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18 sheet music found At the Lamb's High Feast We Sing — festival hymn accompaniment for organ, brass quintet
At the Lamb's High Feast We Sing — festival hymn accompaniment for organ, brass quintet # Brass Quintet: 2 trumpets, horn, trombone, tuba # INTERMEDIATE/ADVANCED # Sacred music # Jakob Hintze # Todd Marchand # At the Lamb's High Feast We Si # Con Spirito Music # SheetMusicPlus
Horn,Trombone,Trumpet,Tuba - Level 4 - Digital Download SKU: A0.1257721 Composed by Jakob Hintze. Arranged by Todd Marchand. Christian,Easter,Sacred. 24 ...(+)
Horn,Trombone,Trumpet,Tuba - Level 4 - Digital Download SKU: A0.1257721 Composed by Jakob Hintze. Arranged by Todd Marchand. Christian,Easter,Sacred. 24 pages. Con Spirito Music #850950. Published by Con Spirito Music (A0.1257721). An ideal hymn selection for Easter Sunday, Eastertide, or at any celebration of the eucharist, At the Lamb's High Feast We Sing is one of many hymns translated from Latin by Robert Campbell (1814-1868), a Scottish advocate (lawyer) and Roman Catholic layperson. First published in 1850, At the Lamb's High Feast We Sing was one of four of Campbell's hymn texts to be included in Hymns Ancient & Modern (1861), the first standardized and popular hymnal of the Anglican Church.The tune accompanying the text, known as SALZBURG, is attributed to the German composer Jakob Hintze (1622-1702). Its harmonization has long been attributed to J.S. Bach and numbered among his works as BWV 262. However, the New Edition of the Complete Works of Bach, published by Barenreiter, no longer recognizes this, and the harmonization matches that of Johann Pachelbel's Alle Menschen müssen sterben — Choral mit 8 Partiten (Chorale with 8 Variations) of 1683.Regardless of the authorship of text or tune, At the Lamb's High Feast We Sing is a richly theological, grand hymn that references God's saving works in both the Old Testament and the New, culminating in Christ's victorious resurrection and his triumph over sin and death, and celebrates his feeding of the faithful gathered for the eucharistic feast with his Body and Blood.This arrangement for organ and brass quintet begins with alternating fanfares for organ and brass, followed by:Verse 1: organ accompanimentVerse 2: brass accompanimentVerse 3: organ accompaniment with solo trumpet punctuationsInterludeVerse 4: organ and brass accompaniment in alternate harmonizationCoda recapitulating the introductory fanfares Includes full score, parts for organ, Bb tpt. 1, Bb tpt. 2, F horn, tbn, tuba, and reproducible bulletin insert for voices ©Copyright 2023 Todd Marchand / Con Spirito Music (ASCAP). All rights reserved. For more sacred, patriotic, folk, and holiday music for instruments and voices, visit www.conspiritomusic.com Bach: Wachet auf for Trumpet & Piano
Bach: Wachet auf for Trumpet & Piano # Trumpet # EASY # Classical # Johann Sebastian Bach # James M #   # Bach: Wachet auf for Trumpet & # jmsgu3 # SheetMusicPlus
B-Flat Trumpet,Piano - Level 2 - Digital Download SKU: A0.549835 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Concert,...(+)
B-Flat Trumpet,Piano - Level 2 - Digital Download SKU: A0.549835 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Concert,Easter,Sacred,Standards. Score and part. 12 pages. Jmsgu3 #3554463. Published by jmsgu3 (A0.549835). Wachet auf, ruft uns die Stimme (Awake, the voice is calling us) from Cantata BWV 140. Duration: ca. 4:00, Score: 6 pages, solo part 1 page, piano part: 4 pages. Program this for church services during the Easter season, weddings, or as a recital encore.Wachet auf, ruft uns die Stimme (Awake, the Voice is calling us) also known as: Sleepers Awake Bach composed his church cantata Wachet auf (BWV 140) as part of his second annual cantata cycle covering the entire annual church calendar. It is based on the hymn of the same name by Philipp Nicolai (1599). The hymn text covers the readings for the 27th Sunday after Trinity. Bach