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10 sheet music found Gloria
Gloria # Brass quartet : 2 trumpets, trombone, tuba # INTERMEDIATE # Contemporary # Sam Smith # Whitney Lussier # Gloria # Rosesong Music # SheetMusicPlus
Brass Ensemble Trombone,Trumpet,Tuba - Level 3 - Digital Download SKU: A0.1173740 By Sam Smith. By Foy Vance and Samuel Frederick Smith. Arranged by Whit...(+)
Brass Ensemble Trombone,Trumpet,Tuba - Level 3 - Digital Download SKU: A0.1173740 By Sam Smith. By Foy Vance and Samuel Frederick Smith. Arranged by Whitney Lussier. Classical,Contemporary,Pop. Score and parts. 9 pages. Rosesong Music #773890. Published by Rosesong Music (A0.1173740). A brass quartet version of Sam Smith's classical/gospel mashup, Gloria from their 2023 album Gloria. Described by Smith as their queer love hymn, this song takes listeners on a two minute emotional journey from pensive doubt to realization and exuberant self-acceptance.This chorale-style arrangement is in a brass-friendly key, and is closely adapted from the original SATB choral parts! The trombone and tuba are featured in the opening lyrical section, and every instrument gets a turn to show off their technical skills in the bombastic polyphonic section. Blend, balance and articulation matching are also emphasized, providing an excellent, student-friendly introduction to brass ensemble playing!Includes a full score and individual parts. Das Große Gastmahl (Trompete 1)
Das Große Gastmahl (Trompete 1) # Trumpet # INTERMEDIATE/ADVANCED # Stephan Langenberg # Das Große Gastmahl # Stephan Langenberg # SheetMusicPlus
B-Flat Trumpet Solo - Level 4 - Digital Download SKU: A0.1435137 Composed by Stephan Langenberg. 21st Century,Christian,Holiday,Religious,Sacred. Individ...(+)
B-Flat Trumpet Solo - Level 4 - Digital Download SKU: A0.1435137 Composed by Stephan Langenberg. 21st Century,Christian,Holiday,Religious,Sacred. Individual part. 17 pages. Stephan Langenberg #1015241. Published by Stephan Langenberg (A0.1435137). Inhaltlich orientiert sich das Werk am Evangelium nach Lukas 14,15-24:Ein großes Fest ist bereitet. Der Gastgeber schickt seinen Knecht (Sprecher) um drei auserwählte Gäste (Chöre 1-3) einzuladen. Nachdem ihm alle Gäste eine Absage erteilen, kehrt der Knecht zu seinem Herrn zurück. Dieser schickt ihn aber erneut hinaus. Nun jedoch zu allen anderen Menschen um sie zum Fest einzuladen (Schlusschor: Geh hinaus). Jeder Gast in diesem Gleichnis wird durch eine Chornummer repräsentiert. Zu jedem unterschiedlichen Charakter sind unterschiedliche Stilistiken gewählt worden.Besetzung· gemischter Chor (SATB) 4 bis 8 stimmig (vereinzelt Solisten aus dem Chor) · Sprecher· Blechbläserquintett (2Tr/Flg, 1 Hrn, 1 Trb, 1 Tb) · Klavier, Hammond Orgel (alternativ Pfeifenorgel)Aufführungsdauer: ca. 30 Minuten (Bearbeitungen der einzelnen Chorstücke für Chor und Klavier ebenfalls verfügbar)Inhalt1. Choral: „Selig die am Tisch des Herrn” (1)2. Der Knecht3. Der Weg zum ersten Gast (instrumental + Sprecher)4. Chor: „Du hast der Güter reich” (der erste Gast)5. Die Einladung/ die Absage (1)6. Der Weg zum zweiten Gast (s.o.)7. Chor: „Stark ist dein Arm” (der zweite Gast)8. Die Einladung/ die Absage (2)9. Der Weg zum dritten Gast (s.o)10. Chor: „Wie schön du bist” (der dritte Gast)11. Die Einladung/ die Absage (3)12. Der Knecht (Reprise)13. Chor: „Geh hinaus”14. Choral: „Selig die am Tisch des Herrn” (2)UraufführungDie Uraufführung im Rahmen der “Nacht der offenen Kirchen” in der Stadtkirche Unna fand große Zustimmung von Publikum und Ausführenden gleichermaßen. Sie fand am 08.06.2014 in der Stadtkirche Unna statt. Ausführende waren die Philipp-Nicolai Kantorei Unna, das Ensemble Grazination Brass aus Graz und Guntram Höft als Sprecher unter der Leitung von KMD Hannelore Höft.Im Anschluss an das Konzert wurde die Nacht der offenen Kirchen mit einem großen Abendmahl im Kirchenraum gefeiert.Hier geht zum Notenmaterial: Sheet MusicWeitere Informationen zu meiner Person und meinen Werken finden Sie auf meiner neuen Internetseite: www.langenbergmedia.com Das Große Gastmahl (Trompete 2)
Das Große Gastmahl (Trompete 2) # Trumpet # INTERMEDIATE/ADVANCED # Stephan Langenberg # Das Große Gastmahl # Stephan Langenberg # SheetMusicPlus
B-Flat Trumpet Solo - Level 4 - Digital Download SKU: A0.1435140 Composed by Stephan Langenberg. 21st Century,Christian,Holiday,Religious,Sacred. Individ...(+)
