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155 sheet music found Dimensión [trombone octet]
Dimensión [trombone octet] # Trombone ensemble # INTERMEDIATE/ADVANCED # Contemporary # Juan María
Solare # Dimensión [trombone octet] # Juan
Maria Solare # SheetMusicPlus
Trombone, trombone octet -
Advanced Intermediate -
Digital Download
Composed by Juan María
Solare. Contemporary
Classical, Neo-Classical,
Lati...(+)
Trombone, trombone octet -
Advanced Intermediate -
Digital Download
Composed by Juan María
Solare. Contemporary
Classical, Neo-Classical,
Latin Jazz, Repertoire,
Latin. Score, Set of Parts.
32 pages. Published by Juan
Maria Solare Dimensión is a tango that wascomposed based on two simple piano pieces destined to young pianists: the firsttheme is "Langostango" andthe second one "Continuando".When joining to build up "Dimensión",additional elements came into the game, such as an important secondary melodyand a few transitions.
Dimensión is therefore a clearexample of a successful composition: a couple of good ideas and a lot of workto achieve that nobody notices how much work lies behind it.
About the title, it obeys to my (slightly excessive) concerntowards finding names that can be understood in any language of the places Iusually am related to (i.e. in Spanish, English and German). In the case of "dimensión"it is a transparent word, understandingas such the words that are practically identical in any language while keepingtheir meaning (there exist words that are quite similar in different languages,but mean different things, in Linguistics these are called false friends.) Among my titles one finds several of such transparent words.
In September 2002 I began to conductthe Orquesta No Típica at theUniversity of Bremen, Germany, a chamber group of variable instrumentationdevoted to tango music. Dimensión wasthe first piece that I composed especially for this group, in January /February 2003. The original version of Dimensiónis therefore for Sextet: flute, clarinet, violin, guitar, bass,piano.
Sincethat first version (performed several times in Germany and Argentina) I wrote along dozen of arrangements for different instrumental groups.
Dimensión for trombone octet: https://www.youtube.com/watch?v=Q8Uq4_PSlPI Nineteen Skeletal Duets for Trombones
Nineteen Skeletal Duets for Trombones # 2 Trombones (duet) # EASY # Jazz # Gregory Fritze # Nineteen Skeletal Duets for Tr # Musica
Nova USA # SheetMusicPlus
Composed by Gregory Fritze.
Classical Period,
Contemporary Classical, Jazz,
Method, Etudes and Exercises.
Individual Part, Score. 44
pages. Published ...(+)
Composed by Gregory Fritze.
Classical Period,
Contemporary Classical, Jazz,
Method, Etudes and Exercises.
Individual Part, Score. 44
pages. Published by Musica
Nova USA Nineteen Skeletal Duets for Trombones is a set of duets of easy to moderately difficult specifically for teachers and students in private lessons. The first 15 duets are arranged from Fifteen Safari Duets for Tubas which was composed in 1989 for playing with my tuba students at Berklee College of Music. They are at different levels of difficulty and in various styles so that we always had duets to play no matter what was the ability of the student. The additional four duets were added in 2020 for trombones for this set. The title of each duet is also a name for a bone in the human body, hence the name Skeletal Duets. There is something in each duet for students to learn: the basics of tone production, rhythms, melodic phrasing, jazz, graphic notation, etc. Most are sight readable and some have been performed in concerts. Nineteen Skeletal Duets for Euphoniums are the same duets but in treble clef. Twenty-two Skeletal Duets for Hornsuses the first 19 of the trombone set with three additional duets added. Some of the trombone and horn duets are in the same key so they can be played together.
1. Cranium
This duet presents the cantabile “singing” style as studied for playing the trombone. I find that this duet helps the student much like the melodies of Borgodni (Rochet) etudes.
2. Stirrup
This duet provides an opportunity to read basic rhythms and articulations. I find that the more advanced students can read in a faster tempo while the less skilled students work best in the slower tempos – a common choice for all of the duets.
