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105 sheet music found Carson Cooman: Ascensions (2009) for SATB chorus, traverso, baroque violin, viola da gamba, and orga
Carson Cooman: Ascensions (2009) for SATB chorus, traverso, baroque violin, viola da gamba, and orga # Choral SATB # ADVANCED # Carson Cooman # Carson Cooman: Ascensions # Musik Fabrik Music Publishing # SheetMusicPlus
Choral Choir (SATB) - Level 5 - Digital Download SKU: A0.535388 Composed by Carson Cooman. Baroque,Contemporary,Sacred. Octavo. 82 pages. Musik Fabrik Mu...(+)
Choral Choir (SATB) - Level 5 - Digital Download SKU: A0.535388 Composed by Carson Cooman. Baroque,Contemporary,Sacred. Octavo. 82 pages. Musik Fabrik Music Publishing #3043975. Published by Musik Fabrik Music Publishing (A0.535388). I. SinfoniaII. To Mary on the vigil of her AssumptionIII. A Votive SongIV. The Heliotrope-the mind of man turned to GodAscensions (2009) for SATB chorus, traverso, baroque violin, viola da gamba, and organ was commissioned by and isdedicated to the Cornell University Chamber Singers, Holland J. Jancaitis, director.The work is a cantata consisting of an instrumental sinfonia followed by choral settings of three poems by neo-Latin poetJakob Balde, S.J. (1604–68), hailed as the Horace of Germany and considered one of the greatest Latin poets of any era.In the case of the three poems selected, Balde’s vivid imagery and mastery of Latin poetics are put in service of religiousexpression. The poems are filled with countless allusions to the classical poetic tradition; notably, he creates a strongcorrelation between the Virgin Mary of his Christian tradition (Balde was a Jesuit priest) and the goddesses invoked inclassical Latin poetry. Thus, Balde uses the older forms to express something that was, for him, contemporary andrelevant. (An analogue to this use of language is the idea of creating new music to be played on period instruments.)The opening sinfonia begins with an ascending pattern of triads, which returns throughout the work. The forwardmomentum is interrupted several times before the movement settles tonally. The first choral movement employs abouncy momentum to set the celebratory poem on the Virgin’s assumption. The second movement is a prayerful song onthe acceptance of death; it is spare and meditative, unfolding as a series of sectional canons over several drones. The finalmovement returns to the celebratory spirit of the opening; this time, instead of the Virgin’s journey, the poem describesthe speaker’s journey and compares a purposeful sea voyage to a directed life.Balde’s poems are provided in their original Latin and in two translations. One is a free translation in rhyming poeticEnglish created by James J. Mertz, S.J., longtime professor at Loyola University. The other is a newly-created literaltranslation by Edward J. Vodoklys, S.J., Senior Lecturer in Classics at the College of the Holy Cross.Carson P. Cooman, January 2009, Cambridge, Massachusetts, USAPERFORMANCE NOTES: The composer prefers a classically-informed Italianate pronunciation of the Latin(church Latin is acceptable). (It is important that V always be pronounced as V, not as the W soundoften used by classical Latinists.)The work is conceived for a chamber choir, as a larger choir would not balance the timbres of the baroqueinstruments. It is suggested that 16–24 singers be employed (no fewer than 12).As with much early repertoire, dynamic and expressive markings are kept to a minimum. It is expected thatdirector and performers will inflect lines expressively and naturally. The organ part is notated for a small portatiforgan with pull-down pedal (with no independent pedal stops). If played on a larger instrument, this smallerregistration plan should be kept in mind so as to create balance with the instruments and choir. Carson Cooman: Ascensions (2009) for SATB chorus, traverso, baroque violin, viola da gamba, and orga
Carson Cooman: Ascensions (2009) for SATB chorus, traverso, baroque violin, viola da gamba, and orga # Choral SATB # ADVANCED # Carson Cooman # Carson Cooman: Ascensions # Musik Fabrik Music Publishing # SheetMusicPlus
Choral Choir (SATB) - Level 5 - Digital Download SKU: A0.535387 Composed by Carson Cooman. Baroque,Contemporary,Sacred. Octavo. 65 pages. Musik Fabrik Mu...(+)
