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1,882 sheet music found Canary Islands Official Regional Anthem for Brass Quintet & Percussion (MFAO World National Anthem S
Canary Islands Official Regional Anthem for Brass Quintet & Percussion (MFAO World National Anthem S # Brass Quintet: 2 trumpets, horn, trombone, tuba # INTERMEDIATE # Patriotic # Teobaldo Power y Lugo-Vina # Keith Terrett # Percussion # Canary Islands Official Region # Keith Terrett # SheetMusicPlus
Level 3 - Digital Download SKU: A0.746751 Composed by Teobaldo Power y Lugo-Vina. Arranged by Keith Terrett. 20th Century,Traditional,World. 13 pages. Ke...(+)
Level 3 - Digital Download SKU: A0.746751 Composed by Teobaldo Power y Lugo-Vina. Arranged by Keith Terrett. 20th Century,Traditional,World. 13 pages. Keith Terrett #3367007. Published by Keith Terrett (A0.746751). The official anthem of the Canary Islands, arranged for Brass Quintet & Percussion.A region of Spain, the anthem used in the Canaries for official local occasions was introduced on May 30 (Canary Islands Day), 2003. It is an adaptation of a local folk song called Arrorró (Lullaby).Before the official announcement of the anthem unofficial local songs were in place, and tended to differ depending on the person’s political beliefs. Those who prefered independence for the Canary Islands used the Canto de Tierra as their anthem, while others used another work by Teobaldo Power y Lugo-Vina, Pasodoble Islas Canarias.For more of my original music, great arrangements and all the national anthems of the world, check out my on-line stores: http://www.scoreexchange.com/profiles/keith_terret http://musicforalloccasions.org.ukhttp://www.sheetmusicplus.com/search?Ntt=keith+terrett Need an anthem fast? They are ALL in my store! All my anthem arrangements are also available for Orchestra, Recorders, Saxophones, Wind, Brass and Flexible band. If you need an anthem urgently for an instrumentation not in my store, let me know via e-mail, and I will arrange it for you FOC if possible! keithterrett@gmail.com If you perform this arrangement in public, make a recording or broadcast it through any media, please notify the PRS (UK), or ASCAP (USA), or SOCAN (Canada), or APRA (Australia) or KODA (Denmark) or the equivalent organisation in your own country, giving the name of the arranger as Keith Terrett. The most beautiful folk songs
The most beautiful folk songs # Trumpet # EASY # Folkloric/Traditional # Friedrich
Neumann # The most beautiful folk songs # Schott Music - Digital # SheetMusicPlus
1-2 trumpets - easy - Digital
Download
Arranged by Friedrich
Neumann. This edition:
performance score. Folksong,
England, Irland, Schottland,
Russlan...(+)
1-2 trumpets - easy - Digital
Download
Arranged by Friedrich
Neumann. This edition:
performance score. Folksong,
England, Irland, Schottland,
Russland, Italien,
Frankreich, Spanien.
Downloadable. Schott Music -
Digital #Q18638. Published by
Schott Music - Digital German.
