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It 3 Cornets
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10 sheet music found
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1
The Port Royal Civil War Series - 3-Pack of Brass Quintets
The Port Royal Civil War Series - 3-Pack of Brass Quintets
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Brass Quintet: 2 trumpets, horn, trombone, tuba
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INTERMEDIATE/ADVANCED
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Frederick Fennell
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Aaron Hettinga
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The Port Royal Civil War Serie
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Aaron Hettinga
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SheetMusicPlus
Horn,Trombone,Trumpet,Tuba - Level 4 - Digital Download SKU: A0.782118 By Frederick Fennell. By Grafulla, Milburn, Rowbotham. Arranged by Aaron Hettinga....
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Horn,Trombone,Trumpet,Tuba - Level 4 - Digital Download SKU: A0.782118 By Frederick Fennell. By Grafulla, Milburn, Rowbotham. Arranged by Aaron Hettinga. 19th Century,Classical,Contest,Festival,Patriotic,Traditional. 63 pages. Aaron Hettinga #6851517. Published by Aaron Hettinga (A0.782118). This Multi-pack of three arrangements includes the following titles: Parade March Palmyra Schottische Listen to the Mocking Bird Performance notes: For all entries in the Port Royal Civil War Brass Quintet series, it’s recommended to utilize instruments such as Cornets and Euphonium in place of the Trumpet and Trombone parts to more faithfully emulate the sounds of the conical-bore instruments of the period. Extra sets of 1st Trumpet parts are included, transposed for use with Eb Tpt or Bb Piccolo Tpt instead if desired. These arrangements are a great opportunity to incorporate music from the American Civil War era into your Brass Quintet’s repertoire.
$59.99 ≈
55.42€
Easy Christmas carol selection - For Brass quartet.
Easy Christmas carol selection - For Brass quartet.
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Brass Quartet: 4 trumpets
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INTERMEDIATE
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Christmas
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Trad
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Darren Lloyd
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Easy Christmas carol selection
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Darren Lloyd
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SheetMusicPlus
Trumpet Quartet Trumpet - Level 3 - Digital Download SKU: A0.855889 Composed by Trad. Arranged by Darren Lloyd. Christmas. 13 pages. Darren Lloyd #387856...
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Trumpet Quartet Trumpet - Level 3 - Digital Download SKU: A0.855889 Composed by Trad. Arranged by Darren Lloyd. Christmas. 13 pages. Darren Lloyd #3878561. Published by Darren Lloyd (A0.855889). An easy Christmas carol selection for a flexible brass quartet.This has been arranged for 3 cornets and 1 baritone but it will work with any combination as long as all are Bb pitch.The carols are, Hark the Herald Angels (concert F), Away in a manger (concert F), Silent night (Concert Bb) & While Shepherds watched (Concert F)....All within easy playing range (The 1st part goes up to an F). .
$9.99 ≈
9.23€
Monteverdi - The Seventh Book of Madrigals (1619) - 21. Parlo miser o taccio à7
Monteverdi - The Seventh Book of Madrigals (1619) - 21. Parlo miser o taccio à7
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Brass quartet : 2 trumpets, trombone, tuba
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INTERMEDIATE
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Classical
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Claudio Monteverdi
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Mike Lyons
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Monteverdi - The Seventh Book
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Lyons Music Services
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SheetMusicPlus
Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 3 - Digital Download SKU: A0.767360 Composed by Claudio Monteverdi. Arranged by Mike Lyons. Baroque,Ren...