Choral Choir (SATB) - Level 5 - Digital Download SKU: A0.535387 Composed by Carson Cooman. Baroque,Contemporary,Sacred. Octavo. 65 pages. Musik Fabrik Music Publishing #3043973. Published by Musik Fabrik Music Publishing (A0.535387). I. SinfoniaII. To Mary on the vigil of her AssumptionIII. A Votive SongIV. The Heliotrope-the mind of man turned to GodAscensions (2009) for SATB chorus, traverso, baroque violin, viola da gamba, and organ was commissioned by and isdedicated to the Cornell University Chamber Singers, Holland J. Jancaitis, director.The work is a cantata consisting of an instrumental sinfonia followed by choral settings of three poems by neo-Latin poetJakob Balde, S.J. (1604–68), hailed as the Horace of Germany and considered one of the greatest Latin poets of any era.In the case of the three poems selected, Balde’s vivid imagery and mastery of Latin poetics are put in service of religiousexpression. The poems are filled with countless allusions to the classical poetic tradition; notably, he creates a strongcorrelation between the Virgin Mary of his Christian tradition (Balde was a Jesuit priest) and the goddesses invoked inclassical Latin poetry. Thus, Balde uses the older forms to express something that was, for him, contemporary andrelevant. (An analogue to this use of language is the idea of creating new music to be played on period instruments.)The opening sinfonia begins with an ascending pattern of triads, which returns throughout the work. The forwardmomentum is interrupted several times before the movement settles tonally. The first choral movement employs abouncy momentum to set the celebratory poem on the Virgin’s assumption. The second movement is a prayerful song onthe acceptance of death; it is spare and meditative, unfolding as a series of sectional canons over several drones. The finalmovement returns to the celebratory spirit of the opening; this time, instead of the Virgin’s journey, the poem describesthe speaker’s journey and compares a purposeful sea voyage to a directed life.Balde’s poems are provided in their original Latin and in two translations. One is a free translation in rhyming poeticEnglish created by James J. Mertz, S.J., longtime professor at Loyola University. The other is a newly-created literaltranslation by Edward J. Vodoklys, S.J., Senior Lecturer in Classics at the College of the Holy Cross.Carson P. Cooman, January 2009, Cambridge, Massachusetts, USAPERFORMANCE NOTES: The composer prefers a classically-informed Italianate pronunciation of the Latin(church Latin is acceptable). (It is important that V always be pronounced as V, not as the W soundoften used by classical Latinists.)The work is conceived for a chamber choir, as a larger choir would not balance the timbres of the baroqueinstruments. It is suggested that 16–24 singers be employed (no fewer than 12).As with much early repertoire, dynamic and expressive markings are kept to a minimum. It is expected thatdirector and performers will inflect lines expressively and naturally. The organ part is notated for a small portatiforgan with pull-down pedal (with no independent pedal stops). If played on a larger instrument, this smallerregistration plan should be kept in mind so as to create balance with the instruments and choir Hymns We All Knew
Hymns We All Knew # Choral SATB # INTERMEDIATE # P # Jesse Ayers # Hymns We All Knew # Jesse Auers # SheetMusicPlus
Choral Choir,Choral,SATB Chorus - Level 3 - Digital Download SKU: A0.1473148 Composed by P.D. Arranged by Jesse Ayers. Christian,Religious,Sacred,Traditi...(+)
Choral Choir,Choral,SATB Chorus - Level 3 - Digital Download SKU: A0.1473148 Composed by P.D. Arranged by Jesse Ayers. Christian,Religious,Sacred,Traditional. 46 pages. Jesse Auers #1050770. Published by Jesse Auers (A0.1473148). A suite of four old hymns (each is available separately): Softly and Tenderly, There Is a Fountain, When I Survey the Wondrous Cross, and an uptempo Amazing Grace. (See Youtube link for a medley of excerpts from each.)I. SOFTLY AND TENDERLYA quiet setting expressing the longing of the Savior for us to “come home.” Beginning with unison men over a simple Copland-esque accompaniment, it contains both the traditional harmonization familiar to audiences, as well as some brief, striking sojourns to remote tonalities used to underscore texts such as “though we have sinned He has mercy and pardon.”II. THERE IS A FOUNTAIN – ARE YOU WASHEDAn a cappella medley of the title hymn along with “Are You Washed?” and “Nothing But The Blood.” It begins slowly and softly with unison women singing the opening phrase “There is a fountain….” Later, the tempo picks up into a camp-meeting style for the other two hymns.III. WHEN I SURVEY THE WONDROUS CROSSA cappella. Austere and stately. The first verse is set with the traditional harmonization, the second verse is dramatically re-harmonized to paint the text “See from His head, His hands, His side.”IV. AMAZING GRACE COLLAGEA joyous, celebratory, up-tempo setting that weaves numerous quotes of other hymns into the fabric of John Newton’s beloved text. Choral Anthems for Matariki
