Digital sheet music, access after purchasing
Sheetmusic to print
25 sheet music found JESU, JOY OF MAN'S DESIRING by Bach - easy version for Organ and chords
JESU, JOY OF MAN'S DESIRING by Bach - easy version for Organ and chords # Organ # BEGINNER # Classical # Johann Sebastian Bach # Leyandder Trustworthy # JESU, JOY OF MAN'S DESIRING by # Leyandder Trustworthy # SheetMusicPlus
Organ - Level 1 - Digital Download SKU: A0.964505 Composed by Johann Sebastian Bach. Arranged by Leyandder Trustworthy. Baroque,Christian,Easter,Sacred,W...(+)
Organ - Level 1 - Digital Download SKU: A0.964505 Composed by Johann Sebastian Bach. Arranged by Leyandder Trustworthy. Baroque,Christian,Easter,Sacred,World. Score. 3 pages. Leyandder Trustworthy #6331227. Published by Leyandder Trustworthy (A0.964505). Jesu, Joy of Man's Desiring is a popular piece of choral music. It was composed by Johann Sebastian Bach. It is the 10th movement of the cantata Herz und Mund und Tat und Leben. It was written during Bach's first year in Leipzig, Germany. Bach did not compose the melody. That was written by Johann Schop. Bach only harmonized and orchestrated Schop's melody. A transcription of Jesu was done by English pianist Myra Hess (1890-1965), and was published in 1926 for solo piano.In 1934, Hess' version was adapted for piano duet. British organist Peter Hurford made a transcription of Jesu for organ. Today, Bach's piece is often performed at weddings and funerals. Bach wrote the piece for voices with trumpet, oboes, strings and continuo. Jesu, Joy of Man's Desiring is one of Bach's most enduring pieces of music.The present version is a facilitated reduction of the theme where it is soloed by Organ and chords. Ideal for young music students in the area, if you don't have a teacher to play along, search for item number: S0.1006121, here is an audio playback so you can play and study with ease and fluidity. I Need Thee Every Hour - Piano and Organ Arrangement
I Need Thee Every Hour - Piano and Organ Arrangement # Organ # Sacred music # Annie S # Jacob Hershberger # I Need Thee Every Hour - Piano # Jasberger Music # SheetMusicPlus
Organ,Piano - Digital Download SKU: A0.1072082 Composed by Annie S. Hawks. Arranged by Jacob Hershberger. Christian,Sacred,Spiritual. Accompaniment. Dura...(+)
Organ,Piano - Digital Download SKU: A0.1072082 Composed by Annie S. Hawks. Arranged by Jacob Hershberger. Christian,Sacred,Spiritual. Accompaniment. Duration 289. Jasberger Music #6009677. Published by Jasberger Music (A0.1072082). Jacob Hershberger performs his new arrangement of I Need Thee Every Hour on both the piano and organ.. Just not at the same time ;) http://www.youtube.com/watch?v=v3D8ACXhnyU&feature=youtu.beThe softness of the piano and it's marriage to the organ make this a powerful arrangement with a lot of hidden spiritual messages in the arrangement. One such message is the differences in time in some of the organ and piano parts. The organ represents the us in the different stages of our lives. The piano represents Heavenly Father and his constant presence in our lives. He is always there steady and available, all we have to do is sync up with him through prayer and he will lead us ever onward through our mortal sojourn on earth.At the end of the video is the following scripture: Yea, I know that God will give liberally to him that asketh. Yea, my God will give me, if I ask not amiss; therefore I will lift up my voice unto thee; yea, I will cry unto thee, my God, the rock of my righteousness. Behold, my voice shall forever ascend up unto thee, my rock and mine everlasting God. Amen. ~2 Nephi 4:35 I hope you enjoy this beautiful arrangement of I need thee every hour. www.JasbergerMusic.com 1. I need thee ev’ry hour, Most gracious Lord. No tender voice like thine Can peace afford. [Chorus] I need thee, oh, I need thee; Ev’ry hour I need thee! Oh, bless me now, my Savior; I come to thee! 2. I need thee ev’ry hour; Stay thou nearby. Temptations lose their pow’r When thou art nigh. 3. I need thee ev’ry hour, In joy or pain. Come quickly and abide, Or life is vain. 4. I need thee ev’ry hour, Most holy One. Oh, make me thine indeed, Thou blessed Son! Passacaglia in C (Organ)
Passacaglia in C (Organ) # Organ # ADVANCED # John Pitts #  
# Passacaglia in C # Intensely Pleasant Music # SheetMusicPlus
Organ - Level 5 - Digital Download SKU: A0.890713 Composed by John Pitts. Baroque,Christian,Contemporary,Sacred. Score. 20 pages. Intensely Pleasant Musi...(+)