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Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 3 - Digital Download SKU: A0.767360 Composed by Claudio Monteverdi. Arranged by Mike Lyons. Baroque,Renaissance. Score and parts. 48 pages. Lyons Music Services #3543491. Published by Lyons Music Services (A0.767360). At long last I have nearly finished the 7th book. This book has posed some issues as it is such complex music it is almost impossible to cut it down to 5 parts while maintaining its integrity. As a result, some songs will be in 6 or more parts. Parlo miser o taccio is a trio for two sopranos and bass. I have set this for trumpets/cornets and euphonium/trombone, leaving the accompaniment in the hands of the horns and tubas, but with an extra high Bb part. The title translates as Should I, poor wretch, speak out or hold my tongue? Yet again our young man is in a romantic (lustful) state, and the words of the lyrics carry many double entendres in rspect of what he and his lady are getting up to! The strong dissonances followed by long drawn out resolutions and suspensions were a common device in this type of song to indicate how matters were progressing. At 6 and a half minutes, this is quite a long song, compared to the 2 or 3 minutes of most of the book. The seventh book is quite a change from the earlier ones. Monteverdi seems to be concentrating on developing solos and duets, trios and small accompanied ensembles. The accompaniments are often written out with more than just long note chords. The intricate instrumental parts are more than just filling in the harmony (hence the difficulty in paring them down.) Once again, these songs are exquisitely crafted and travel well onto brass.
$5.99 ≈
5.53€
Gabrieli: Canzon in Echo a 12 Ch. 192 for Triple Brass Choir
Gabrieli: Canzon in Echo a 12 Ch. 192 for Triple Brass Choir
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Brass Quartet: 2 trumpets, horn, trombone
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INTERMEDIATE
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Giovanni Gabrieli
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James M
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Gabrieli: Canzon in Echo a 12
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jmsgu3
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SheetMusicPlus
Brass Ensemble Horn,Trombone,Trumpet - Level 3 - Digital Download SKU: A0.1226321 Composed by Giovanni Gabrieli. Arranged by James M. Guthrie, ASCAP. Cha...
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Brass Ensemble Horn,Trombone,Trumpet - Level 3 - Digital Download SKU: A0.1226321 Composed by Giovanni Gabrieli. Arranged by James M. Guthrie, ASCAP. Chamber,Contest,Early Music,Festival,Historic,Renaissance. 48 pages. Jmsgu3 #822323. Published by jmsgu3 (A0.1226321). Minimum instrumentation: 3 Brass Quartets - 6 trumpets in C (or cornets) 3 French Horns in F, and 3 trombones. InnovationsGabrieli preferred sacred vocal and certainly instrumental music. Hence, he concentrated on music that consequently took advantage of resonance and likewise reverberation for maximum effect. Seems like Gabrieli may have invented dynamics – or was rather the first to indicate them such as in his Sonata Pian’ e Forte. Consequently, he was also a pioneer in spatial techniques. He therefore developed and used very specific notation to indicate instrumentation. Gabrieli experimented with assembling massive instrumental forces into isolated groups separated by space. In this way, he consequently contributed heavily to the Baroque Concertato style.Polychoral WorksGabrieli probably used the layout of the San Marco church for his experiments. This is because he worked there as a musician and composer. Furthermore, the church had two choir lofts facing each other. He certainly used these to create striking spatial effects between instrumental forces. Certainly, many of his works are composed such that a choir or instrumental group could first be heard on one side, then consequently followed by a response from the group on the other side. Sometimes there was probably a third group positioned near the main altar as well.Spatial MusicAbove all, Gabrieli studied carefully detailed groups of instruments and singers. Furthermore, it seems like he created precise directions for instrumentation rather than two groups. The instruments, because they could be appropriately situated, could consequently be heard with perfect clearness at distant locations. As a result, arrangements that seem bizarre on paper, can in contrast sound perfectly in balance.First WorksFinally, Gabrieli published his first motets along with his uncle Andrea's compositions in Concerti (1587). These compositions furthermore indicate considerable usage of dialogue and echo effects. Consequently, here we see low and high choirs with the variance between their ranges indicated by instrumental accompaniment. Seems like Gabrieli’s later motets Sacrae Symphoniae (1597) move away from close antiphony. In contrast, he moves towards not simply echoing the material but developing it through sequential choral entrances. Even more, he takes this procedure to the extreme in the Motet Omnes Gentes. Unlike earlier works, here the instruments are certainly an essential part of the presentation. Also, only parts marked: Capella are supposed to be sung.HomophonyHence, after 1605, Gabrieli moves to a much more homophonic style. He writes sections purely for instruments – which calls Sinfonia – and smaller sections for vocal soloists, accompanied by a basso continuo.