designed the cantata in seven movements, setting the stanzas in various forms. Among these forms are the chorale fantasia, the chorale prelude, and a four-part chorale. He casts the new lyrics as recitatives – in a manner similar to the opera. Fourth Movement Bach writes the fourth movement, Zion hört die Wächter singen (Zion hears the watchmen singing), in the style of a chorale prelude with the chorale phrases performed as a strict cantus firmus. The phrases seem to enter at times erratically against the famous lyrical melody. The violins play this melody in unison as a foil against the cantus phrases. The violin melody is so independent and complete that when the cantus melody appears it catches the listener at times totally off-guard. Bach later transcribed this movement for organ (BWV 645). This transcription became No. 1 of the Six Schübler Chorales. Bach Overview First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with the instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and certainly the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy, though, are the St. John Passion, and certainly the Christmas Oratorio. History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he, therefore, gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as court composer. Style It seems like Bach created a fascinating new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV. Bach: Wachet auf for Brass Quintet
Bach: Wachet auf for Brass Quintet # Brass Quintet: 2 trumpets, horn, trombone, tuba # INTERMEDIATE # Classical # Johann Sebastian Bach # James M # Bach: Wachet auf for Brass Qui # jmsgu3 # SheetMusicPlus
Level 3 - Digital Download SKU: A0.549857 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Easter,Sacred,Wedding. 17 pages...(+)
Level 3 - Digital Download SKU: A0.549857 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Easter,Sacred,Wedding. 17 pages. Jmsgu3 #3556935. Published by jmsgu3 (A0.549857). Wachet auf, ruft uns die Stimme (Awake, the Voice is calling us) from Cantata BWV 140. Program this for church services during Easter or as a recital encore. Also great for Weddings. Wachet auf, ruft uns die Stimme (Awake, the Voice is calling us) also known as Sleepers Awake Bach composed his church cantata Wachet auf (BWV 140) as part of his second annual cantata cycle covering the entire church calendar. It is based on the hymn of the same name by Philipp Nicolai (1599). The hymn text covers the readings for the 27th Sunday after Trinity. Bach designed the cantata in seven movements, setting the stanzas in various forms. Among these forms are the chorale fantasia, the prelude, and a four-part chorale. He casts the new lyrics as recitatives – like the opera. Fourth Movement Bach writes the fourth movement, Zion hört die Wächter singen (Zion hears the guards singing), in the style of a chorale prelude with the chorale phrases performed as a strict cantus firmus. The phrases seem to enter at times erratically against the famous lyrical melody. The violins play this melody in unison as a foil against the cantus phrases. The violin melody is so independent and complete that when the cantus melody appears; it catches the listener off-guard. Bach later transcribed this movement for organ (BWV 645). This transcription became No. 1 of the Six Schübler Chorales. Bach Overview First, Johann Sebastian Bach may be the greatest composer in music history. Indeed, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. People are probably most familiar with instrumental works such as the Brandenburg Concertos and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and the Art of Fugue. His most famous vocal works seem to include the most noteworthy Mass in B Minor. Also, most notable are the St. John Passion and, indeed, the Christmas Oratorio.  