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34 sheet music found Tuba solo - "And Can It Be?" Theme and Variations
Tuba solo - "And Can It Be?" Theme and Variations # Tuba # INTERMEDIATE # Sacred music # Lyrics: Charles Wesley, Music: # Dan Cutchen # Tuba solo - "And Can It Be?" T # Dan Cutchen Music # SheetMusicPlus
Piano,Tuba - Level 3 - Digital Download SKU: A0.844352 Composed by Lyrics: Charles Wesley, Music: Thomas Campbell, published 1738, and published 1825. Ar...(+)
Piano,Tuba - Level 3 - Digital Download SKU: A0.844352 Composed by Lyrics: Charles Wesley, Music: Thomas Campbell, published 1738, and published 1825. Arranged by Dan Cutchen. Christian,Easter,Sacred,Spiritual. Score and part. 15 pages. Dan Cutchen Music #4285469. Published by Dan Cutchen Music (A0.844352). This arrangement of And Can It Be That I Should Gain? is for tuba solo and piano.A theme and variation treatment is used. For a piano background Mp3 track, search for: Tuba - And Can It Be? Piano Accompaniment, Dan CutchenTime: approximately 6:00To contact Dan Cutchen, go to:Facebook: https://www.facebook.com/merry1722/dancutchen.com: http://www.dancutchen.com/contactAnd Can It Be That I Should Gain? is a Christian hymn written by Charles Wesley. And Can It Be was written in 1738 to celebrate Wesley's conversion, which he regarded as having taken place on May 21 of that year.This beautiful hymn has been popular and enduring.And Can It Be That I Should Gain is perhaps one of the most joyfully poignant hymns penned by Charles Wesley (1707-1788). On Whitsunday (Pentecost), May 21, 1738, three days before his brother John experienced his heart strangely warmed,’ Charles was convalescing in the home of John Bray, a poor mechanic, when he heard a voice saying, In the name of Jesus of Nazareth, arise, and believe, and thou shalt be healed of all thy infirmities. The voice was most likely Mr. Bray’s sister who felt commanded to say these words in a dream.Anglican hymn writer Timothy Dudley-Smith, notes that the following then happened:Charles got out of bed and opening his Bible read from the Psalms: He have put a new song in my mouth, even praise unto our God, followed by the first verse of Isaiah 40, Comfort ye, comfort ye my people, saith your God. He wrote in his journal, I have found myself at peace with God, and rejoiced in the hope of love Christ (Dudley-Smith, 1987, 1).The statement from Mr. Bray’s sister sparked within Charles a conviction like he had never felt before. Moved and convicted in spirit, Charles wrestled with these words until he came to rest in his faith, knowing that it is by faith we are saved (Ephesians 2:8).Soon after this conversion experience, he wrote two hymns in celebration of the amazing love he had come to know: And Can It Be that I Should Gain and Where Shall My Wondering Soul Begin? (United Methodist Hymnal, 342)There has been some debate as to which hymn was written first, but most current scholarship accepts the latter as the first hymn written by Charles after his conversion experience. No matter its place in the chronology of Wesley's output, And Can It Be has been and remains one of his most remarkable hymns, expressing like no other the rapturous joy of receiving salvation.And Can It Be That I Should Gain. Hymnary.org, https://hymnary.org/text/and_can_it_be_that_i_should_gainDudley-Smith, Timothy. A Flame of Love: A Personal Choice of Charles Wesley’s Verse. London: Triangle SPCK, 1987.Timothy Dudley-Smith. And can it be that I should gain. The Canterbury Dictionary of Hymnology. Canterbury Press, accessed May 29, 2018, http://www.hymnology.co.uk/a/and-can-it-be-that-i-should-gain.Young, Carlton R. And Can It Be That I Should Gain. Companion to the United Methodist Hymnal. Abingdon Press, 1993.(Taken from: History of Hymns: And Can It Be That I Should Gain by DeAndre Johnson found at https://www.umcdiscipleship.org/resources)https://youtu.be/7-Qdg7QK. Unaccompanied Tuba Suite #2 in B-flat Major
