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9 sheet music found Jean-Thierry Boisseau: C3 for trumpet (in Bb or C) and organ
Jean-Thierry Boisseau: C3 for trumpet (in Bb or C) and organ # Organ, Trumpet (duet) # ADVANCED # Jean-Thierry Boisseau # Jean-Thierry Boisseau: C3 for # Musik Fabrik Music Publishing # SheetMusicPlus
Instrumental Duet Instrumental Duet,Organ,Trumpet - Level 5 - Digital Download SKU: A0.534512 Composed by Jean-Thierry Boisseau. 20th Century,Concert,Con...(+)
Instrumental Duet Instrumental Duet,Organ,Trumpet - Level 5 - Digital Download SKU: A0.534512 Composed by Jean-Thierry Boisseau. 20th Century,Concert,Contemporary,Standards. Score and parts. 37 pages. Musik Fabrik Music Publishing #3577739. Published by Musik Fabrik Music Publishing (A0.534512). This is a mini-concerto or a concerto de poche. The role of the organ and much more than a simple accompagnement. The work is, as one would wish to see traditionally, a kind of discussion between the two brotehr, first in agreement, then in disagreement and finally in agreement, centered around the same brief musical phrase. The work is deliberately tonal and neo-classical. It integrates different styles of profane and sacred music, without avoiding pastiche or even a musical quote. The registration indicated puts the trumpet in competition with certain organ stops, the reeds in particular. There is also use, if possible, for the traditional effections of the organ swell. It is suggested, never the less, to take care that the timbre of the trumpet is matched by those of the organ and also to use rubato moderately, only taking time during fermatas. This is a joyful work which the short Choral at the end of the first third, with its false Gregorian Theme, will never make it into a completely “serious†work.The set includes parts for Bb and C trumpets Three Voluntaries for a Wedding ( Pro version for Trumpet in D & Organ)
Three Voluntaries for a Wedding ( Pro version for Trumpet in D & Organ) # Organ, Trumpet (duet) # Clarke, Stanley & Charpentier # Keith Terrett # Organ # Three Voluntaries for a Weddin # Keith Terrett # SheetMusicPlus
Harpsichord,Organ,Trumpet - Digital Download SKU: A0.746760 Composed by Clarke, Stanley & Charpentier. Arranged by Keith Terrett. Baroque,Wedding,World. ...(+)
Harpsichord,Organ,Trumpet - Digital Download SKU: A0.746760 Composed by Clarke, Stanley & Charpentier. Arranged by Keith Terrett. Baroque,Wedding,World. 35 pages. Keith Terrett #3473073. Published by Keith Terrett (A0.746760). An arrangement of three well known trumpet voluntaries arranged for solo D Trumpet & Organ. The set includes the Stanley, Charpentier & Clarke voluntaries. Great chart for a wedding! Need an anthem fast? They are ALL in my store! All my anthem arrangements are also available for Orchestra, Recorders, Saxophones, Wind, Brass and Flexible band. If you need an anthem urgently for an instrumentation not in my store, let me know via e-mail, and I will arrange it for you FOC if possible! keithterrett@gmail.com If you perform this arrangement in public, make a recording or broadcast it through any media, please notify the PRS (UK), or ASCAP (USA), or SOCAN (Canada), or APRA (Australia) or KODA (Denmark) or the equivalent organisation in your own country, giving the name of the arranger as Keith Terrett. The Be-Bop Range Book
The Be-Bop Range Book # Trumpet # ADVANCED # Eric Bolvin # Air # The Be-Bop Range Book # ERIC V BOLVIN # SheetMusicPlus
Trumpet Solo - Level 5 - Digital Download SKU: A0.829071 Composed by Eric Bolvin. Instructional,Jazz. Individual part. 64 pages. ERIC V BOLVIN #3579875. ...(+)
Trumpet Solo - Level 5 - Digital Download SKU: A0.829071 Composed by Eric Bolvin. Instructional,Jazz. Individual part. 64 pages. ERIC V BOLVIN #3579875. Published by ERIC V BOLVIN (A0.829071). The Be-Bop Range Book is a creative approach to developing range, technique and improvisational be-bop skills for trumpet.IntroductionTrumpet range and developing it is one of the most common and controversial subjects among trumpet players, teachers and authors. Without delving too far into the physical and scientific aspects of trumpet playing, allow me to paraphrase the great Yogi Berra;The upper register of the trumpet is the same as the middle and lower registers, just different.All trumpet playing is a coordination or balance of three things: air, tongue level and embouchure. It is through sensible, intelligent and consistent practice that we develop the skills necessary to play throughout the entire range of our instrument.Purpose Of This BookAlthough hitting the high note may be the quest for many trumpet players, a more useful and musical goal is developing a large playable range. This means being able to articulate and play musically and dynamically throughout the entire range of the instrument. This is accomplished through the use of Range Arcs, which are musical phrases that cover a large range. In addition to building our playable range, we are working on technique and adding to our jazz vocabulary.I originally developed the concept of Range Arcs in The Modern Jazz Trumpet Method. Many players have commented on how useful these studies are, so I decided to expand on it here. For more rudimentary range, flexibility and endurance study, seeTongue Level & Air.The Approach NoteI have found that how we approach the highest note of a musical phrase is critical to range development. This aspect of range development is presented here in a progressive, creative format.Exercises 1-5 use the Chromatic Approach. This means that the highest note of the arc is approached from a 1â„2 step below. The exercises continue, adding a 1â„2 step to the approach note every five exercises.Articulation & PhrasingAll exercises in this book are to be played in a swing style. However, if you are having