3. Humerus
This waltz helps the student match phrasing in a cantabile setting. There are a few instances where the teacher (playing the first part) plays a phrase then the student plays a similar phrase.
4. Vertebra
This is in a “rock” style with syncopated rhythms with cantabile melodies. Articulations are especially important in this duet.
5. Axis
Legato scales and syncopated rhythms are the features of this duet. This is a good exercise for legato playing on trombone, especially when the legato tongue is needed versus when the trombonist does not need to tongue when moving across partials.
6. Tibia
This duet alternates in rock style and swing. Articulations and manipulation of “swing” rhythms are important.
7. Clavicle
The key of A for this duet provides variation for the students.
8. Fibula nd
This duet uses the easiest of rhythms and range, especially for the 2
9. Scapula
This duet is non-metric and uses graphic notation. This was a favorite duet of my students as many had never experienced this notation before.
10. Atlas ndThis is an Invention in the Bach style. This is probably the best duet to play when the 2 part is played by bass trombone.
(student) part.
11. Radius
This duet is in a “Medium Swing” jazz style. Each part has a chance to play a little bit of a “walking” bass line. Articulations and manipulation of “swing” rhythms are important in this duet.
12. Femur
This duet works on double time and half time tempo changes.
13. Patella
This is another duet that includes graphic notation. In this duet “Free rapid legato lines” are used.
14. Anvil
This gallop displays different types of articulation.
15. Hammer
This duet is in the style of a fanfare.
16. Rib
This duet is a melody, “Magallon Blues”, that I originally composed when I taught at a summer music camp in Magallon, Spain. In that camp each of the students would practice playing a jazz solo. This duet also has jazz chord changes so you can add piano or guitar. The use of drums is also an added option.
17. Sacrum
This duet is a short arrangement of Mozart’s “Eine Kleine Nachtmusic”.
18. Ulna
This duet is a short arrangement of the traditional Irish folk song “Londonderry Air”, more commonly known as “Danny Boy”.
19. Ilium
This duet is a short arrangement of the Beethoven’s song “Ode to Joy” which represents the triumph of universal brotherhood against war and desperation.
Gregory Fritze is a prize-winning composer and Fulbright Scholar, as well as an active performer. He recently retired from Berklee College of Music where he was Tuba Professor and Chair of Composition, serving on the faculty from 1979 to 2016. He has written over one hundred compositions for orchestra, band, chamber ensembles and soloists. He has won over sixty composition awards both nationally and internationally including First Prize in the 1991 TUBA Etude Contest for Twenty Characteristic Etudes for Tuba, an award from The American Prize for his Petite Suite for Brass Quintet and others. His compositions include works published by several publishers in the United States, South America and Europe that have been performed extensively throughout the world. Many of his compositions are available on ITunes, Youtube and Soundcloud.
His compositions are recorded on Albany Records, MSR Classics, Crystal Records, Mark Records and others. He has been a guest lecturer, conductor and performer at many colleges, universities and music festivals in the United States, Canada, Japan, South America and Europe. He was born in Allentown, Pennsylvania in 1954 and has Composition degrees from the Boston Conservatory and Indiana University. He now resides in Daytona Beach Shores, Florida. Meat Salad for Solo Bass Trombone
Meat Salad for Solo Bass Trombone # Bass Trombone # ADVANCED # Contemporary # Jim Hopson # Meat Salad for Solo Bass Tromb # Cherry Classics
Music # SheetMusicPlus
Bass Trombone - Advanced -
Digital Download
Composed by Jim Hopson. 21st
Century, Contemporary
Classical, Jazz, Blues, Funk
Jazz. Solo Part. 3 pages.
...(+)
Bass Trombone - Advanced -
Digital Download
Composed by Jim Hopson. 21st
Century, Contemporary
Classical, Jazz, Blues, Funk
Jazz. Solo Part. 3 pages.