$47.95 ≈
44.30€
The Severn Suite, Op. 87 for Brass Quintet
The Severn Suite, Op. 87 for Brass Quintet
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Brass Quintet: 2 trumpets, horn, trombone, tuba
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ADVANCED
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Classical
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Edward Elgar
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Mark LaFratta
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The Severn Suite, Op. 87 for B
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Gordon Cherry
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SheetMusicPlus
Brass Ensemble - Level 5 - Digital Download SKU: A0.811250 Composed by Edward Elgar. Arranged by Mark LaFratta. 20th Century,Romantic Period. Score and p...
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Brass Ensemble - Level 5 - Digital Download SKU: A0.811250 Composed by Edward Elgar. Arranged by Mark LaFratta. 20th Century,Romantic Period. Score and parts. 69 pages. Gordon Cherry #6535131. Published by Gordon Cherry (A0.811250). The Severn Suite (Op.87) was composed by Elgar when he was 73 as a test piece for the 1930 British National Brass Band Championships. Elgar dedicated it to his friend, the author, and critic George Bernard Shaw. Some critics consider the Severn Suite to be Elgar’s best work in his later years, arguing that is a neglected masterpiece. The work is very Elgarian in the high Romantic style. It is fine music originally composed for brass by a famous acknowledged master that will be enjoyable for players and audiences alike.The duration of the full piece is around 16:30 and includes five movements, that follow each other without breaks: 1) Introduction (Worcester Castle) – Pomposo (2:10), 2) Toccata (the Tournament Grounds) - Allegro molto (4:20), 3) Fugue (The Cathedral) – Andante (3:00), 4) Minuet (in the Commandery) (5:00) – Moderato, and 5) Coda - Lento – Pomposo (2:00). The River Severn runs through the center of Worcester, England where Elgar spent his childhood and again lived in later life.This work beautifully arranged by Mark LaFratta for standard brass quintet (2 Trumpets in B-flat, Horn, Trombone in bass clef and Tuba) is appropriate for advanced performers and may be performed by all conical instruments as well (Cornets, Horn, Euphonium, and Tuba).
$37.50 ≈
34.65€
Joseph C. Bridge | A Song of Peace (arr. for Brass Quintet)
Joseph C. Bridge | A Song of Peace (arr. for Brass Quintet)
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Brass Quintet: 2 trumpets, horn, trombone, tuba
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INTERMEDIATE
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Sacred music
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Joseph C
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Andrew Lamb
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it's an experience
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Joseph C. Bridge | A Song of P
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Andrew Lamb
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SheetMusicPlus
Brass Quintet Horn,Trombone,Trumpet,Tuba - Level 3 - Digital Download SKU: A0.1352197 By Joseph C. Bridge. By Joseph C. Bridge. Arranged by Andrew Lamb. ...
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Brass Quintet Horn,Trombone,Trumpet,Tuba - Level 3 - Digital Download SKU: A0.1352197 By Joseph C. Bridge. By Joseph C. Bridge. Arranged by Andrew Lamb. 19th Century,Praise & Worship,Sacred. 35 pages. Andrew Lamb #937029. Published by Andrew Lamb (A0.1352197). 🎺 Immerse your audience in the timeless beauty of 'Song of Peace' with this stunning Brass Quintet adaptation by Joseph C. Bridge! 🎶 This arrangement caters to a versatile ensemble, allowing you to showcase your musical prowess with instruments ranging from Trumpets and Cornets to French Horns, Trombones, and Tubas. 🎺📯 The medium difficulty level ensures an engaging challenge for performers, making it a perfect choice for concerts, recitals, or even a solemn Ordination Church Service. 🕊ï¸âœ¨Whether you're drawn to the majestic tones of the French Horn or the powerful resonance of the Trombone, this arrangement accommodates various instrument choices for each part. 🎺🎷📯 The harmonious blend of brass instruments brings out the essence of peace, making it a captivating addition to any program.Unleash the expressive potential of your ensemble with this carefully crafted adaptation that captures the spirit of the original composition. 🌟 Elevate your performance and leave a lasting impression with the rich, melodic layers that 'Song of Peace' provides. 🎵Bring a touch of serenity to your musical repertoire—this arrangement is not just a performance; it's an experience. Order your sheet music today and let the brass harmony resonate with the hearts of your audience. 🎼✨Please like and subscribe for more videos and music arrangements. 🙌🎶.