B-Flat Trumpet Solo - Level 4 - Digital Download SKU: A0.1435140 Composed by Stephan Langenberg. 21st Century,Christian,Holiday,Religious,Sacred. Individual part. 17 pages. Stephan Langenberg #1015245. Published by Stephan Langenberg (A0.1435140). Inhaltlich orientiert sich das Werk am Evangelium nach Lukas 14,15-24:Ein großes Fest ist bereitet. Der Gastgeber schickt seinen Knecht (Sprecher) um drei auserwählte Gäste (Chöre 1-3) einzuladen. Nachdem ihm alle Gäste eine Absage erteilen, kehrt der Knecht zu seinem Herrn zurück. Dieser schickt ihn aber erneut hinaus. Nun jedoch zu allen anderen Menschen um sie zum Fest einzuladen (Schlusschor: Geh hinaus). Jeder Gast in diesem Gleichnis wird durch eine Chornummer repräsentiert. Zu jedem unterschiedlichen Charakter sind unterschiedliche Stilistiken gewählt worden.Besetzung· gemischter Chor (SATB) 4 bis 8 stimmig (vereinzelt Solisten aus dem Chor) · Sprecher· Blechbläserquintett (2Tr/Flg, 1 Hrn, 1 Trb, 1 Tb) · Klavier, Hammond Orgel (alternativ Pfeifenorgel)Aufführungsdauer: ca. 30 Minuten (Bearbeitungen der einzelnen Chorstücke für Chor und Klavier ebenfalls verfügbar)Inhalt1. Choral: „Selig die am Tisch des Herrn” (1)2. Der Knecht3. Der Weg zum ersten Gast (instrumental + Sprecher)4. Chor: „Du hast der Güter reich” (der erste Gast)5. Die Einladung/ die Absage (1)6. Der Weg zum zweiten Gast (s.o.)7. Chor: „Stark ist dein Arm” (der zweite Gast)8. Die Einladung/ die Absage (2)9. Der Weg zum dritten Gast (s.o)10. Chor: „Wie schön du bist” (der dritte Gast)11. Die Einladung/ die Absage (3)12. Der Knecht (Reprise)13. Chor: „Geh hinaus”14. Choral: „Selig die am Tisch des Herrn” (2)UraufführungDie Uraufführung im Rahmen der “Nacht der offenen Kirchen” in der Stadtkirche Unna fand große Zustimmung von Publikum und Ausführenden gleichermaßen. Sie fand am 08.06.2014 in der Stadtkirche Unna statt. Ausführende waren die Philipp-Nicolai Kantorei Unna, das Ensemble Grazination Brass aus Graz und Guntram Höft als Sprecher unter der Leitung von KMD Hannelore Höft.Im Anschluss an das Konzert wurde die Nacht der offenen Kirchen mit einem großen Abendmahl im Kirchenraum gefeiert.Hier geht zum Notenmaterial: Sheet MusicWeitere Informationen zu meiner Person und meinen Werken finden Sie auf meiner neuen Internetseite: www.langenbergmedia.com A Billings Triptych - for 8-Part Brass Choir
A Billings Triptych - for 8-Part Brass Choir # Brass quartet : 2 trumpets, trombone, tuba # INTERMEDIATE # William Billings # Mike Allsen # A Billings Triptych - for 8-Pa # Aaron Hettinga # SheetMusicPlus
Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 3 - Digital Download SKU: A0.1030615 Composed by William Billings. Arranged by Mike Allsen. Classical,P...(+)
Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 3 - Digital Download SKU: A0.1030615 Composed by William Billings. Arranged by Mike Allsen. Classical,Praise & Worship,Renaissance,Sacred,Spiritual. Score and parts. 41 pages. Aaron Hettinga #636010. Published by Aaron Hettinga (A0.1030615). William Billings (1746-1800) was North America’s first great choral composer. He spent most of his life in Boston, working at various times as a tanner or as minor civic official, and occasionally as a church musician. Billings seems to have had little formal music training, but when he was just 22, he also set himself up as an itinerant singing-master, teaching “singing-schools,†where children and adults could learn the rudiments of musical notation and solfege. To feed the market he and other singing-masters had helped to create, Billings published six collections of music, mostly for SATB voices, The first of these, The New England Psalm-Singer (1770) featured a frontispiece engraved by his friend Paul Revere. Billings was fairly prosperous by 1780s, but his good fortune faded in the 1790s. His final collection of music, The Continental Harmony of 1794, was published for his benefit by a group of Boston friends. Billings died destitute in 1800. Billings composed some 340 pieces, mostly collected in his printed editions. This music has a rough-edged and sturdy beauty that is distinctly different from anything in contemporary Europe. The vast majority of Billings’s works were hymns or “psalm tunes.