Organ - Level 5 - Digital Download SKU: A0.890713 Composed by John Pitts. Baroque,Christian,Contemporary,Sacred. Score. 20 pages. Intensely Pleasant Music #3424723. Published by Intensely Pleasant Music (A0.890713). Passacaglia (2000-2012) for Organ - 6 minutes This piece exists in versions for organ (this one - the original version in 2000) and orchestra (performed by Bristol University Symphony Orchestra under the baton of John Pickard in 2001), and finally a piano duet version completed in 2012. The theme is based on the ground bass from Bach’s stonking Passacaglia in C minor for organ. However, the implied harmonies of Bach’s original ground bass are treated to some twisted harmonies – where each chord is altered using a system of harmonic substitution - swapping each chord implication for a newly chosen one (Cm=C, Fm=F#, G=A, Dm=A¨, Eb=F and on it goes around the 12 chromatic notes). Each key therefore has a ‘dominant’ and ‘subdominant’ that are not the actual chords V and IV in that key, so the traditional cadences and chord relationships are supplanted by 12 individual 3-chord relationships – one set of three chords for each of the 12 (now almost exclusively major) keys. In an attempt to recreate the pulls of the traditional tonic-dominant-subdominant relationships, each key then also has a particular mode/scale with particular added notes that are designed to recreate the sense of moving away from and back towards the home chord of that key. This results in a lot of rich added harmonies and some idiomatic voice-leading. Bach’s original theme in Cm is: C G - E¨ F - G A¨ - F G - D E¨ - B C - F G - C, and in the opening statement of the ground bass this has become: C A - E F# - A B¨ - F# A - D# E - C# C - F# A - C. There are then 21 variations which modulate through a range of keys, during which the ground bass is constantly re-adjusted to fit the new harmonic areas. It starts in C major, then goes through ‘closely’ related keys (eg A major and A¨ major), and then back to C in variations 6, 9 and 11. This kind of arch then happens again but going through more distant keys before returning to C in variations 18, 19 and the final climactic variation 21. Leaving aside the structural and tonal nuts and bolts, my aim was to compose a piece that attempts to recapture some of the nobility and beauty of Bach's Passacaglia, with rich added note harmonies, and exuding an exuberant joy. ARIOSO, by J. S. Bach (sinfonia) - for Organ and accompaniment
ARIOSO, by J. S. Bach (sinfonia) - for Organ and accompaniment # Organ # BEGINNER # Classical # Johann Sebastian Bach # Leyandder Trustworthy # ARIOSO, by J. S. Bach # Leyandder Trustworthy # SheetMusicPlus
Organ - Level 1 - Digital Download SKU: A0.964405 Composed by Johann Sebastian Bach. Arranged by Leyandder Trustworthy. Baroque,Instructional,Sacred,Stan...(+)
Organ - Level 1 - Digital Download SKU: A0.964405 Composed by Johann Sebastian Bach. Arranged by Leyandder Trustworthy. Baroque,Instructional,Sacred,Standards,World. Score. 2 pages. Leyandder Trustworthy #6322293. Published by Leyandder Trustworthy (A0.964405). Cantata 156 was written for the third Sunday after Epiphany in 1729, and was first performed on January 23 of that year. The text is by Picander, one of Bach's favorite librettists. of the four cantatas written by Bach for the feast (72, 73, 111 and 156), it was the last, and the only one scored for solo voice. Like Cantatas 73 and 111, it is a choral cantata, employing a choral melody in several movements. Cantata 156, in fact, employs two different melodies and choral texts in the second and sixth (final) movements, respectively; the second uses Machs mit mir, Gott, nach deiner Güt (Schein, 1628), which Herr, wie du willt, so schicks mit mir (Binemann, 1582) is reserved for the finale. This version of the piece was adapted for Organ along with a piano accompaniment that comes with the product. This is the Day Which the Lord Hath Made (medium voice) Robert Collister Voice,Soprano Voice,Alto Voice,Tenor Voice,Baritone Voice,Bass Voice,Voice with piano/organ accompaniment Sheet Music Single
This is the Day Which the Lord Hath Made (medium voice) Robert Collister Voice,Soprano Voice,Alto Voice,Tenor Voice,Baritone Voice,Bass Voice,Voice with piano/organ accompaniment Sheet Music Single # Organ # Sacred music # Tim Attride # This is the Day Which the Lord # Tim Attride # SheetMusicPlus
Composed by Tim Attride. Christian. Score. 8 pages. Published by Tim Attride (S0.20678). - Score - Christian - Tim Attride...(+)
Sing this Joyful Morning
Sing this Joyful Morning # Organ # Joel Raney # Sing this Joyful Morning # Hope Publishing - Digital # SheetMusicPlus
Organ - Digital Download SKU: H1.C5441PDP Composed by Joel Raney. Piano with Optional Children's Choir, Organ & 25 Handbells. Advent, Christmas, Palm Sun...(+)
Organ - Digital Download SKU: H1.C5441PDP Composed by Joel Raney. Piano with Optional Children's Choir, Organ & 25 Handbells. Advent, Christmas, Palm Sunday, Easter Sunday, General Worship, Call To Worship, Children, Joy. Organ Score. 4 pages. Hope Publishing - Digital #C5441PDP. Published by Hope Publishing - Digital (H1.C5441PDP). Isaiah 52:9 - Matthew 28:6 - Luke 24:6 - Mark 11:9 - Mark 11:10 - Luke 2:11.Original anthem This joyous introit for Easter comes from Joel Raney and is arranged for SATB voices and piano with optional parts for children's choir, organ, and 25 handbells. In addition there are three alternate texts that convert this into an ideal introit for Palm Sunday, Christmas and General occasions. The handbell part is included and the organ part is available separately. The Spirit of the Lord - for Cantor and Congregation
