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11 sheet music found Concerto for Trombone and Piano
Concerto for Trombone and Piano # Trombone and Piano # ADVANCED # Mark Narins # Concerto for Trombone and Pian # Gordon Cherry # SheetMusicPlus
Piano,Trombone - Level 5 - Digital Download SKU: A0.811191 Composed by Mark Narins. 20th Century,Contemporary,Romantic Period. Score and part. 101 pages....(+)
Piano,Trombone - Level 5 - Digital Download SKU: A0.811191 Composed by Mark Narins. 20th Century,Contemporary,Romantic Period. Score and part. 101 pages. Gordon Cherry #6069485. Published by Gordon Cherry (A0.811191). Cherry Classics is pleased to introduce Concerto for Trombone and Orchestra 2020 (Piano reduction) by San Francisco based composer/conductor Mark Narins. The concerto is in 4 movements: I. Prayer, II. Meditation, III. Call and Response, IV. Exaltation Here is a description of the work by Mark Narins, the composer: Prayer: The first movement starts with a shimmering tremolo in the strings over which the silver voice of the trombone plays an arching phrase that lingers on an extended appoggiatura. The trombone is a lone mystic reaching for the sky and then falling perilously down to the pedal register. Later the orchestra breaks into a frenetic vamp over which the trombone plays intense ascending scales and passage work. The movement ends with an ascent to a high C#, moving to a final ringing high C. Meditation: After the harp lays out a series of arpeggiated chords, the trombone plays a warm, rich theme in the middle range. The following episodes are variations on this theme. The trombone moves into the upper register, floating with the ease of a lead trombone in a big band. The movement ends with an ascending yearning phrase reaching a high D as the soloist touches the sky and then comes gently back to earth. Call and Response: The orchestral accompaniment starts in an anxious, mysterious tonality. The trombone enters with a burst of energy playing a machine gun series of Fs. The movement develops into a series of short brilliant solo passages answered boldly by the orchestra. This movement showcases the stunning declamatory powers of the trombone. Exaltation: Movement 4 starts as an allegro with intense tremolos in the basses. The trombone breaks out into an articulated driving theme followed by several extended melodic passages. Midway in the movement the strings abruptly lay out a syncopated Latin dance rhythm over which the trombone climbs from the bottom to the top of its range in rapid triplets. In the final codetta the trombone accelerates the dance tempo and climaxes on a series of high C#s in a brilliant and joyous fashion. The concerto is 27 minutes in duration and is appropriate for advanced performers. This version with Piano is a reduction of the full Orchestral version (to be published in the near future). The new Trombone Concerto by Mark Narins is a very exciting piece with dramatic contrasts between the slow and fast sections. The move to the finish of the piece makes for a great wrap-up. It's a real blow for the player, really exploring the range of the instrument. It will be demanding and fun for the trombonist. Ken Andresen, New York freelance musician Sonatina for Trombone & Piano
Sonatina for Trombone & Piano # Trombone and Piano # ADVANCED # Krejci, Miroslav # Sonatina for Trombone & Piano # Gordon Cherry # SheetMusicPlus
Piano,Trombone - Level 5 - Digital Download SKU: A0.792223 Composed by Krejci, Miroslav. 20th Century,Contemporary,Romantic Period. Score and part. 21 pa...(+)
Piano,Trombone - Level 5 - Digital Download SKU: A0.792223 Composed by Krejci, Miroslav. 20th Century,Contemporary,Romantic Period. Score and part. 21 pages. Gordon Cherry #4728857. Published by Gordon Cherry (A0.792223). The Sonatina for Trombone & Piano was originally published after its composition, but soon became lost. It has recently been brought back into the repertoire. Cherry Classics Music is proud to be bringing this very fine work back to life. The style of this 3 movement work is similar to the well known Sonatina for Trombone and Piano by Serocki. Miroslav Krejci was born on the 4th of November, 1891 in Rychnov nad Kn??nou (a small town situated in the eastern part of Bohemia of the Czech Republic). There, he also attended high school. After graduation he travelled to Prague, studying natural science, geography and musicology at Charles University. At the Conservatory he studied composition under Vitezslav Novak. Krejci also became a teacher at a few grammar schools in the Czech republic. He died on the 29th of December 1964 in Prague. Miroslav Krejci created music for many various ensembles and his compositions are among the most prolific of Czech composers. For example, he composed the following: two Operas: The Summer and The Last Hetman, two Symphonies, string quartets, sonatas for violins, trios for wind instruments, sonatinas for brasswind instruments and piano and five piano cycles. He wrote many vocal compositions, especially for chorus. Krejci also created many arrangements of folk songs for chorus and for solo voice with piano accompaniment. The Sonatina for Trombone and Piano was composed in 1948. It was first performed on the occasion of the composer's birthday. Three Hahn Songs for Trombone & Piano
