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21 sheet music found Sports et Divertissements Suite for Brass Quintet
Sports et Divertissements Suite for Brass Quintet # Brass Quintet: 2 trumpets, horn, trombone, tuba # INTERMEDIATE/ADVANCED # Classical # Contemporary # Erik Satie # Charles Decker # Sports et Divertissements Suit # Gordon Cherry # SheetMusicPlus
Brass Quintet Horn,Trombone,Trumpet,Tuba - Level 4 - Digital Download SKU: A0.731667 Composed by Erik Satie. Arranged by Charles Decker. 20th Century,Cla...(+)
Brass Quintet Horn,Trombone,Trumpet,Tuba - Level 4 - Digital Download SKU: A0.731667 Composed by Erik Satie. Arranged by Charles Decker. 20th Century,Classical,Contemporary. 26 pages. Gordon Cherry #339930. Published by Gordon Cherry (A0.731667). Satie wrote the twenty movement Sports et Divertissement Suite in 1914, just before the outbreak of WWI. Originally written for piano, it is a humoristic fusion of illustrations, music, prose poetry and calligraphy, the latter three provided by Satie. This fine 9-movement arrangement of the Suite by Charles Decker for standard brass quintet (Trumpets in b-flat) is 6 minutes in length and includes the original narration by Satie (translated into English). Appropriate for moderately advanced performers. Aria from the Opera Orfeo ed Euridice for Brass Quintet (French Horn solo)
Aria from the Opera Orfeo ed Euridice for Brass Quintet (French Horn solo) # Brass Quintet: 2 trumpets, horn, trombone, tuba # INTERMEDIATE/ADVANCED # Christoph Willibald Gluck, # Keith Terrett # Aria from the Opera Orfeo ed E # Keith Terrett # SheetMusicPlus
Brass Quintet Horn,Trombone,Trumpet,Tuba - Level 4 - Digital Download SKU: A0.1446054 Composed by Christoph Willibald Gluck,. Arranged by Keith Terrett. ...(+)
Brass Quintet Horn,Trombone,Trumpet,Tuba - Level 4 - Digital Download SKU: A0.1446054 Composed by Christoph Willibald Gluck,. Arranged by Keith Terrett. Classical,Contest,Festival,Historic,Instructional,Opera. 16 pages. Keith Terrett #1025876. Published by Keith Terrett (A0.1446054). Orfeo ed Euridice is an opera composed by Christoph Willibald Gluck, based on the myth of Orpheus and set to a libretto by Ranieri de' Calzabigi. It belongs to the genre of the azione teatrale, meaning an opera on a mythological subject with choruses and dancing.The piece was first performed at the Burgtheater in Vienna on 5 October 1762, in the presence of Empress Maria Theresa. Orfeo ed Euridice is the first of Gluck's reform operas, in which he attempted to replace the abstruse plots and overly complex music of opera seria with a noble simplicity in both the music and the drama.The opera is the most popular of Gluck's works, and was one of the most influential on subsequent German operas. Variations on its plot—the underground rescue mission in which the hero must control, or conceal, his emotions—can be found in Mozart's The Magic Flute, Beethoven's Fidelio, and Wagner's Das Rheingold.Though originally set to an Italian libretto, Orfeo ed Euridice owes much to the genre of French opera, particularly in its use of accompanied recitative and a general absence of vocal virtuosity. Indeed, twelve years after the 1762 premiere, Gluck re-adapted the opera to suit the tastes of a Parisian audience at the Académie Royale de Musique with a libretto by Pierre-Louis Moline. This reworking was given the title Orphée et Eurydice, and several alterations were made in vocal casting and orchestration to suit French tastes.Ther picture is Count Francesco Algarotti, an Italian polymath, philosopher, poet, essayist, anglophile, art critic and art collector. He was a man of broad knowledge, an expert in Newtonianism, architecture and opera. He was a friend of Frederick the Great and leading authors of his times: Voltaire, Jean-Baptiste de Boyer, Marquis d'Argens, Pierre-Louis de Maupertuis and the atheist Julien Offray de La Mettrie. Lord Chesterfield, Thomas Gray, George Lyttelton, Thomas Hollis, Metastasio, Benedict XIV and Heinrich von Brühl were among his correspondents.''The Sicilienne and Rigaudon is one of the many pieces that violin virtuoso Fritz Kreisler composed in