The Spirit of the Lord - for Cantor and Congregation # Organ # INTERMEDIATE # Dr # Dr # The Spirit of the Lord - for C # School Sisters of St. Francis # SheetMusicPlus
Organ - Level 3 - Digital Download SKU: A0.1406728 By Dr. Sheri L. Masiakowski. By Sr. Theophane Hytrek OSF. Arranged by Dr. Sheri L. Masiakowski. 20th C...(+)
Organ - Level 3 - Digital Download SKU: A0.1406728 By Dr. Sheri L. Masiakowski. By Sr. Theophane Hytrek OSF. Arranged by Dr. Sheri L. Masiakowski. 20th Century,Religious,Sacred. Score. 7 pages. School Sisters of St. Francis #989483. Published by School Sisters of St. Francis (A0.1406728). “The Spirit of the Lord† Sr. Theophane Hytrek OSFDedicated to Robert Verwoert on the occasion of his ordination to the priesthood — May 1971Sr. Theophane Hytrek OSF earned her PhD in composition from the University of Rochester (Eastman School of Music) in 1955.  She is known for a variety of compositional genres, e.g. keyboard (organ and piano), voice, and orchestra. Compositions for voice include masses, responses, psalm settings, hymns for congregation, choral music and solos.TEXT:The Spirit of the Lord is upon us. Send your Spirit upon us in this time and place, the Spirit who gives us comfort, the Spirit who brings light to our eyes, the Spirit who helps us say yes to your summoning Word.Bless us, Father, as you have done before, with the gift of your Spirit that he may stir new life within us.Blest are you in ev'rything that your Spirit makes new, now and for all ages to come.The source of this text is unknown. Though appropriate for Pentecost there is no direct connection to the scripture readings or sacramentary prayers for that Feast. The composition was written in the early years succeeding Vatican II (October 11, 1962 – December 8, 1965), a time of creative freedom. The language is period specific to that time, yet the music is universal.Rehearsal recommendation:The verse text is notated in consistent eighth-notes. Do not interpret this to mean that all syllables are to receive equal time.  Speak the text in natural cadence and then sing the pitches in that same natural cadence.  This will best represent Sr. Theophane’s intention.We invite you to browse other creative works by the School Sisters of St. Francis on our website:  https://www.sssf.org/SSSF/Our-Global-Impact/United-States/Music-Ministry/Catalog-of-Music.htm  Further information about our offerings is available from Dr. Sheri Masiakowski, curator of the Heritage Music Collection, at smasiakowski@sssf.org. Variations on St. Elizabeth ('Fairest Lord Jesus')
Variations on St. Elizabeth ('Fairest Lord Jesus') # Organ # INTERMEDIATE # Sacred music # John Burkett # John Burkett # Variations on St. Elizabeth # John Burkett # SheetMusicPlus
Organ - Level 3 - Digital Download SKU: A0.1375666 Composed by John Burkett. Arranged by John Burkett. Classical,Praise & Worship,Religious,Sacred. Score...(+)
Organ - Level 3 - Digital Download SKU: A0.1375666 Composed by John Burkett. Arranged by John Burkett. Classical,Praise & Worship,Religious,Sacred. Score. 13 pages. John Burkett #960208. Published by John Burkett (A0.1375666). My Variations on the hymn tune St. Elizabeth (Fairest Lord Jesus) present the tune with an original harmonization followed by four variations. The first two settings (Theme and Variation I) give out the tune in unaltered form, undergirded by two different harmonizations. Variation II is a duo cast in baroque style with an ornamented melody accompanied by a rhythmically repetitive pattern in the manual bass. In Variation III, a continuously moving accompaniment played by the feet and the left hand provides a backdrop to another ornamented version of the hymn tune, again in a somewhat baroque style. The final variation is more challenging to play. After a brief introduction, the tune appears in the soprano voice, harmonically supported by the alto and pedal bass, while the left hand provides a continuous stream of eighth-note triplets. After a couple of modulations, the final section (marked grandioso) presents the tune with a 4-voice harmonization punctuated at the end of each phrase by a trumpet-like rhythmic pattern played on a state trumpet stop. I have provided a full-length recording to aid the prospective buyer in the decision-making process. I encourage you to search the Sheet Music Plus or the Sheet Music Direct website for other hymn arrangements of mine, some for organ and others for piano.