmsgu3
#
SheetMusicPlus
Piano,Soprano Saxophone - Level 1 - Digital Download SKU: A0.548720 Composed by Martin Luther. Arranged by James M. Guthrie, ASCAP. Easter,Instructional,...
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Piano,Soprano Saxophone - Level 1 - Digital Download SKU: A0.548720 Composed by Martin Luther. Arranged by James M. Guthrie, ASCAP. Easter,Instructional,Standards. Score and part. 4 pages. Jmsgu3 #3411755. Published by jmsgu3 (A0.548720). Out of the Depths I Cry to You by Martin Luther. The first verses feature modified counterpoint and harmony proceeding at quarter = 82. The final verse is reharmonized for maximum dramatic effect at a more contemplative tempo such as quarter = 64. Features the entire range of the instrument. Very powerful selection for Lent or Easter. Duration (3 verses) 3:05, 36 ms. Score: 3 pg. Solo part: 1 pg. The piano reads from the score. Out of the Depths Aus tiefer Not schrei ich zu dir (From deep affliction I cry out to you), is, of course, a hymn composed by Martin Luther. Moreover, Luther also wrote the lyrics, essentially a paraphrase of Psalm 130. First published in 1524, it is also one of eight songs in the original Lutheran hymnal. It appears likewise in many hymnals and in different translations. The lyrics furthermore stimulated compositions from the Renaissance to the contemporary. Consequently, composers such as Johann Sebastian Bach built an entire chorale cantata on it. Other composers similarly contributed pieces, such as Felix Mendelssohn and Max Reger. Luther Background Martin Luther, (1483 –1546) was a German professor of theology, composer, priest, and moreover, an influential character in the Protestant Reformation. Luther had a momentous impact on church and society due to his contributions to the musical arts. He wanted to disseminate the gospel among mankind and with this intention thought that the best way to do that was through music. Influence It is important to realize that other musicians, and their descendants, were encouraged by Luther’s songs and wrote their own hymns. Luther, to be sure, had a thorough musical education. For example, he knew secular and sacred songs from an early age. He, in particular, played the lute well and sang in the monastery when he was a monk. That is to say, music was an essential part of his life. He in fact first began writing songs in 1523, sometimes writing the melody as well as the lyrics. Luther was certainly able to evaluate the composers of his time. He thought especially highly of Josquin des and Ludwig Senfl. He was also acquainted, with this in mind, with other composers and their works. Legacy The Lutheran musical ethos soon covered all of Germany and later significantly fashioned Protestant musical culture. Heinrich Schütz and Johann Sebastian Bach are the most compelling evidence of this Protestant musical culture. Additionally, as a point often overlooked, the pedal organ, first refined in northern Germany, became universally prevalent. As a matter of fact, Dieterich Buxtehude established a regular evening organ concert series in Lübeck. Another key point is that this concert series, in turn, spread North German Musical ideas worldwide. Luther was especially convinced that music is a beautiful and exclusive offering of the divine.
$24.95 ≈
$34.22
Luther: Out of the Depths for Alto Sax & Piano
Luther: Out of the Depths for Alto Sax & Piano
#
Alto Saxophone and Piano
#
BEGINNER
#
Martin Luther
#
James M
#
piano
#
Luther: Out of the Depths for
#
jmsgu3
#
SheetMusicPlus
Alto Saxophone,Piano - Level 1 - Digital Download SKU: A0.548709 Composed by Martin Luther. Arranged by James M. Guthrie. Easter,Instructional,Standards....