Unaccompanied Tuba Suite #2 in B-flat Major # Tuba # INTERMEDIATE/ADVANCED # Jason Allie # Unaccompanied Tuba Suite #2 in # Joaba LLC # SheetMusicPlus
Tuba Solo - Level 4 - Digital Download SKU: A0.991804 Composed by Jason Allie. 20th Century,Contemporary,Romantic Period,World. Individual part. 14 pages...(+)
Tuba Solo - Level 4 - Digital Download SKU: A0.991804 Composed by Jason Allie. 20th Century,Contemporary,Romantic Period,World. Individual part. 14 pages. Joaba LLC #3109635. Published by Joaba LLC (A0.991804). DescriptionA delightful, intermediate-advanced level work suitable for encouraging students, hobbyists and professionals to improve or show off their performance skills. This multifarious work grips the audience with a variety of moods, styles and affects. A great recital piece or encore piece to show off the melodiousness, harmoniousness and vibrancy of the tuba. Please send feedback, praises and more to contact@joaba.com. Total Duration: ~10 to 15 minutes depending upon taking the repeats and varying the tempo.Performance Notes Introduction This piece boldly explores the B♠Major key and related tonalities. It yields exciting moves to tease the audience’s appetite for the real treats of the variations. The key to performing this piece is to feel and emphasize the half-note rhythm and play the phrases against it. Dynamics are up to the performer. Theme & Variations The delight for the performer and listener is to emphasize the unique traits of each variation while celebrating their similarities. A great audience toe-tapper (mostly!). Each variation’s title indicates how to play it; further notes below. 1 PLAYFUL Stretches the theme’s rhythms for a friendly teasing. 2 MAJESTIC This variation indulges in the compound meter exploration of the theme. Emphasize the linear lines and the ornamental notes will shine. 3 BRIGHT Practice the intervallic phrasing until you can hear what note follows which. Then bang it around for a jaunty, vigorous performance. 4 AGILE Practice slow then add speed. The luscious 16th notes energize the phrases and give them wit. 5 TEARFUL Let the notes do the work-don’t try too hard. 6 FESTIVE Must use repeats. A gigue that washes away the previous variation’s mood. Always emphasize the one-two bounce feel throughout. 7 TREMENDOUS Molto expressivo. This A section is anguish; B is reflective, loving, and then tender. 8 CHICKEN Chicken chickens chicken. Chicken! 9 FANTASTICAL No repeats: just a glorious monstrosity of extraordinariness. Get ugly. 10 MARCH Must use repeats. If you clip the dotted notes and focus on the one-two, one-two march rhythm, the melody will soar. 11 BLUES Be sure to swing it and adjust the tempo so the bluesy sound comes through. 12 A CARNIVAL NEAR VENICE Akin to variation 2. Practice it slow and build up speed. Nothing more than the theme with a compound voice in the upper register. 13 FUGUE Distinguish the two lines and it’ll be like playing two tubas simultaneously. Practice slow to learn to differentiate the two voices and it’ll be a dazzler. 14 FAREWELL A bittersweet mixture of bold thankfulness for the joyous discoveries and sadness for having to say goodbye. Be aggressive with the arpeggios for the harmony to resound. O For a Thousand Tongues to Sing for Tuba
O For a Thousand Tongues to Sing for Tuba # Tuba and Piano # INTERMEDIATE # Sacred music # Christian contemporary # Words by Charles Wesley, Music # Lawrence H # O For a Thousand Tongues to Si # Lawrence H Underwood # SheetMusicPlus
Piano,Tuba - Level 3 - Digital Download SKU: A0.968507 Composed by Words by Charles Wesley, Music by Lowell Mason. Arranged by Lawrence H. Underwood. Chr...(+)