History Bach came from a long line of musicians and, above all, composers. Consequently, he first of all pursued a career as a church organist. As a result, he gained employment in various Protestant churches in Germany. He worked as a court musician in Weimar and Köthen for a while. Here, he probably developed his organ style and, likewise, his chamber music style. Eventually, he gained an appointment as Cantor of St. Thomas in Leipzig. Here, he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as court composer.  Style It seems like Bach created a fascinating new international style. He synthesized elements of the most noteworthy European music ideas into his unique style. This new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival        Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach's works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will use an S (Schmieder) as an abbreviation for BWV.  Descants on 10 Hymn Tunes for Trumpet in B Flat
Descants on 10 Hymn Tunes for Trumpet in B Flat # Trumpet, Piano # INTERMEDIATE # Christoph Anton, George Frider # Robert Chamberlin # Descants on 10 Hymn Tunes for # Robert Chamberlin # SheetMusicPlus
Instrumental Duet Instrumental Duet,Piano,Trumpet - Level 3 - Digital Download SKU: A0.917305 Composed by Christoph Anton, George Frideric Handel, Gustav...(+)
Instrumental Duet Instrumental Duet,Piano,Trumpet - Level 3 - Digital Download SKU: A0.917305 Composed by Christoph Anton, George Frideric Handel, Gustav Holst, Johann Sebastian Bach, John Dykes, John Hughes, and Rowland Hugh Prichard. Arranged by Robert Chamberlin. Christian,Christmas,Easter,Sacred. Score and parts. 28 pages. Robert Chamberlin #5988619. Published by Robert Chamberlin (A0.917305). The trumpet descants in this collection are based on 10 different hymn tunes, representing different seasons of the Christian church year, including: Christmas, Easter, and Holy Trinity Sunday. Included in this listing are the full scores and separate trumpet parts for each of the 10 hymn tunes. An audio sample of one of the descants, In the Bleak Midwinter is included with this listing. Johann Sebastian Bach: Jesu, Joy of Man's Desiring (New Edition) for brass quintet # Brass Quintet: 2 trumpets, horn, trombone, tuba # INTERMEDIATE # Classical # Johann Sebastian Bach # Virtualsheetmusic
This is an exclusive arrangement for brass quintet of MEDIUM skill level from the original composition by Johann Sebastian Bach. This title is available as instant sheet music download. Contents: jesu joy of man desiring / classical,wedding,traditional,christmas,winter,holiday,christian,inspirationa...(+)
This is an exclusive arrangement for brass quintet of MEDIUM skill level from the original composition by Johann Sebastian Bach. This title is available as instant sheet music download. Contents: jesu joy of man desiring / classical,wedding,traditional,christmas,winter,holiday,christian,inspirational,hymn,sacred,advent,carol,festival,love Johann Sebastian Bach: Jesu, Joy of Man's Desiring for trumpet & piano # Trumpet, Piano # INTERMEDIATE # Classical # Johann Sebastian Bach # Virtualsheetmusic
This is an exclusive transcription for trumpet & piano of MEDIUM skill level from the original composition by Johann Sebastian Bach. This title is available as instant sheet music download. Contents: jesu joy of man desiring / classical,wedding,traditional,christmas,winter,holiday,christian,insp...(+)
This is an exclusive transcription for trumpet & piano of MEDIUM skill level from the original composition by Johann Sebastian Bach. This title is available as instant sheet music download. Contents: jesu joy of man desiring / classical,wedding,traditional,christmas,winter,holiday,christian,inspirational,hymn,sacred,advent,carol,festival,love Luther: Out of the Depths for Trumpet & Piano
Luther: Out of the Depths for Trumpet & Piano # Trumpet # BEGINNER # Martin Luther # James M # Luther: Out of the Depths for # jmsgu3 # SheetMusicPlus
B-Flat Trumpet,Piano - Level 1 - Digital Download SKU: A0.548721 Composed by Martin Luther. Arranged by James M. Guthrie, ASCAP. Easter,Instructional,Sta...(+)