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Alto Saxophone,Piano - Level 1 - Digital Download SKU: A0.548709 Composed by Martin Luther. Arranged by James M. Guthrie. Easter,Instructional,Standards. Score and part. 4 pages. Jmsgu3 #3411721. Published by jmsgu3 (A0.548709). Out of the Depths I Cry to You by Martin Luther arranged for alto sax & piano. The first verses feature modified counterpoint and harmony proceeding at quarter = 82. The final verse is reharmonized for maximum dramatic effect at a more contemplative tempo such as quarter = 64. Features the entire range of the instrument. Very powerful selection for Lent or Easter. Duration (3 verses) 3:05, 36 ms. Score: 3 pg. Solo part: 1 pg. The piano reads from the score. Out of the Depths Aus tiefer Not schrei ich zu dir (From deep affliction I cry out to you), is, of course, a hymn composed by Martin Luther. Moreover, Luther also wrote the lyrics, essentially a paraphrase of Psalm 130. First published in 1524, it is also one of eight songs in the original Lutheran hymnal. It appears likewise in many hymnals and in different translations. The lyrics furthermore stimulated compositions from the Renaissance to the contemporary. Consequently, composers such as Johann Sebastian Bach built an entire chorale cantata on it. Other composers similarly contributed pieces, such as Felix Mendelssohn and Max Reger. Luther Background Martin Luther, (1483 –1546) was a German professor of theology, composer, priest, and moreover, an influential character in the Protestant Reformation. Luther had a momentous impact on church and society due to his contributions to the musical arts. He wanted to disseminate the gospel among mankind and with this intention thought that the best way to do that was through music. Influence It is important to realize that other musicians, and their descendants, were encouraged by Luther’s songs and wrote their own hymns. Luther, to be sure, had a thorough musical education. For example, he knew secular and sacred songs from an early age. He, in particular, played the lute well and sang in the monastery when he was a monk. That is to say, music was an essential part of his life. He in fact first began writing songs in 1523, sometimes writing the melody as well as the lyrics. Luther was certainly able to evaluate the composers of his time. He thought especially highly of Josquin des and Ludwig Senfl. He was also acquainted, with this in mind, with other composers and their works. Legacy The Lutheran musical ethos soon covered all of Germany and later significantly fashioned Protestant musical culture. Heinrich Schütz and Johann Sebastian Bach are the most compelling evidence of this Protestant musical culture. Additionally, as a point often overlooked, the pedal organ, first refined in northern Germany, became universally prevalent. As a matter of fact, Dieterich Buxtehude established a regular evening organ concert series in Lübeck. Another key point is that this concert series, in turn, spread North German Musical ideas worldwide. Luther was especially convinced that music is a beautiful and exclusive offering of the divine.
$24.95 ≈
$34.22
Ali Ben Sou Alle: Caprice sur "Jenny L'Ouvrière" for alto saxophone and piano
Ali Ben Sou Alle: Caprice sur "Jenny L'Ouvrière" for alto saxophone and piano
#
Alto Saxophone and Piano
#
INTERMEDIATE
#
Ali Ben Sou Alle
#
Ali Ben Sou Alle: Caprice sur
#
Musik Fabrik Music Publishing
#
SheetMusicPlus
Alto Saxophone,Piano - Level 3 - Digital Download SKU: A0.533506 Composed by Ali Ben Sou Alle. Concert,Romantic Period,Standards. Score and part. 13 page...
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Alto Saxophone,Piano - Level 3 - Digital Download SKU: A0.533506 Composed by Ali Ben Sou Alle. Concert,Romantic Period,Standards. Score and part. 13 pages. Musik Fabrik Music Publishing #3002369. Published by Musik Fabrik Music Publishing (A0.533506). Jenny L'Ouvrière is a popular romance from 1845 with music by Étienne Arnaud and words by Emile Barateau. The song speaks of an hardworking weaver who is poor, but also courageous and good. The pastorale-like theme is also presented in a more varied form.One of the most enigmatic figures in the history of the Saxophone, Ali Ben Sou Alle (Charles-Valentin Soualle) was born in 1820 in Arras, France. After receiving his first prize in Clarinet at the Paris Conservatory in 1844. he served as the director of music of The French Marine Band in Senegal, and then was named first clarinet solo at the Opéra-Comique in Paris. However, after the Revolution of 1848, Soualle was forced to flee France to England where he settled in London, playing in the Orchestra of the Queen's Theatre. His songs and piano pieces were published in London. While in London, Soualle met another exiled French musician, Louis Antoine Jullien, who conducted a light music series in London. Jullien encouraged Soualle to take up the saxophone, and after modifying the instrument by adding a single octave mechanism (the modern system used today) and keys for the lower register, Soualle became known as a virtuoso and began touring performing solo recitals (or mono-concerts, as they were called at the time) calling his modified saxophone the «turcophone ». He performed in all the European capitals and then traveled to Australia, New Zealand, Manilla, Java, through China and then to India where he finally settled in Mysore, becoming the director of the Royal Music for the Maharadjah. It was during this period that heconverted to Islam and changed his nmae to Ali ben Sou Alle (or Ali, son of Soualle). He subsequently travaled to Ile Maurice, to French Polynesia, the Cap of Natal and the Cap of Good Hope. All of these voyages were subjects of musical works which Soualle entitled Souvenirs de... and may perhaps have been part of a collection known as The Royal Album which was presented to the Prince of Wales after a royal concert. Soualle returned to Mysore in 1858 and was almost killed in the Indian Revolution. Around 1860, Soualle returned to France for health reasons and began publishing his own music. OnMarch 27 1865, he performed a command performance for the Emperor Napoleon III at the Tuileries Palace in the presence of the entire Imperial Family. After 1865, nothing more is known about him.
$10.35 ≈
$14.20
Ali Ben Sou Alle :Souvenirs de l'Inde Andante, Air Malabar varié et Polonnaise for soprano saxophone
Ali Ben Sou Alle :Souvenirs de l'Inde Andante, Air Malabar varié et Polonnaise for soprano saxophone
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Soprano Saxophone and Piano
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INTERMEDIATE/ADVANCED
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Ali Ben Sou Alle
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Paul Wehage
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Ali Ben Sou Alle :Souvenirs de
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Musik Fabrik Music Publishing
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SheetMusicPlus
Piano,Soprano Saxophone - Level 4 - Digital Download SKU: A0.533350 Composed by Ali Ben Sou Alle. Arranged by Paul Wehage. Concert,Romantic Period,Standa...