trouble with an exercise, sometimes playing it straight may help. Jazz articulation should also be employed throughout. What does that mean exactly? Jazz trumpet articulation is as spontaneous and individual as an improvised solo. Honestly, if I have to think about it, I can’t do it. The best advice is to listen to the trumpet players quoted in this book and to as much jazz trumpet as you can. Transcribe and play solos while emulating their style and articulation.Immersing yourself in this will result in your own personal style of articulation. Jazz articulation on trumpet is also born out of necessity. Some slurs in a line may just not be possible so you must tongue. This will be revealed when you start some of the exercises that contain wider intervals.How To Use This BookEach exercise group consists of a Range Arc, Range Builder and Range Builder Extended. Each group should be practiced for at least one week before moving ahead to the next one.Range ArcsThe Range Arc is the original lick. Many of these have been borrowed from some of the great jazz trumpeters of all time; Freddie Hubbard, Clifford Brown, Lee Morgan, Chet Baker, Tom Harrell, Randy Brecker, Fats Navarro and Blue Mitchell.You should begin with the key that is marked with an asterisk * ; it is an easy key and range and will help you familiarize yourself with the lick. Practice slowly at first and then work for speed. Once you are familiar with the * lick, start at the beginning of the Range Arc. Work on each key until you get it smoothly. Repeat as needed and rest between each key. Take the D.C. and play 8va through the indicated key (see the box at the end of the Range Arc) that takes you to High C. Rest for 15 minutes.Range BuildersAfter resting, you are ready for the Range Builder. These are short. CuthbertPraise Trumpet Descants for Hymns, Vol. 2
CuthbertPraise Trumpet Descants for Hymns, Vol. 2 # Trumpet # INTERMEDIATE/ADVANCED # Various # Randy Adams # CuthbertPraise Trumpet Descant # Randy Adams # SheetMusicPlus
Piano,Trumpet - Level 4 - Digital Download SKU: A0.919585 Composed by Various. Arranged by Randy Adams. Christian,Christmas,Easter,Sacred. Score and part...(+)
Piano,Trumpet - Level 4 - Digital Download SKU: A0.919585 Composed by Various. Arranged by Randy Adams. Christian,Christmas,Easter,Sacred. Score and part. 25 pages. Randy Adams #4352653. Published by Randy Adams (A0.919585). Original hymn descants designed to be used as solo trumpet, duet or trio arrangements with organ or piano, with or without congregational singing. Piano parts and lyrics included along with Bb Trumpet parts. Variety of styles from soaring lyrical melodies to brilliant technical fanfare flourishes. Medium difficulty. Range to high Concert A. Hymns Included: Immortal, Invisible (St. Denio), When Morning Gilds the Skies (Laudes Domini), Lift Up Your Heads (Truro), In the Cross of Christ I Glory (Rathbun), The Christ Who Died and Rose Again (St. Magnus), Oh Love, How Deep (Deus tuorum militim), All Hail the Power of Jesus' Name (Coronation), Alleluia! Sing to Jesus (Hyfrydol), There's a Wideness in God's Mercy (Beecher), When I Survey the Wondrous Cross (Rockingham). Bach-Gounod: Ave Maria for Trumpet (or Cornet) and Piano
Bach-Gounod: Ave Maria for Trumpet (or Cornet) and Piano # Trumpet, Piano # EASY # J S Bach-Gounod # Colin Kirkpatrick # Bach-Gounod: Ave Maria for Tru # Colin Kirkpatrick Publications # SheetMusicPlus
B-Flat Trumpet,Piano - Level 2 - Digital Download SKU: A0.1310493 Composed by J S Bach-Gounod. Arranged by Colin Kirkpatrick. Instructional,Praise & Wors...(+)
B-Flat Trumpet,Piano - Level 2 - Digital Download SKU: A0.1310493 Composed by J S Bach-Gounod. Arranged by Colin Kirkpatrick. Instructional,Praise & Worship,Wedding. Score and part. 6 pages. Colin Kirkpatrick Publications #899556. Published by Colin Kirkpatrick Publications (A0.1310493). This ever-popular piece is often performed at weddings, funerals and many other solemn ceremonial events. It has always been a favorite among instrumental players and often used in recitals or concert encores. This arrangement by Colin Kirkpatrick is ideal for the intermediate trumpet or cornet player. It is in concert C and the transposed trumpet range is from A below the treble staff to F sharp on the top line. In 1853, the well-known French composer Charles Gounod added his own melody over a rippling keyboard accompaniment which was a slightly adapted version of the Prelude No. 1 in C major, BWV846, from Book I of J. S. Bach's The Well-Tempered Clavier, published in 1722. The title of the “combined†piece was Méditation sur le Premier Prélude de Piano de S. Bach. Gounod’s original arrangement transposed Bach’s keyboard part from C major into F major and it was scored for violin (or cello), organ and piano. In 1859, the French music publishing company Jacques-Léopold Heugel brought out a vocal version based on the familiar Latin text. Ave Maria (Hail Mary) is a traditional Catholic prayer addressed to the Virgin Mary.The version of Bach's prelude which Gounod used included the so-called Schwencke measure (m. 27 in this arrangement), a measure (bar) allegedly added by the German composer and pianist Christian Friedrich Gottlieb Schwencke (1767-1822) in an attempt to correct what was considered a harmonic weakness in the original. Whether there actually was a “harmonic weakness†(or possibly an error in the manuscript) remains a matter of conjecture but the fact remains that the most familiar-sounding version of this piece, recorded countless times by both singers and instrumentalists includes this Schwencke measure. It is therefore included in this arrangement.Some published arrangements show minor inconsistencies in the rhythm of the melody. This arrangement uses the familiar rhythm of the Ave Maria version as it appeared in the 1859 edition.