$12.00 ≈
11.09€
THE HAPPY FARMER - BRASS QUINTET
THE HAPPY FARMER - BRASS QUINTET
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Brass Quintet: 2 trumpets, horn, trombone, tuba
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INTERMEDIATE
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Robert Schumann
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BRIAN W
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THE HAPPY FARMER - BRASS QUINT
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EMK Music
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SheetMusicPlus
Brass Ensemble - Level 3 - Digital Download SKU: A0.1118010 Composed by Robert Schumann (1810-1856). Arranged by BRIAN W. COPPING. Contest,Festival,Roman...
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Brass Ensemble - Level 3 - Digital Download SKU: A0.1118010 Composed by Robert Schumann (1810-1856). Arranged by BRIAN W. COPPING. Contest,Festival,Romantic Period. Score and parts. 19 pages. EMK Music #719519. Published by EMK Music (A0.1118010). Scored for Two Trumpets (Bb Cornets/Flugel Horn), F Horn, Trombone/Euphonium and Tuba. There are alternative parts for Eb Horn and Bb Horn (F Horn), Bb Trombone/Euphonium in Treble and Bass Clef (Trombone), Eb and Bb Bass in Treble and Bass Clef (Tuba). Please Note: This title is published for Brass Quartet and Brass Quintet. The parts are not interchangeable and can be differentiated by looking at bottom left hand corner. The Merry Peasant was written by Schumann in 1848 when it was included in the first part of his ‘Album for the Young’ which was written for his three daughters. These comparatively easy pieces were intended to be played by children or by beginners. It is often now given the more contemporary title of The Happy Farmer which is used for this publication. The style and the major key evoke a sense of a rural worker returning from the fields at the end of the day in a good mood. The melody inspired the song Red Wing (1907) and it was used in the underscore of the film, The Wizard of Oz.
$14.00 ≈
12.93€
Gabrieli: Canzona in Echo Ch. 180 for Double Brass Choir
Gabrieli: Canzona in Echo Ch. 180 for Double Brass Choir
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Brass Quartet: 2 trumpets, horn, trombone
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INTERMEDIATE
#
Giovanni Gabrieli
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James M
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Gabrieli: Canzona in Echo Ch.
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jmsgu3
#
SheetMusicPlus
Brass Ensemble Horn,Trombone,Trumpet - Level 3 - Digital Download SKU: A0.1226488 Composed by Giovanni Gabrieli. Arranged by James M. Guthrie, ASCAP. Cha...