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Piano,Soprano Saxophone - Level 4 - Digital Download SKU: A0.533350 Composed by Ali Ben Sou Alle. Arranged by Paul Wehage. Concert,Romantic Period,Standards. Score and part. 39 pages. Musik Fabrik Music Publishing #2348229. Published by Musik Fabrik Music Publishing (A0.533350). One of the most enigmatic figures in the history of the Saxophone, Ali Ben Sou Alle (Charles-Valentin Soualle) was born in1820 in Arras, France. After receiving his first prize in Clarinet at the Paris Conservatory in 1844. he served as the director ofmusic of The French Marine Band in Senegal, and then was named first clarinet solo at the Opéra-Comique in Paris. However, after the Revolution of 1848, Soualle was forced to flee France to England where he settled in London, playing in the Orchestra of the Queen's Theatre. His songs and piano pieces were published in London.While in London, Soualle met another exiled French musician, Louis Antoine Jullien, who conducted a light music series inLondon. Jullien encouraged Soualle to take up the saxophone, and after modifying the instrument by adding a single octavemechanism (the modern system used today) and keys for the lower register, Soualle became known as a virtuoso and begantouring performing solo recitals (or mono-concerts, as they were called at the time) calling his modified saxophone the«turcophone ». He performed in all the European capitals and then traveled to Australia, New Zealand, Manilla, Java, throughChina and then to India where he finally settled in Mysore, becoming the director of the Royal Music for the Maharadjah. It wasduring this period that he converted to Islam and changed his nmae to Ali ben Sou Alle (or Ali, son of Soualle). Hesubsequently travaled to Ile Maurice, to French Polynesia, the Cap of Natal and the Cap of Good Hope. All of these voyageswere subjects of musical works which Soualle entitled Souvenirs de... and may perhaps have been part of a collection knownas The Royal Album which was presented to the Prince of Wales after a royal concert. Soualle returned to Mysore in 1858 and was almost killed in the Indian Revolution.Around 1860, Soualle returned to France for health reasons and began publishing his own music. On March 27 1865, heperformed a command performance for the Emperor Napoleon III at the Tuileries Palace in the presence of the entire ImperialFamily. After 1865, nothing more is known about him.Souvenirs de l'Inde (Souvenirs of India) starts with an expressive andante. A folksong from the region of Malabar is presented in an evocation of drums, bells and pipes and is then varied. The final polonaise is in rondo form and ends with a brilliant coda.
$16.95 ≈
$23.25
Eagles' Victory Song
Eagles' Victory Song
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Alto Saxophone and Piano
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BEGINNER
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Dirk Quinn Band
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Marcony Carvalho
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Eagles' Victory Song
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Zedas Couve
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SheetMusicPlus
Alto Saxophone,Piano - Level 1 - Digital Download SKU: A0.1182606 By Dirk Quinn Band. By Charles Borrelli and Roger Courtland. Arranged by Marcony Carval...
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Alto Saxophone,Piano - Level 1 - Digital Download SKU: A0.1182606 By Dirk Quinn Band. By Charles Borrelli and Roger Courtland. Arranged by Marcony Carvalho. 20th Century,March,Patriotic,Traditional. Score and part. 2 pages. Zedas Couve #782353. Published by Zedas Couve (A0.1182606). The Eagles' Victory Song was the creation of Charles Borrelli and Richard Courtland Harrison, a Washington, D.C. music teacher and arranger for jazz guitarist Charlie Byrd. The song was mistakenly credited to R. Courtland by the Copyright office and in various editions of Eagles programs from the late 1950s through the 1960s.In 1963, Jerry Wolman purchased the Philadelphia Eagles. Wolman was a sports fan growing up and loved hearing the Washington Redskins' fight song Hail to the Redskins at games. Spawning from his admiration for the Redskins' song, Wolman searched for musicians to implement a team song for the Eagles, and founded The Philadelphia Eagles' Sound of Brass band in 1964. The group included 200 musicians and dancers, and was led by Arlen Saylor, who was appointed as the Eagles' entertainment director in 1966 and is credited with penning an arrangement of the fight song that the band played at home games during halftime in the 1960s. Wolman's push to popularize the fight song flew under the radar, however, and in 1969 the Sound of Brass band was discontinued.The song came back into light in 1997, when Bobby Mansure, founder of an unofficial Eagles pep band, asked team management to allow the band to play in the parking lot during home games. Management gave Mansure's pep band an audition, allowing them to play at two preseason games to gauge fan reaction. The song went over so well that Mansure and the band retained a permanent position as the official Philadelphia Eagles Pep Band.In 1998, following Mansure's reintroduction of the song, Eagles management attempted to rebuild its popularity among fans by changing some aspects of the song: they modified the key, changed the opening lyric from Fight, Eagles Fight to Fly, Eagles Fly, and re-marketed the song with that as the title. In addition, they appended the popular E-A-G-L-E-S chant—which had emerged in the 1980s—to the end of the song. While management planned to play the song throughout the 1998 season, the Eagles' poor performance that year caused them to hold off reintroducing the song until the following year. The Eagles fared better during their 1999 season, and subsequently, the fight song was played after every score.