Published by Cherry Classics
Music Item Number: S0.714033
‘Meat Salad’ is a new piece for solo bass trombone commissioned by Ilan Morgenstern of the Vancouver Symphony Orchestra. Inspired in part by the slap-bass stylings of artists like Bootsy Collins and in part by the inimitable trombone playing of ‘Funky Fred’ Wesley, this piece is simultaneously a groovy crowd-pleaser and an acrobatic showstopper. ‘Meat Salad’ gives the advanced bass trombonist the opportunity unleash his/her full repertoire of tricks including: trills, growls, turns, glissandi, extended range, and just about every type articulation imaginable.
This piece was premiered in August 2019 at the 2nd annual Vancouver Trombone Week, with the composer adding an emphatic (if unsophisticated) cowbell accompaniment to Morgenstern’s bass trombone.
For advanced performers.
Below is a short track of Meat Salad brilliantly performed by Vancouver Symphony Bass Trombonist Ilan Morgenstern. Romanza and Scherzo for solo Bass Trombone and Piano
Romanza and Scherzo for solo Bass Trombone and Piano # Bass Trombone and Piano # ADVANCED # Contemporary # Pierce, Alan # Romanza and Scherzo for solo B # Cherry Classics
Music # SheetMusicPlus
Piano Accompaniment, Bass
Trombone and Piano - Advanced
- Digital Download
Composed by Pierce, Alan.
21st Century, Romantic
Period, Contemporary
Clas...(+)
Piano Accompaniment, Bass
Trombone and Piano - Advanced
- Digital Download
Composed by Pierce, Alan.
21st Century, Romantic
Period, Contemporary
Classical, Post-Romantic.
Solo Part. 31 pages.
Published by Cherry Classics
Music My first season with the Oregon Symphony was 1962-1963. I was so excited when I was told that I was accepted into the Portland Symphony (now Oregon Symphony), I danced and jumped up and down. I can still see myself. Its was like winning the Powerball. I was only 17 years old. What is equally amazing is that 45 years later I retired from a career that very few people can ever experience. I was bass trombonist my first year in the Oregon Symphony and was principal trombonist my third year. I also traveled with the New York Metropolitan Opera National company for 84 weeks as principal trombonist and was bass trombonist of the Portland Opera for 18 years. I played in the Peter Britt Orchestra for two seasons and also in the Anchorage, AK. music festival. I was a scholarship winner to Tanglewood in Lenox, Mass. and the National Music Camp in Interlochen, Michigan. I was privileged to perform with Leopold Stowkowski and Erik Leinsdorf. None of this would have been possible without my early training with the Portland, Youth Philharmonic under the leadership of maestro Jacob Avshalomov.
I have met many famous people and have played the world's greatest music. The Oregon Symphony music directors and conductors have been magnificent and have each brought many special talents to the orchestra. I remember special concerts featuring Jack Benny, Danny Kaye, Isaac Stern, Leonard Rose, and many others.
During my time in the Oregon Symphony I developed a hobby of making batons for some of the conductors who visited our orchestra. Most recently, I made batons for Itzhak Perlman, James DePreist, Carlos Kalmar, Riccardo Mutti, Murry Sidlin, Hannu Lintu, Karel Mark Chichon,
Andre Watts, and many others.
Since establishing the Alan Pierce Piano Service in 1976, I have tuned pianos for the Oregon Symphony, Andre Watts, Lawrence Leighton Smith, James DePreist, Murry Sidlin, Norman Leyden as well as for many churches, schools and prominent piano teachers. Most recently I tuned the piano in the home of world famous Janet Guggenheim. One of my most special memories was an all expense paid trip to Scottsdale, Arizona to tune the piano of a prominent surgeon. While in Arizona, I had the chance to spend time with the late James DePreist who had a home in the area. For two summers, I also served as piano technician for the Sunriver Music Festival I am currently the president of the Reno chapter of the Piano Technicians Guild.
