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2,146 sheet music found Three Studies for Trombone Quartet
Three Studies for Trombone Quartet # Brass Quartet: 4 trombones # ADVANCED # Studies # Vladislav
Blazhevich # Karl Lyden # Three Studies for Trombone Qua # Cherry Classics
Music # SheetMusicPlus
Trombone Quartet - Advanced -
Digital Download
Composed by Vladislav
Blazhevich (1881-1942).
Arranged by Karl Lyden. 20th
Century, Romantic Period,
E...(+)
Trombone Quartet - Advanced -
Digital Download
Composed by Vladislav
Blazhevich (1881-1942).
Arranged by Karl Lyden. 20th
Century, Romantic Period,
Etudes and Exercises,
Technique Training. Score,
Set of Parts. 39 pages.
Published by Cherry Classics
Music The Clef Studies by Vladislav Blazhevich, composed in 1925 are a staple of the Trombone repertoire. Their quality is superb, not only for teaching the clefs, but solid technique and musical style as well.
Karl Lyden has brilliantly arranged Three Studies for Trombone Quartet inspired by the Blazhevich Clef Studies for Trombone based on numbers 56, 54 and 65 (subtitled Five Etude having a funk feel to it). They are very musically interesting, rhythmically challenging and fun to perform.
Here is a description of the Three Studies by arranger Karl Lynden:
"The seed for the Blazhevich Three Studies for Trombone Quartet came from my desire to write for my trombone quartet during undergraduate studies at Nebraska-Lincoln. I was tinkering with study No. 64 from Blazhevich’s Clef Studies for Trombone book and began to imagine pulsating trombone chords and ostinatos. The original was in 5/8 so I dubbed that arrangement “Five Etude”.
Several years later, I had similar experiences with two other works from the book (No. 54 and 56). For the latter No. 56, I originally imagined it as a mournful duo between trombone and cello. I then flushed out the implied harmony to allow for four trombones.
No. 54 is more harmonically dense with an active bass line. It should be played majestically but come to rest in a subsided manner.For all three studies, I deviate slightly from the written form. However, the melody always remains constant as a means of generating new textures, harmonies, and rhythms. My hope is that trombonists in quartets will experience these familiar etudes in a new light." The Alcotts - from Sonata No. 2, The Concord - for 10-part Trombone Choir
The Alcotts - from Sonata No. 2, The Concord - for 10-part Trombone Choir # Trombone ensemble # ADVANCED # Contemporary # Charles Ives
# Ross
Holcombe # The Alcotts - from Sonata No. # Cherry Classics Music # SheetMusicPlus
Trombone Choir Ensemble -
Advanced - Digital Download
Composed by Charles Ives
(1874-1954). Arranged by Ross
Holcombe. 20th Century,
Americana. Score, ...(+)
Trombone Choir Ensemble -
Advanced - Digital Download
Composed by Charles Ives
(1874-1954). Arranged by Ross
Holcombe. 20th Century,
Americana. Score, Set of
Parts. 44 pages. Published by
Cherry Classics Music Here is what the arranger, Ross Holcombe says about his great scoring of this wonderful and unique work by Ives.
Ives finished the majority of his Concord Sonata, from which this movement is excerpted, in 1915. According to Ives, the piece reflects on the old Alcott house in Concord, MA, but I feel a greater struggle in this work than a mere journal about a piece of architecture. The fact that Ives quotes Beethoven’s 5th Symphony so extensively makes me wonder about his views on destiny, fate, the future, and the creative process.
The piece starts serenely but quickly devolves into uncertainty, doubt, and anger. A floating interlude brings us back to distant memories where we remember that we are shaped by our past, but have control of the direction of our future. Building on that realization and quickly gaining steam, the piece ends with a powerful and joyful climax. The angry Beethoven theme is transformed into one of power, hope, and light. A feeling of calm and contentment ends the piece, finally coming to rest on one simple C major chord.