Finally a modern collection of folk tunes for the trumpet! The songs come from England, Ireland, Scotland, Russia, Italy, France, Spain and the USA. Popular melodies such as 'Auld lang syne' and 'Oh happy day' are set in easy arrangements and can be played on various occasions, be it at home, at school, or in an ensemble. The arrangements can also be played with an additional second part. Americana Fanfares, Vol. 2, Op. 137
Americana Fanfares, Vol. 2, Op. 137 # Brass Quintet: 2 trumpets, horn, trombone, tuba # INTERMEDIATE/ADVANCED # Dr # Americana Fanfares, Vol. 2, Op # https://gildedmusicpress.com/ # SheetMusicPlus
Brass Quintet - Level 4 - Digital Download SKU: A0.1489490 Composed by Dr. Daniel N. Thrower. Chamber,Classical,Historic,Patriotic. 38 pages. Https://gil...(+)
Brass Quintet - Level 4 - Digital Download SKU: A0.1489490 Composed by Dr. Daniel N. Thrower. Chamber,Classical,Historic,Patriotic. 38 pages. Https://gildedmusicpress.com/ #1066354. Published by https://gildedmusicpress.com/ (A0.1489490). Three of these seven short pieces are worthy to open any brass quintet concert or recital. Two fanfares are too short for a concert feature but work extremely well in a ceremony or celebratory setting. The last two short pieces aptly serve contrasting special purposes, as explained below.“Fort Pierre Fanfare” is about 40 seconds in duration, and was composed to open the feature concert at the South Dakota Bandmasters Association convention in 2022. Offutt Brass, from the US Air Force Heartland of America Band, was invited to perform that concert. Before the final piece of the concert, when gifts were exchanged between the sponsor and performers, beautiful presentation copies of the sheet music were presented to the sponsor. In performance, staging directions on the music can be extremely effective or cringy, depending on how they are conveyed. If there is any inkling that there may be a cringe factor, ignore them, and play the fanfare already on stage.“Enduring Freedom Fanfare” is nearly a minute of music. It was composed as a gift for the outgoing Commander of the US Air Force Heritage of America Band, Major Rafael Toro-Quiñones. His leadership was strong and inspiring, and he held a place of high esteem among many of the fine military musicians that he led. The Change of Command ceremony was toward the end of the Covid-19 shut-downs, so the work was not performed at the ceremony. Chief Remley, from the command’s satellite location in Nebraska, hand-delivered some finely printed presentation copies to Major Toro-Quiñones.“Noble Eagle Fanfare” is slightly over a minute in length, and, like “Enduring Freedom Fanfare,” was composed as a gift for another outgoing Commander of the US Air Force Heritage of America Band, Captain David Neil Regner.“Pilgrims’ Fanfare” was composed on what many Americans acknowledge as “Pioneer Day,” 24 July 2023. Not only honoring the thousands of pioneers that settled the western United States, but also the pilgrims that voyaged across the ocean to settle in the new continent. It is about 15 seconds in duration and is effective for any occasion in need of a magnificent fanfare.“Flightline Fanfare,” as its title implies, was composed for the ribbon cutting ceremony of the dedication of the newly renovated flightline at Offutt Air Force Base in Nebraska. Unfortunately, the ceremony itself was altered last-minute, and the 15-second fanfare was not used. However, like “Pilgrims’ Fanfare,” it is very handy for any event demanding a splash of pomp.“American Interlude” is a soft 75-second underscore for an MC’s moving speech or dedication. It was originally composed as a smooth segue between two moving patriotic pieces of different keys in a concert setting, but can be used in any similar appropriate situation.“Troop 184” is dedicated to my childhood BSA Scoutmaster, Gerry Nielson, who molded me in significant ways into the man I am decades later. It is functional music, akin to a fight song, and can be easily marched to. Words may be crafted as a customized hiking ditty, or it can be featured before or after ceremonies as prelude or processional music. The duration can also be customized, as there is a written optional repeat, lengthening the tune from 45 seconds to a minute and a half. Shiloh (Early American Christmas Carol) for Brass Quintet
Shiloh (Early American Christmas Carol) for Brass Quintet # Brass Quintet: 2 trumpets, horn, trombone, tuba # INTERMEDIATE # Christmas # William Billings # Nathaniel Hontz # Shiloh # TigerSong LLC # SheetMusicPlus
Brass Quintet Horn,Trombone,Trumpet,Tuba - Level 3 - Digital Download SKU: A0.1323071 Composed by William Billings. Arranged by Nathaniel Hontz. Advent,C...(+)
Brass Quintet Horn,Trombone,Trumpet,Tuba - Level 3 - Digital Download SKU: A0.1323071 Composed by William Billings. Arranged by Nathaniel Hontz. Advent,Christmas,Early Music,Holiday,Sacred. 18 pages. TigerSong LLC #911345. Published by TigerSong LLC (A0.1323071). Early American composer William Billings utilizes the same Christmas text Methinks I hear a Heavenly Host for both his tunes Shiloh and Boston. Shiloh, is a lively tune, alternating between 4/4 time for the verse and 3/2 time for the chorus. This arrangement for brass quintet presents three iterations. The first places the melody in the horn, mimicking the early American proclivity for placing the melody in the tenor voice and a counter line in the soprano voice. The second iteration is a multi-part canon between the trumpets, the low brass, and the horn. The final recapitulation restates the carol, this time with the melody in the first trumpet to soar above the other parts. The iterations can be played individually or together.