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10 sheet music found Mendelssohn: Song Without Words Op. 109 for Trumpet & Piano
Mendelssohn: Song Without Words Op. 109 for Trumpet & Piano # Trumpet # INTERMEDIATE # Felix Mendelssohn # James M # Mendelssohn: Song Without Word # jmsgu3 # SheetMusicPlus
B-Flat Trumpet,Piano - Level 3 - Digital Download SKU: A0.549500 Composed by Felix Mendelssohn (1809 –1847). Arranged by James M. Guthrie, ASCAP. ...(+)
B-Flat Trumpet,Piano - Level 3 - Digital Download SKU: A0.549500 Composed by Felix Mendelssohn (1809 –1847). Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Sacred,Standards. Score and part. 20 pages. Jmsgu3 #3501845. Published by jmsgu3 (A0.549500). TRUMPET in Bb and PIANO - Score: 11 pages, solo part: 3 pages, piano part: 5 pages. Duration: 4:20. This is a popular recital piece that would work well also in church or school programs. Mendelssohn Background Felix Mendelssohn (1809 –1847) was, by all means, a German mastermind composer, musician, and orchestra conductor of the Romantic period. Consequently, Mendelssohn composed in the usual forms of the time - symphonies, concertos, oratorios, piano music, and chamber music. To summarize, his most famous works include his music for A Midsummer Night's Dream, the Italian Symphony, the Scottish Symphony, The Hebrides Overture, his later Concerto for Violin & Orchestra, and his Octet for Strings. His most well-known piano pieces, by and large, are the Songs Without Words. Artistic Standing  Musical tastes change from time to time. Moreover, just such a change occurred in the late 19th and early 20th centuries. This plus rampant antisemitism brought a corresponding amount of undue criticism. Fortunately, however, his artistic inventiveness has indeed been critically re-evaluated. As a result, Mendelssohn is once again among the most prevalent composers of the Romantic era. Early Family Life Mendelssohn was, in fact, born into a prominent Jewish family. His grandfather was, notably, the philosopher Moses Mendelssohn. Felix was, in fact, raised without religion. At the age of seven, he was suddenly baptized as a Reformed Christian. He was, moreover, a child musical prodigy. Nevertheless, his parents did not attempt to exploit his talent. Early Adulthood Mendelssohn was, in general, successful in Germany. He conducted, in particular, a revival of the music of Johann Sebastian Bach, specifically with his presentation of the St Matthew Passion in 1829. Felix was truly in demand throughout Europe as a composer, conductor, and soloist. For example, he visited Britain ten times. There, he premiered, namely, many of his significant works. His taste in music was. To be sure, inventive and well-crafted yet markedly conservative. This conservatism separated him by all means from more audacious musical colleagues like Liszt, Wagner, and Berlioz. Mendelssohn founded the Leipzig Conservatoire which, to clarify, became a defender of this conservative viewpoint. Mature Adulthood Schumann notably wrote that Mendelssohn was the Mozart of the nineteenth century, the most brilliant musician, the one who most clearly sees through the contradictions of the age and for the first time reconciles them. This observation points to a couple of features in particular that illustrate Mendelssohn's works and his artistic procedure. Musical Features In the first place, his musical style was fixed in his systematic mastery of the style of preceding masters. This being said, he certainly recognized and even developed early romanticism from the music of Beethoven and Weber. Secondly, it indicates that Mendelssohn sought to strengthen his inherited musical legacy rather than to exchange it with new forms and styles or replace it with exotic orchestration. Consequently, he diverged his contemporaries in the romantic period, such as Wagner, Berlioz, and Liszt. Mendelssohn revered Liszt's virtuosity at the keyboard but found his music rather insubstantial. Solo For Bb Trumpet
Solo For Bb Trumpet # Trumpet # EASY # Patrick Jillett # Solo For Bb Trumpet # Patrick Jillett # SheetMusicPlus
B-Flat Trumpet Solo - Level 2 - Digital Download SKU: A0.1454860 By Patrick Jillett. By Patrick Jillett. 20th Century,21st Century,Contemporary. Individu...(+)
