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You've selected:
That Baroque
ORGAN
Sheetmusic to print
51 sheet music found
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51
Prelude and Fugue in Baroque Style on Nettleton
Prelude and Fugue in Baroque Style on Nettleton
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Organ
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INTERMEDIATE/ADVANCED
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Ethan Haman
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Prelude and Fugue in Baroque S
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Ethan Haman
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SheetMusicPlus
Organ - Level 4 - Digital Download SKU: A0.885298 Composed by Ethan Haman. 20th Century,Baroque,Christian,Contemporary,Sacred. Score. 9 pages. Ethan Hama...
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Organ - Level 4 - Digital Download SKU: A0.885298 Composed by Ethan Haman. 20th Century,Baroque,Christian,Contemporary,Sacred. Score. 9 pages. Ethan Haman #5996953. Published by Ethan Haman (A0.885298). Prelude and Fugue in Baroque Style on Nettleton was originally improvised by Ethan Haman at Noroton Presbyterian Church in Darien, CT, USA as the prelude for Sunday, July 12, 2020. Haman has now used the original recording to reconstruct and revise the improvisation into a fully developed composition so that others can enjoy playing this joyful piece. Works perfectly as a prelude or postlude paired with congregational singing of the well known hymn tune, Nettleton, usually sung to the text Come Thou Fount of Every Blessing. Also suitable as an organ recital piece. Duration approximately 5 minutes. For a video of the composer playing this piece, see YouTube link: https://youtu.be/c77YuwY9Bhc.
$6.99
Festive Rondeau in Baroque Style
Festive Rondeau in Baroque Style
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Organ
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INTERMEDIATE
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Classical
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David Lasky
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David Lasky
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Festive Rondeau in Baroque Sty
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David Lasky
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SheetMusicPlus
Instrumental Solo,Pipe Organ - Level 3 - Digital Download SKU: A0.1355185 By David Lasky. By David Lasky. Arranged by David Lasky. Classical. Individual ...
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Instrumental Solo,Pipe Organ - Level 3 - Digital Download SKU: A0.1355185 By David Lasky. By David Lasky. Arranged by David Lasky. Classical. Individual part. 4 pages. David Lasky #939901. Published by David Lasky (A0.1355185). This approximately two-minute piece is a light and moderately lively trio in baroque style with lots of repeating material that aids greatly in its learning. It was written as incidental music (a flutist took the top voice) for use in my church this past Christmas, but this charming piece can be used throughout the church year. It really is chamber music for the organ and falls into the early Intermediate category of difficulty, and is just plain fun to both play and to listen to.
$4.99
Handel: I Know That My Redeemer Liveth: for Piano or 2-Manual Organ
Handel: I Know That My Redeemer Liveth: for Piano or 2-Manual Organ
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Organ
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INTERMEDIATE
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Classical
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George Frideric Handel
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Handel: I Know That My Redeeme
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SCHOLTES EDITIONS
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SheetMusicPlus
Composed by George Frideric Handel (1685-1759). Arranged by Waldemar Scholtes. Baroque Period, Christian, General Worship, Easter, Funeral. Score. 4 p...
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Composed by George Frideric Handel (1685-1759). Arranged by Waldemar Scholtes. Baroque Period, Christian, General Worship, Easter, Funeral. Score. 4 pages. Published by SCHOLTES EDITIONS
$4.95
Handel: I Know That My Redeemer Liveth [Messiah] for Organ
Handel: I Know That My Redeemer Liveth [Messiah] for Organ
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Organ
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INTERMEDIATE
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Classical
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George Frideric Handel
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Handel: I Know That My Redeeme
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SCHOLTES EDITIONS
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SheetMusicPlus
Composed by George Frideric Handel (1685-1759). Arranged by Waldemar Scholtes. Baroque Period, Christian, General Worship. Score. 8 pages. Published b...
