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22 sheet music found The Arban Manual (Pre 2013)
The Arban Manual (Pre 2013) # Trumpet # INTERMEDIATE/ADVANCED # Instructional # Eric Bolvin # The Arban Manual # SheetMusicPlus
Trumpet, Trombone, Tuba, Horn
in F, Euphonium - Advanced
Intermediate - Digital
Download
Composed by Eric Bolvin.
Method, Etudes and Exercises,
Reper...(+)
Trumpet, Trombone, Tuba, Horn
in F, Euphonium - Advanced
Intermediate - Digital
Download
Composed by Eric Bolvin.
Method, Etudes and Exercises,
Repertoire, General
Instructional, Technique
Training. 75 pages. Published
by Faded Duck Music The Arban Manual is a complete course that takes you through the Arban Method in 69 well organized lessons. You will need The Arban Method to use this course. Each lesson is a balanced day of practice. This version is for the older Carl Fischer Arban Method.
Description
The Arban Manual is a complete course that takes you through the Arban Method in 69 well organized lessons. You will need The Arban Method to use this course. Each lesson is a balanced day of practice.
Why
Arban’s Complete Conservatory Method for Trumpet andArban’s Famous Method for Trombone have been two of the most widely used brass books for over 100 years. The Arban Manual is simply a guide in how to practice Arban. The Arban Manual will take you step by step through the entire Arban method. The Arban Manual is not a technique book and the practice advice should work well with most brass methodology.
How
A minimum of one week should be spent on each lesson, although many choose to spend longer. If you are having trouble with one part of a lesson, you may wish to spend more time on that part. Most lessons are divided into six parts that should be practiced in the prescribed order. It is recommended that you rest between each part and try to spread your practicing throughout the day as best you can.
Range Considerations
Students who are ready to play from Arban should have a “usable range” up to A (concert G). Many of the easy studies do go this high. Although there are not many really high notes in Arbanby today’s standards, some of the studies can be quite taxing. An example of this is the interval studies on p. 126-129.
If you are not able to reach the highest keys at first, go as far you can comfortably, be sure to rest properly, and try to go further the next day. Remember, you will likely play from Arban in one way or another for most of your life, so don’t rush your progress.
Warming Up
One of the shortcomings of Arban is the lack of solid warm up material. Part I of each lesson is designed to be a warm up. Some teachers and students may find this inadequate for a warm up. Therefore, feel free to supplement the lesson plan with a warm up of your choosing. After your warm up, continue with Part I of the lesson.
Performance Etudes
I’ve designated some of the more melodic and well balanced etudes as “performance etudes”. These can be used for auditions or recitals and should be prepared for that purpose. Some teachers or students may have other favorite etudes that they may choose to use for the purpose of performance.
All of the characteristic studies and celebrated fantaisies are considered performance pieces.
Models
Models are different ways of playing an exercise. Many modelsinvolve using different articulations on a given exercise. Arban’suse of models is not extensive so I have chosen to expand on it, giving the student even more practice material. All models must be practiced thoroughly as prescribed in the lessons.
The Hard Stuff
At some point in your study of Arban you may come across something that you just can’t play, or play at tempo. This often involves triple or double tonguing. Don’t let this discourage you. Practice it diligently and slowly. You may want to stay with it for more than one lesson. After practicing the difficult etude for at least a month, make a note of it and return to it later. Brass playing is a lifetime commitment and you should continue to grow throughout your playing career. Many of the world’s top players can’t play everything in the Arban book.
Multiple Tonguing
Selecting the best syllables for multiple tonguing is often a problem for brass players and teachers. Although Arbanrecommends “tu ku”, many have had success using “tuh kuh”, “duh guh”, “tee kee” and many others. Finding your best syllables may take some experimentation.
Extending Exercises
Beginning with Lesson 44, some of the exercises are reviewed and extended. This is to provide more upper range work, more key work and different models.
Transposition
Beginning with Lesson 47, exercises are suggested to be transposed for trumpets in different keys. These are the most common transpositions and are only to provide the trumpet player with some basic transposition skills. Bass clef instruments need to substitute other material here such as clef practice.
The first transposition is for C trumpet which is useful for reading music in concert pitch. The second transposition is for Ab trumpet which is useful if you play a C trumpet and want to read a Bb part.
Songs and duets
Some teachers love these and others don’t. I suggest you try them and if you’d like to supplement other pieces that you need to work on, please feel free to do so.