the style of other composers. When he first presented and published these pieces, he offered them as recently discovered works by those other composers, newly adapted and arranged by himself. In the case of Sicilienne and Rigaudon, it is eighteenth-century French violinist/composer François Francoeur whose name is on the title sheet, though the piece really has nothing to do with Francoeur's style.The piece is a simple and a charming one, however. The Sicilienne is a binary-form miniature that sweeps along on a characteristic dotted rhythm, with a rather melancholy melody. Think old French ballet. The constant 16th notes of the Rigaudon, give it a character quite unlike that of a traditional rigaudon-a cheerful Baroque dance movement in duple meter. A Mighty Fortress is Our God by Luther for Brass Quintet
A Mighty Fortress is Our God by Luther for Brass Quintet # Brass Quintet: 2 trumpets, horn, trombone, tuba # BEGINNER # Martin Luther # Ander # A Mighty Fortress is Our God b # Woods Only, Arrangements # SheetMusicPlus
Level 1 - Digital Download SKU: A0.1138522 Composed by Martin Luther. Arranged by Ander. Baroque,Christian,Instructional,Renaissance,Sacred. 8 pages. Woo...(+)
Level 1 - Digital Download SKU: A0.1138522 Composed by Martin Luther. Arranged by Ander. Baroque,Christian,Instructional,Renaissance,Sacred. 8 pages. Woods Only, Arrangements #738863. Published by Woods Only, Arrangements (A0.1138522). This easy arrangement for brass quintet has been adapted to be simple to perform and understand, adapted for various levels of musical knowledge; from beginners to music professionals. It can be played freely due to the ease built into the piece in relation to the author's suggested interpretation. Recommended for performances at Christian ceremonies and liturgical events in churches, it also serves as a study of the Renaissance repertoire. A Mighty Fortress Is Our God or Ein feste Burg ist unser Gott is a hymn written by Martin Luther probably before 1529. The melody was also considered his work for a long time, but it was created at least with the collaboration of Johann Walter. The song is of great symbolic power for Protestantism; where it is also known as Deus noster refugium et virtus. Considered one of the most important hymns in the history of Christianity, it was considered by the Christian poet Johann Heirich Heine (1797-1856) to be the Marseillaise of the Reformation, in an allusion to the French national anthem. Mozart: Requiem in D minor K626 III.Sequenz No.5 Confutatis Maledictus - brass quintet
Mozart: Requiem in D minor K626 III.Sequenz No.5 Confutatis Maledictus - brass quintet # Brass Quintet: 2 trumpets, horn, trombone, tuba # INTERMEDIATE/ADVANCED # Classical # Wolfgang Amadeus Mozart # Ray Thompson # Mozart: Requiem in D minor K62 # RayThompsonMusic # SheetMusicPlus
Horn,Trombone,Trumpet,Tuba - Level 4 - Digital Download SKU: A0.1108344 Composed by Wolfgang Amadeus Mozart. Arranged by Ray Thompson. Classical,Religiou...(+)
Horn,Trombone,Trumpet,Tuba - Level 4 - Digital Download SKU: A0.1108344 Composed by Wolfgang Amadeus Mozart. Arranged by Ray Thompson. Classical,Religious,Sacred. 11 pages. RayThompsonMusic #710984. Published by RayThompsonMusic (A0.1108344). Arranged standard brass quintet. Transposed from A minor down to G minor to suit brass instrumentation The Requiem in D minor, K. 626, is a requiem mass by Wolfgang Amadeus Mozart (1756–1791). Mozart composed part of the Requiem in Vienna in late 1791, but it was unfinished at his death on 5 December the same year. A completed version dated 1792 by Franz Xaver Süssmayr was delivered to Count Franz von Walsegg, who commissioned the piece for a requiem service on 14 February 1792 to commemorate the first anniversary of the death of his wife Anna at the age of 20 on 14 February 1791. This is my arrangement of No.5 Confutatis (From the accursed).It begins with a rhythmic and dynamic sequence of strong contrasts and surprising harmonic turns on tuba and horn the tenors and basses (Trumpets and trombone) burst into a forte vision of the infernal, on a dotted rhythm. The accompaniment then ceases , and trumpet 