Most recently I got to meet Geoge Curran, bass trombonist of the New York Philharmonic. My wife and I traveled two times to hear him perform my Romanza and Scherzo for bass trombone and piano. What a thrill to hear a world famous trombonist perform my music. I am very honored that George Curran recorded my music on his latest CD. (Vital Signs) Four Carols for Four Trombones
Four Carols for Four Trombones # Trombone ensemble # INTERMEDIATE # Sacred music # Charles Decker arr # It Came Upon a Midnight Clear # Four Carols for Four Trombones # Charles Decker Music Press # SheetMusicPlus
Trombone Ensemble Euphonium,Trombone - Level 3 - Digital Download SKU: A0.817165 Composed by Charles Decker arr. Christian,Christmas,Holiday,Praise & Wor...(+)
Trombone Ensemble Euphonium,Trombone - Level 3 - Digital Download SKU: A0.817165 Composed by Charles Decker arr. Christian,Christmas,Holiday,Praise & Worship,Religious. 34 pages. Charles Decker Music Press #6639103. Published by Charles Decker Music Press (A0.817165). This collection of four familiar Christmas carols (Hark! The Herald Angles Sing; It Came Upon a Midnight Clear; Angels We Have Heard on High; Oh, Come All Ye Faithful), arranged for four trombones, adds a festive flair to holiday concerts, church services and seasonal activities. These very accessible musical settings for less experienced players each has a four-bar introduction, two contrasting verses and a plagal (Amen) cadence. The recording is of the entire edition.Use this link to see all the Charles Decker Music Press Christmas holiday music for mixed brass and homogeneous groups. Use this link to Kendor Music for my original composition for brass quintet with narrator of the holiday classic story ’Twas the Night Before Christmas.See 50+ homogeneous brass group editions for horn, trumpet and trombone ensembles and more than 70 mixed brass ensemble publications with Charles Decker Music Press at Sheet Music Plus for inexperienced to advanced musicians with music ranging from the Renaissance to contemporary new works for trios, quartets, quintets, brass choir and brass band. Many of the mixed brass ensemble editions include alternate and substitute parts being alternate C trumpet parts for B-flat trumpet parts, flugelhorn/trumpet substitute for horn, horn substitute for trombone and treble clef euphonium substitute for trombone. Check out our Music of Black Composers Series with Charles Decker Music Press at Sheet Music Plus with 25 arrangements for mixed brass ensembles ranging from early jazz to symphonic works with composers Samuel Coleridge-Taylor, R. Nathaniel Dett, William Grant Still, Will Marion Cook, James Reese Europe, James Johnson and others. All ensemble publications include recordings of the entire edition. Fugue in C minor #2 from The Well-Tempered Clavier, Book I for Trombone Sextet
Fugue in C minor #2 from The Well-Tempered Clavier, Book I for Trombone Sextet # Trombone ensemble # INTERMEDIATE/ADVANCED # Classical # Johann Sebastian Bach # Charles Decker # Fugue in C minor #2 from The W # Charles Decker Music Press # SheetMusicPlus
Trombone Ensemble Bass Trombone,Euphonium - Level 4 - Digital Download SKU: A0.1226109 Composed by Johann Sebastian Bach. Arranged by Charles Decker. Bar...(+)
Trombone Ensemble Bass Trombone,Euphonium - Level 4 - Digital Download SKU: A0.1226109 Composed by Johann Sebastian Bach. Arranged by Charles Decker. Baroque,Chamber,Contest,Festival,Historic. 22 pages. Charles Decker Music Press #822137. Published by Charles Decker Music Press (A0.1226109). From J.S. Bach’s Well-Tempered Clavier, Book I, the Fugue in C minor (No. 2) is arranged to showcase a trombone sextet of four tenors and two bass trombones on the familiar three-voice fugue.  Bass and tenor clef parts are provided for trombone I and II.  