†He was particularly attracted to the great English hymn-writer Isaac Watts (1674-1748), though Billings himself wrote verses for many of his hymns. One of the most famous Billings “psalm tunes,†Chester is not a Christian hymn, but rather a patriotic song of defiance directed against the British. Billings spent nearly all of the Revolutionary War in Boston and made no secret of his patriot sentiments. Chester was first published in 1770, but when he republished it in his The Singing-Master’s Assistant during the height of the war in 1778, Billings added a verse calling out the “infernal league†of the leading British generals Howe, Burgoyne, Clinton, Prescot and Cornwallis. Many brass-players will know Chester from the finale of William Schuman’s 1957 band piece A New England Triptych. Billings also composed over 50 “fuging-tunesâ€â€”a genre that usually included a short introduction and a repeated contrapuntal section. (These fuging sections usually begin with imitation, but they are otherwise not at all like classical fugues written in Europe at the time.) The fuging-tune Creation is one of his later works, published in The Continental Harmony of 1794, and experiments with the form. It sets two verses of the Watts hymn “When I With Pleasing Wonder Stand†though final line of verse 1 is repeated in a striking phrase that suddenly moves twice as fast (m.15). The fuging section begins in m.30, and rather than the usual exact repeat, Billing writes an entirely new and more elaborate second section beginning at m.44. Billings first published the simple but beautiful Africa in 1770, and published a revised version in 1778; the later version appearing with the Isaac Watts hymn “Now Shall My Inward Joys Arise.†I first arranged Africa in 1995, for the Glenwood Moravian Trombone Choir (Madison, WI), and I edited it for this publication. Phrasing and articulations marked here reflect the original vocal texts. Africa has long been a favorite of the Glenwood group. Chester and Creation were arranged in 2022. Mike Allsen February 2022. Ave Verum Corpus for Brass Quintet
Ave Verum Corpus for Brass Quintet # Brass Quintet: 2 trumpets, horn, trombone, tuba # Classical # Wolfgang Amadeus Mozart # Toomey, Daniel # Ave Verum Corpus for Brass Qui # Gordon Cherry # SheetMusicPlus
Brass Ensemble - Digital Download SKU: A0.810741 Composed by Wolfgang Amadeus Mozart. Arranged by Toomey, Daniel. Christian,Classical,Easter,Sacred. Scor...(+)
Brass Ensemble - Digital Download SKU: A0.810741 Composed by Wolfgang Amadeus Mozart. Arranged by Toomey, Daniel. Christian,Classical,Easter,Sacred. Score and parts. 7 pages. Gordon Cherry #2075367. Published by Gordon Cherry (A0.810741). Dated within the last six months of the composer's life, the Ave Verum Corpus, K. 618 is a profound example of the unrivaled beauty, elegance and simplicity of Mozart's style. It is a stand-alone choral work based on a sacred Latin text, probably written for a Corpus Christi service in Baden, near Vienna. Often cited as one of Mozart's most perfect works, it’s sublimity inspired the following remarks from Albert Einstein: the perfection of modulation and part-writing, lightly introducing polyphony as a final intensification, (is) no longer perceived. Here...ecclesiastical and personal elements flow together. The problem of style is solved. Originally scored for four-part chorus (SATB), organ and strings, this beautiful arrangement by Daniel Toomey preserves the original key and markings; the only additions are the molto cantabile marking in the solo voice and the suggested metronome marking of q=80. Holst: Christmas Day A Choral Fantasy on Old carols - symphonic brass quintet
Holst: Christmas Day A Choral Fantasy on Old carols - symphonic brass quintet # Brass Quintet: 2 trumpets, horn, trombone, tuba # INTERMEDIATE # Contemporary # Gustav Holst # Ray Thompson # Holst: Christmas Day A Choral # RayThompsonMusic # SheetMusicPlus
Composed by Gustav Holst (1874-1934). Arranged by Ray Thompson. 20th Century, Christian, General Worship, Christmas. Score, Set of Parts. 19 pages. Published by...(+)
Composed by Gustav Holst (1874-1934). Arranged by Ray Thompson. 20th Century, Christian, General Worship, Christmas. Score, Set of Parts. 19 pages. Published by RayThompsonMusic (S0.132383). - Score,Set of Parts - 20th Century,Christian,General Worship,Christmas - RayThompsonMusic "Christmas Day" by Gustav Holst.