For bass clef instruments
Although the page numbering is different, the exercises in the bass clef edition are numbered the same as the trumpet edition, therefore making The Arban Manual viable for bass clef instruments.
The songs and duets have been left out of the early bass clef version of Arban, although there is now a new version that does include them. Feel free to supplement music of your choice. Some of the articulations and models may not be practical for slide trombone. The Arban Manual - Hooten Edition
The Arban Manual - Hooten Edition # Trumpet # INTERMEDIATE/ADVANCED # Instructional # Eric Bolvin # The Arban Manual - Hooten Edit # SheetMusicPlus
Trumpet, Trombone, Tuba, Horn
in F, Euphonium - Advanced
Intermediate - Digital
Download
Composed by Eric Bolvin.
Method, Etudes and Exercises,
Repertoire,...(+)
Trumpet, Trombone, Tuba, Horn
in F, Euphonium - Advanced
Intermediate - Digital
Download
Composed by Eric Bolvin.
Method, Etudes and Exercises,
Repertoire, General
Instructional, Technique
Training. 76 pages. Published
by Faded Duck Music The Arban Manual is a complete course that takes you through the Arban Method in 69 well organized lessons. You will need The Arban Method to use this course. Each lesson is a balanced day of practice. This version is for the newer, Hooten edition published by Fischer.
Why
Arban?s Complete Conservatory Method for Trumpet andArban?s Famous Method for Trombone have been two of the most widely used brass books for over 100 years. The Arban Manual is simply a guide in how to practice Arban. The Arban Manual will take you step by step through the entire Arban method. The Arban Manual is not a technique book and the practice advice should work well with most brass methodology.
How
A minimum of one week should be spent on each lesson, although many choose to spend longer. If you are having trouble with one part of a lesson, you may wish to spend more time on that part. Most lessons are divided into six parts that should be practiced in the prescribed order. It is recommended that you rest between each part and try to spread your practicing throughout the day as best you can.
Range Considerations
Students who are ready to play from Arban should have a ?usable range? up to A (concert G). Many of the easy studies do go this high. Although there are not many really high notes in Arbanby today?s standards, some of the studies can be quite taxing. An example of this is the interval studies on p. 126-129.
If you are not able to reach the highest keys at first, go as far you can comfortably, be sure to rest properly, and try to go further the next day. Remember, you will likely play from Arban in one way or another for most of your life, so don?t rush your progress.
Warming Up
One of the shortcomings of Arban is the lack of solid warm up material. Part I of each lesson is designed to be a warm up. Some teachers and students may find this inadequate for a warm up. Therefore, feel free to supplement the lesson plan with a warm up of your choosing. After your warm up, continue with Part I of the lesson.
Performance Etudes
I?ve designated some of the more melodic and well balanced etudes as ?performance etudes?. These can be used for auditions or recitals and should be prepared for that purpose. Some teachers or students may have other favorite etudes that they may choose to use for the purpose of performance.
All of the characteristic studies and celebrated fantaisies are considered performance pieces.
Models
Models are different ways of playing an exercise. Many modelsinvolve using different articulations on a given exercise. Arban?suse of models is not extensive so I have chosen to expand on it, giving the student even more practice material. All models must be practiced thoroughly as prescribed in the lessons.
The Hard Stuff
At some point in your study of Arban you may come across something that you just can?t play, or play at tempo. This often involves triple or double tonguing. Don?t let this discourage you. Practice it diligently and slowly. You may want to stay with it for more than one lesson. After practicing the difficult etude for at least a month, make a note of it and return to it later. Brass playing is a lifetime commitment and you should continue to grow throughout your playing career. Many of the world?s top players can?t play everything in the Arban book.
Multiple Tonguing
Selecting the best syllables for multiple tonguing is often a problem for brass players and teachers. Although Arbanrecommends ?tu ku?, many have had success using ?tuh kuh?, ?duh guh?, ?tee kee? and many others. Finding your best syllables may take some experimentation.
Extending Exercises
Beginning with Lesson 44, some of the exercises are reviewed and extended. This is to provide more upper range work, more key work and different models.
Transposition
Beginning with Lesson 47, exercises are suggested to be transposed for trumpets in different keys. These are the most common transpositions and are only to provide the trumpet player with some basic transposition skills. Bass clef instruments need to substitute other material here such as clef practice.