Beyond brass programs and special events consider featuring your trombone section on your band concert. The recording is of the complete edition.See 50+ homogeneous brass group editions for horn, trumpet and trombone ensembles and more than 70 mixed brass ensemble publications with Charles Decker Music Press at Sheet Music Plus for inexperienced to advanced musicians with music ranging from the Renaissance to contemporary new works for trios, quartets, quintets, brass choir and brass band. Many of the mixed brass ensemble editions include alternate and substitute parts being alternate C trumpet parts for B-flat trumpet parts, flugelhorn/trumpet substitute for horn, horn substitute for trombone and treble clef euphonium substitute for trombone. Check out our Music of Black Composers Series with Charles Decker Music Press at Sheet Music Plus with 25 arrangements for mixed brass ensembles ranging from early jazz to symphonic works with composers Samuel Coleridge-Taylor, R. Nathaniel Dett, William Grant Still, Will Marion Cook, James Reese Europe, James Johnson and others. All ensemble publications include recordings of the entire edition. Derek the Deskbound Demon, Halloween Duet for Trombone
Derek the Deskbound Demon, Halloween Duet for Trombone # 2 Trombones (duet) # INTERMEDIATE/ADVANCED # Halloween # David McKeown # Derek the Deskbound Demon, Hal # David McKeown # SheetMusicPlus
Trombone Duet Trombone - Level 4 - Digital Download SKU: A0.592112 Composed by David McKeown. 20th Century,Concert,Contemporary,Halloween,Standards. Scor...(+)
Trombone Duet Trombone - Level 4 - Digital Download SKU: A0.592112 Composed by David McKeown. 20th Century,Concert,Contemporary,Halloween,Standards. Score. 5 pages. David McKeown #6348727. Published by David McKeown (A0.592112). Derek the Deskbound Demon is a fun and original duet written by David McKeown for two Trombones. Derek the Deskbound Demon is one in a series of ten Halloween-themed duets each presenting a portrait of a different Halloween character. All ten can be bought together in one collection by searching for 10 Spooky Halloween Duets for Trombone.Most demons spend their time playing fiendish tricks on folk or devising infernal tortures, but all that activity requires organisation behind the scenes and that’s where Derek comes in. Not for him, the sweaty toil at the furnace; Derek may well have little red horns and a pointy tail, but he much prefers sorting out payroll, tax receipts, spreadsheets and work rotas.Derek the Deskbound Demon is suitable for players at an advanced intermediate level and above, with the accessible key and range balanced by the fast tempo and variable meter. With a playing-time of around three minutes, Derek the Deskbound Demon is a perfect upbeat addition to any performance program, formal or informal. Click the link above to listen to a full performance of the clarinet version of this duet on YouTube. There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203 Frankie the Frank Frankenstein, Halloween Duet for Trombone
Frankie the Frank Frankenstein, Halloween Duet for Trombone # 2 Trombones (duet) # INTERMEDIATE/ADVANCED # Halloween # David McKeown # Frankie the Frank Frankenstein # David McKeown # SheetMusicPlus
Trombone Duet Trombone - Level 4 - Digital Download SKU: A0.592162 Composed by David McKeown. 20th Century,Concert,Contemporary,Halloween,Standards. Scor...(+)
Trombone Duet Trombone - Level 4 - Digital Download SKU: A0.592162 Composed by David McKeown. 20th Century,Concert,Contemporary,Halloween,Standards. Score. 4 pages. David McKeown #6354275. Published by David McKeown (A0.592162). Frankie the Frank Frankenstein is a fun and original duet written by David McKeown for two Trombones. Frankie the Frank Frankenstein is one in a series of ten Halloween-themed duets each presenting a portrait of a different Halloween character. All ten can be bought together in one collection by searching for 10 Spooky Halloween Duets for Trombone.Frankie is a straightforward kinda monster. He tells it as he sees it; he likes to speak his mind. Unfortunately, he is constructed from so many and various spare parts that he isn’t always entirely sure which eyes he saw it through, which mind to believe, or indeed from which mouth to say it. Frankie the Frank Frankenstein is suitable for players at an advanced intermediate level and above, with the accessible key and range balanced by the changing styles and tempo and some syncopated rhythms. With a playing-time of around three and a half minutes, Frankie the Frank Frankenstein is a perfect upbeat addition to any performance program, formal or informal. Click the link above to listen to a full performance of the clarinet version of this duet on YouTube.To keep up with new titles, search for Dave McKeown Sheet Music Downloads on Facebook.There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203 Wendy the Wonky Witch, Halloween Duet for Trombone