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Composed by George Frideric Handel (1685-1759). Arranged by Waldemar Scholtes. Baroque Period, Christian, General Worship. Score. 8 pages. Published by SCHOLTES EDITIONS
$6.95
ANTHOLOGY OF ORGAN MASTERPIECES - 9th Volume (of 10) - look at the list of songs inside
ANTHOLOGY OF ORGAN MASTERPIECES - 9th Volume (of 10) - look at the list of songs inside
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Organ
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Classical
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Various
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ANTHOLOGY OF ORGAN MASTERPIECE
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Renato Tagliabue
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SheetMusicPlus
Organ - Digital Download Composed by Various. Arranged by Marcello Meneguzzo. Romantic Period, Classical Period, Baroque Period, Renaissance. Score. 10...
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Organ - Digital Download Composed by Various. Arranged by Marcello Meneguzzo. Romantic Period, Classical Period, Baroque Period, Renaissance. Score. 105 pages. Published by Renato Tagliabue
Index of the 9th volume
ANONIMO .......................................... Obra defalsas .............................. pag. 72
BABOU Thomas ................................. Fantaisiedes trompettes basses et hautes “ 91
BABOU Thomas ................................. Tantumergo ................................. “ 86
BASSANI Giovanni ............................ Fantasia....................................... “ 68
BEST William Thomas ....................... Allpeople that on earth do dwell ... “ 74
BEST William Thomas ....................... O praisethe Lord with one consent “ 76
BOËLLMANN Léon ........................... Toccata (dalla « Suite Gothique ») “ 39
de GRIGNY Nicolas ............................ Duo ............................................. “ 59
de GRIGNY Nicolas ............................ Dialogue...................................... “ 62
de GRIGNY Nicolas ............................ Dialoguepour la communion ......... “ 64
LEYDING Georg Dietrich.................... Praeludium .................................. “ 26
LEYDING Georg Dietrich.................... Praeludium .................................. “ 33
RICHTER Ernest Friedrich ................ Wernur den lieben Gott lässt walten “ 50
RICHTER Ernest Friedrich ................ OGott, du frommer Gott ............... “ 88
SCHERER Sebastian Anton ............... Intonazioni................................... “ 7
SCHUMANN Robert ........................... Fugaterza (dalle seifughe sul nome Bach) “ 22
SWEELINCK Jan Pieterszoon ............. Ballo del granduca ....................... “ 17
TAGLIASASSI Giambattista ............... Adagio.......................................... “ 70
VIERNE Louis .................................... Communion.................................. “ 53
VIERNE Louis .................................... Berceuse...................................... “ 56
WECKMANN Matthias ....................... Toccatavel præludium................... “ 78
WECKMANN Matthias ....................... Toccata ........................................ “ 81
WIDOR Charles Marie ....................... Toccata ........................................ “ 95
ANONIMO .......................................... Obra defalsas .............................. pag. 72
BABOU Thomas ................................. Fantaisiedes trompettes basses et hautes “ 91
BABOU Thomas ................................. Tantumergo ................................. “ 86
BASSANI Giovanni ............................ Fantasia....................................... “ 68
BEST William Thomas ....................... Allpeople that on earth do dwell ... “ 74
BEST William Thomas ....................... O praisethe Lord with one consent “ 76
BOËLLMANN Léon ........................... Toccata (dalla « Suite Gothique ») “ 39
de GRIGNY Nicolas ............................ Duo ............................................. “ 59
de GRIGNY Nicolas ............................ Dialogue...................................... “ 62
de GRIGNY Nicolas ............................ Dialoguepour la communion ......... “ 64
LEYDING Georg Dietrich.................... Praeludium .................................. “ 26
LEYDING Georg Dietrich.................... Praeludium .................................. “ 33
RICHTER Ernest Friedrich ................ Wernur den lieben Gott lässt walten “ 50
RICHTER Ernest Friedrich ................ OGott, du frommer Gott ............... “ 88
SCHERER Sebastian Anton ............... Intonazioni................................... “ 7
SCHUMANN Robert ........................... Fugaterza (dalle seifughe sul nome Bach) “ 22
SWEELINCK Jan Pieterszoon ............. Ballo del granduca ....................... “ 17
TAGLIASASSI Giambattista ............... Adagio.......................................... “ 70
VIERNE Louis .................................... Communion.................................. “ 53
VIERNE Louis .................................... Berceuse...................................... “ 56
WECKMANN Matthias ....................... Toccatavel præludium................... “ 78
WECKMANN Matthias ....................... Toccata ........................................ “ 81
WIDOR Charles Marie ....................... Toccata ........................................ “ 95
$19.90
Jan Zach - Fugue in C Minor
Jan Zach - Fugue in C Minor
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Organ
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Classical
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early 1745 he was living in Au
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Jan Zach
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Guido Menestrina
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Jan Zach - Fugue in C Minor
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Guido Menestrina
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SheetMusicPlus
Organ - Digital Download SKU: A0.828708 Composed by Jan Zach. Arranged by Guido Menestrina. Baroque. Score. 5 pages. Guido Menestrina #405395. Published ...
