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162 sheet music found La Valse D'amelie
La Valse D'amelie # Saxophone Quintet: 5 Saxophones # EASY # Yann Tiersen # SMMUS # La Valse D'amelie # João Reis # SheetMusicPlus
Saxophone Quintet,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 2 - Digital Download SKU: A0.1171992 By Y...(+)
Saxophone Quintet,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 2 - Digital Download SKU: A0.1171992 By Yann Tiersen. By Yann Tiersen. Arranged by SMMUS. Classical,Film/TV,Pop,Traditional,Wedding. 18 pages. João Reis #772278. Published by João Reis (A0.1171992). Saxofone, sax, saxophone quintet from the song La Valse D'amelie, show amelie. Soprano sax, alto sax, tenor sax 1 and 2 and barÃtone sax. La Valse D'amelie
La Valse D'amelie # Saxophone Quintet: 5 Saxophones # EASY # Yann Tiersen # SMMUS # La Valse D'amelie # João Reis # SheetMusicPlus
Saxophone Quintet,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 2 - Digital Download SKU: A0.1171994 By Y...(+)
Saxophone Quintet,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 2 - Digital Download SKU: A0.1171994 By Yann Tiersen. By Yann Tiersen. Arranged by SMMUS. Classical,Film/TV,Pop,Traditional,Wedding. 18 pages. João Reis #772280. Published by João Reis (A0.1171994). Saxofone, sax, saxophone quintet from the song La Valse D'amelie, show amelie. Soprano sax, alto sax, tenor sax 1 and 2 and barÃtone sax. With chords. La Valse D'amelie
La Valse D'amelie # Saxophone Quintet: 5 Saxophones # EASY # Yann Tiersen # SMMUS # La Valse D'amelie # João Reis # SheetMusicPlus
Saxophone Quintet,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 2 - Digital Download SKU: A0.1171996 By Y...(+)
Saxophone Quintet,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 2 - Digital Download SKU: A0.1171996 By Yann Tiersen. By Yann Tiersen. Arranged by SMMUS. Classical,Film/TV,Pop,Traditional,Wedding. 18 pages. João Reis #772282. Published by João Reis (A0.1171996). Saxofone, sax, saxophone quintet from the song La Valse D'amelie, show amelie. Soprano sax, alto sax, tenor sax 1 and 2 and barÃtone sax. With piano + chords. La Valse D'amelie
La Valse D'amelie # Saxophone Quintet: 5 Saxophones # EASY # Yann Tiersen # SMMUS # La Valse D'amelie # João Reis # SheetMusicPlus
Saxophone Quintet,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 2 - Digital Download SKU: A0.1171995 By Y...(+)
Saxophone Quintet,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 2 - Digital Download SKU: A0.1171995 By Yann Tiersen. By Yann Tiersen. Arranged by SMMUS. Classical,Film/TV,Pop,Traditional,Wedding. 18 pages. João Reis #772281. Published by João Reis (A0.1171995). Saxofone, sax, saxophone quintet from the song La Valse D'amelie, show amelie. Soprano sax, alto sax, tenor sax 1 and 2 and barÃtone sax. With piano. Ali Ben Sou Alle: Adieu, Valse de Concert for alto saxophone and piano
Ali Ben Sou Alle: Adieu, Valse de Concert for alto saxophone and piano # Alto Saxophone and Piano # INTERMEDIATE # Ali Ben Sou Alle # Ali Ben Sou Alle: Adieu, Valse # Musik Fabrik Music Publishing # SheetMusicPlus
Alto Saxophone,Piano - Level 3 - Digital Download SKU: A0.533505 Composed by Ali Ben Sou Alle. Concert,Romantic Period,Standards. Score and part. 21 page...(+)
Alto Saxophone,Piano - Level 3 - Digital Download SKU: A0.533505 Composed by Ali Ben Sou Alle. Concert,Romantic Period,Standards. Score and part. 21 pages. Musik Fabrik Music Publishing #3001087. Published by Musik Fabrik Music Publishing (A0.533505). The concert waltz Adieu begins with an introduction in the style of a Bel Canto aria. The Valse which follows is divided into several sections of contrasting styles and tonalites. The coda brings the piece to a calm and quiet close which is broken by a final fortissimo outburst.One of the most enigmatic figures in the history of the Saxophone, Ali Ben Sou Alle (Charles-Valentin Soualle) was born in 1820 in Arras, France. After receiving his first prize in Clarinet at the Paris Conservatory in 1844. he served as the director of music of The French Marine Band in Senegal, and then was named first clarinet solo at the Opéra-Comique in Paris. However, after the Revolution of 1848, Soualle was forced to flee France to England where he settled in London, playing in the Orchestra of the Queen's Theatre. His songs and piano pieces were published in London. While in London, Soualle met another exiled French musician, Louis Antoine Jullien, who conducted a light music series in London. Jullien encouraged Soualle to take up the saxophone, and after modifying the instrument by adding a single octave mechanism (the modern system used today) and keys for the lower register, Soualle became known as a virtuoso and began touring performing solo recitals (or mono-concerts, as they were called at the time) calling his modified saxophone the «turcophone ». He performed in all the European capitals and then traveled to Australia, New Zealand, Manilla, Java, through China and then to India where he finally settled in Mysore, becoming the director