The first transposition is for C trumpet which is useful for reading music in concert pitch. The second transposition is for Ab trumpet which is useful if you play a C trumpet and want to read a Bb part.
Songs and duets
Some teachers love these and others don?t. I suggest you try them and if you?d like to supplement other pieces that you need to work on, please feel free to do so.
For bass clef instruments
Although the page numbering is different, the exercises in the bass clef edition are numbered the same as the trumpet edition, therefore making The Arban Manual viable for bass clef instruments.
The songs and duets have been left out of the early bass clef version of Arban, although there is now a new version that does include them. Feel free to supplement music of your choice. Some of the articulations and models may not be practical for slide trombone.
About SMP Press Hallelujah, What A Savior (Man of Sorrows)--trumpet solo
Hallelujah, What A Savior (Man of Sorrows)--trumpet solo # Trumpet, Piano # INTERMEDIATE/ADVANCED # P # Beka Wilson # Hallelujah, What A Savior # Beka Wilson # SheetMusicPlus
Piano,Trumpet - Level 4 - Digital Download SKU: A0.786599 Composed by P. P. Bliss. Arranged by Beka Wilson. Christian,Easter,Gospel,Sacred. Score and par...(+)
Piano,Trumpet - Level 4 - Digital Download SKU: A0.786599 Composed by P. P. Bliss. Arranged by Beka Wilson. Christian,Easter,Gospel,Sacred. Score and part. 5 pages. Beka Wilson #6291221. Published by Beka Wilson (A0.786599). The music of this slower, thoughtful Easter hymn by P. P. Bliss is perfectly paired with the impact the lyrics make upon the listener. It would be perfect for Easter, communion, or any other church service.This arrangement is also available as a solo for piano, flute, oboe, clarinet, bassoon, alto sax, tenor sax, F horn, trombone, violin, viola, and cello. A vocal version of this arrangement will be made available soon.Length: approximately 2 minutes Level: advanced intermediate for most instruments5 pages (includes score and separate solo part) Five Miniatures for the Aspiring Brass Quintet, Op. 134
Five Miniatures for the Aspiring Brass Quintet, Op. 134 # Brass Quintet: 2 trumpets, horn, trombone, tuba # EASY # Dr # Five Miniatures for the Aspiri # https://gildedmusicpress.com/ # SheetMusicPlus
Brass Quintet - Level 2 - Digital Download SKU: A0.1489486 Composed by Dr. Daniel N. Thrower. Chamber,Classical,Contest,Festival,Instructional. 45 pages....(+)
Brass Quintet - Level 2 - Digital Download SKU: A0.1489486 Composed by Dr. Daniel N. Thrower. Chamber,Classical,Contest,Festival,Instructional. 45 pages. Https://gildedmusicpress.com/ #1066349. Published by https://gildedmusicpress.com/ (A0.1489486). This collection of short compositions for brass quintet was conceived specifically to supplement a dearth of appropriate and artistic original compositions for the young aspiring brass quintet. These pieces are most fitting for a good high school quintet or a beginning college ensemble that wants a conquerable challenge. With a variety of keys, styles, and tempos, they lend themselves well for deep work on the core ensemble skills of rhythmic accuracy, intonation, and dynamic balance. These brief works are also quite enjoyable for the professional quintet to perform for ever-popular school shows, or simply to read as a warmup with the focus of improving ensemble skills. Performance time for all five pieces is approximately five minutes.“Blackhawk” (duration 0:45) was originally composed in D-sharp minor as a melody to be used in Comprehensive Trumpet Skills, Book 9: Sightreading and Transposition (p. 39). The quintet version is in concert D minor for more manageable execution. This brisk four-four work is perhaps the most difficult in the collection, with demands of multiple tonguing for all the instruments as well as fairly advanced intervallic jumps. “Lamb of God” (duration 1:00) is one of many hymn tunes originally composed by Dr. Thrower for use in Comprehensive Trumpet Skills, Book 7: Ensemble Skills (p. 54), intended to be used to tune unisons and octaves. As a tuning study it was published in the key of F major for B-flat trumpet, or concert E-flat major. The quintet version retained the original key of concert E-flat. The reverently subdued four-four tempo makes this the easiest piece in the collection, technically, though the three core ensemble skills listed in the introductory paragraph (rhythm, intonation, and balance) must still be extensively addressed. The horn part is perhaps the most demanding in “Lamb of God,” with arpeggiated discant lines toward the end.