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39 sheet music found I've Gotta Get A Message To You
I've Gotta Get A Message To You # Brass quartet : 2 trumpets, trombone, tuba # EASY # Bee Gees # Peet du Toit # I've Gotta Get A Message To Yo # Peet du Toit # SheetMusicPlus
Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 2 - Digital Download SKU: A0.802647 By Bee Gees. By Barry Gibb, Maurice Gibb, and Robin Gibb. Arranged ...(+)
Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 2 - Digital Download SKU: A0.802647 By Bee Gees. By Barry Gibb, Maurice Gibb, and Robin Gibb. Arranged by Peet du Toit. Dance,Disco. Score and parts. 23 pages. Peet du Toit #6197563. Published by Peet du Toit (A0.802647). I've Gotta Get a Message to You is a song by the Bee Gees. Released as a single on 7 September 1968, it was their second number-one single on the UK Singles Chart and their first US Top 10 hit.The song is about a man who, awaiting his execution in the electric chair, begs the prison chaplain to pass a final message on to his wife. Robin Gibb, who wrote the lyrics, said that the man's crime was the murder of his wife's lover, though the lyrics do not explicitly allude to the identity of the victim. Robin said, This is about a prisoner on Death Row who only has a few hours to live. He wants the prison chaplain to pass on a final message to his wife. There's a certain urgency about it. Myself and Barry wrote it. It's a bit like writing a script. Sometimes you can sit there for three hours with your guitar and nothing will happen. Then in the last ten minutes something will spark. The song was written with Percy Sledge in mind to record it. Sledge did record it in February 1970 but Atlantic did not issue his version in the United States at the time.Barry recalled, In those days, the lyrics were almost pretty well done on the spot. I don't remember the fundamentals on how the lyrics were formed, except that we were writing about a guy on death row. That was it.Robin adds:It was like acting, you see, we said, let's pretend that somebody, his life is on the line, somebody's going to the chair. What would be going through their mind? Let's not make it doom and gloom but sort of an appeal to the person he loves. Because right now that's all he cares about. Regardless of whether he's done a bad thing, he is a human being, and he's sending out this last message. There's someone out there whom he loves. It's a torch song, but within a very sort of theatrical sense. Not sort of abstract, but definitely somebody in a very bad situation whose life is going to end. What would they be saying, you know? This is it: 'Gotta get a message to you, hold on.Revive this hit on your brass instruments and enjoy! La Vie En Rose
La Vie En Rose # Trumpet and Guitar # EASY # Edith Piaf # André Nusa # La Vie En Rose # Andre_Nusa # SheetMusicPlus
Acoustic Guitar,B-Flat Trumpet,Instrumental Duet - Level 2 - Digital Download SKU: A0.1221957 By Edith Piaf. By Edith Piaf and Louis Guglielmi. Arranged ...(+)
Acoustic Guitar,B-Flat Trumpet,Instrumental Duet - Level 2 - Digital Download SKU: A0.1221957 By Edith Piaf. By Edith Piaf and Louis Guglielmi. Arranged by André Nusa. 20th Century,Film/TV,Jazz,Singer/Songwriter,Standards. 5 pages. Andre_Nusa #818246. Published by Andre_Nusa (A0.1221957). This easy guitar and trumpet arrangement of the song La Vie En Rose by Edith Piaf is a charming and simple interpretation of this classic French tune. The guitar provides a smooth and steady accompaniment while the trumpet takes on the iconic melody of the song. The guitar plays a simple chord progression, providing a warm foundation for the trumpet to shine. The trumpet soars above the guitar, playing the melody with a sweet and expressive tone that captures the essence of the original song. The guitar and trumpet work together seamlessly, creating a beautiful interplay between the two instruments. The arrangement highlights the melody, allowing the trumpet to showcase its versatility and range. This arrangement is ideal for beginner to intermediate musicians who want to perform La Vie En Rose in a stripped-down and intimate setting, while still maintaining the essence of the song's timeless charm. The sheet music includes standard notation and tablature. Hotel California
Hotel California # Brass Quintet: 2 trumpets, horn, trombone, tuba # Rock # The Eagles # Will Corbin # Hotel California # Will Corbin # SheetMusicPlus
Brass Quintet Horn,Trombone,Trumpet,Tuba - Digital Download SKU: A0.1461115 By The Eagles. By Don Felder, Don Henley, and Glenn Frey. Arranged by Will Co...(+)
Brass Quintet Horn,Trombone,Trumpet,Tuba - Digital Download SKU: A0.1461115 By The Eagles. By Don Felder, Don Henley, and Glenn Frey. Arranged by Will Corbin. Pop,Rock. 24 pages. Will Corbin #1040025. Published by Will Corbin (A0.1461115). Hotel California is probably the best known -- and possibly best, period -- song from the Eagles, from the album of the same title. It's on everybody's list of greatest songs ever. The unending guitar solo that fades out to end the song -- by Hotel composer Don Felder and Joe Walsh -- gets a nod here with 16 bars of trombone solo. OK, it's not quite the same thing. Nor is any of it. But you try to get a ringing 12-string guitar sound out of a couple of trumpets and a French horn.I think it's at least recognizable, and maybe even presentable. But no brass quintet will pass for the Eagles.If you need alternative instrumentation, I'm happy to help. Contact me at wilcor@aol.com. On December Five-and-Twenty (medley) - brass quintet
