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21 sheet music found Romantic Concerto for Trombone with Piano reduction accompaniment
Romantic Concerto for Trombone with Piano reduction accompaniment # Trombone and Piano # ADVANCED # Contemporary # Jan Freidlin
# Romantic Concerto for Trombone # Cherry Classics Music # SheetMusicPlus
Piano Accompaniment, Trombone
- Advanced - Digital Download
Composed by Jan Freidlin
(1944-). 21st Century, 20th
Century, Romantic Period,
Modern. Pian...(+)
Piano Accompaniment, Trombone
- Advanced - Digital Download
Composed by Jan Freidlin
(1944-). 21st Century, 20th
Century, Romantic Period,
Modern. Piano Reduction, Solo
Part. 33 pages. Published by
Cherry Classics Music Item Number: S0.703425
Jan Freidlin's lush and beautiful Romantic Concerto for Trombone and Piano (reduction) was composed in 2004 and is in the traditional three movements. The 15-minute work is appropriate for advanced performers.
Below is what the composer has written about his work:
"Written in 2004 , this composition combines three contrasting movements, however their style is not typical of a classical concerto, nor of a romantic work.
The 1st movement - Moderato has a long recitative-like introduction performed by the soloist over a background of aleatoric sounds. The tonality is indefinite with many harmonic changes.
The music gradually builds up more and more leading the listener to the 2nd movement - Vivace energico in which there is, added rhythmic complexity. In the 2nd movement the main motive from the 1st movement is reintroduced and the mood gains in intensity with various syncopated rhythmic phrases as the piano and solo Trombonist accelerate together into a major climax.
With the energy drained out of the music by the conclusion of the 2nd movement the listener is brought to the 3rd movement - Adagietto. This movement is absolutely lyrical, elegiac and unexpectedly tonal. Its main melody has an atmosphere of nostalgia leading to the emotional center of the whole work, the softest climax of the Concerto . The soloist plays it in many tonalities, then gradually this warm wave eases, leaving the listener in a cathartic condition.
The Concerto contains many virtuosic moments for the soloist that sound very expressive and heroic."
Jan Freidlin
The mp3 sample contains a segment of each movement from a live performance of the Concerto performed by the Odessa Philharmonic Chamber Orchestra, Conductor Igor Shavruk and Trombone solist Andrei Sokolov. Fantasy Sonata, Op. 40 for Trombone and Piano
Fantasy Sonata, Op. 40 for Trombone and Piano # Trombone and Piano # INTERMEDIATE/ADVANCED # Contemporary # Benjamin Schroen # Keith Davies
Jones # Fantasy Sonata, Op. 40 for Tro # Cherry
Classics Music # SheetMusicPlus
Piano Accompaniment, Trombone
- Advanced Intermediate -
Digital Download
Composed by Benjamin Schroen.
Arranged by Keith Davies
Jones. 20th Century, Ro...(+)
Piano Accompaniment, Trombone
- Advanced Intermediate -
Digital Download
Composed by Benjamin Schroen.
Arranged by Keith Davies
Jones. 20th Century, Romantic
Period. Score, Solo Part. 21
pages. Published by Cherry
Classics Music Fantasy Sonata, Op. 40 for Trombone and Piano by Benjamin Schroen is a work composed in 1900 which was forgotten and now rediscovered by musicologist and conductor, Dr. Keith Davies Jones.
Fantasy Sonata is written in the same virtuoso style as compositions of that period by Joseph Serafin Alschausky, and though quite challenging, it is fully idiomatic for the trombone. There is a passing ‘reference’ to the Concerto by Rimsky-Korsakov, and it is just possible that Schroen might have been familiar with that work as a trombonist himself. There are also some stylistic similarities to the Fantasia for trombone and organ Op.58 composed in the mid-19th century by Friedrich August Belcke (1795 – 1874).
The 6.5-minute work featuring several short cadenzas, contrasting dramatic and expressive sections is in Romantic style, in bass and tenor clef and appropriate for intermediate to advanced performers. The Sea-Shells Waltz for Trombone and Piano
The Sea-Shells Waltz for Trombone and Piano # Trombone and Piano # INTERMEDIATE/ADVANCED # Contemporary # Frederick N # Chris
Buckholz # The Sea-Shells Waltz for Tromb # Cherry
Classics Music # SheetMusicPlus
Piano Accompaniment, Trombone
- Advanced Intermediate -
Digital Download
Composed by Frederick N.
Innes. Arranged by Chris
Buckholz. 20th Century,
Ro...(+)
Piano Accompaniment, Trombone
- Advanced Intermediate -
Digital Download
Composed by Frederick N.
Innes. Arranged by Chris
Buckholz. 20th Century,
Romantic Period, Patriotic,
Old-time, Americana. Piano
Reduction, Solo Part. 21
pages. Published by Cherry
Classics Music The Sea-Shells Waltz was written in 1880 as part of a musical challenge Innes posed to the great French cornetist, Jules Levy. They were both in New York performing as soloists with the legendary Gilmore band for some summer concerts. Levy would play a solo and Innes would follow with an even more elaborate one. One day Levy brought in a new solo in which he injected his own extemporaneous cadenza made up of everything he could do on the cornet. When his turn came to play, Innes also had something up his sleeve. He had written a brand new solo for the trombone, entitled The Sea-Shells Waltz with a minute and one-half cadenza.
This legendary musical duel brought forth a delightful solo that has been rediscovered and edited by Trombonist Chris Buckholz. The solo is about 8-minutes in length for advanced performers.