“Summer Solstice” (duration 1:10) was started on June 21, 2023, which was the summer solstice. It is a bright, cheerful piece in concert F major with a lot of interest in all the parts. One source of the title’s inspiration came from my family’s new situation living in Tokyo, Japan, where the dawn sky brightens around 4:00 AM on the longest days of the year, which obviously coincide with the summer solstice. The 70-second piece was completed four days after conception while the long days started at their earliest.“Triumph: Children’s March” (duration 1:00) was the catalyst for this collection. It started as a cute little brass quintet piece in the key of concert B-flat major, to be performed for children, such as for school concerts. The cut-time tempo is very brisk for a march, but animated little legs (or a more manageable audience activity of clapping hands) can easily handle the task. Although the first trumpet part ends up on a high C, there is an alternate note for a more comfortable ending.“Waltzing Puma” (duration 0:30) is an evocative title for an evocative piece. Like “Blackhawk,” this melody was composed as a melody for Comprehensive Trumpet Skills, Book 9: Sightreading and Transposition (p. 36). The melodies in that series took on titles of military aircraft, and this one was the helicopter “Puma.” Since this tune is in a fast three-four, it became the “Waltzing Puma.” The quintet version retains the original key of concert F minor. Phases for Brass Quintet
Phases for Brass Quintet # Brass Quintet: 2 trumpets, horn, trombone, tuba # INTERMEDIATE/ADVANCED # P # Phases for Brass Quintet # Pete Strohm Music # SheetMusicPlus
Horn,Trombone,Trumpet,Tuba - Level 4 - Digital Download SKU: A0.1090460 Composed by P. F. Strohm. 20th Century,Contemporary,Contest,Festival. 64 pages. P...(+)
Horn,Trombone,Trumpet,Tuba - Level 4 - Digital Download SKU: A0.1090460 Composed by P. F. Strohm. 20th Century,Contemporary,Contest,Festival. 64 pages. Pete Strohm Music #694638. Published by Pete Strohm Music (A0.1090460). Phases for Brass Quintet , from American composer P. F. Strohm, is written around the musical framework of the four seasons. Phases for Brass Quintet will bring out your quintet's ensemble and individual skills in four distinct movements, each exploring different musical ideas and ensemble techniques. With a Medium-Advanced level of difficulty, Phases for Brass Quintet is an excellent concert, recital or contest work with performance time of 7:40. Member, ASCAP. See all works from P. F. Strohm on this site or at Pete Strohm Music. Portals
Portals # Brass Quintet: 2 trumpets, horn, trombone, tuba # INTERMEDIATE/ADVANCED # Film/TV # Alan Silvestri # Wesley Dantas # Portals # Wesley Dantas # SheetMusicPlus
Brass Quintet Horn,Trombone,Trumpet,Tuba - Level 4 - Digital Download SKU: A0.1241388 Composed by Alan Silvestri. Arranged by Wesley Dantas. Chamber,Cont...(+)
Brass Quintet Horn,Trombone,Trumpet,Tuba - Level 4 - Digital Download SKU: A0.1241388 Composed by Alan Silvestri. Arranged by Wesley Dantas. Chamber,Contemporary,Film/TV,Pop,Video Game. 10 pages. Wesley Dantas #836750. Published by Wesley Dantas (A0.1241388). English:Arranger Wesley Dantas has created a remarkable adaptation of the song Portals from the film Avengers: Endgame, composed by Alan Silvestri, specifically tailored for an advanced-level brass quintet. The objective is to enhance the repertoire for this instrumental ensemble, providing an elevated musical experience.With mastery and sensitivity, Dantas has translated the grandeur and emotion of the original composition into a captivating interpretation for the brass quintet. Through the combination of distinct timbres from brass instruments such as trumpet, French horn, trombone and tuba, each melodic and harmonic part is carefully assigned, resulting in a rich and balanced sound.The technical and expressive complexity of this version demands skill and proficiency from the musicians, making it suitable for high-level performers. The arrangement highlights the nuances of the original composition, exploring the sonic possibilities