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Organ - Digital Download SKU: A0.828708 Composed by Jan Zach. Arranged by Guido Menestrina. Baroque. Score. 5 pages. Guido Menestrina #405395. Published by Guido Menestrina (A0.828708). Transcription by Guido Menestrina, follow the score on youtube: https://youtu.be/A0riyf_X3P4 Jan Zach, called in German Johann Zach (baptized 13 November 1699 – 24 May 1773) was a Czech composer, violinist and organist. Although he was a gifted and versatile composer capable of writing both in Baroque and Classical idioms, his eccentric personality led to numerous conflicts and lack of steady employment from about 1756 onwards. Zach was born in ÄŒelákovice, Bohemia into a wheelwright's family. In 1724 he moved to Prague and started working as violinist at St Gallus and at St MartÃn. According to Dlabacž, he studied organ under Bohuslav MatÄ›j ÄŒernohorský, who lived in Prague from 1720 to 1727. Zach's career as organist started at St MartÃn, and by 1737 he was also playing the organ at the monastic church of the Merciful Brethren and the Minorite chapel of St Ann. In 1737 he competed for the position of organist at St. Vitus Cathedral, but was not successful. Details of what happened next are unknown: he was reported to have left Bohemia, but apparently remained in Prague at least until 1740. By early 1745 he was living in Augsburg and then on 24 April 1745 he was appointed Kapellmeister of the Electoral orchestra at the court of Johann Friedrich Karl von Ostein, Prince-Elector of Mainz. He visited Italy in 1746 and, briefly, Bohemia in 1747.[1] Zach evidently had a complex and eccentric personality, which led to numerous conflicts that plagued his life at Mainz. He was suspended from his position in 1750 and finally dismissed in 1756. From that point on it appears that Zach never again had steady employment. He traveled through Europe and supported himself financially by performing and selling copies of his works, teaching, dedicating his compositions, and so on. He visited numerous courts and monasteries in Germany and Austria, stayed in Italy in 1767 and between 1771and 1772, and may have worked as choirmaster at the Pairis Abbey in Alsace. He stayed several times at the Stams Abbey at Stams, Tyrol, where he may have had connections, and served as music teacher at the Jesuit school in Munich, for several brief periods of time. The last mentions of Zach in contemporary sources indicate that in January 1773 he was at the Wallerstein court, and according to the Frankfurt Kayserliche Reichs-Ober-Post-Amts-Zeitung of 5 June 1773 he died on a journey, at Ellwangen. Zach was buried in the local church of St Wolfgang. Zach's surviving oeuvre comprises a wealth of both instrumental and sacred music: some 30 masses, 28 string sinfonias, a dozen keyboard works and other pieces. Due to the nature of Zach's life it is difficult to establish a precise chronology. His work reflects the transition from the old Baroque style to the emerging Classical music era ideals. Zach was equally adept at strict counterpoint and the style galant, and was also influenced by Czech folk music. Zach was fond of chromatic modulations. Scholar Johann Branberger, writing in the early 20th century, noted Zach's preference for chromatic, and often exotic, themes. Only a few of Zach's pieces were published during his lifetime: a harpsichord sonata (in Oeuvres mêlées, v/6 (Nuremberg, 1759)), a harpsichord concerto (Nuremberg, 1766; GS C13), and the collection Sei sonate for harpsichord and violin or flute (Paris, 1767).