B-Flat Trumpet,Piano - Level 1 - Digital Download SKU: A0.548721 Composed by Martin Luther. Arranged by James M. Guthrie, ASCAP. Easter,Instructional,Standards. Score and part. 4 pages. Jmsgu3 #3411757. Published by jmsgu3 (A0.548721). Out of the Depths I Cry to You by Martin Luther. The first verses feature modified counterpoint and harmony proceeding at quarter = 82. The final verse is reharmonized for maximum dramatic effect at a more contemplative tempo such as quarter = 64. Features the entire range of the instrument. Very powerful selection for Lent or Easter. Duration (3 verses) 3:05, 36 ms. Score: 3 pg. Solo part: 1 pg. The piano reads from the score. Out of the Depths Aus tiefer Not schrei ich zu dir (From deep affliction I cry out to you), is, of course, a hymn composed by Martin Luther. Moreover, Luther also wrote the lyrics, essentially a paraphrase of Psalm 130. First published in 1524, it is also one of eight songs in the original Lutheran hymnal. It appears likewise in many hymnals and in different translations. The lyrics furthermore stimulated compositions from the Renaissance to the contemporary. Consequently, composers such as Johann Sebastian Bach built an entire chorale cantata on it. Other composers similarly contributed pieces, such as Felix Mendelssohn and Max Reger. Luther Background Martin Luther, (1483 –1546) was a German professor of theology, composer, priest, and moreover, an influential character in the Protestant Reformation. Luther had a momentous impact on church and society due to his contributions to the musical arts. He wanted to disseminate the gospel among mankind and with this intention thought that the best way to do that was through music. Influence It is important to realize that other musicians, and their descendants, were encouraged by Luther’s songs and wrote their own hymns. Luther, to be sure, had a thorough musical education. For example, he knew secular and sacred songs from an early age. He, in particular, played the lute well and sang in the monastery when he was a monk. That is to say, music was an essential part of his life. He in fact first began writing songs in 1523, sometimes writing the melody as well as the lyrics. Luther was certainly able to evaluate the composers of his time. He thought especially highly of Josquin des and Ludwig Senfl. He was also acquainted, with this in mind, with other composers and their works. Legacy The Lutheran musical ethos soon covered all of Germany and later significantly fashioned Protestant musical culture. Heinrich Schütz and Johann Sebastian Bach are the most compelling evidence of this Protestant musical culture. Additionally, as a point often overlooked, the pedal organ, first refined in northern Germany, became universally prevalent. As a matter of fact, Dieterich Buxtehude established a regular evening organ concert series in Lübeck. Another key point is that this concert series, in turn, spread North German Musical ideas worldwide. Luther was especially convinced that music is a beautiful and exclusive offering of the divine. A Mighty Fortress (Brass Quartet, Brass Quintet, or Brass Choir)
A Mighty Fortress (Brass Quartet, Brass Quintet, or Brass Choir) # Brass Quintet: 2 trumpets, horn, trombone, tuba # INTERMEDIATE # Classical # Jubal's Lyre Music # Martin Dicke # A Mighty Fortress # Jubal's Lyre Music Publishers # SheetMusicPlus
Euphonium,Horn,Trombone,Trumpet,Tuba - Level 3 - Digital Download SKU: A0.918903 By Jubal's Lyre Music. By Johann Pachelbel and Johann Sebastian Bach. Ar...(+)