On December Five-and-Twenty (medley) - brass quintet # Brass quartet : 2 trumpets, trombone, tuba # INTERMEDIATE/ADVANCED # Traditional # Todd Marchand # On December Five-and-Twenty # Con Spirito Music # SheetMusicPlus
Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 4 - Digital Download SKU: A0.726032 Composed by Traditional. Arranged by Todd Marchand. Christmas,Folk....(+)
Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 4 - Digital Download SKU: A0.726032 Composed by Traditional. Arranged by Todd Marchand. Christmas,Folk. Score and parts. 17 pages. Con Spirito Music #2958109. Published by Con Spirito Music (A0.726032). “On December Five-and-Twenty†brings together three folk tunes from different regions of Europe. The first, “Fum, Fum, Fum,†is a Catalan carol from northeastern Spain. The second, “Pat-a-Pan,†comes from the Burgundy region of east-central France. The third, “Touro-Louro-Louro!†comes from the Provence region of southeastern France.Each tune bears an onomatopoetic title (a word that phonetically imitates or suggests the source of the sound that it describes): The refrain “fum, fum, fum†in the Catalan carol is an onomatopoeia for the strumming of a guitar. “Pat-a-pan†— the title of the Burgundian carol — imitates the sound of a drum being struck. “Touro-louro-louro!†— the title of the Provencal carol — suggests the singing of birds. (A similar onomatopoeia, “turelurelu,†appears in “Pat-a-Pan,†suggesting the sound of a fife, or flute, being played.)This is a delightful arrangement that is enjoyable to play and pleasing to listeners. ©Copyright 2014 Todd Marchand / Con Spirito Music. Visit www.conspiritomusic.com Amor, (Portuguese for Love), Trumpet Duet
Amor, (Portuguese for Love), Trumpet Duet # 2 Trumpets (duet) # INTERMEDIATE # David McKeown # Amor, # David McKeown # SheetMusicPlus
Trumpet Duet Trumpet - Level 3 - Digital Download SKU: A0.590710 Composed by David McKeown. Holiday,Latin,Love,Wedding,World. Score. 5 pages. David McKeo...(+)
Trumpet Duet Trumpet - Level 3 - Digital Download SKU: A0.590710 Composed by David McKeown. Holiday,Latin,Love,Wedding,World. Score. 5 pages. David McKeown #6233617. Published by David McKeown (A0.590710). Amor, (Portuguese for Love), is an exciting original composition by David McKeown, arranged as a duet for two Trumpets, and is one of series of pieces celebrating Love in different languages around the world.This duet is based on the Brazilian style of Bossa Nova which evolved in Rio de Janeiro during the late 1950s. Bossa in its purest form is lyrical song accompanied by nylon-stringed guitar. The rhythm derives from Samba but is played at around half tempo. The harmony is often complex and influenced by jazz; indeed it was the collaboration between guitarist João Gilberto and American Saxophonist Stan Getz that led to the huge international popularity of Bossa Nova in the 1960s and beyond.If you play to an intermediate standard and upwards, then you and your audience will enjoy this piece. Rhythms should be lightly articulated, the melody should always flow, and following the articulation in the score will help convey the style. Amor has a performance time of around three minutes. Click the link above to listen to a full YouTube performance of the clarinet version of Amor.There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203 Amor, (Portuguese for Love), Trumpet and Trombone Duet
Amor, (Portuguese for Love), Trumpet and Trombone Duet # Trumpet, Trombone (duet) # INTERMEDIATE # David McKeown # Amor, # David McKeown # SheetMusicPlus
Instrumental Duet Instrumental Duet,Trombone,Trumpet - Level 3 - Digital Download SKU: A0.590709 Composed by David McKeown. Holiday,Latin,Love,Wedding,Wo...(+)
Instrumental Duet Instrumental Duet,Trombone,Trumpet - Level 3 - Digital Download SKU: A0.590709 Composed by David McKeown. Holiday,Latin,Love,Wedding,World. Score and parts. 5 pages. David McKeown #6233615. Published by David McKeown (A0.590709). Amor, (Portuguese for Love), is an exciting original composition by David McKeown, arranged as a duet for one Trumpet and one Trombone, and is one of series of pieces celebrating Love in different languages around the world.This duet is based on the Brazilian style of Bossa Nova which evolved in Rio de Janeiro during the late 1950s. Bossa in its purest form is lyrical song accompanied by nylon-stringed guitar. The rhythm derives from Samba but is played at around half tempo. The harmony is often complex and influenced by jazz; indeed it was the collaboration between guitarist João Gilberto and American Saxophonist Stan Getz that led to the huge international popularity of Bossa Nova in the 1960s and beyond.If you play to an intermediate standard and upwards, then you and your audience will enjoy this piece. Rhythms should be lightly articulated, the melody should always flow, and following the articulation in the score will help convey the style. Amor has a performance time of around three minutes. Click the link above to listen to a full YouTube performance of the clarinet version of Amor.There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203 Amor, (Portuguese for Love), Trumpet and Clarinet Duet