and individual characteristics of each instrument, offering the audience a fresh perspective on this iconic piece.Through this exquisite adaptation, Wesley Dantas demonstrates his talent as an arranger, enriching the repertoire available for advanced-level brass quintets and providing a gratifying musical experience for both musicians and enthusiasts of this instrumental ensemble.Portuguese: O arranjador Wesley Dantas desenvolveu uma notável adaptação da música Portals do filme Vingadores: Ultimato, composta por Alan Silvestri, especialmente concebida para um quinteto de metais de nÃvel avançado. Esse arranjo busca amplificar o repertório dessa formação instrumental, proporcionando uma experiência musical enriquecedora.Com maestria e sensibilidade, Dantas traduziu a grandiosidade e emoção da composição original em uma interpretação cativante para o quinteto de metais. Através da combinação dos timbres distintos dos instrumentos de metal, como trompete, trompa, trombone e tuba, cada parte melódica e harmônica é cuidadosamente atribuÃda, resultando em uma sonoridade rica e equilibrada.A complexidade técnica e expressiva dessa versão requer habilidade e domÃnio dos instrumentistas, sendo indicada para músicos de alto nÃvel. O arranjo valoriza as nuances da composição original, explorando as possibilidades sonoras e as caracterÃsticas individuais de cada instrumento, proporcionando ao público uma nova perspectiva dessa obra icônica.Com essa adaptação primorosa, Wesley Dantas demonstra seu talento como arranjador, enriquecendo o repertório disponÃvel para quintetos de metais de nÃvel avançado e proporcionando uma experiência musical gratificante para os músicos e apreciadores dessa formação instrumental. Fanfare March for the Ark for Trumpet Ensemble
Fanfare March for the Ark for Trumpet Ensemble # Trumpet ensemble # INTERMEDIATE # C # Charles Decker # Fanfare March for the Ark for # Charles Decker Music Press # SheetMusicPlus
Trumpet Ensemble Trumpet - Level 3 - Digital Download SKU: A0.817145 Composed by C. P. E. Bach. Arranged by Charles Decker. Christian,Christmas,Classical...(+)
Trumpet Ensemble Trumpet - Level 3 - Digital Download SKU: A0.817145 Composed by C. P. E. Bach. Arranged by Charles Decker. Christian,Christmas,Classical,Contest,Easter,Festival. 17 pages. Charles Decker Music Press #4323747. Published by Charles Decker Music Press (A0.817145). Seeking an accessible and elegant work for three or four trumpets? Then these two short movements by C. P. E. Bach will enhance brass ensemble programs or ceremonies as well as provide an exciting prelude for band or orchestra concerts featuring your trumpet section. Quickly mastered and easily memorized, doubling parts can add to the brilliance and doubling the third trumpet part in particular helps to balance the two solo trumpets. Timpani is optional but a frequent partner in early trumpet ensemble works. The recording is an actual trumpet ensemble performance of the complete work and not a computer playback of the score.Use this link to see all the Charles Decker Music Press Christmas holiday music for mixed brass and homogeneous groups.  Use this link to Kendor Music for my original composition for brass quintet with narrator of the holiday classic story ’Twas the Night Before Christmas.See 40+ homogeneous brass group editions for horn, trumpet and trombone ensembles and more than 70 mixed brass ensemble publications at Charles Decker Music Press at Sheet Music Plus for inexperienced to advanced musicians with music ranging from the Renaissance to contemporary new works for trios, quartets, quintets, brass choir and brass band. Many of the mixed brass ensemble editions include alternate and substitute parts being alternate C trumpet parts for B-flat trumpet parts, flugelhorn/trumpet substitute for horn, horn substitute for trombone and treble clef euphonium substitute for trombone. Check out our Music of Black Composers Series with Charles Decker Music Press at Sheet Music Plus with 25 arrangements for mixed brass ensembles ranging from early jazz to symphonic works with composers Samuel Coleridge-Taylor, R. Nathaniel Dett, William Grant Still, Will Marion Cook, James Reese Europe, James Johnson and others. All ensemble publications include recordings of the entire edition.  Use this link to Kendor Music for more of my trumpet ensemble arrangements of music by J.S. Bach, Handel, and Renaissance composers Gervaise and Susato. Dialogue (for Brass Septet)