Piano,Tuba - Level 3 - Digital Download SKU: A0.968507 Composed by Words by Charles Wesley, Music by Lowell Mason. Arranged by Lawrence H. Underwood. Christian,Contemporary,Praise & Worship,Sacred. Score and part. 9 pages. Lawrence H Underwood #6569409. Published by Lawrence H Underwood (A0.968507). Arranged by veteran performer and music educator, Lawrence Underwood, as the eleventh installment in his 2021 Hymn Song Collection series, this brand-new setting of O For a Thousand Tongues to Sing takes this beloved melody on a tour through meter and style, building in musical tension until its dramatic conclusion! Suitable for use as special music in church or as a recital piece, this new arrangement is sure to make an impact! Two Etudes for Trombone and Piano from Op. 8
Two Etudes for Trombone and Piano from Op. 8 # Tuba and Piano # ADVANCED # Alexander Scriabin # Ralph Sauer # Two Etudes for Trombone and Pi # Gordon Cherry # SheetMusicPlus
Instrumental Solo,Piano,Tuba - Level 5 - Digital Download SKU: A0.1131413 Composed by Alexander Scriabin. Arranged by Ralph Sauer. 19th Century,Romantic ...(+)
Instrumental Solo,Piano,Tuba - Level 5 - Digital Download SKU: A0.1131413 Composed by Alexander Scriabin. Arranged by Ralph Sauer. 19th Century,Romantic Period. Score and individual part. 20 pages. Gordon Cherry #731627. Published by Gordon Cherry (A0.1131413). Alexander Scriabin’s music has been described as mystical, lyrical, and idiosyncratic. He was known as the most innovative and controversial early modern Russian composer. His works were ignored for many years until recently and are now seen as “sincere expression(s) of geniusâ€. The Two Etudes for Tuba or Bass Trombone and Piano from Op. 8 are early works of Scriabin, originally written for Solo Piano. They show lyricism, passion, moodiness, chromatic harmonies, and great expression. Mr. Sauer arranged two wonderful new works for advanced performers who wish to explore this area, largely unknown to the Tuba/Bass Trombone world. I Saw Three Ships for Solo Tuba
I Saw Three Ships for Solo Tuba # Tuba and Piano # Christmas # Traditional # Lawrence H # I Saw Three Ships for Solo Tub # Lawrence H Underwood # SheetMusicPlus
Piano,Tuba - Digital Download SKU: A0.967672 Composed by Traditional. Arranged by Lawrence H. Underwood. Christian,Christmas,Contemporary,Sacred. Score a...(+)
Piano,Tuba - Digital Download SKU: A0.967672 Composed by Traditional. Arranged by Lawrence H. Underwood. Christian,Christmas,Contemporary,Sacred. Score and part. 8 pages. Lawrence H Underwood #6189267. Published by Lawrence H Underwood (A0.967672). Arranged by veteran instrumental educator and performer, Lawrence Underwood, as the fourth installment in his A Christmas Portfolio series, this brand new setting of I Saw Three Ships is as much fun to play as it is to hear! The arrangement opens with a jaunty, nautical 6/8 feel before entering a lyrical section. The piece then shifts gears momentarily, heading into a 4/4 march feel before evoking a feel of the highlands as we return to 6/8, building in intensity until its dramatic conclusion. Suitable for use in church or as a showpiece in any holiday setting, this piece is sure to be an audience and performer favorite! Fantasia No.3 (Killhope Burn) Solo Tuba
Fantasia No.3 (Killhope Burn) Solo Tuba # Tuba # INTERMEDIATE/ADVANCED # Eoin Buchanan # Fantasia No.3 # 7plc Music # SheetMusicPlus
Tuba Solo - Level 4 - Digital Download SKU: A0.1017091 Composed by Eoin Buchanan. Concert,Contemporary. Individual part. 3 pages. 7plc Music #6217635. Pu...(+)
Tuba Solo - Level 4 - Digital Download SKU: A0.1017091 Composed by Eoin Buchanan. Concert,Contemporary. Individual part. 3 pages. 7plc Music #6217635. Published by 7plc Music (A0.1017091). Killhope Burn is a stream in County Durham, which is a tributary of the River Wear. The burn is 13 km long, and formed from a number of small streams draining off Slate Hill, Killhope Moor, Knoutberry Hill, near the county borders with Cumbria, Northumberland and County Durham. The Burn flows roughly south-eastwards down stone falls, meandering around the plantation at Killhope Lead Mine museum and then onwards past our cottage into Cowshill and finally Wearhead.This work seeks to describe that tumbling, meandering, rushing journey until peace reigns at the end as the burn finds its resting place in the Wear.