Amor, (Portuguese for Love), Trumpet and Clarinet Duet # Clarinet, Trumpet (duet) # INTERMEDIATE # David McKeown # Amor, # David McKeown # SheetMusicPlus
Instrumental Duet Clarinet,Instrumental Duet,Trumpet - Level 3 - Digital Download SKU: A0.590706 Composed by David McKeown. Holiday,Latin,Love,Wedding,Wo...(+)
Instrumental Duet Clarinet,Instrumental Duet,Trumpet - Level 3 - Digital Download SKU: A0.590706 Composed by David McKeown. Holiday,Latin,Love,Wedding,World. Score and parts. 5 pages. David McKeown #6233609. Published by David McKeown (A0.590706). Amor, (Portuguese for Love), is an exciting original composition by David McKeown, arranged as a duet for one Trumpet and one Clarinet, and is one of series of pieces celebrating Love in different languages around the world.This duet is based on the Brazilian style of Bossa Nova which evolved in Rio de Janeiro during the late 1950s. Bossa in its purest form is lyrical song accompanied by nylon-stringed guitar. The rhythm derives from Samba but is played at around half tempo. The harmony is often complex and influenced by jazz; indeed it was the collaboration between guitarist João Gilberto and American Saxophonist Stan Getz that led to the huge international popularity of Bossa Nova in the 1960s and beyond.If you play to an intermediate standard and upwards, then you and your audience will enjoy this piece. Rhythms should be lightly articulated, the melody should always flow, and following the articulation in the score will help convey the style. Amor has a performance time of around three minutes. Click the link above to listen to a full YouTube performance of the clarinet version of Amor.There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203 El Condor Pasa (If I Could)
El Condor Pasa (If I Could) # Brass Quintet: 2 trumpets, horn, trombone, tuba # BEGINNER # Daniel Alomia Robles, Jorge Mi # Alan Frazer (arranger) & Peet # El Condor Pasa # Peet du Toit # SheetMusicPlus
Brass Quintet Horn,Trombone,Trumpet,Tuba - Level 1 - Digital Download SKU: A0.1402823 Composed by Daniel Alomia Robles, Jorge Milchberg, and Paul Simon. ...(+)
Brass Quintet Horn,Trombone,Trumpet,Tuba - Level 1 - Digital Download SKU: A0.1402823 Composed by Daniel Alomia Robles, Jorge Milchberg, and Paul Simon. Arranged by Alan Frazer (arranger) & Peet du Toit (orchestrator). Folk. 10 pages. Peet du Toit #986049. Published by Peet du Toit (A0.1402823). This song started out as an Andean folk melody that Paul Simon came across in 1969 when he played a week-long engagement at a theater in Paris along with the South American group Los Incas, who played an instrumental version of the song called Paso Del Condor. Said Simon: I used to hang around every night to hear them play that. I loved it and I would play it all the time, and then I thought, Let's put words to it.The Peruvian songwriter Daniel Robles recorded this song in 1913, and copyrighted it in the United States in 1933 during his travels in America. When Simon recorded it with his added lyrics, he thought it was a traditional song, as that's what Los Incas told him. When Robles' son filed a lawsuit, Simon had to give Robles a composer credit on the song, with his estate getting those royalties.In discussing the song, Simon always talks about it as being based on a traditional Peruvian song, and we've never heard him mention Robles. This wasn't the first time Simon got tangled over songwriting credits on traditional melodies: Simon & Garfunkel's Scarborough Fair / Canticle was based on a folk song, but his arrangement came from a singer named Martin Carthy. Simon was always clear on his influences, but legal misunderstandings were a problem in these cases.Los Incas, who were the group that introduced Simon to the song, provided the instrumentation when they recorded it in Paris with Simon. Their leader, Jorge Milchberg, played a charango, which is an Andean string instrument made from the shell of an armadillo. Simon played acoustic guitar, and other members of Los Incas played flutes and percussion. When Simon brought the track to America, he added his lyrics. This was one of the easier songs to record for the Bridge Over Troubled Water album, since the backing track was already mixed together - it was just a matter of adding the vocals.The title translates to English as The Condor Passes. The lyrics Robles wrote to the song in 1913 are about returning home to his native Peru.Los Incas leader Jorge Milchberg got a composer credit on this song along with Simon and Robles. Milchberg later became the head of the group Urubamba and remained friends with Simon, who toured with them and produced their first American album. >>The Wainwright Sisters covered this for their 2015 Songs in the Dark album. Lucy Wainwright Roche explained to The Sun: I chose 'El Condor Pasa' because it was one of the first songs I ever learned to play on it guitar and it has a childlike quality to it, but it also has a darkness and sadness that fit in well with the album.Paul Simon performed this on both Sesame Street (in 1977) and The Muppet Show (in 1980).