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Brass Ensemble Horn,Trombone,Trumpet - Level 3 - Digital Download SKU: A0.1226488 Composed by Giovanni Gabrieli. Arranged by James M. Guthrie, ASCAP. Chamber,Contest,Early Music,Festival,Historic,Renaissance. Score and Parts. 51 pages. Jmsgu3 #822490. Published by jmsgu3 (A0.1226488). Minimum instrumentation: 4 Trumpets (or Cornets), 4 French Horns, 2 Tenor Trombones, and 2 Bass Trombones.InnovationsGabrieli preferred sacred vocal and certainly instrumental music. Hence, he concentrated on music that consequently took advantage of resonance and likewise reverberation for maximum effect. Seems like Gabrieli may have invented dynamics – or was rather the first to indicate them such as in his Sonata Pian’ e Forte. Consequently, he was also a pioneer in spatial techniques. He therefore developed and used very specific notation to indicate instrumentation. Gabrieli experimented with assembling massive instrumental forces into isolated groups separated by space. In this way, he consequently contributed heavily to the Baroque Concertato style.Polychoral WorksGabrieli probably used the layout of the San Marco church for his experiments. This is because he worked there as a musician and composer. Furthermore, the church had two choir lofts facing each other. He certainly used these to create striking spatial effects between instrumental forces. Certainly, many of his works are composed such that a choir or instrumental group could first be heard on one side, then consequently followed by a response from the group on the other side. Sometimes there was probably a third group positioned near the main altar as well.Spatial MusicAbove all, Gabrieli studied carefully detailed groups of instruments and singers. Furthermore, it seems like he created precise directions for instrumentation rather than two groups. The instruments, because they could be appropriately situated, could consequently be heard with perfect clearness at distant locations. As a result, arrangements that seem bizarre on paper, can in contrast sound perfectly in balance.First WorksFinally, Gabrieli published his first motets along with his uncle Andrea's compositions in Concerti (1587). These compositions furthermore indicate considerable usage of dialogue and echo effects. Consequently, here we see low and high choirs with the variance between their ranges indicated by instrumental accompaniment. Seems like Gabrieli’s later motets Sacrae Symphoniae (1597) move away from close antiphony. In contrast, he moves towards not simply echoing the material but developing it through sequential choral entrances. Even more, he takes this procedure to the extreme in the Motet Omnes Gentes. Unlike earlier works, here the instruments are certainly an essential part of the presentation. Also, only parts marked: Capella are supposed to be sung.HomophonyHence, after 1605, Gabrieli moves to a much more homophonic style. He writes sections purely for instruments – which calls Sinfonia – and smaller sections for vocal soloists, accompanied by a basso continuo.
$47.95 ≈
44.30€
Swing Along! for Brass Quintet
Swing Along! for Brass Quintet
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Brass Quintet: 2 trumpets, horn, trombone, tuba
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INTERMEDIATE
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Will Marion Cook
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Charles Decker
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Swing Along! for Brass Quintet
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Charles Decker Music Press
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SheetMusicPlus
Brass Quintet Cornet,Euphonium,Flugelhorn,Trombone,Trumpet,Tuba - Level 3 - Digital Download SKU: A0.1145313 Composed by Will Marion Cook. Arranged by Ch...
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Brass Quintet Cornet,Euphonium,Flugelhorn,Trombone,Trumpet,Tuba - Level 3 - Digital Download SKU: A0.1145313 Composed by Will Marion Cook. Arranged by Charles Decker. 20th Century,Broadway,Jazz,Multicultural,Musical/Show,Pop,World. 20 pages. Charles Decker Music Press #745558. Published by Charles Decker Music Press (A0.1145313). Swing Along! by Will Marion Cook, prominent African-American in Music Theater, composer, conductor, and violinist, combines Cakewalk style with classical music techniques to create an entertaining and memorable work from the early 20th century now arranged for a brass quintet of two trumpets or cornets in B-flat, horn in F (alternate flugelhorn part provided), trombone and tuba. The recording is of the complete edition. Cook was a key figure in American music from the 1890s to the 1920s. His Swing Along! was written for a theater production in 1903 combining Black folk music with classical music techniques and became a popular standard with choruses and glee clubs. A violin virtuoso, he studied at Oberlin College, Berlin's Hochschule für Musik with Joseph Joachim, and New York's National Conservatory of Music with Antonin Dvorak. He devoted his career to Black musical comedies and was instrumental in showcasing his Southern Syncopated Orchestrat throughout the Unites States and Europe, featuring New Orleans clarinetist Sidney Bechet. Mentored by Frederick Douglas, Will Marion Cook went on to mentor Duke Ellington, paving the path for orchestral concert jazz. “The Music of Black Composers Series is a welcome and timely addition to the brass repertoire. Interesting music, expertly arranged, fun to perform, and well received by audiences. Highly recommended!