Originally written for SATB choir and orchestra, I have arranged it for symphonic brass quintet of 2 trumpets, horn, trombone and tuba.
(If your trombonist can play euphonium, I think it would sound better!)
It contains snippets of many Christmas Carols, cleverly interwoven together. It suits the brass quintet. (Also available for brass band (treble clef) quintet.
Contains the following carols:
Good Christian Men Rejoice
God Rest You Merry Gentlemen
Come Ye Lofty, Come Ye Lowly
The First Nowell
Plenty of fun for each player. America's Favorite Hymns arranged for Brass
America's Favorite Hymns - Brass # Brass Quartet: 2 trumpets, horn, trombone # Sacred music # Various # America's Favorite Hymns - Bra # Colin Kirkpatrick
Publications # SheetMusicPlus
Composed by Various. Arranged
by Colin Kirkpatrick.
Christian, Praise & Worship,
Sacred. Score and parts. 179
pages. Colin Kirkpatrick
Publication...(+)
Composed by Various. Arranged
by Colin Kirkpatrick.
Christian, Praise & Worship,
Sacred. Score and parts. 179
pages. Colin Kirkpatrick
Publications #6326509.
Published by Colin Kirkpatrick
Publications Here’s a new collection of thirty-two of America’s best-loved hymn tunes for brass, at a bargain price too! The arrangements are intended either as stand-alone pieces that could be used as interludes in a service, or they could be used to accompany solo, choral or congregational singing.
The publication consists of full scores for each hymn plus separate instrumental parts and an optional simplified keyboard part. All the arrangements are in four parts, reflecting the traditional SATB voicing. The parts include 1st trumpet in B flat; 2nd trumpet in B flat; horn in F; horn in E flat; trombone and optional tuba; bass in B flat and bass in E flat. There are also two optional baritone parts in B flat (T.C.) and C (B.C.) in case you need them. They are the same as the tenor part. In some hymns, you might prefer to assign any baritones to doubling the bass or doubling the melody an octave lower. The baritone part in C is also playable by trombone. The trombone and tuba parts appear on a single staff. Of course, you can use any number of instruments to a particular part. The scores and all the parts are contained in a single 178-page PDF file.
The optional keyboard part has been simplified and whenever possible limited to single notes in the left hand part and no more than two-note chords in the right. Using the keyboard part, you can use the arrangements as solos, duets or trios. Because the music has been set in brass-friendly keys, the arrangements are not compatible with the string collection of the same title.
The collection includes the following titles: A Mighty Fortress Is Our God (Ein’ Feste Burg); All Creatures Of our God and King (Lasst uns Erfreuen); All People that on Earth do Dwell (Old Hundredth); Abide with Me (Eventide); All Hail the Power of Jesus’ Name (Coronation); Amazing Grace (Trad); At the Cross (Alas and Did My Savior Bleed) (Hudson); Be Thou My Vision (Slane); Blessed Assurance (Assurance); Blest Be the Tie That Binds (Dennis - Nägeli); Come Thou Fount of Every Blessing (Nettleton); Come We That Love the Lord (St. Thomas); Crown Him with Many Crowns (Diademata); Guide Me O Thou Great Jehovah (Cwm Rhondda); Holy, Holy, Holy (Nicea); How Firm a Foundation (Foundation); It is Well with my Soul (Ville du Havre); Jesus Christ is Risen Today (Easter Hymn); Jesus, Lover of My Soul (Hollingside); Jesus Paid it All (All to Christ); Joy to the World (Antioch); Just as I Am, Without one Plea (Woodworth); Love Divine, All Loves Excelling (Hyfrydol); Nearer my God to Thee (Bethany); Praise To the Lord, The Almighty (Lob den Herren); Rock of Ages (Top¬la¬dy); Shall we gather at the River? (Hanson Place); The Day thou Gave us, Lord is Ended (St. Clement); To God Be The Glory (To God be the Glory); There is a Fountain (Cleansing Fountain); What a Friend We Have in Jesus (Converse) and When I Survey the Wondrous Cross (Hamburg).
The audio demo contains the following titles (1) Love Divine, all Loves Excelling; (2) Abide with Me; (3) That a Friend we have in Jesus; (4) Nearer my God to Thee; (5) Shall we gather at the River?