Euphonium,Horn,Trombone,Trumpet,Tuba - Level 3 - Digital Download SKU: A0.918903 By Jubal's Lyre Music. By Johann Pachelbel and Johann Sebastian Bach. Arranged by Martin Dicke. Baroque,Christian,Classical,Contest,Festival,Sacred. 28 pages. Jubal's Lyre Music Publishers #6564681. Published by Jubal's Lyre Music Publishers (A0.918903). Here is a compelling setting of Martin Luther’s hymn A Mighty Fortress Is Our God (EIN FESTE BURG) by Johann Pachelbel (1653-1750). Originally composed for organ, it has been arranged for Brass Quartet, Brass Quintet, or Brass Choir with optional keyboard. Two harmonizations of the isometric version of the hymn are also provided. The first is a standard harmonization found in many hymnals. The second is based on the concluding Chorale of Cantata 80 by Johann Sebastian Bach (1685-1750). Including the music of both Bach and Pachelbel, this arrangement serves as an excellent introduction to the music of the Baroque era and the contributions of great Lutheran composers. It also provides opportunities to discuss the time of the Reformation. For worship the arrangement can be played alone or it can be used to accompany congregational singing. Additional arrangements are available for Woodwind Quintet, Strings, and Concert Band. For more music and information, visit www.jubalslyre.com/music. How Brightly Shines the Morning Star - brass quintet
How Brightly Shines the Morning Star - brass quintet # Brass quartet : 2 trumpets, trombone, tuba # INTERMEDIATE # Philipp Nicolai / J # Todd Marchand # How Brightly Shines the Mornin # Con Spirito Music # SheetMusicPlus
Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 3 - Digital Download SKU: A0.726082 Composed by Philipp Nicolai / J.S. Bach. Arranged by Todd Marchand....(+)
Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 3 - Digital Download SKU: A0.726082 Composed by Philipp Nicolai / J.S. Bach. Arranged by Todd Marchand. Christmas,Sacred. Score and parts. 14 pages. Con Spirito Music #3897165. Published by Con Spirito Music (A0.726082). Wie schön leuchtet der Morgenstern (How Brightly Shines the Morning Star) was written by the German Lutheran pastor, poet, and composer Philipp Nicolai (1556-1608) and published in a collection of his hymns in 1599. Based on Psalm 45, Nicolai's text identifies Jesus Christ as the celestial bridegroom of the psalm and with the bright morning star described in Revelation 22:16.Nicolai also authored and published the hymn, Wachet auf, ruft uns die Stimme (Sleepers, Wake! A Voice Astounds Us) in the same 1599 collection. Together, Wachet Auf and Wie schön leuchtet der Morgenstern have been called The King and Queen of Chorales.Johann Sebastian Bach (1685-1780) used the Morning Star chorale as the basis of his cantata, Wie schön leuchtet der Morgenstern (BWV 1) and individual verses of the text in several other cantatas. Bach also used the tune as the basis for several organ preludes. Other composers to have used the tune in their works include Johann Pachelbel, Dieterich Buxtehude, Max Reger, Hugo Distler, and Howard Hanson.In this arrangement, both Bach's harmonization and original harmonies are employed, as well as original material for the introduction, interlude/modulation, and ending.©Copyright 2018 Todd Marchand / Con Spirito Music (ASCAP). All rights reserved. Visit www.conspiritomusic.com All Glory, Laud and Honor Trio for Bb Trumpet, Harp and Piano
All Glory, Laud and Honor Trio for Bb Trumpet, Harp and Piano # Organ, Trumpet (duet) # INTERMEDIATE # Theodulph of Orléans, Melch # Serena O’Meara # All Glory, Laud and Honor Trio # O'Meara Music # SheetMusicPlus
Lever Harp,Pedal Harp,Piano,Pipe Organ,Trumpet - Level 3 - Digital Download SKU: A0.804235 Composed by Theodulph of Orléans, Melchoir Teschner and har...(+)
Lever Harp,Pedal Harp,Piano,Pipe Organ,Trumpet - Level 3 - Digital Download SKU: A0.804235 Composed by Theodulph of Orléans, Melchoir Teschner and harmonized by J. S. Bach. Arranged by Serena O’Meara. Baroque,Easter,Multicultural,Sacred,Spiritual,World. 20 pages. O'Meara Music #6864871. Published by O'Meara Music (A0.804235). In 820 Louis the Pious, Emperor of the Holy Roman Empire heard Theodulph of Orleans singing his hymn while under house arrest. Louis was so inspired by the hymn that he released Theodulph. In 1603 Melchoir Teschner set the hymn tune to new lyrics. J. S. Bach created the harmonization that is commonly used. John Mason Neale translated it into English. You will receive the Score plus separate parts. The piano part is also playable on organ or pedal harp. The harp part is clearly marked for lever and pedal changes. Lever harpists will play the glissando in the fourth verse diatonically. Dear Christians, One and All Rejoice - Arranged for Brass Quintet