$4.99 ≈
$6.84
Eagles' Victory Song
Eagles' Victory Song
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Soprano Saxophone and Piano
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BEGINNER
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Dirk Quinn Band
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Marcony Carvalho
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Eagles' Victory Song
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Zedas Couve
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SheetMusicPlus
Piano,Soprano Saxophone - Level 1 - Digital Download SKU: A0.1182615 By Dirk Quinn Band. By Charles Borrelli and Roger Courtland. Arranged by Marcony Car...
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Piano,Soprano Saxophone - Level 1 - Digital Download SKU: A0.1182615 By Dirk Quinn Band. By Charles Borrelli and Roger Courtland. Arranged by Marcony Carvalho. 20th Century,March,Patriotic,Traditional. Score and part. 2 pages. Zedas Couve #782360. Published by Zedas Couve (A0.1182615). The Eagles' Victory Song was the creation of Charles Borrelli and Richard Courtland Harrison, a Washington, D.C. music teacher and arranger for jazz guitarist Charlie Byrd. The song was mistakenly credited to R. Courtland by the Copyright office and in various editions of Eagles programs from the late 1950s through the 1960s.In 1963, Jerry Wolman purchased the Philadelphia Eagles. Wolman was a sports fan growing up and loved hearing the Washington Redskins' fight song Hail to the Redskins at games. Spawning from his admiration for the Redskins' song, Wolman searched for musicians to implement a team song for the Eagles, and founded The Philadelphia Eagles' Sound of Brass band in 1964. The group included 200 musicians and dancers, and was led by Arlen Saylor, who was appointed as the Eagles' entertainment director in 1966 and is credited with penning an arrangement of the fight song that the band played at home games during halftime in the 1960s. Wolman's push to popularize the fight song flew under the radar, however, and in 1969 the Sound of Brass band was discontinued.The song came back into light in 1997, when Bobby Mansure, founder of an unofficial Eagles pep band, asked team management to allow the band to play in the parking lot during home games. Management gave Mansure's pep band an audition, allowing them to play at two preseason games to gauge fan reaction. The song went over so well that Mansure and the band retained a permanent position as the official Philadelphia Eagles Pep Band.In 1998, following Mansure's reintroduction of the song, Eagles management attempted to rebuild its popularity among fans by changing some aspects of the song: they modified the key, changed the opening lyric from Fight, Eagles Fight to Fly, Eagles Fly, and re-marketed the song with that as the title. In addition, they appended the popular E-A-G-L-E-S chant—which had emerged in the 1980s—to the end of the song. While management planned to play the song throughout the 1998 season, the Eagles' poor performance that year caused them to hold off reintroducing the song until the following year. The Eagles fared better during their 1999 season, and subsequently, the fight song was played after every score.
$4.99 ≈
$6.84
Eagles' Victory Song
Eagles' Victory Song
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Saxophone (band part)
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BEGINNER
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Dirk Quinn Band
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Marcony Carvalho
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Eagles' Victory Song
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Zedas Couve
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SheetMusicPlus
Soprano Saxophone Solo - Level 1 - Digital Download SKU: A0.1183091 By Dirk Quinn Band. By Charles Borrelli and Roger Courtland. Arranged by Marcony Carv...
