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9 sheet music found Loch Lomond (Cello and Piano Duet)
Loch Lomond (Cello and Piano Duet) # Cello, Organ # Contemporary # Traditional Scottish melody # John A # Loch Lomond # John A. Dempsey # SheetMusicPlus
Composed by Traditional Scottish melody. Arranged by John A. Dempsey. 21st Century, Romantic Period, World, Folk, Celtic. Individual Part, Score, Solo Part. 8 p...(+)
Composed by Traditional Scottish melody. Arranged by John A. Dempsey. 21st Century, Romantic Period, World, Folk, Celtic. Individual Part, Score, Solo Part. 8 pages. Published by John A. Dempsey (S0.96519). - Individual Part,Score,Solo Part - 21st Century,Romantic Period,World,Folk,Celtic - John A. Dempsey Guthrie: Chaconne for Cello & Organ
Guthrie: Chaconne for Cello & Organ # Cello, Organ # INTERMEDIATE # James M # Guthrie: Chaconne for Cello & # jmsgu3 # SheetMusicPlus
Cello,Instrumental Duet,Pipe Organ - Level 3 - Digital Download SKU: A0.549919 Composed by James M. Guthrie. 20th Century,Sacred,Standards. 10 pages. Jms...(+)
Cello,Instrumental Duet,Pipe Organ - Level 3 - Digital Download SKU: A0.549919 Composed by James M. Guthrie. 20th Century,Sacred,Standards. 10 pages. Jmsgu3 #3914741. Published by jmsgu3 (A0.549919). The chaconne has evolved from a quick dance song in Spanish culture to a significant musical form. Initially, it was a dance accompaniment, often with somewhat bawdy lyrics, and was characterized by a repeated harmonic progression. Over time, it transitioned into an instrumental form in slow triple time, built on a recurring harmonic pattern or a repeated bass line called a ground. The chaconne's spread in Europe through guitar music and theater further transformed the genre, and it became prevalent during the Baroque era, with many chaconnes existing from the 17th and 18th centuries. In more recent times, the chaconne, like the passacaglia, need not be in 3/4 time, showcasing its continued evolution and adaptability. O Come, O Come, Emmanuel
O Come, O Come, Emmanuel # Cello, Organ # INTERMEDIATE # Christmas # Robert S # RobertSWallace2 # O Come, O Come, Emmanuel # Robert Wallace, II # SheetMusicPlus
Instrumental Duet Cello,Instrumental Duet,Organ - Level 3 - Digital Download SKU: A0.881581 Composed by Robert S. Wallace, II. Arranged by RobertSWallace...(+)
Adagio from Concerto in D minor BWV 974 for Cello and Organ (Elise Robineau Version)
Adagio from Concerto in D minor BWV 974 for Cello and Organ (Elise Robineau Version) # Cello, Organ # INTERMEDIATE/ADVANCED # Classical # Johann Sebastian
Bach # Flavio Regis Cunha # Adagio from Concerto in D mino # SheetMusicPlus
Organ, Cello - Advanced
Intermediate - Digital
Download
Composed by Johann Sebastian
Bach (1685-1750). Arranged by
Flavio Regis Cunha. Baroque
Period...(+)
Organ, Cello - Advanced
Intermediate - Digital
Download
Composed by Johann Sebastian
Bach (1685-1750). Arranged by
Flavio Regis Cunha. Baroque
Period, Sacred, Easter,
Graduation, Recital. Score,
Solo Part. 8 pages. Published
by Flavio Regis Cunha The score was arranged based on the recording made by Elise Robineau:
https://youtu.be/-ywL_zokELE
The Concerto for Oboe and Strings in D minor, attributed to Alessandro Marcello, is one of the most performed oboe concertos in the repertory. It was written in the early 18th century and has become Marcello's most famous work. Bach wrote a keyboard transcription of the concerto. Here we offer an arrangement for Violoncello solo and Organ based on Bach's transcription and Elise Robineau's recording.
The Oboe Concerto in D minor, S D935, is an early 18th-century concerto for oboe, strings and continuo attributed to the Venetian composer Alessandro Marcello. The earliest extant manuscript containing Johann Sebastian Bach's solo keyboard arrangement of the concerto, BWV 974, dates from around 1715. As a concerto for oboe, strings and continuo its oldest extant sources date from 1717: that year it was printed in Amsterdam, and a C minor variant of the concerto, S Z799, was written down.
Bach's keyboard version was published as an arrangement of a concerto by Antonio Vivaldi in the 19th century. In 1923 the C minor version of the oboe concerto was published as a composition by Benedetto Marcello, Alessandro's brother. In the second half of the 20th century several publications indicated Alessandro again as the composer of the piece, as it had been in its early 18th-century print, and the oboe concerto was again published in its D minor version.