$4.99
Toccata und Fuge F-Dur "Ein feste Burg ist unser Gott"
Toccata und Fuge F-Dur "Ein feste Burg ist unser Gott"
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Organ
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ADVANCED
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Andreas Nieden
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Andreas Nieden
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Toccata und Fuge F-Dur "Ein fe
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Andreas Nieden
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SheetMusicPlus
Instrumental Solo,Pipe Organ - Level 5 - Digital Download SKU: A0.1162579 By Andreas Nieden. By Andreas Nieden. Arranged by Andreas Nieden. Baroque,Conte...
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Instrumental Solo,Pipe Organ - Level 5 - Digital Download SKU: A0.1162579 By Andreas Nieden. By Andreas Nieden. Arranged by Andreas Nieden. Baroque,Contemporary. Individual part. 15 pages. Andreas Nieden #762952. Published by Andreas Nieden (A0.1162579). This is an expansive toccata and fugue in F major in neo-baroque style. I composed it under the impression of the organ works of Bach, Buxtehude and Johann Peter Kellner.This work was composed for Reformation Day, so it has the melody of the chorale Ein feste Burg as its pivot.Since harmonies became more colourful after the Baroque period, I have included a lot of chromaticism in this work.This piece is technically extremely demanding, both the manual part and the pedal, which is treated as an absolutely equal voice.The voices are very dense, so that they are not all perceptible at first hearing. The decisive thing in playing is that the result is something like the one in my recording. It is not necessary to play all the voices, or the spacing of the voices in the right hand can be made more tangible by using the respective octaves.I have attached a musical example in which I play the composition on the organ of the Petrikirche in Erfurt (Thuringia).
$4.99
Bach - Chorale Prelude Erbarm' dich mein, o Herre Gott BWV 721
Bach - Chorale Prelude Erbarm' dich mein, o Herre Gott BWV 721
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Organ
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INTERMEDIATE/ADVANCED
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Classical
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Sacred music
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Johann Sebastian Bach
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Ayotte Custom Musical Engravin
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Bach - Chorale Prelude Erbarm'
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Ayotte Custom Musical Engravings
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SheetMusicPlus
Organ - Level 4 - Digital Download SKU: A0.733215 Composed by Johann Sebastian Bach. Arranged by Ayotte Custom Musical Engravings. Baroque,Christian,Cont...
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Organ - Level 4 - Digital Download SKU: A0.733215 Composed by Johann Sebastian Bach. Arranged by Ayotte Custom Musical Engravings. Baroque,Christian,Contemporary,Easter. Score. 2 pages. Ayotte Custom Musical Engravings #5290235. Published by Ayotte Custom Musical Engravings (A0.733215). Chorale prelude for solo organ based on the text Erbarm' Dich mein o Herre Gott!nach Deiner groß'n Barmherzigkeit,wasch' ab mach' rein mein' Missethat,ich kenn' mein' Sünd' und ist mir leid;allein ich Dir gesündigt hab',das ist wider mich stetiglich;das Bös' vor Dir mag nicht bestahn,Du bleibst gerecht, ob Du urtheilest mich.
$5.99
Eight New Little Preludes & Fugues (Digital Download)
Eight New Little Preludes & Fugues (Digital Download)
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Organ
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EASY
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Craig A
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Eight New Little Preludes & Fu
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Lorenz Publishing - Digital Sheet Music
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SheetMusicPlus
Organ 2-staff - Moderately easy - Digital Download SKU: LX.70-2131L For Organ, with Optional Pedal. Composed by Craig A. Penfield. General, Sacred...