This work is scored for 10 trombones: 1 alto, 7 tenor, and 2 bass trombones and is appropriate for advanced performers. Twelve Duos for Trombones based on Armenian Folk Songs
Twelve Duos for Trombones based on Armenian Folk Songs # 2 Trombones (duet) # ADVANCED # Folkloric/Traditional # Petros
Shoujounian # Twelve Duos for Trombones base # Cherry
Classics Music # SheetMusicPlus
Trombone - Advanced - Digital
Download
Composed by Petros
Shoujounian. 21st Century. 23
pages. Published by Cherry
Classics Music...(+)
Trombone - Advanced - Digital
Download
Composed by Petros
Shoujounian. 21st Century. 23
pages. Published by Cherry
Classics Music Petros Shoujounian, an Armenian/Canadian composer has written Twelve Duos for Trombones based on the folksong collection of the Armenian priest Komitas, known as the founder of the Armenian national school of music and one of the pioneers of ethnomusicology. Below are comments from the composer about his inspiration in writing these Twelve Duos for Trombones.
My interest in the collected works of Komitas's ethnographical songs was aroused when I was introduced to Bela Bartok's similar works followed by Alan Hovhaness's huge creative world. Bartok completed his project having at his disposal a large collection of ethnographic music, while Hovhannes studied the wealth of Komitas's music with great interest. It is difficult to say to what extent the Armenian underpinning of Hovhannes's works is nurtured by Komitas's musical world, but his classical interpretation of the Armenian ethnographical music created a huge interest in the listener. Needless to say, there is also Aram Katchaturian's legacy, which at its core has the ardent presence of the Armenian spirit, nurtured by Komitas's very existence.
Komitas has left a collection of about 3,000 cleaned versions of the ethnographic song and dance pieces, of which 1,700 have reaches us, about 400 of which have been activated. I believe that in those beautiful musical fragments reside the power to be revived, once we enrich them with colorful musical instruments and unbounded polyphonic imagination.
This is the motivation behind my own work and these Twelve Duos for Trombones: to make the essence of our ethnographic music accessible through Komitas.
These Twelve Duos are appropriate for advanced performers and may be performed on Alto, Tenor, and Bass Trombones. Hill Country Miniatures for 8-part Trombone Ensemble
Hill Country Miniatures for 8-part Trombone Ensemble # Trombone ensemble # ADVANCED # Contemporary # Lawn, Richard # Hill Country Miniatures for 8- # Cherry Classics Music # SheetMusicPlus
Trombone Ensemble - Advanced
- Digital Download
Composed by Lawn, Richard.
21st Century, Jazz, Blues,
Swing. Score, Set of Parts.
143 pages. Published ...(+)
Trombone Ensemble - Advanced
- Digital Download
Composed by Lawn, Richard.
21st Century, Jazz, Blues,
Swing. Score, Set of Parts.
143 pages. Published by
Cherry Classics Music Hill Country Miniatures for 8-part Trombone Ensemble was written by Richard J. Lawn in 2002 for the Trombone Choir at the University of Texas and its director Nathaniel Brickens. The work is dedicated to Donald Knaub its former director. It has become a staple in the American Trombone Ensemble repertoire since its original release. Mr. Lawn explains in the notes, his deep emotional connection to the Hill Country land and to his days at the Eastman School of Music, hearing the legendary Trombone Choir led by Emory Remington and following through to his days at the University of Texas with Knaub and Brickens, all of which inspired him to compose this work.
This music is about 15 minutes in length and is for advanced performers.
The four movements of the work are:
Hickory Cove - September 2001 - a lyrical, somber and solemn introductory movement.
Smithwick - a jaunty piece reflecting the Scottish and English heritage of this tiny Texas spot.
The Narrows - As part of the Colorado River narrows, it twists and turns its way through the Texas Hill Country. You can hear the gentle waters winding through the cliffs and slopes.
Blue Bonnet Boogie - The springtime brings a profusion of the Blue Bonnet, the Texas state flower. A sea of these swaying in the breeze brings out the good old down-home boogie-woogie! A jazz solo featuring Bass Trombone (written for Bill Reichenbach in mind) with solo written out or improvised using chord symbols adds a festive finish.
Cherry Classics is proud to be the new distributor of this great work. O'Neil - Machinery, Four Pieces for 6-part Trombone Ensemble & Percussion
O'Neil - Machinery, Four Pieces for 6-part Trombone Ensemble & Percussion # Trombone ensemble # ADVANCED # Contemporary # Stuart P # O'Neil - Machinery, Four Piece # SheetMusicPlus
Trombone Ensemble and
Percussion - Advanced -
Digital Download
Composed by Stuart P. O'Neil.