B-Flat Trumpet Solo - Level 2 - Digital Download SKU: A0.1454860 By Patrick Jillett. By Patrick Jillett. 20th Century,21st Century,Contemporary. Individual part. 6 pages. Patrick Jillett #1033930. Published by Patrick Jillett (A0.1454860). Opus 8 - Solo For Bb Trumpet is a study piece composed early on, by a contemporary Australian composer, Patrick Jillett. Appropriate for a concert, recital or eisteddfod. It is playable by the early musician, and can be used to teach study genre. It is in the key of C major, beginning with an introduction and section A consisting of arpeggiated chords played as a syncopated almost swing style, in root position study. The remainder of the piece develops to softer legato step shaped melodic phrase, before returning to section A progressing to the coda in ABA form. Opus 8 - Solo For Bb Trumpet uses early skill level, perfect for an introduction to study style. The Art of Melody: 13 Song Transcriptions for Trumpet- Piano Accompaniment
The Art of Melody: 13 Song Transcriptions for Trumpet- Piano Accompaniment # Trumpet # INTERMEDIATE/ADVANCED # Classical # Claude Debussy, Edvard Grieg, # Cooper Minnis # The Art of Melody: 13 Song Tra # Cooper Minnis # SheetMusicPlus
Piano,Trumpet - Level 4 - Digital Download SKU: A0.962780 Composed by Claude Debussy, Edvard Grieg, Franz Schubert, Gabriel Faure, Hugo Wolf, Richard Wag...(+)
Piano,Trumpet - Level 4 - Digital Download SKU: A0.962780 Composed by Claude Debussy, Edvard Grieg, Franz Schubert, Gabriel Faure, Hugo Wolf, Richard Wagner, and Robert Schumann. Arranged by Cooper Minnis. 20th Century,Instructional,Romantic Period,Standards. Score and part. 68 pages. Cooper Minnis #3116429. Published by Cooper Minnis (A0.962780). The Art of Melody contains thirteen romantic and early 20th century art songs transcribed for trumpet and piano accompaniment. The songs in this book represent an exercise in lyricism and musical expression using a variety of musical styles and poetic subject matter. For better understanding of the music each piano score includes lyrics to the song in its original language as well as an English translation. These transcriptions are suitable for high school students through professional soloists. Piano accompaniment and parts sold separately. I Love You Truly-trumpet/piano
I Love You Truly-trumpet/piano # Trumpet # EASY # Phil Beaman # I Love You Truly-trumpet/piano # Phil Beaman # SheetMusicPlus
Piano,Trumpet - Level 2 - Digital Download SKU: A0.844631 Composed by Phil Beaman. 20th Century,Pop,Romantic Period,Wedding. Score and part. 9 pages. Phi...(+)
Piano,Trumpet - Level 2 - Digital Download SKU: A0.844631 Composed by Phil Beaman. 20th Century,Pop,Romantic Period,Wedding. Score and part. 9 pages. Phil Beaman #4413807. Published by Phil Beaman (A0.844631). Vintage pop romance! This accompanied instrumental solo is a Theme and Variations. For the Theme I used an extract from the 1906 hit pop song I Love You Truly by Carrie Jacobs-Bond, a celebrated female composer at the turn of century. With each variation the melody and rhythm evolve further from the original Theme. The tempo also increases slightly as you progress to each new variation. The first variation adds chromatic embellishment, the second variation syncopates the rhythm, and the third variation uses triplet patterns. More life is added to your romance with each variation!Each person who has heard this piece hears something different, but in all of them it conjures up vintage courting; and most say it would fit a soundtrack to an early silent movie. So, at heart, this piece is still a turn of the century love ballad, but livened up and fused with subtle influences from other styles and periods. Perfect for weddings where you are trying to please everyone; a bit pop, a bit classical, and totally romantic!Works equally well in a classroom or lesson studying Theme and Variations. The easy-going melody only has a range of just over an octave. Its beauty and technique suits it for any recital as well.6 minutes with repeats, 3 minutes without; 6 page score; 3 page solo partRecording is of the Cello/Piano version and doesn't take the repeats.