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Organ 2-staff - Moderately easy - Digital Download SKU: LX.70-2131L For Organ, with Optional Pedal. Composed by Craig A. Penfield. General, Sacred. Organ. 48 pages. Lorenz Publishing - Digital Sheet Music #e70/2131L. Published by Lorenz Publishing - Digital Sheet Music (LX.70-2131L). ISBN 9780787763909.The Eight Little Preludes and Fugues (BWV 553–560), historically attributed to J.S. Bach, have been a cornerstone of organists' repertoire for many years. They are among the first works encountered by most organists during their training, and for many, they continue to remain an essential part of the service-playing repertoire. With this volume, Craig A. Penfield has created a new set of eight little preludes and fugues that takes its inspiration from the original collection. Penfield has written these works in a mild neo-baroque style that combines strong elements of traditional baroque writing with some contemporary touches. Pedal throughout these pieces is entirely optional. There are markings of where pedal can be used, but any or all of these can be omitted, and the pedal notes are easily played entirely in the hands.
$28.00
SUITE ROYALE (pour Orgue)
SUITE ROYALE (pour Orgue)
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Organ
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INTERMEDIATE
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Classical
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Jean-Baptiste Lully
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Robert S
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SUITE ROYALE
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Robert Wallace, II
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SheetMusicPlus
Organ - Level 3 - Digital Download SKU: A0.881613 Composed by Jean-Baptiste Lully. Arranged by Robert S. Wallace, II. Baroque. Score. 16 pages. Robert Wa...
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Organ - Level 3 - Digital Download SKU: A0.881613 Composed by Jean-Baptiste Lully. Arranged by Robert S. Wallace, II. Baroque. Score. 16 pages. Robert Wallace, II #6083999. Published by Robert Wallace, II (A0.881613). An awesome arrangement of various sections of music by Baroque composer Jean-Baptiste Lully that can be performed alone or as a whole. A decidedly different flavor, but fun to play. Baroque ornamentation has been added.
$9.99
Passacaglia in C (Organ)
Passacaglia in C (Organ)
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Organ
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ADVANCED
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John Pitts
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Passacaglia in C
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Intensely Pleasant Music
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SheetMusicPlus
Organ - Level 5 - Digital Download SKU: A0.890713 Composed by John Pitts. Baroque,Christian,Contemporary,Sacred. Score. 20 pages. Intensely Pleasant Musi...
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Organ - Level 5 - Digital Download SKU: A0.890713 Composed by John Pitts. Baroque,Christian,Contemporary,Sacred. Score. 20 pages. Intensely Pleasant Music #3424723. Published by Intensely Pleasant Music (A0.890713). Passacaglia (2000-2012) for Organ - 6 minutes This piece exists in versions for organ (this one - the original version in 2000) and orchestra (performed by Bristol University Symphony Orchestra under the baton of John Pickard in 2001), and finally a piano duet version completed in 2012. The theme is based on the ground bass from Bach’s stonking Passacaglia in C minor for organ. However, the implied harmonies of Bach’s original ground bass are treated to some twisted harmonies – where each chord is altered using a system of harmonic substitution - swapping each chord implication for a newly chosen one (Cm=C, Fm=F#, G=A, Dm=A¨, Eb=F and on it goes around the 12 chromatic notes). Each key therefore has a ‘dominant’ and ‘subdominant’ that are not the actual chords V and IV in that key, so the traditional cadences and chord relationships are supplanted by 12 individual 3-chord relationships – one set of three chords for each of the 12 (now almost exclusively major) keys. In an attempt to recreate the pulls of the traditional tonic-dominant-subdominant relationships, each key then also has a particular mode/scale with particular added notes that are designed to recreate the sense of moving away from and back towards the home chord of that key. This results in a lot of rich added harmonies and some idiomatic voice-leading. Bach’s original theme in Cm is: C G - E¨ F - G A¨ - F G - D E¨ - B C - F G - C, and in the opening statement of the ground bass this has become: C A - E F# - A B¨ - F# A - D# E - C# C - F# A - C. There are then 21 variations which modulate through a range of keys, during which the ground bass is constantly re-adjusted to fit the new harmonic areas. It starts in C major, then goes through ‘closely’ related keys (eg A major and A¨ major), and then back to C in variations 6, 9 and 11. This kind of arch then happens again but going through more distant keys before returning to C in variations 18, 19 and the final climactic variation 21. Leaving aside the structural and tonal nuts and bolts, my aim was to compose a piece that attempts to recapture some of the nobility and beauty of Bach's Passacaglia, with rich added note harmonies, and exuding an exuberant joy.