† Wesley Nance, Rochester Philharmonic Orchestra, Eastman School of Music“I was so pleased to see the great works arranged for brass ensemble by Charles Decker Music Press especially the Music of Black Composers’ Series. It was especially rewarding to perform several of these with Summit Brass and with the students attending the Rafael Mendez Brass institute. Please keep these wonderful settings coming. You have provided the brass world with some real gems.† Joseph Parisi, Director Summit Brass, Fountain City Brass Band, University of Missouri Kansas City Conservatory Wind EnsembleThe Interlochen Arts Academy and the University of Denver have purchased the Music of Black Composer Series with Charles Decker Music Press and the summer Rafael Mendez Brass Institute and Eastman School of Music uses the series arrangements in their chamber and brass ensembles music programs. See 50+ homogeneous brass editions for trumpet, horn and trombone ensembles and 75+ mixed brass ensemble publications with Charles Decker Music Press at Sheet Music Plus for inexperienced to advanced musicians with music ranging from the Renaissance to contemporary new works for trios, quartets, quintets, brass choir and brass band. Many of the mixed brass ensemble editions include alternate and substitute parts being alternate C trumpet parts for B-flat trumpet parts, flugelhorn/trumpet substitute for horn, horn substitute for trombone and treble clef euphonium substitute for trombone. To see our Music of Black Composers Series enter “Black Composers Series†in the search box at Charles Decker Music Press for 25 arrangements for mixed brass ensembles ranging from early jazz to symphonic works with composers Samuel Coleridge-Taylor, R. Nathaniel Dett, William Grant Still, Will Marion Cook, James Reese Europe, James Johnson and others.
$12.99 ≈
12.00€
Twelve Duos for Trumpets based on Armenian Folk Songs
Twelve Duos for Trumpets based on Armenian Folk Songs
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2 Trumpets (duet)
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ADVANCED
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Folkloric/Traditional
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Petros Shoujounian
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Twelve Duos for Trumpets based
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Cherry Classics Music
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SheetMusicPlus
Trumpet Duets - Advanced - Digital Download Composed by Petros Shoujounian. 21st Century. Score. 27 pages. Published by Cherry Classics Music ...
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Trumpet Duets - Advanced - Digital Download Composed by Petros Shoujounian. 21st Century. Score. 27 pages. Published by Cherry Classics Music
Petros Shoujounian, an Armenian/Canadian composer has written Twelve Duos for Trumpets based on the folksong collection of the Armenian priest Komitas, known as the founder of the Armenian national school of music and one of the pioneers of ethnomusicology. Below are comments from the composer about his inspiration in writing these Twelve Duos for Trumpets.
My interest in the collected works of Komitas's ethnographical songs was aroused when I was introduced to Bela Bartok's similar works followed by Alan Hovhaness's huge creative world. Bartok completed his project having at his disposal a large collection of ethnographic music, while Hovhannes studied the wealth of Komitas's music with great interest. It is difficult to say to what extent the Armenian underpinning of Hovhannes's works is nurtured by Komitas's musical world, but his classical interpretation of the Armenian ethnographical music created a huge interest in the listener. Needless to say, there is also Aram Katchaturian's legacy, which at its core has the ardent presence of the Armenian spirit, nurtured by Komitas's very existence.
Komitas has left a collection of about 3,000 cleaned versions of the ethnographic song and dance pieces, of which 1,700 has reaches us, about 400 of which have been activated. I believe that in those beautiful musical fragments reside the power to be revived, once we enrich them with colorful musical instruments and unbounded polyphonic imagination.
This is the motivation behind my own work and these Twelve Duos for Trumpets: to make the essence of our ethnographic music accessible through Komitas.
These Twelve Duos are appropriate for advanced performers and are written for C Trumpets, B-flat Trumpets, Cornets, B-flat Piccolo Trumpets, and Flugelhorns.
$22.50 ≈
20.79€
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It 3 Cornets