of the Royal Music for the Maharadjah. It was during this period that heconverted to Islam and changed his nmae to Ali ben Sou Alle (or Ali, son of Soualle). He subsequently travaled to Ile Maurice, to French Polynesia, the Cap of Natal and the Cap of Good Hope. All of these voyages were subjects of musical works which Soualle entitled Souvenirs de... and may perhaps have been part of a collection known as The Royal Album which was presented to the Prince of Wales after a royal concert. Soualle returned to Mysore in 1858 and was almost killed in the Indian Revolution. Around 1860, Soualle returned to France for health reasons and began publishing his own music. On March 27 1865, he performed a command performance for the Emperor Napoleon III at the Tuileries Palace in the presence of the entire Imperial Family. After 1865, nothing more is known about him. (R. Galliano) La Valse à Margaux per Quartetto di Sassofoni e Pianoforte
(R. Galliano) La Valse à Margaux per Quartetto di Sassofoni e Pianoforte # Tenor Saxophone and Piano # ADVANCED # Richard Galliano # Matteo Di Prospero # (R. Galliano) La Valse à Marg # Matteo Di Prospero # SheetMusicPlus
Alto Saxophone,B-Flat Saxophone,Baritone Saxophone,Piano,Tenor Saxophone - Level 5 - Digital Download SKU: A0.1250426 Composed by Richard Galliano. Arran...(+)
Alto Saxophone,B-Flat Saxophone,Baritone Saxophone,Piano,Tenor Saxophone - Level 5 - Digital Download SKU: A0.1250426 Composed by Richard Galliano. Arranged by Matteo Di Prospero. 21st Century,Contest,Festival,Multicultural,World. 29 pages. Matteo Di Prospero #844747. Published by Matteo Di Prospero (A0.1250426). (R. Galliano) La Valse à MargauxArrangiamento per:Quartetto di Sassofoni (Soprano, Contralto, Tenore, Baritono) e PianoforteRiceverete la partitura e le parti staccate. Ali Ben Sou Alle: Souvenirs d'Angleterre for soprano saxophone and piano
Ali Ben Sou Alle: Souvenirs d'Angleterre for soprano saxophone and piano # Soprano Saxophone and Piano # INTERMEDIATE/ADVANCED # Ali Ben Sou Alle # Ali Ben Sou Alle: Souvenirs d' # Musik Fabrik Music Publishing # SheetMusicPlus
Piano,Soprano Saxophone - Level 4 - Digital Download SKU: A0.533492 Composed by Ali Ben Sou Alle. Concert,Romantic Period,Standards. Score and part. 16 p...(+)
Piano,Soprano Saxophone - Level 4 - Digital Download SKU: A0.533492 Composed by Ali Ben Sou Alle. Concert,Romantic Period,Standards. Score and part. 16 pages. Musik Fabrik Music Publishing #3000185. Published by Musik Fabrik Music Publishing (A0.533492). Souvenirs d’Angleterre is composed of an opening aria with a number of cadenzas followed by a Valse brillante with variations. Stylistically, the work seems to be more influenced by German Classical music (note especially the classical piano figurations in the opening aria, reminiscent of such composers as Beethoven and Weber). The Valse has an expressive variation in a minor key and the entire work ends, elegantly, pianissimo.One of the most enigmatic figures in the history of the Saxophone, Ali Ben Sou Alle (Charles-Valentin Soualle) was born in1820 in Arras, France. After receiving his first prize in Clarinet at the Paris Conservatory in 1844. he served as the director ofmusic of The French Marine Band in Senegal, and then was named first clarinet solo at the Opéra-Comique in Paris. However, after the Revolution of 1848, Soualle was forced to flee France to England where he settled in London, playing in the Orchestra of the Queen's Theatre. His songs and piano pieces were published in London.While in London, Soualle met another exiled French musician, Louis Antoine Jullien, who conducted a light music series inLondon. Jullien encouraged Soualle to take up the saxophone, and after modifying the instrument by adding a single octavemechanism (the modern system used today) and keys for the lower register, Soualle became known as a virtuoso and begantouring performing solo recitals (or mono-concerts, as they were called at the time) calling his modified saxophone the«turcophone ». He performed in all the European capitals and then traveled to Australia, New Zealand, Manilla, Java, throughChina and then to India where he finally settled in Mysore, becoming the director of the Royal Music for the Maharadjah. It wasduring this period that he converted to Islam and changed his nmae to Ali ben Sou Alle (or Ali, son of Soualle). Hesubsequently travaled to Ile Maurice, to French Polynesia, the Cap of Natal and the Cap of Good Hope. All of these voyageswere subjects of musical works which Soualle entitled Souvenirs de... and may perhaps have been part of a collection knownas The Royal Album which was presented to the Prince of Wales after a royal concert. Soualle returned to Mysore in 1858 and was almost killed in the Indian Revolution.Around 1860, Soualle returned to France for health reasons and began publishing his own music. On March 27 1865, heperformed a command performance for the Emperor Napoleon III at the Tuileries Palace in the presence of the entire ImperialFamily. After 1865, nothing more is known about him.