21st Century. Score, Set of
Parts. 122 pages. Publish...(+)
Trombone Ensemble and
Percussion - Advanced -
Digital Download
Composed by Stuart P. O'Neil.
21st Century. Score, Set of
Parts. 122 pages. Published
by Cherry Classics Music Stuart O'Neil has written a new work entitled "Machinery" in 4 movements for 6-part Trombone ensemble and Percussion. Below is the composer's explanation of his exciting and dramatic work."The four pieces in this collection are written for 6-part trombone ensemble and accompanying percussion; they may be performed together or individually. Each piece is a study in the trombone’s distinct glissando capability and should be approached in a relatively aggressive, but not overly serious, manner: concert music, but with considerable jazz-rock influence, especially in regards to rhythm and dynamics. The pieces are similar, but each has its own character."1. Machine is a well-oiled, highly-functioning machine, with all parts efficiently working together.2. Rush Hour is a hectic, busy traffic scene, but somewhat cartoon-like.3. Suspension Bridge is strong metal under extreme stress, straining but not breaking.4. Assembly Line is a factory conveyor belt: loud, busy, with lots of heavy machinery.This 10 minute work is appropriate for advanced performers. Tico Tico (tico Tico No Fuba) for Trombone Quartet
Tico Tico (tico Tico No Fuba) for Trombone Quartet # Brass Quartet: 4 trombones # INTERMEDIATE/ADVANCED # Latin/World Music # The Andrews Sisters # Keith Terrett # Tico Tico # Music for
all Occasions # SheetMusicPlus
Trombone Quartet - Advanced
Intermediate - Digital
Download
By The Andrews Sisters.
Arranged by Keith Terrett.
Score, Set of Parts. 14
pages. Publish...(+)
Trombone Quartet - Advanced
Intermediate - Digital
Download
By The Andrews Sisters.
Arranged by Keith Terrett.
Score, Set of Parts. 14
pages. Published by Music for
all Occasions Arranged for Trombone Quartet "Tico-Tico no fubá" ("sparrow in the cornmeal", or, literally, "rufous-collared sparrow in the cornmeal") is a Brazilian choro song written by Zequinha de Abreu in 1917. A great arrangement for your next performance, sure to be a big hit with your audience!
Its original title was "Tico-Tico no farelo" ("sparrow in the bran"), but since Brazilian guitarist Américo Jacomino "Canhoto" (1889–1928) had a work with the same title, Abreu's work was given its present name in 1931, and sometime afterward Aloysio de Oliveira wrote the original Portuguese lyrics.
Eros Volusia and her dancers dance to "Tico-Tico" in 1942 Rio Rita. Ethel Smith performed "Tico-Tico" onscreen in Bathing Beauty (1944). Carmen Miranda performed "Tico-Tico" onscreen in Copacabana (1947); It was also featured in the "Aquarela do Brasil" segment of the Walt Disney film Saludos Amigos (1942) and in Woody Allen's Radio Days (1987).
In Quebec the song has been used for several decades in commercials for Sico paint.
In season three of Mama's Family episode "An Ill Wind," an intoxicated Iola briefly sings the song's chorus before passing out onto a bed.
This song can be heard on various episodes of the Belgian Kabouter Wesley cartoon.
In season one of Narcos: Mexico, episode 3 ("El Padrino”), the orchestral version of the song is played by a band during a reception. A biographical movie about Zequinha de Abreu with the same title, Tico-Tico no Fubá was produced in 1952 by the Brazilian film studio Companhia Cinematográfica Vera Cruz, starring Anselmo Duarte as Abreu.
The title phrase also features in the lyrics to the song "O Pato" made famous by João Gilberto.
Choro (Portuguese pronunciation: [ˈʃoɾu], "cry" or "lament"), also popularly called chorinho ("little cry" or "little lament"), is an instrumental Brazilian popular music genre which originated in 19th century Rio de Janeiro. Despite its name, the music often has a fast and happy rhythm. It is characterized by virtuosity, improvisation and subtle modulations, and is full of syncopation and counterpoint. Choro is considered the first characteristically Brazilian genre of urban popular music. The serenaders who play choros are known as chorões.