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Soprano Saxophone Solo - Level 1 - Digital Download SKU: A0.1183091 By Dirk Quinn Band. By Charles Borrelli and Roger Courtland. Arranged by Marcony Carvalho. 20th Century,March,Traditional. Individual part. 1 pages. Zedas Couve #782816. Published by Zedas Couve (A0.1183091). The Eagles' Victory Song was the creation of Charles Borrelli and Richard Courtland Harrison, a Washington, D.C. music teacher and arranger for jazz guitarist Charlie Byrd. The song was mistakenly credited to R. Courtland by the Copyright office and in various editions of Eagles programs from the late 1950s through the 1960s.In 1963, Jerry Wolman purchased the Philadelphia Eagles. Wolman was a sports fan growing up and loved hearing the Washington Redskins' fight song Hail to the Redskins at games. Spawning from his admiration for the Redskins' song, Wolman searched for musicians to implement a team song for the Eagles, and founded The Philadelphia Eagles' Sound of Brass band in 1964. The group included 200 musicians and dancers, and was led by Arlen Saylor, who was appointed as the Eagles' entertainment director in 1966 and is credited with penning an arrangement of the fight song that the band played at home games during halftime in the 1960s. Wolman's push to popularize the fight song flew under the radar, however, and in 1969 the Sound of Brass band was discontinued.The song came back into light in 1997, when Bobby Mansure, founder of an unofficial Eagles pep band, asked team management to allow the band to play in the parking lot during home games. Management gave Mansure's pep band an audition, allowing them to play at two preseason games to gauge fan reaction. The song went over so well that Mansure and the band retained a permanent position as the official Philadelphia Eagles Pep Band.In 1998, following Mansure's reintroduction of the song, Eagles management attempted to rebuild its popularity among fans by changing some aspects of the song: they modified the key, changed the opening lyric from Fight, Eagles Fight to Fly, Eagles Fly, and re-marketed the song with that as the title. In addition, they appended the popular E-A-G-L-E-S chant—which had emerged in the 1980s—to the end of the song. While management planned to play the song throughout the 1998 season, the Eagles' poor performance that year caused them to hold off reintroducing the song until the following year. The Eagles fared better during their 1999 season, and subsequently, the fight song was played after every score.
$4.99 ≈
$6.84
L'autre Finistere
L'autre Finistere
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2 Saxophones (duet)
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INTERMEDIATE
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Contemporary
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Jean-Christophe Urbain, Jean-P
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Stephane ELSINY
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L'autre Finistere
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Stephane Elsiny
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SheetMusicPlus
Instrumental Duet Instrumental Duet,Soprano Saxophone,Tenor Saxophone - Level 3 - Digital Download SKU: A0.1005290 Composed by Jean-Christophe Urbain, Je...
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Instrumental Duet Instrumental Duet,Soprano Saxophone,Tenor Saxophone - Level 3 - Digital Download SKU: A0.1005290 Composed by Jean-Christophe Urbain, Jean-Philippe Nataf, Michael Rushton, and Richard Ganivet. Arranged by Stephane ELSINY. Contemporary. Score and parts. 2 pages. Stephane Elsiny #5720087. Published by Stephane Elsiny (A0.1005290). I am not a singer. When I love a pop rock song, I would like to play it with my instrument. And you ? The original tone is respected. So add karaoke online and go ! Example for this title: https://youtu.be/7eYdwuD7hTM Professors, these titles are ideal for motivating your students. Students, bring these titles to your teacher and have fun. Soon other French songs, pop, variety and also international songs… Do you have a question about your purchase? You can contact me by e-mail: musicaccess.se@gmail.com Be informed of new products by subscribing to my YouTube channel: https://www.youtube.com/user/musicaccessse
$4.99 ≈
$6.84
L'autre Finistere
L'autre Finistere
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2 Saxophones (duet)
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INTERMEDIATE
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Contemporary
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Jean-Christophe Urbain, Jean-P
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Stephane ELSINY
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L'autre Finistere
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Stephane Elsiny
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SheetMusicPlus
Instrumental Duet Alto Saxophone,Baritone Saxophone,Instrumental Duet - Level 3 - Digital Download SKU: A0.1005291 Composed by Jean-Christophe Urbain, Je...
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Instrumental Duet Alto Saxophone,Baritone Saxophone,Instrumental Duet - Level 3 - Digital Download SKU: A0.1005291 Composed by Jean-Christophe Urbain, Jean-Philippe Nataf, Michael Rushton, and Richard Ganivet. Arranged by Stephane ELSINY. Contemporary. Score and parts. 2 pages. Stephane Elsiny #5720085. Published by Stephane Elsiny (A0.1005291). I am not a singer. When I love a pop rock song, I would like to play it with my instrument. And you ? The original tone is respected. So add karaoke online and go ! Example for this title: https://youtu.be/7eYdwuD7hTM Professors, these titles are ideal for motivating your students. Students, bring these titles to your teacher and have fun. Soon other French songs, pop, variety and also international songs… Do you have a question about your purchase? You can contact me by e-mail: musicaccess.se@gmail.com Be informed of new products by subscribing to my YouTube channel: https://www.youtube.com/user/musicaccessse
$4.99 ≈
$6.84
The Songcord
The Songcord
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Saxophone ensemble
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INTERMEDIATE
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Simon Franglen
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Lisa Ochoco
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The Songcord
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Lisa L Ochoco
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SheetMusicPlus
Saxophone Ensemble,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 3 - Digital Download SKU: A0.1169670 Com...