1 and tbn enter softly and sotto voce, (Voca me cum benedictis ()Call upon me with the blessed) with an arpeggiated accompaniment on horn and trumpet 2. Finally, in the following stanza (Oro supplex et acclinis), there is a striking modulation from G minor to Gb minor. This music suits the brass quintet. Section III of the requiem is titled “Sequenz†(sequentia or sequence). It is made up of the following pieces I have arrangements of all of them, for varying types of ensemble * Dies irae * Tuba mirum * Rex tremendae * Recordare * Confutatis * Lacrymosa. I have also arranged Mozarts Motet “Ave Verum Corpus†K618. Puer Natus In Bethlehem (Ein Kind geborn zu Bethlehem)
Puer Natus In Bethlehem (Ein Kind geborn zu Bethlehem) # Brass Quintet: 2 trumpets, horn, trombone, tuba # BEGINNER # Michael Praetorius # Alessandro Macrì # brass quintet) # Puer Natus In Bethlehem # Music Macri Editions # SheetMusicPlus
Brass Band Horn,Trombone,Trumpet,Tuba - Level 1 - Digital Download SKU: A0.1306519 Composed by Michael Praetorius. Arranged by Alessandro Macrì. Early...(+)
Brass Band Horn,Trombone,Trumpet,Tuba - Level 1 - Digital Download SKU: A0.1306519 Composed by Michael Praetorius. Arranged by Alessandro Macrì. Early Music,Film/TV,Renaissance. Score and Parts. 54 pages. Music Macri Editions #895872. Published by Music Macri Editions (A0.1306519). Puer Natus In Bethlehem (Ein Kind geborn zu Bethlehem)from Polyhymnia Caduceatrix et Panegyrica, 1619for Brass Choir (2 brass quartets & brass quintet).Within a relatively short publishing career, from 1605 to his death in 1621, Praetorius disseminated through print an astonishingly rich array of music for Lutheran liturgical use, focusing particularly on settings of traditional melodies (especially chorales). Writing for double choir predominates in the early volumes of his monumental series Musæ Sioniæ, which includes (in the second volume, 1607) the settings of In dulci jubilo and Puer natus in Bethlehem. Both represent the prominence of macaronic texts—mixing elements in Latin and the vernacular—in the Christmas repertory of the middle ages and beyond, and more generally the juxtaposition of Latin and German which was quite common practice in Lutheran churches. In Puer natus in Bethlehem the first verse of the medieval Latin hymn is then repeated in German translation (‘Ein Kind geborn zu Bethlehem’), whereafter the Christmas scene is presented in German, with a return to a mixture of Latin and German stanzas for the concluding offering of praise. This particular German translation of the Latin hymn, and the associated melody, date from the mid sixteenth century. In this lengthy work Praetorius keeps the listeners’ attention partly through the varied and witty manner in which he treats the ‘alleluia’ which ends every verse, and also through switches between triple and duple metre. Faure: Requiem Op.48: A selection of 3 pieces: I.Introit et Kyrie IV. Pie Jesu & VI.Libera Me - brass quintet
Faure: Requiem Op.48: A selection of 3 pieces: I.Introit et Kyrie IV. Pie Jesu & VI.Libera Me - brass quintet # Brass Quintet: 2 trumpets, horn, trombone, tuba # Classical # Gabriel Faure # Ray Thompson # Faure: Requiem Op.48: A selec # RayThompsonMusic # SheetMusicPlus
Composed by Gabriel Faure (1845-1924). Arranged by Ray Thompson. 20th Century, Sacred, General Worship, Wedding, Funeral. Score, Set of Parts. 24 pages. Publish...(+)
Composed by Gabriel Faure (1845-1924). Arranged by Ray Thompson. 20th Century, Sacred, General Worship, Wedding, Funeral. Score, Set of Parts. 24 pages. Published by RayThompsonMusic (S0.170055). - Score,Set of Parts - 20th Century,Sacred,General Worship,Wedding,Funeral - RayThompsonMusic Honor, virtus et potestas (Thomas Tallis for Brass Quintet)
Honor, virtus et potestas (Thomas Tallis for Brass Quintet) # Brass Quintet: 2 trumpets, horn, trombone, tuba # INTERMEDIATE/ADVANCED # Renaissance # Thomas Tallis # Al Cannon # Honor, virtus et potestas # Al Cannon # SheetMusicPlus
By Thomas Tallis (1505-1585). Arranged by Al Cannon. For Trumpet, Horn, Trombone, Tuba, Brass Quintet. Early Music, Renaissance, Christmas, Easter, Wedding. Adv...(+)