Below is a gorgeous sample of some of the concert band version of the work (soon to be published) beautifully performed by Chris Buckholz, from his double CD album Versatility. Fantasy for Trombone and Piano
Fantasy for Trombone and Piano # Trombone and Piano # ADVANCED # Contemporary # Elizabeth Raum
# Fantasy for Trombone and Piano # Cherry Classics Music # SheetMusicPlus
Piano Accompaniment, Trombone
- Advanced - Digital Download
Composed by Elizabeth Raum
(1945-). 20th Century, Post-
Romantic, Modern. Score, Solo
Part. ...(+)
Piano Accompaniment, Trombone
- Advanced - Digital Download
Composed by Elizabeth Raum
(1945-). 20th Century, Post-
Romantic, Modern. Score, Solo
Part. 13 pages. Published by
Cherry Classics Music Fantasy for Trombone and Piano was written in 1981 as a Christmas present for Richard Raum while he and Elizabeth Raum were performing with the Regina Symphony. Ms. Raum is a highly respected Canadian composer with a catalog of outstanding compositions, many featuring brass instrument solos.
Fantasy for Trombone is dramatic, lyrical and very expressive, making it an ideal recital choice.
The work has gained immense popularity since its debut, having been performed and recorded by major artists worldwide. It is 6 1/2 minutes in length and appropriate for advanced performers.
Performers are Gordon Cherry, trombone and Joyce Cherry, piano from a live recital in 1986. Midwinter trombone&piano
Midwinter trombone&piano # Trombone and Piano # EASY # Contemporary # Tommy Johansson, Hjo # Midwinter trombone&piano # Tommy Johansson, Hjo # SheetMusicPlus
Piano,Trombone - Level 2 - Digital Download SKU: A0.949942 Composed by Tommy Johansson, Hjo. 20th Century. Score and part. 4 pages. Tommy Johansson, Hjo ...(+)
Piano,Trombone - Level 2 - Digital Download SKU: A0.949942 Composed by Tommy Johansson, Hjo. 20th Century. Score and part. 4 pages. Tommy Johansson, Hjo #6215777. Published by Tommy Johansson, Hjo (A0.949942). Midwinter A bittersweet composition for trombone and piano by Tommy Johansson, Hjo Technically, a non-demanding piece in a post-romantic/impressionistic style. Score/parts: three pages Key: C-minor/C#-minor Duration: 2.40 (5.20 repeated) Available for other instruments/vocal, as well. The full piece is available, to listen to, at my Youtube channel for free About the composer: Tommy Johansson, Hjo (Sweden) Music teacher, arranger and composer. After a Master degree in Fine Arts of Music at the Gothenburg Academy of Music, advanced training in arrangement and composition. Frequently hired arranger and music instructor. Many more arrangements by this arranger are to be found at sheetmusicplus.com London Town Fantasy for Trombone and Piano
London Town Fantasy for Trombone and Piano # Trombone and Piano # ADVANCED # Contemporary # Antonio J # London Town Fantasy for Trombo # Cherry Classics
Music # SheetMusicPlus
Piano Accompaniment, Trombone
- Advanced - Digital Download
Composed by Antonio J.
Garcia. 21st Century, Jazz,
Blues, Swing, Funk Jazz.
Score, Solo Par...(+)
Piano Accompaniment, Trombone
- Advanced - Digital Download
Composed by Antonio J.
Garcia. 21st Century, Jazz,
Blues, Swing, Funk Jazz.
Score, Solo Part. 14 pages.
Published by Cherry Classics
Music Virginia Commonwealth University Professor Antonio J. García has taken Haydn’s “London” Symphony as a point of departure for his London Town Fantasy for trombone and orchestra (or piano accompaniment), commissioned by the Charlottesville Symphony Society for the Charlottesville & University Symphony Orchestra (Virginia). CUSO Music Director Kate Tamarkin sought a piece that would “showcase the trombone in a jazz ballad style and somehow reference the Haydn ‘London’ Symphony” that would follow it on the program, knowing that the first half of the concert would also include the Brahms “Variations on a Theme of Joseph Haydn.” She and trombone soloist Nathan Dishman suggested the title “London Town Fantasy,” envisioning a potential intersection with elements of George Gershwin’s “A Foggy Day (In London Town),” which seemed apt given a scheduled trip of García’s to London during the compositional process.
Listeners familiar with Haydn's “London” Symphony No. 104" will notice references starting at the first measure. And the violin part at the outset of the Symphony’s fourth movement, Allegro Spiritoso, offered the core of what became the melody to this Fantasy. The melody of the “bridge” section of the tune is crafted from the first seven measures of the opening theme of Haydn’s first movement (Allegro).
The use of “A Foggy Day” had to be more subtle, as copyright law must be observed, limiting the use of its actual melody within this piece. But Gershwin’s harmony actually is the harmonic basis under the melody of the Fantasy; and his devotees will recognize that when the soloist improvises medium-swing jazz with the orchestra, the chord progression is indeed entirely that of “A Foggy Day.” (An optional written-out solo is provided.)
Note that the string section is not asked to play swing eighth-notes at any time. Their jazz-phrased passages are couched in even-eighth, syncopated double-timed-sixteenth, and triplet-eighth cross-rhythmed lines well-rooted in the jazz tradition. Winds and brass, however, have swing-eighth passages to perform (and some even-sixteenth lines).
The superb piano reduction makes the six-minute London Town Fantasy ideal for performances on student and professional recitals, and no improvisational skills are needed by the pianist. Available MIDI demonstration recordings of the duo and orchestral settings, with MIDI soloist or “minus one,” make rehearsals easy and even provide the aural basis for your own potential “virtual” performance.