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Saxophone Ensemble,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 3 - Digital Download SKU: A0.1169670 Composed by Simon Franglen. Arranged by Lisa Ochoco. Contemporary,Film/TV. 20 pages. Lisa L Ochoco #770032. Published by Lisa L Ochoco (A0.1169670). Avatar: The Way of Water, is the long-awaited sequel to the award-winning film from 2009. The soundtrack for the new film was written by Simon Franglen, who originally wrote 5 hours of music to cover any and all situations in the almost 3-hour movie.  The Songcord is a beautiful song that is heard twice in the film – at the beginning and at the end. A songcord is a mnemonic device used by the Na’vi that assists them in storytelling. In this song, Neytiri is thanking Eywa – the Great Mother - for her family. This arrangement is scored for saxophone choir – 2 sopranos, 3 altos, 2 tenors, and baritone.  There is an optional bass saxophone part. One of the most important parts of this piece is what helps create the mood, which is where the part called “Shimmer†comes in.  In an interview, Simon Franglen said that an important part of the music is the feeling of light, and he achieved that by including shimmering sounds into his tunes.  The “Shimmer†part can be played by hanging a few keys (house keys, car keys, etc.) that have different pitches on short lengths of string.  Use a small metal or wooden object to lightly hit the keys to create little “dingsâ€. You can also use wind chimes, a little xylophone, bells, etc.  The idea is to create a magical mood without overpowering the music.  Play this part wherever there is a note in the measure. Always keep the melody prominent.  Play this slowly and freely, with a lot of rubato.  Duration: 3.75 minutes.
$16.00 ≈
$21.95
Another One Bites The Dust
Another One Bites The Dust
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Saxophone Quintet: 5 Saxophones
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EASY
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Rock
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Queen
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Christian Roßmeißl
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Another One Bites The Dust
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Christian Rossmeissl
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SheetMusicPlus
Woodwind Ensemble,Woodwind Quintet Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 2 - Digital Download SKU: A0.957505 By Que...
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Woodwind Ensemble,Woodwind Quintet Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 2 - Digital Download SKU: A0.957505 By Queen. By John Deacon. Arranged by Christian Roßmeißl. Rock. 16 pages. Christian Rossmeissl #4580945. Published by Christian Rossmeissl (A0.957505). Play the great Song with 5 or 4 Saxophons. Every Instrument can Play an Improvisation. Duration: 2:54 plus SolosPart 1: Sopran or Alto, Part 3 Alto or Tenor. SAA(T)B, SAT(T)B, AAT(T)B, AAA(T)B Pages: 12. www.letsplay-Music.de, notes@letsplay-music.de.
$12.99 ≈
$17.82
Another Hard Day's Night
Another Hard Day's Night
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Saxophone Quartet: 4 saxophones
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EASY
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Rock
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The Beatles
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Christian Roßmeißl
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Another Hard Day's Night
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Christian Rossmeissl
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SheetMusicPlus
Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 2 - Digital Download SKU: A0.957569 By The...
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Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 2 - Digital Download SKU: A0.957569 By The Beatles. By John Lennon and Paul McCartney. Arranged by Christian Roßmeißl. Rock. 13 pages. Christian Rossmeissl #6101743. Published by Christian Rossmeissl (A0.957569). Play the great Song with Saxophon Quartett. flexible Arrangement. Part 1: Sopran, Alto or Tenor, Part 2: Alto or Tenor, Part 3. Alto or Tenor, Part 4 Tenor or Bariton. Duration: 3:12.
$12.99 ≈
$17.82
Star Trek Main Theme
Star Trek Main Theme
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Saxophone ensemble
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INTERMEDIATE
#
Contemporary
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Alexander Courage, Gene Rodden
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Christian Roßmeißl
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Star Trek Main Theme
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Christian Rossmeissl
#
SheetMusicPlus
Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 3 - Digital Download SKU: A0.957495 Composed by Alexander C...
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Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 3 - Digital Download SKU: A0.957495 Composed by Alexander Courage, Gene Roddenberry, Michael G. Giacchino, and Michael Giacchino. Arranged by Christian Roßmeißl. Contemporary. 34 pages. Christian Rossmeissl #4573497. Published by Christian Rossmeissl (A0.957495). Play the great Song with 7 Saxophon. Duration: 3:55SAAATTB, Pages: 34. www.letsplay-Music.de, notes@letsplay-music.de.
$16.99 ≈
$23.31
The Star-Spangled Banner (Duet for alto saxophone and euphonium)
The Star-Spangled Banner (Duet for alto saxophone and euphonium)
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Saxophone and Guitar
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INTERMEDIATE
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John Stafford Smith
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Alexander L Burden (b
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The Star-Spangled Banner
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Alexander Burden
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SheetMusicPlus
Instrumental Duet Alto Saxophone,Guitar,Instrumental Duet - Level 3 - Digital Download SKU: A0.899869 Composed by John Stafford Smith (1750-1836), Franci...