$7.99
Johann Speth - Toccata Prima - Transcription by Guido Menestrina
Johann Speth - Toccata Prima - Transcription by Guido Menestrina
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Organ
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Classical
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Johann Speth
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Guido Menestrina
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Johann Speth - Toccata Prima -
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Guido Menestrina
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SheetMusicPlus
Organ - Digital Download SKU: A0.828694 Composed by Johann Speth. Arranged by Guido Menestrina. Baroque. Score. 6 pages. Guido Menestrina #115545. Publis...
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Organ - Digital Download SKU: A0.828694 Composed by Johann Speth. Arranged by Guido Menestrina. Baroque. Score. 6 pages. Guido Menestrina #115545. Published by Guido Menestrina (A0.828694). Johann Speth (1664-1719) - Toccata Prima oder erstes musikalishes Blumen-Feld Transcribed by Guido Menestrina - youtube https://www.youtube.com/watch?v=8huOtZ9bQak From Wikipedia: Johann (Johannes) Speth (9 November 1664 – after 1719) was a German organist and composer. He was born in Speinshart, some 150 km from Nuremberg, but spent most of his life in Augsburg, where he worked as cathedral organist for two years. His only surviving music is a 1693 collection, Ars Magna Consoni et Dissoni, which includes toccatas, Magnificat versets and variations in south German style. Speth was born in Speinshart, Bavaria, to teacher Heinrich Speth and his wife Margareta (née Vichtl). Past scholars established that Speth must have received music lessons from the abbot of the Premonstratensian monastery at Speinshart, one Dominikus Lieblein, however, this has recently been disproven. Nothing is known about his life before 1692, when he applied for the position of organist of Augsburg Cathedral. The application, which contained Speth's compositions, was accepted, and he was appointed organist on 4 November 1692. The music he supplied with the application was published the next year in Augsburg as Ars magna Consoni et Dissoni. In the files of the cathedral administration there is a note from 1705 showing that Speth had also to work in the office of the cathedral chapter. The exact date of Speth's death is unknown, but there is a document that shows that in 1719, he still lived with his wife and a maidservant in Augsburg. The composer's only surviving work is the collection published in 1693 in Augsburg, Ars magna Consoni et Dissoni. The title may be a reference to Athanasius Kircher's famous book, Musurgia universalis, sive ars magna consoni et dissoni (1650). An early description of the work was included by Johann Gottfried Walther in his Musikalisches Lexicon; Walther claimed Speth only compiled the pieces but did not compose. This hypothesis is now generally considered false. Ars Magna contains music intended for organ or clavichord: 10 toccatas (subtitled Musicalische Blumen-Felder), 8 Magnificat settings, and three variation sets. The music has clearly traceable Italian influences, with direct borrowings: one of the variation sets is built on a theme by Bernardo Pasquini, there is also a passage from Bernardo Storace in the Spangioletta variation set, and a verset by Alessandro Poglietti (quinti toni no. 3). The influence of contemporary southern organists is also apparent, particularly that of Georg Muffat and Johann Caspar Ferdinand Fischer. The toccatas are unusually short for the genre; most consist of three (toccata-fugue-toccata) sections. There are some interesting features such as dynamic indications in Toccata quarta. The Magnificat settings are, like similar pieces by Johann Kaspar Kerll and others, short versets for alternatim practice.
$3.99
Toccata and Fugue in D Minor
Toccata and Fugue in D Minor
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Organ
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INTERMEDIATE/ADVANCED
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Classical
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Johann Sebastian Bach
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Shahar G
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Toccata and Fugue in D Minor
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Shahar .G
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SheetMusicPlus
Organ - Level 4 - Digital Download SKU: A0.1258791 Composed by Johann Sebastian Bach. Arranged by Shahar G. Baroque,Classical,Romantic Period. Score. 15 ...