Dear Christians, One and All Rejoice - Arranged for Brass Quintet # Brass Quintet: 2 trumpets, horn, trombone, tuba # Sacred music # JOHANN ECCARD, JOHANN SEBASTIA # Eric Totz # Dear Christians, One and All R # Langenberger-Verlag # SheetMusicPlus
Brass Ensemble - Digital Download SKU: A0.935269 Composed by JOHANN ECCARD, JOHANN SEBASTIAN BACH. Arranged by Eric Totz. Baroque,Christian,Praise & Wors...(+)
Brass Ensemble - Digital Download SKU: A0.935269 Composed by JOHANN ECCARD, JOHANN SEBASTIAN BACH. Arranged by Eric Totz. Baroque,Christian,Praise & Worship,Renaissance,Sacred. Score and parts. 18 pages. Langenberger-Verlag #6079955. Published by Langenberger-Verlag (A0.935269). This very playable brass quintet arrangement will bring joy to your fellow musicians and audiences. Dear Christians, One and All Rejoice (Nun freut euch, lieben Christen g'mein) is a dynamic five-part harmonization of the hymn by Martin Luther by Johann Eccard. Associated chorales by J. S. Bach add depth and contrast. The arrangement is for Bb Trumpet 1, Bb Trumpet 2, Horn in F, Trombone and Tuba. If you need any other parts, or have questions, please contact langenberg.press@gmail.com. O Come O Come Emmanuel - Brass Sextet
O Come O Come Emmanuel - Brass Sextet # Brass quartet : 2 trumpets, trombone, tuba # INTERMEDIATE/ADVANCED # Sacred music # Christmas # Thomas Helmore # David E #   # O Come O Come Emmanuel - Brass # LLB Music Publishing # SheetMusicPlus
Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 4 - Digital Download SKU: A0.986067 Composed by Thomas Helmore (adapted from Plainsong). Arranged by Da...(+)
Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 4 - Digital Download SKU: A0.986067 Composed by Thomas Helmore (adapted from Plainsong). Arranged by David E. Harris. Christian,Christmas,Sacred. Score and parts. 20 pages. LLB Music Publishing (ASCAP) #4805427. Published by LLB Music Publishing (ASCAP) (A0.986067). A beautiful and sparkling arrangement of this traditional Christmas hymn for Brass SextetIncludes 6 part score and individual parts for Trumpet 1 (Bb), Trumpet 2 (Bb), Horn in F, Trombone 1, Trombone 2 (Bass), and Tuba.Duration: 2:48.David E. Harris is a composer in the Nashville, Tennessee area with a Bachelor of Music degree in Trumpet Performance and Doctor of Musical Arts in Composition. Dr. Harris is a past member of the trumpet sections of the Greenville (S.C.) and Memphis Symphony Orchestras and a current member of the Brentwood Baptist Church Orchestra where he plays trumpet and keyboard. Facebook page: https://www.facebook.com/LLB-Music-Publishing-2584616388232407More music listening available at https://soundcloud.com/user-985960936 https://youtube.com/c/LLBMusicPublishing Fanfare for the Nations (trumpet/organ) by Brenda Portman
Fanfare for the Nations (trumpet/organ) by Brenda Portman # Organ, Trumpet (duet) # ADVANCED # Brenda Portman # Fanfare for the Nations # Brenda Portman # SheetMusicPlus
Instrumental Duet,Organ,Trumpet - Level 5 - Digital Download SKU: A0.753195 Composed by Brenda Portman. Chamber,Christian,Classical,Contemporary,Sacred. ...(+)
Instrumental Duet,Organ,Trumpet - Level 5 - Digital Download SKU: A0.753195 Composed by Brenda Portman. Chamber,Christian,Classical,Contemporary,Sacred. 17 pages. Brenda Portman #6617487. Published by Brenda Portman (A0.753195). Commissioned by Timothy Pennings for the Great Lakes Duo (Rhonda Sider Edgington, organ, and Brian Reichenbach, trumpet), this piece is a stunning opener or closer for a concert. Trumpet part is for C trumpet. Two hymn tunes are woven into the piece: KREMSER (We Gather Together) and MELITA (Eternal Father, Strong to Save). .