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Instrumental Duet Alto Saxophone,Guitar,Instrumental Duet - Level 3 - Digital Download SKU: A0.899869 Composed by John Stafford Smith (1750-1836), Francis Scott Key (1779-1843). Arranged by Alexander L Burden (b.1989). Graduation,Holiday,Patriotic. Score and parts. 4 pages. Alexander Burden #3573183. Published by Alexander Burden (A0.899869). 2018 Instrumental Arranging Contest EntryGenre: National Anthem, PatrioticLength: 1:20Instrumentation: Alto Saxophone and EuphoniumThe Star-Spangled Banner is the national anthem of the United States. The lyrics come from Defence of Fort M'Henry, a poem written on September 14, 1814, by the then 35-year-old lawyer and amateur poet Francis Scott Key after witnessing the bombardment of Fort McHenry by British ships of the Royal Navy in Baltimore Harbor during the Battle of Baltimore in the War of 1812. Key was inspired by the large U.S. flag, with 15 stars and 15 stripes, known as the Star-Spangled Banner, flying triumphantly above the fort during the U.S. victory.The poem was set to the tune of a popular British song written by John Stafford Smith and renamed The Star-Spangled Banner. With a range of 19 semitones, it is known for being very difficult to sing. Although the poem has four stanzas, only the first is commonly sung today.This fun and accessible arrangement is perfect for sporting events, school and corporate functions, parades, private events and any other occasion that calls for use of the Star-Spangled Banner!The Arranger:Email: alburden9012@eagle.fgcu.eduAlexander Burden is a Florida born, professional musician and music educator residing in Southwest Florida. There, he is the music teacher at Westside Elementary in Clewiston. Concurrent with his duties at Westside, he also teaches private and group instrumental music lessons and preforms regularly with various professional ensembles throughout Southwest Florida. Burden holds a Bachelor of Music Education degree with an instrumental concentration from the Bower School of Music at Florida Gulf Coast University in Fort Myers, Florida. There he studied under world renowned saxophonist Mario Bernardo. He also holds an Associate of Arts degree with a Music Education and Saxophone Performance concentration from Eastern Florida State College where he was a student of James Bishop. During his time at the Bower School of music, he served as principle saxophonist in the FGCU Wind Orchestra, lead alto in the Jazz Band Flight: Jazz at FGCU, and played soprano saxophone in the Bower Saxophone Quartet. Alexander was selected to play tenor saxophone in the 2017 National Intercollegiate Band as well as principle alto saxophone in the 2017 Florida All-State Intercollegiate Band and tenor saxophone in the 2016 Florida All-State Intercollegiate Band. In November of 2015, Alexander participated in a critically acclaimed performance at Carnegie Hall in New York City with the FGCU Wind Orchestra.
$5.99 ≈
$8.22
James Bond Theme for 5, 6 or 7 Saxophones Saxophonquintet, Saxophonsextet, Saxophonseptet
James Bond Theme for 5, 6 or 7 Saxophones Saxophonquintet, Saxophonsextet, Saxophonseptet
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Saxophone ensemble
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EASY
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Film/TV
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Christian Roßmeiß
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James Bond Theme for 5, 6 or 7
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Christian Ross
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SheetMusicPlus
Arranged by Christian Roßmeißl. Individual Part, Score, Set of Parts. 24 pages. Published by Christian Ross...
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Arranged by Christian Roßmeißl. Individual Part, Score, Set of Parts. 24 pages. Published by Christian Ross
Play this famous Song with Saxophonensemble. Easy to Play. Part 1 Sopra or Altosax. You can skip Part 3 and 5. Part 6 for Bariton or Tenorsaxophon. Pages: 24. Duration 3:54 For Example: AAATT, AATT, SAATTB...
$12.99 ≈
$17.82
Rudolph The Red-nosed Reindeer
Rudolph The Red-nosed Reindeer
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2 Saxophones (duet)
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INTERMEDIATE
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John Denver
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David McKeown
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Rudolph The Red-nosed Reindeer
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David McKeown
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SheetMusicPlus
Soprano Saxophone Duet Soprano Saxophone - Level 3 - Digital Download SKU: A0.589806 By John Denver. By David Leslie Froggatt, Jane Barnes, and Johnny Ma...