Three Hahn Songs for Trombone & Piano # Trombone and Piano # INTERMEDIATE/ADVANCED # Reynaldo Hahn # Graham Boag # Three Hahn Songs for Trombone # Graham Boag # SheetMusicPlus
Piano,Trombone - Level 4 - Digital Download SKU: A0.1131518 Composed by Reynaldo Hahn. Arranged by Graham Boag. 20th Century,Chamber,Classical,Latin. Sco...(+)
Piano,Trombone - Level 4 - Digital Download SKU: A0.1131518 Composed by Reynaldo Hahn. Arranged by Graham Boag. 20th Century,Chamber,Classical,Latin. Score and part. 22 pages. Graham Boag #731734. Published by Graham Boag (A0.1131518). Reynaldo Hahn (1874 – 1947) was a Venezuelan-born French composer, conductor, music critic, and singer. He is best known for his songs – mélodies – of which he wrote more than 100, mostly composed in a thirty-year period from 1888 to the end of the First World War. Following the War demand for songs with piano accompaniment diminished and he turned to other forms, composing five operas with another unfinished.     We have three examples of Hahn’s melodies spanning his career, ‘Si me vers avaient des alles’ composed in 1888 aged just14. ‘A Chloris’ (1913) and ‘Je me souviens’ (1947) which was part of his final set of ‘9 Mélodies retrouvées’. These are all lyrical and highlight Hahn' musical voice. He had great respect for both Massenet and Faure whom he considered as the master of the mélodie and both are reflected in his writing especially his earlier songs.    In this YouTube link Michael Massong plays 'A Chloris'. Let All Mortal Flesh Keep Silence - Trombone solo
Let All Mortal Flesh Keep Silence - Trombone solo # Trombone and Piano # INTERMEDIATE/ADVANCED # Brian Buda # Brian Buda # Let All Mortal Flesh Keep Sile # budaful music # SheetMusicPlus
Piano,Trombone - Level 4 - Digital Download SKU: A0.1038744 By Brian Buda. By French carol. Arranged by Brian Buda. Christmas,Holiday,Sacred,Traditional....(+)
Piano,Trombone - Level 4 - Digital Download SKU: A0.1038744 By Brian Buda. By French carol. Arranged by Brian Buda. Christmas,Holiday,Sacred,Traditional. Score and part. 8 pages. Budaful music #643723. Published by budaful music (A0.1038744). This haunting tune, arranged for piano and trombone, tells the awe-inspiring Christmas story of God becoming man. It is perfect for Advent/Christmas concerts, programs, recitals, and offertories. It runs approximately at 3:24. This PDF includes a 5 page accompaniment part as well as a 2-page trombone part. Lyrics from Hymnary.org: Let all mortal flesh keep silence, and with fear and trembling stand; ponder nothing earthly minded, for with blessing in His hand Christ our God to earth descendeth, our full homage to demand. King of kings, yet born of Mary, as of old on earth He stood, Lord of lords, in human vesture - in the body and the blood. He will give to all the faithful His own self for heavenly food. At His feet the six-winged seraph, cherubim, with sleepless eye, veil their faces to the Presence, as with ceaseless voice they cry, Alleluia, alleluia! Alleluia, Lord most high! SoundCloud: https://soundcloud.com/brian_buda/let-all-mortal-flesh-keep-silence Practice with an isolated piano accompaniment track: https://soundcloud.com/brian_buda/let-all-mortal-flesh-keep-silence-accompaniment-track. Oh! Susanna
Oh! Susanna # Trombone and Piano # BEGINNER # Stephen Foster # Glauco Fernandes # Oh! Susanna # Glauco Fernandes # SheetMusicPlus
Piano,Trombone - Level 1 - Digital Download SKU: A0.1258964 Composed by Stephen Foster. Arranged by Glauco Fernandes. Chamber,Children,Instructional,Trad...(+)
Piano,Trombone - Level 1 - Digital Download SKU: A0.1258964 Composed by Stephen Foster. Arranged by Glauco Fernandes. Chamber,Children,Instructional,Traditional. Score and part. 3 pages. Glauco Fernandes #852226. Published by Glauco Fernandes (A0.1258964). Exclusive Sheet Music! Piano and Trombone Duet of Oh Susanna Attention pianists and trombonists! We are excited to present to you the sheet music for a delightful piano and trombone duet arrangement of the beloved melody Oh Susanna! This arrangement allows you to showcase the beautiful interplay between the piano and trombone, creating a harmonious and captivating musical experience.The arrangement has been carefully crafted to highlight the unique qualities of both the piano and trombone. The piano provides a melodic and harmonic foundation, while the trombone adds its rich and expressive voice to the mix. Together, these two instruments create a beautiful synergy that brings Oh Susanna to life.Imagine the expressive sound of the trombone blending seamlessly with the melodic lines and accompaniment of the piano as you perform Oh Susanna. Each note and phrase will resonate with depth and clarity, captivating your audience and evoking a range of emotions.The sheet music is suitable for pianists and trombonists of different skill levels, offering