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Organ - Level 4 - Digital Download SKU: A0.1258791 Composed by Johann Sebastian Bach. Arranged by Shahar G. Baroque,Classical,Romantic Period. Score. 15 pages. Shahar .G #852049. Published by Shahar .G (A0.1258791). Johann Sebastian Bach (1685-1750) isbelieved to have composed the Toccataand Fugue in D minor, BWV 565, based onthe oldest surviving sources of the piece.This organ music begins with a toccatasection, followed by a fugue thatconcludes with a coda. There isdisagreement among scholars regardingthe composition's exact date, ranging fromaround 1704 to as late as the 1750s. Thecomposition largely adheres to thecharacteristics typically associated withthe Baroque era's north German organschool, while also incorporating stylisticinfluences from the south German region.Recording by Rousseau
$1.99
Fantasy on "O Come, O Come Emmanuel"
Fantasy on "O Come, O Come Emmanuel"
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Organ
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INTERMEDIATE
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15th century plainsong melody
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Matthew F
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Fantasy on "O Come, O Come Emm
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Matthew F. Walicke
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SheetMusicPlus
Organ - Level 3 - Digital Download SKU: A0.923860 Composed by 15th century plainsong melody and Unknown. Arranged by Matthew F. Walicke. Baroque,Christma...
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Organ - Level 3 - Digital Download SKU: A0.923860 Composed by 15th century plainsong melody and Unknown. Arranged by Matthew F. Walicke. Baroque,Christmas,Classical,Renaissance,World. Score. 7 pages. Matthew F. Walicke #5743219. Published by Matthew F. Walicke (A0.923860). A bold and surprising advent prelude, Fantasy on 'O Come, O Come Emmanuel' based on the 15th century chant, features opportunities to show off your organ's solo stops and chimes and welcome in the season of Advent. Starting with a plaintive solo section (with optional chimes), the song bursts into a fast and fun Renaissance inspired dance with alternating meters, and finally ends with a Baroque styled waltz and fanfare. A versatile work, this piece is great as a diverse prelude that starts meditative and ends with celebration, and it's big finish makes for an excellent closer as well. Great for the first or last weeks of Advent or even Christmas!
$5.95
Psalm 75 Concerto, Op. 153 (Organ Solo) by Vidas Pinkevicius
Psalm 75 Concerto, Op. 153 (Organ Solo) by Vidas Pinkevicius
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Organ
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EASY
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Sacred music
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Vidas Pinkevicius
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Psalm 75 Concerto, Op. 153
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Vidas Pinkevicius
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SheetMusicPlus
Organ - Level 2 - Digital Download SKU: A0.1117684 Composed by Vidas Pinkevicius. Baroque,Early Music,Sacred. Score. 5 pages. Vidas Pinkevicius #719226. ...
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Organ - Level 2 - Digital Download SKU: A0.1117684 Composed by Vidas Pinkevicius. Baroque,Early Music,Sacred. Score. 5 pages. Vidas Pinkevicius #719226. Published by Vidas Pinkevicius (A0.1117684). This Psalm 75 Concerto was first improvised during a video tutorial about improvising a postlude on any hymn tune. The tutorial was requested by Nils van Velzen who was studying this psalm at the time. When I published this tutorial Rien Schalkwijk requested that I would transcribe it into a score notation for organ solo. I did and dedicated it to him. This piece is based on an optimistic Baroque style Ritornello technique where recurring fragment alternates with psalm phrases. It would serve as a delightful postlude to a church service or it could be played during a recital too.
$4.99
"The Church's One Foundation", organ solo, 5-voice fugue
"The Church's One Foundation", organ solo, 5-voice fugue
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Organ
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INTERMEDIATE/ADVANCED
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Samuel Sebastian Wesley
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Terry M
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"The Church's One Foundation",
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Forsyth Publishing
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SheetMusicPlus
Organ - Level 4 - Digital Download SKU: A0.932689 Composed by Samuel Sebastian Wesley. Arranged by Terry M. Forsyth. Baroque,Christian,Instructional,Sacr...