Dialogue (for Brass Septet) # Brass quartet : 2 trumpets, trombone, tuba # INTERMEDIATE/ADVANCED # P # Dialogue # Pete Strohm Music # SheetMusicPlus
Brass Ensemble Trombone,Trumpet,Tuba - Level 4 - Digital Download SKU: A0.1036428 Composed by P. F. Strohm. 20th Century,Contemporary,Contest,Festival,Ja...(+)
Brass Ensemble Trombone,Trumpet,Tuba - Level 4 - Digital Download SKU: A0.1036428 Composed by P. F. Strohm. 20th Century,Contemporary,Contest,Festival,Jazz. Score and parts. 84 pages. Pete Strohm Music #641451. Published by Pete Strohm Music (A0.1036428). Dialogue (for Brass Septet) is an up-tempo, jazz-based work from American composer P. F. Strohm, arranged with tubist David Swanson for his group, Zen Brass. This setting of the work is scored for brass septet with three trumpet, three trombones (2 Ten, 1 Bass), and tuba. It employs classic big band concepts to create straight-ahead, ensemble energy. The parts trade off melodic and rhythmic figures throughout the opening. In the mid-section, the three trumpets trade solo lines, then combine in a riveting climax. The upper and lower voices then trade tight, challenging phrases as the piece rockets to a big tutti ending. Dialogue is an exciting work for ensembles looking for more modern and demanding parts. Medium-Advanced level of difficulty. Performance time is 4:00. Member, ASCAP. Trilogy (for Double Brass Quintet)
Trilogy (for Double Brass Quintet) # Brass quartet : 2 trumpets, trombone, tuba # INTERMEDIATE/ADVANCED # P # Trilogy # Pete Strohm Music # SheetMusicPlus
Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 4 - Digital Download SKU: A0.928180 Composed by P. F. Strohm. 20th Century,Contemporary,Contest,Festiva...(+)
Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 4 - Digital Download SKU: A0.928180 Composed by P. F. Strohm. 20th Century,Contemporary,Contest,Festival. Score and parts. 68 pages. Pete Strohm Music #6717305. Published by Pete Strohm Music (A0.928180). Trilogy (for Double Brass Quintet) is a three-section work from American composer P. F. Strohm. This setting of the work is scored for a 10-part ensemble, comprised of two brass quintets, one using tuba and one using bass trombone. The antiphonal scoring with the two quintets makes the work ideal for brass sections looking for a showcase piece. The sound of the piece is tonal, ranging from quiet contemplation to thundering assertion. It opens with a chorale-like 3/2 that lasts about four minutes, moving into a powerful three-and-a-half minute incantation, then bursts into a two-and-a-half minute dance in 7/4. Trilogy is an exciting work for contest or concert, and has a Medium to Medium-Advanced level of difficulty. Total performance time is around 10:00. Member, ASCAP. The Charleston (1923) for Brass Quintet
The Charleston (1923) for Brass Quintet # Brass Quintet: 2 trumpets, horn, trombone, tuba # INTERMEDIATE # James P # Charles Decker # The Charleston # Charles Decker Music Press # SheetMusicPlus
Brass Quintet Cornet,Euphonium,Flugelhorn,Trombone,Trumpet,Tuba - Level 3 - Digital Download SKU: A0.1276031 Composed by James P. Johnson. Arranged by Ch...(+)
Brass Quintet Cornet,Euphonium,Flugelhorn,Trombone,Trumpet,Tuba - Level 3 - Digital Download SKU: A0.1276031 Composed by James P. Johnson. Arranged by Charles Decker. 20th Century,Broadway,Film/TV,Musical/Show,Pop,Ragtime. 21 pages. Charles Decker Music Press #867780. Published by Charles Decker Music Press (A0.1276031). From the Music of Black Composers Series at Charles Decker Music Press is the “The Charleston†which debuted in James P. Johnson’s Broadway 1923 show “Runnin’ Wild†to become the wildly popular and unofficial anthem of the Roaring 20’s.  An important jazz pianist and composer, Johnson was a major influence on Count Basie, Duke Ellington, Art Tatum, Thelonious Monk, and Fats Waller.  Arranged for a brass quintet of two B-flat trumpets with alternate C trumpet parts, horn in F with a substitute flugelhorn part, trombone or euphonium and tuba, the arrangement uses the original 1923 piano edition and retains the style of the day. The recording is of the entire edition.