a rewarding experience for both beginners and advanced musicians. The arrangement has been thoughtfully notated to ensure an enjoyable and accessible performance, allowing both players to shine and showcase their musicality.Don't miss out on the opportunity to add this delightful piano and trombone duet arrangement of Oh Susanna to your repertoire. Whether you're performing with a friend, collaborating with a fellow musician, or exploring the duet format on your own, this arrangement will bring joy and musical satisfaction to your performances.Elevate your piano and trombone playing, captivate your audience, and savor the joy of playing this beloved melody together. The music is waiting for you. Get your sheet music today and embark on a musical journey filled with beautiful melodies and harmonies!Order your sheet music now and immerse yourself in the enchanting world of Oh Susanna! 20 Counterparts from Book 1 Rochut Bordogni Duet Accompaniments for Trombones 1-20
20 Counterparts from Book 1 Rochut Bordogni Duet Accompaniments for Trombones 1-20 # Trombone # INTERMEDIATE # Opera # Classical # Tom Ervin # Marco Bordogni # 20 Counterparts from Book 1 Ro # Gordon Cherry # SheetMusicPlus
Trombone Solo - Level 3 - Digital Download SKU: A0.811087 Composed by Tom Ervin. Arranged by Marco Bordogni. Classical,Instructional,Opera,Romantic Perio...(+)
Trombone Solo - Level 3 - Digital Download SKU: A0.811087 Composed by Tom Ervin. Arranged by Marco Bordogni. Classical,Instructional,Opera,Romantic Period. Individual part. 26 pages. Gordon Cherry #5009439. Published by Gordon Cherry (A0.811087). The Rochut editions of Bordogni’s vocalises have become the most widly used etudes in American trombone pedigogy. They are prized for their lyric beauty, and also for their development of endurance, upper range, legato technique, styling and more. Other bass clef instrumentalists use Rochut. These Twenty Counterparts may be practiced and played as etudes alone. They are similar in style to the Bordogni; some are harder and some are easier than the Bordogni originals. But the primary intent was for recreational duet playing and for the trombone studio. Duets are fun and more, contributing to sightreading, intonation, ensemble, style-matching, confidence, independence, etc. As with the piano accompaniments, the duet parts also enhance the original melodies. Read what these famous trombonists have to say about this new contribution to the trombone literature …indisputably one of the most invaluable additions to appear in a very long time. Understanding lyricism is much easier when hearing this second voice. Joseph Alessi, Principal Trombone, New York Philharmonic …fantastic and beautiful. What a great idea! They will give the student a wonderful sense of music-making. Henry Charles Smith, Arizona State University …absolutely ingenious….they capture the essential character of each piece and cleverly expand and enhance the original material. Can be ‘stand alone’ material in its own right. I have already used them successfully on trombone, euphonium, and tuba. Loren Marsteller, Los Angeles An enjoyable new way to play the old favorites. Perform them with friends; record one part and play the other; play them alone…a great idea. Ralph Sauer, Principal Trombone Los Angeles Philharmonic A great book and a great idea! Really valuable; I am using it in my teaching. Jay Friedman, Principal Trombone, Chicago Symphony Orchestra Excellent studies, challenging in all registers, rewarding to play. Ned Meredith, formerly San Francisco Symphony Orchestra A very insightful and fresh approach to the trombone’s most important collection of etudes…destined to become a standard in the trombone literature. An absolute must! Michael Davis, jazz recording artist, New York City The unexpected harmonic progressions are a delight. They work great for euphoniums and for trombone and tuba R. Winston Morris, Tennessee Technological University …similar to the Rochut yet contains challenging rhythmic independence and contrast, increasing the value of ensemble experience. As an aid to duet performance, the measure, staff and page format is arranged the same as Rochut’s Fischer edition. Glenn P. Smith, Professor Emeritus University of Michigan A fine addition to the lyrical literature Charles Vernon, Bass Trombone Chicago Symphony Orchestra They’re not only enjoyable to play, but add some ‘zip’, harmonically, melodically, and rhythmically, to the original melodies. Buddy Baker University of Northern Colorado Compositionally, very interesting, not just a duet in thirds…stylistically appropriate…a great way to begin a lesson. Vern Kagarice, University of North Texas An outstanding idea, very valuable Keith Brown, Indiana University I enjoy the book with my students and then also change parts Carsten Svanberg, Danish National Symphony Orchestra Bravo! They serve a great purpose, very musical and playable. Will become a part of the standard trombone repertoire in a very short time…already part of mine. Jiggs Whigham, Professor of Trombone and Jazz, Cologne Germany