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Organ - Level 4 - Digital Download SKU: A0.932689 Composed by Samuel Sebastian Wesley. Arranged by Terry M. Forsyth. Baroque,Christian,Instructional,Sacred,Standards. Score. 6 pages. Forsyth Publishing #6113021. Published by Forsyth Publishing (A0.932689). This 5-voice fugue uses traditional baroque counterpoint with all fugue counterpoint requirements included; no countersubject. During the development the untrained listener is able to keep up with the melodic development. Pedal line is within reach as composition is moderately paced. The piece brings classical treatment of a hymn people know and works great with a congregation that likes hearing music on hymns they know. tune name: Aurelia.
$4.99
Now Thank We All Our God. (Nun Danket), for Organ
Now Thank We All Our God. (Nun Danket), for Organ
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Organ
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EASY
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Johann Cruger
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Nigel Williams
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Now Thank We All Our God.
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Nigel Williams
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SheetMusicPlus
Organ - Level 2 - Digital Download SKU: A0.763244 Composed by Johann Cruger. Arranged by Nigel Williams. Baroque,Holiday,Instructional,Sacred,Standards. ...
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Organ - Level 2 - Digital Download SKU: A0.763244 Composed by Johann Cruger. Arranged by Nigel Williams. Baroque,Holiday,Instructional,Sacred,Standards. Score. 4 pages. Nigel Williams #2845255. Published by Nigel Williams (A0.763244). These two variations for organ are both captivating, the first variation has the chorale melody in the left hand with upward (heavenly) moving right hand accompaniment. The second variation is very much in the early baroque style of Pachelbel, with the chorale melody in the pedals and the two hands playing an elaborate counter-melody, but in a manner that is not difficult to perform. These two variations can be played separately or as a set and would make a fine voluntary to conclude any worship service, especially around Thanksgiving. They also make excellent teaching material for those new to playing the organ.
$3.99
Praeludium in G Minor
Praeludium in G Minor
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Organ
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INTERMEDIATE
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Donovan D
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Praeludium in G Minor
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Donovan Klotzbeacher
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SheetMusicPlus
Instrumental Solo,Pipe Organ - Level 3 - Digital Download SKU: A0.1302097 Composed by Donovan D. Klotzbeacher. 21st Century,Baroque,Classical,Religious,S...
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Instrumental Solo,Pipe Organ - Level 3 - Digital Download SKU: A0.1302097 Composed by Donovan D. Klotzbeacher. 21st Century,Baroque,Classical,Religious,Sacred. Individual part. 4 pages. Donovan Klotzbeacher #891695. Published by Donovan Klotzbeacher (A0.1302097). This composition for pipe organ is suitable as a prelude or recital piece. The style of this work is distinctly along the lines of the Baroque and sounds best with that sort of registration. (4 pages).
$4.50
Organ Sonata No. 1 in G minor
Organ Sonata No. 1 in G minor
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Organ
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INTERMEDIATE/ADVANCED
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Steven Shade
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Organ Sonata No. 1 in G minor
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Steve Shade
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SheetMusicPlus
Organ - Level 4 - Digital Download SKU: A0.834342 Composed by Steven Shade. 20th Century,Baroque,Classical,Concert,Standards. Score. 36 pages. Steve Shad...
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Organ - Level 4 - Digital Download SKU: A0.834342 Composed by Steven Shade. 20th Century,Baroque,Classical,Concert,Standards. Score. 36 pages. Steve Shade #3553713. Published by Steve Shade (A0.834342). Organ Sonata No. 1 in G minor is a two movement piece written for organ solo. This piece is written in a Baroque-/Classical-like style, allowing plenty of interpretive ideas up to the performer. The first movement is in a standard sonata form, although the main theme of the exposition returns in the recapitulation as a fugue. This brisk and dramatic movement is closed by a hushed codetta that paves the way for the slow and expressive second movement. In addition to the sonata, this purchase includes a cover page and a contents page. The entire piece has been meticulously and professionally edited for quality assurance. Contains 36 pages.
$14.95
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