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Soprano Saxophone Duet Soprano Saxophone - Level 3 - Digital Download SKU: A0.589806 By John Denver. By David Leslie Froggatt, Jane Barnes, and Johnny Marks. Arranged by David McKeown. Children,Christmas,Country,Holiday,Rock. Score. 4 pages. David McKeown #6096165. Published by David McKeown (A0.589806). This version of Rudolph the Red-Nosed Reindeer is arranged by David McKeown as a duet for two Soprano Saxophones. The song, Rudolph the Red-Nosed Reindeer, was written in 1949 by Johhny Marks. The Rudolph story was written by Marks’ brother-in-law, Robert L May, a decade earlier. The success of the song was guaranteed when it was recorded by Gene Autry, a huge star at the time. Initially Gene Autry didn’t like the song and was only persuaded to record it by his wife. She obviously knew best as Rudolph went on to become the second best-selling Christmas record of all time after White Christmas, with versions by everyone from the Jackson Five to Alvin and the Chipmunks. This duet version of Rudolph the Red-Nosed Reindeer is based on the Gene Autry version, with a short introduction, and three choruses of the melody, with a key change and varied accompaniment throughout. Rhythms are simple in a swing style and the range is conservative, so this arrangement is ideal for players at an intermediate level. Click the link above to listen to a full Youtube performance of the Clarinet version of this duet.There are many more top quality arrangements and compositions by David McKeown for you to browse, (including many Christmas carols and songs), at https://www.sheetmusicplus.com/publishers/david-mckeown/6203
$5.99 ≈
$8.22
Rudolph The Red-nosed Reindeer
Rudolph The Red-nosed Reindeer
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2 Saxophones (duet)
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INTERMEDIATE
#
John Denver
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David McKeown
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Rudolph The Red-nosed Reindeer
#
David McKeown
#
SheetMusicPlus
Instrumental Duet Alto Saxophone,Instrumental Duet,Tenor Saxophone - Level 3 - Digital Download SKU: A0.589802 By John Denver. By David Leslie Froggatt, ...
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Instrumental Duet Alto Saxophone,Instrumental Duet,Tenor Saxophone - Level 3 - Digital Download SKU: A0.589802 By John Denver. By David Leslie Froggatt, Jane Barnes, and Johnny Marks. Arranged by David McKeown. Children,Christmas,Country,Holiday,Rock. Score and parts. 4 pages. David McKeown #6096157. Published by David McKeown (A0.589802). This version of Rudolph the Red-Nosed Reindeer is arranged by David McKeown as a duet for one Alto and one Tenor Saxophone. The song, Rudolph the Red-Nosed Reindeer, was written in 1949 by Johhny Marks. The Rudolph story was written by Marks’ brother-in-law, Robert L May, a decade earlier. The success of the song was guaranteed when it was recorded by Gene Autry, a huge star at the time. Initially Gene Autry didn’t like the song and was only persuaded to record it by his wife. She obviously knew best as Rudolph went on to become the second best-selling Christmas record of all time after White Christmas, with versions by everyone from the Jackson Five to Alvin and the Chipmunks. This duet version of Rudolph the Red-Nosed Reindeer is based on the Gene Autry version, with a short introduction, and three choruses of the melody, with a key change and varied accompaniment throughout. Rhythms are simple in a swing style and the range is conservative, so this arrangement is ideal for players at an intermediate level. Click the link above to listen to a full Youtube performance of the Clarinet version of this duet.There are many more top quality arrangements and compositions by David McKeown for you to browse, (including many Christmas carols and songs), at https://www.sheetmusicplus.com/publishers/david-mckeown/6203
$5.99 ≈
$8.22
Rudolph The Red-nosed Reindeer
Rudolph The Red-nosed Reindeer
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2 Saxophones (duet)
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INTERMEDIATE
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John Denver
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David McKeown
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Rudolph The Red-nosed Reindeer
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David McKeown
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SheetMusicPlus
Alto Saxophone Duet Alto Saxophone - Level 3 - Digital Download SKU: A0.589803 By John Denver. By David Leslie Froggatt, Jane Barnes, and Johnny Marks. A...
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Alto Saxophone Duet Alto Saxophone - Level 3 - Digital Download SKU: A0.589803 By John Denver. By David Leslie Froggatt, Jane Barnes, and Johnny Marks. Arranged by David McKeown. Children,Christmas,Country,Holiday,Rock. 2 scores. 4 pages. David McKeown #6096159. Published by David McKeown (A0.589803). This version of Rudolph the Red-Nosed Reindeer is arranged by David McKeown as a duet for two Alto Saxophones. The song, Rudolph the Red-Nosed Reindeer, was written in 1949 by Johhny Marks. The Rudolph story was written by Marks’ brother-in-law, Robert L May, a decade earlier. The success of the song was guaranteed when it was recorded by Gene Autry, a huge star at the time. Initially Gene Autry didn’t like the song and was only persuaded to record it by his wife. She obviously knew best as Rudolph went on to become the second best-selling Christmas record of all time after White Christmas, with versions by everyone from the Jackson Five to Alvin and the Chipmunks. This duet version of Rudolph the Red-Nosed Reindeer is based on the Gene Autry version, with a short introduction, and three choruses of the melody, with a key change and varied accompaniment throughout. Rhythms are simple in a swing style and the range is conservative, so this arrangement is ideal for players at an intermediate level. Click the link above to listen to a full Youtube performance of the Clarinet version of this duet.There are many more top quality arrangements and compositions by David McKeown for you to browse, (including many Christmas carols and songs), at https://www.sheetmusicplus.com/publishers/david-mckeown/6203
$5.99 ≈
$8.22
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The L Song