“The Music of Black Composers Series is a welcome and timely addition to the brass repertoire. Interesting music, expertly arranged, fun to perform, and well received by audiences. These pieces are now permanently in my quintet book and I will be using them with my student groups as well. Highly recommended!â€Â  Wesley Nance, Rochester Philharmonic Orchestra, Eastman School of Music “I was so pleased to see the great works arranged for brass ensemble by Charles Decker Music Press especially the Music of Black Composers’ Series. It was especially rewarding to perform several of these with Summit Brass and with the students attending the Rafael Mendez Brass institute. Please keep these wonderful settings coming. You have provided the brass world with some real gems.â€Â Joseph Parisi, Director Summit Brass, FountainCity Brass Band, University of Missouri Kansas City Conservatory Wind EnsembleThe Interlochen Arts Academy and the University of Denver have purchased the Music of Black Composer Series with Charles Decker Music Press and the summer Rafael Mendez Brass Institute and Eastman School of Music uses the series arrangements in their chamber and brass ensembles music programs. See 50+ homogeneous brass editions for trumpet, horn and trombone ensembles and 75+ mixed brass ensemble publications with Charles Decker Music Press at Sheet Music Plus for inexperienced to advanced musicians with music ranging from the Renaissance to contemporary new works for trios, quartets, quintets, brass choir and brass band. Many of the mixed brass ensemble editions include alternate and substitute parts being alternate C trumpet parts for B-flat trumpet parts, flugelhorn/trumpet substitute for horn, horn substitute for trombone and treble clef euphonium substitute for trombone. To see our Music of Black Composers Series enter “Black Composers Series†in the search box at Charles Decker Music Press for 25 arrangements for mixed brass ensembles ranging from early jazz to symphonic works with composers Samuel Coleridge-Taylor, R. Nathaniel Dett, William Grant Still, Will Marion Cook, James Reese Europe, James Johnson and others.For more brass quintet editions by Charles Decker use these links to Kendor Music and Cherry Classics Music for listings of my arrangements of music by J.S. Bach, H.L. Clarke, Debussy, Dukas, Elgar, Falla, Holst, Ives, Nestico, Rachmaninoff, Satie, and Tchaikovsky. Variations on a Theme of Josef Haydn (arr. for Brass Quintet)
Variations on a Theme of Josef Haydn (arr. for Brass Quintet) # Brass Quintet: 2 trumpets, horn, trombone, tuba # INTERMEDIATE/ADVANCED # Classical # Johannes Brahms # P # Variations on a Theme of Josef # Pete Strohm Music # SheetMusicPlus
Level 4 - Digital Download SKU: A0.928135 Composed by Johannes Brahms. Arranged by P. F. Strohm. Chamber,Classical,Contest,Festival,Romantic Period. 68 p...(+)
Level 4 - Digital Download SKU: A0.928135 Composed by Johannes Brahms. Arranged by P. F. Strohm. Chamber,Classical,Contest,Festival,Romantic Period. 68 pages. Pete Strohm Music #5041117. Published by Pete Strohm Music (A0.928135). Variations on a Theme of Josef Haydn is one of Brahms' most popular works, expertly arranged here for Brass Quintet by American composer P. F. Strohm. Brahms wrote this piece (Op. 56) in the summer of 1873, first for two pianos then as an orchestral work. It is well-known for its unique five-measure phrasing of the chorale, which is used throughout the piece. Brahms kept this basic structure while developing the material in each variation, creating ten related-but-separate musical gems. This works out well for brass players, as individual variations range from just under a minute to just over three minutes for the finale. The piece is a joy to perform. The variations can be combined at will to fit performer skills for recitals, concerts and contests. Played in its entirety, Variations on a Theme of Josef Haydn is a striking concert showpiece with a typical performance time of 17:50. This third edition of the arrangement has uses a new font, clarifies some accidentals, and improves the part layouts. Difficulty level for the piece varies between Medium and Medium-Advanced. Member, ASCAP. Ecce Sacerdos Magnus (Behold The Great Priest) by Anton Bruckner for Mixed Brass Quartet
Ecce Sacerdos Magnus (Behold The Great Priest) by Anton Bruckner for Mixed Brass Quartet # Brass quartet : 2 trumpets, trombone, tuba # INTERMEDIATE # Anton Bruckner # P # Ecce Sacerdos Magnus # MusicPAD Music Publications # SheetMusicPlus