Wendy the Wonky Witch, Halloween Duet for Trombone # 2 Trombones (duet) # INTERMEDIATE # Halloween # David McKeown # Wendy the Wonky Witch, Hallowe # David McKeown # SheetMusicPlus
Trombone Duet Trombone - Level 3 - Digital Download SKU: A0.592435 Composed by David McKeown. 20th Century,Concert,Contemporary,Halloween,Standards. Scor...(+)
Trombone Duet Trombone - Level 3 - Digital Download SKU: A0.592435 Composed by David McKeown. 20th Century,Concert,Contemporary,Halloween,Standards. Score. 5 pages. David McKeown #6359347. Published by David McKeown (A0.592435). Wendy the Wonky Witch is a spooky and original duet written by David McKeown for two Trombones. Wendy the Wonky Witch is one in a series of ten Halloween-themed duets each presenting a portrait of a different Halloween character. All ten can be bought together in one collection by searching for 10 Spooky Halloween Duets for Trombone.Wendy tries her best, but she’s a bit of a failure at witching. She developed a fear of flying after her broomstick started chasing seagulls, and her tadpole stew, (which tastes of chocolate cake), explodes if left overnight.Wendy the Wonky Witch is suitable for players at an advanced intermediate level and above. The main melody in 6/8 is medium fast with chromatic passages, while the slower middle section is a lyrical waltz. The range is accessible for both players. With a playing-time of around three minutes, Wendy the Wonky Witch is a perfect spooky addition to any performance program, formal or informal. Click the link above to listen to a full performance of the clarinet version of this duet on YouTube.To keep up with new titles, search for Dave McKeown Sheet Music Downloads on Facebook.There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203 Walter the Weary Werewolf, Halloween Duet for Trombone
Walter the Weary Werewolf, Halloween Duet for Trombone # 2 Trombones (duet) # INTERMEDIATE # Halloween # David McKeown # Walter the Weary Werewolf, Hal # David McKeown # SheetMusicPlus
Trombone Duet Trombone - Level 3 - Digital Download SKU: A0.592395 Composed by David McKeown. Concert,Contemporary,Halloween,Standards. Score. 4 pages. D...(+)
Trombone Duet Trombone - Level 3 - Digital Download SKU: A0.592395 Composed by David McKeown. Concert,Contemporary,Halloween,Standards. Score. 4 pages. David McKeown #6358907. Published by David McKeown (A0.592395). Walter the Weary Werewolf is a spooky and original duet written by David McKeown for two Trombones. Walter the Weary Werewolf is one in a series of ten Halloween-themed duets each presenting a portrait of a different Halloween character. All ten can be bought together in one collection by searching for 10 Spooky Halloween Duets for Trombone.Walter has a young family and a responsible job as a vet, so he needs a good night’s sleep. When there’s a full moon he sprouts fangs, claws and body hair like all the other werewolves, but rather than howling, he scratches the back of his neck with his leg and goes back to sleep with a whimper. His wife was surprised the first time, but she’s used to it now.Walter the Weary Werewolf is suitable for players at an advanced intermediate level and above. The main melody has many accidentals and challenging timing, while the faster middle section features irregular metre. The range is accessible for both players. With a playing-time of just under four minutes, Walter the Weary Werewolf is a perfect spooky addition to any performance program, formal or informal. Click the link above to listen to a full performance of the clarinet version of this duet on YouTube.To keep up with new titles, search for Dave McKeown Sheet Music Downloads on Facebook.There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203