Choral Anthems for Matariki # Choral SATB # INTERMEDIATE # Leon Gray # Leon Gray # Choral Anthems for Matariki # Leon Gray # SheetMusicPlus
Choral Choir,Choral (SATB) - Level 3 - Digital Download SKU: A0.1374113 By Leon Gray. By Leon Gray. Arranged by Leon Gray. 21st Century,Folk,Holiday,Mult...(+)
Choral Choir,Choral (SATB) - Level 3 - Digital Download SKU: A0.1374113 By Leon Gray. By Leon Gray. Arranged by Leon Gray. 21st Century,Folk,Holiday,Multicultural,Traditional,World. 76 pages. Leon Gray #958689. Published by Leon Gray (A0.1374113). The complete collection of all of Leon Gray's fabulous and celebratory anthems for Matariki - MÄori New Year, a joyous holiday in Aotearoa/New Zealand.Choral Anthems for Matariki contains all nine of Gray's anthems, each one corresponding to the nine stars of the Matariki (Pleaides) cluster which is seen in winter in Aotearoa/New Zealand.Using rich four-part harmony, lively piano accompaniments, and an overwhelming sense of joy, the complete work take around 40 minutes. Full of beautiful tunes and memorable arrangements: Matariki, the Mother PÅhutukawa, for the Passed TupuÄnuku, for Food Below TupuÄrangi, for Food Above WaitÄ«, for Fresh Water WaitÄ, for Sea Water Waipuna-Ä-rangi, for the Rain Ururangi, for the Wind Hiwa-i-te-rangi, the Wishing Star Perfect for any Matariki concerts you have planned in you community, OR any concert around the world where a concert wishes to celebrate hope, families, loss or the environment.Enjoy this celestial treat and sing heartily! God of all creation (3-part version)
God of all creation (3-part version) # Choral SATB # EASY # Sacred music # Christian contemporary # Robert A # God of all creation # Robert A. Howard # SheetMusicPlus
Choral Choir,Choral (SATB) - Level 2 - Digital Download SKU: A0.998868 Composed by Robert A. Howard. 21st Century,Christian,Contemporary,Praise & Worship...(+)
Choral Choir,Choral (SATB) - Level 2 - Digital Download SKU: A0.998868 Composed by Robert A. Howard. 21st Century,Christian,Contemporary,Praise & Worship,Sacred. 8 pages. Robert A. Howard #6348463. Published by Robert A. Howard (A0.998868). This celebratory major-key anthem sets a prayer by Revd Canon Gordon Giles. The vocal lines are catchy and highly singable, based on recurring memorable phrases. It is written for a three-part choir of sopranos, altos and unison lower (male) voices, and is suitable for performance by good (Parish) choirs. The accompaniment can be played on piano or organ and is relatively simple to play. The work is appropriate for most standards of choir, including school, student, community, church and cathedral choirs. This piece is also available in versions for SA choir, and for solo/unison voices, also from Sheet Music Plus. Laudate!
Laudate! # Choral SATB # INTERMEDIATE # Christopher Alexander # Laudate! # Christopher Alexander # SheetMusicPlus
Choral Choir,Choral (SATB divisi) - Level 3 - Digital Download SKU: A0.1261899 By Christopher Alexander. By Christopher Alexander. A Cappella,Contest,Fes...(+)
Choral Choir,Choral (SATB divisi) - Level 3 - Digital Download SKU: A0.1261899 By Christopher Alexander. By Christopher Alexander. A Cappella,Contest,Festival,Sacred. 36 pages. Christopher Alexander #854983. Published by Christopher Alexander (A0.1261899). Laudate! is a celebratory work of excitement and praise. After its boisterous opening, the energy of the song takes off with differing motifs and rhythmic figures in each voice before the chorus unites in large, harmonic textures. Â The anticipation builds again before returning to the polyphonic section from before. The work slightly slows down, while maintaining its energetic spirit, creating polychordal harmonies. The uptempo energy comes back once more and builds through the key change and rollicking finale (similar to the beginning). Â Each voice section gets featured in this work, and would be a great opener at your next concert. Â This work is suitable for advanced high school, collegiate, and community choruses.