Brass Ensemble Trombone,Trumpet,Tuba - Level 3 - Digital Download SKU: A0.872904 Composed by Anton Bruckner. Arranged by P.A.Drahozal. Christian,Classica...(+)
Brass Ensemble Trombone,Trumpet,Tuba - Level 3 - Digital Download SKU: A0.872904 Composed by Anton Bruckner. Arranged by P.A.Drahozal. Christian,Classical,Concert,Sacred,World. Score and parts. 9 pages. MusicPAD Music Publications #2959141. Published by MusicPAD Music Publications (A0.872904). Ecce Sacerdos Magnus is the powerful choral work by Bruckner now set for mixed brass quartet (two trumpets, one trombone, one tuba). Care has been taken to maintain as much of Bruckner's original work as possible. This is a full-sounding, very powerful quartet, yet very attainable by mid level performers (advanced junior high to early high school age group). Care has been taken to help playability with many logical rehearsal marks and numerous ossia passages (tuba part) to accommodate younger players. The top trumpet part does require a well developed embouchure to provide the needed endurance for this great piece. Suite No. 4 for Brass Quintet (HMV 429)
Suite No. 4 for Brass Quintet (HMV 429) # Brass Quintet: 2 trumpets, horn, trombone, tuba # INTERMEDIATE/ADVANCED # G # P # Suite No. 4 for Brass Quintet # Pete Strohm Music # SheetMusicPlus
Brass Ensemble - Level 4 - Digital Download SKU: A0.928172 Composed by G. F. Handel. Arranged by P. F. Strohm. Baroque,Contest,Festival,Instructional,Sac...(+)
Brass Ensemble - Level 4 - Digital Download SKU: A0.928172 Composed by G. F. Handel. Arranged by P. F. Strohm. Baroque,Contest,Festival,Instructional,Sacred. Score and parts. 68 pages. Pete Strohm Music #6559549. Published by Pete Strohm Music (A0.928172). Suite No. 4 for Brass Quintet (HMV 429) has a dramatic introductory fugue, followed by the four dances that traditionally comprised such suites (Allemande, Courante, Sarabande, Gigue). Georg Friedrich Händel wrote 22 keyboard suites over his lifetime, primarily in his younger years. Not all the suites lend themselves to brass performance, but this one is perfectly suited for such treatment. This arrangement balances the five voices or the quintet evenly, and makes for a wonderful ensemble experience. This edition includes the ornaments, tempos and articulations that convey the spirit of the Baroque. Quintets can follow traditional Baroque terraced dynamics or use a more contemporary approach, as suits their own style. Perfect for concerts, recitals and contest, the difficulty level varies by movement from medium to medium-advanced. Total performance time is 12:54. Member, ASCAP. Polonaise in G Minor - For Brass Quintet ( 3 Trumpets in B Flat; Horn in F and Tuba)
Polonaise in G Minor - For Brass Quintet ( 3 Trumpets in B Flat; Horn in F and Tuba) # Brass Quintet: 2 trumpets, horn, trombone, tuba # INTERMEDIATE/ADVANCED # Classical # C # Raymond Fenech # Polonaise in G Minor - For Bra # Raymond Fenech # SheetMusicPlus
Brass Ensemble Horn,Trumpet,Tuba - Level 4 - Digital Download SKU: A0.759838 Composed by C.P E. Bach. Arranged by Raymond Fenech. Baroque,Classical,Easte...(+)
Brass Ensemble Horn,Trumpet,Tuba - Level 4 - Digital Download SKU: A0.759838 Composed by C.P E. Bach. Arranged by Raymond Fenech. Baroque,Classical,Easter,Multicultural,Standards,World. Score and parts. 13 pages. Raymond Fenech #3378911. Published by Raymond Fenech (A0.759838). Carl Philipp Emanuel Bach (1714 – 1788) was the second surviving and most famous son of Johann Sebastian Bach. The Polonaise is a stately dance in triple meter, originated in court ceremonies and processions in the 16th century, Poland This Polonaise is arranged for Brass quintet i.e. 3 Trumpets in B Flat, French Horn in F and Tuba. The level is Advanced Intermediate and the duration is 1.49 minutes. NB: If you are looking for a different combination of instruments, please request. rfenech58@gmail.com Scherzo for Brass Quintet from String Quartet, Opus 11
Scherzo for Brass Quintet from String Quartet, Opus 11 # Brass Quintet: 2 trumpets, horn, trombone, tuba # ADVANCED # Tchaikovsky, P # Poirier, Andrew # Scherzo for Brass Quintet from # Gordon Cherry # SheetMusicPlus
Brass Ensemble - Level 5 - Digital Download SKU: A0.792319 Composed by Tchaikovsky, P. I. Arranged by Poirier, Andrew. 20th Century,Classical,Romantic Pe...(+)