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1,390 sheet music found Chant d’Adieu (Romance sans Paroles), Op. 77 [by Charles Neudtedt, arr for Brass Quintet]
Chant d’Adieu (Romance sans Paroles), Op. 77 [by Charles Neudtedt, arr for Brass Quintet] # Brass Quintet: 2 trumpets, horn, trombone, tuba # INTERMEDIATE # Charles Neustedt # Andrew Lamb # Chant d’Adieu # Andrew Lamb # SheetMusicPlus
Brass Quintet Horn,Trombone,Trumpet,Tuba - Level 3 - Digital Download SKU: A0.1228437 Composed by Charles Neustedt (1834–1908). Arranged by Andrew...(+)
Brass Quintet Horn,Trombone,Trumpet,Tuba - Level 3 - Digital Download SKU: A0.1228437 Composed by Charles Neustedt (1834–1908). Arranged by Andrew Lamb. 19th Century,Romantic Period. 23 pages. Andrew Lamb #824515. Published by Andrew Lamb (A0.1228437). Title: Chant d’Adieu (Romance sans Paroles), Op. 77 Composer: Charles Neustedt (1834-1908) Arranger: Andrew LambIntroducing our exquisite brass quintet arrangement of Chant d'Adieu composed by the talented Charles Neustedt (1834-1908). This timeless and emotionally evocative piece has been carefully transcribed for brass instruments, breathing new life into an already captivating composition.Crafted with meticulous attention to detail, our arrangement captures the essence of Neustedt's original work while taking full advantage of the unique characteristics of brass instruments. The powerful and resonant tones of the quintet add depth and richness, enhancing the emotional impact of the music.Chant d'Adieu is a profoundly moving piece that touches the heart and stirs the soul. With its melancholic melodies and expressive harmonies, it creates an atmosphere of both longing and serenity. The arrangement beautifully showcases the individual voices of the brass instruments, from the vibrant and commanding trumpet to the warm and lyrical tones of the French horn, trombone and tuba.Whether you are a professional ensemble looking to expand your repertoire or a group of passionate musicians seeking a captivating piece to perform, our brass quintet arrangement of Chant d'Adieu is a remarkable addition to any concert program. Its versatility allows for a wide range of performance settings, from intimate chamber recitals to grand concert hall stages.The sheet music for our arrangement is expertly notated, ensuring clear and accurate scores for each instrument. Detailed performance instructions and dynamic markings guide musicians to fully express the nuances and emotions within the music, allowing for a truly captivating performance.Immerse yourself in the beauty of Charles Neustedt's Chant d'Adieu through our brass quintet arrangement. With its heartfelt melodies, masterful instrumentation, and the timeless allure of brass instruments, this arrangement is a treasure for both performers and audiences alike. Let the power and eloquence of the brass quintet transport you to a world of profound musical expression. Holst: I vow to thee my country (Thaxted) - brass quintet
Holst: I vow to thee my country (Thaxted) - brass quintet # Brass Quintet: 2 trumpets, horn, trombone, tuba # INTERMEDIATE # Gustav Holst # Ray Thompson # Holst: I vow to thee my countr # RayThompsonMusic # SheetMusicPlus
Brass Quintet Euphonium,Horn,Trombone,Trumpet,Tuba - Level 3 - Digital Download SKU: A0.1318153 Composed by Gustav Holst. Arranged by Ray Thompson. 20th ...(+)
Brass Quintet Euphonium,Horn,Trombone,Trumpet,Tuba - Level 3 - Digital Download SKU: A0.1318153 Composed by Gustav Holst. Arranged by Ray Thompson. 20th Century,Patriotic. 10 pages. RayThompsonMusic #906857. Published by RayThompsonMusic (A0.1318153). Arranged symphonic brass quintet.I Vow to Thee, My Country is a British patriotic hymn, created in 1921, when music by Gustav Holst had a poem by Sir Cecil Spring Rice set to it. The music originated as a wordless melody, which Holst later named Thaxted, taken from the Jupiter movement of Holst's 1917 suite The Planets. The tune is used forWorld in Union – the anthem with lyrics by Charlie Skarbek, introduced at the 1991 Rugby World Cup.It has been used for many other Christian Hymns.Notable examples are:O God Beyond All Praising – Michael Perry, 1982.We Praise You and Acknowledge You, O God – a paraphrase of the Te Deum Laudamus by Stephen P. Starke in the 2006 Lutheran Service BookThe Answer – song with lyrics by Corrinne May, which appears on her fourth album, The Gift.For the Splendor of Creation – a hymn sung at Harvard Universitycommencement ceremonies.Building the Kingdom – a recessional hymn sung at St Aloysius College.O Spirit All-Embracing – Delores Dufner, 1995.This is my arrangement for brass quintet of Gustav Holst's orchestral arrangement.It has an opening section, before the melody begins.Check out my other Holst brass arrangements including Christmas Day and In the Bleak Midwinter Lifted (Lift Every Voice and Sing, Oh When the Saints go Marching In, Will the Circle be Unbroken)
Lifted (Lift Every Voice and Sing, Oh When the Saints go Marching In, Will the Circle be Unbroken) # Brass Quintet: 2 trumpets, horn, trombone, tuba # INTERMEDIATE/ADVANCED # Traditional # Betsy Bright # Lifted # Bright Music Company # SheetMusicPlus
Brass Quintet Horn,Trombone,Trumpet,Tuba - Level 4 - Digital Download SKU: A0.1302280 Composed by Traditional. Arranged by Betsy Bright. Jazz,Religious,S...(+)
Brass Quintet Horn,Trombone,Trumpet,Tuba - Level 4 - Digital Download SKU: A0.1302280 Composed by Traditional. Arranged by Betsy Bright. Jazz,Religious,Spiritual,Standards,Traditional. 23 pages. Bright Music Company #891892. Published by Bright Music Company (A0.1302280). Lifted begins with a medley of several spirituals: Â Lift Every Voice and Sing, Oh When the Saints Go Marching In, and Will the Circle Be Unbroken. Â It closes with a mashup of all three melodies, leaving the audience tapping their feet with joy. Â There is room for some improv here, though it's not essential. Â Duration: just under 4 minutesDifficulty Level: Â 4. The Fightin' 55th (for Brass Quintet & Percussion)
The Fightin' 55th (for Brass Quintet & Percussion) # Brass Quintet: 2 trumpets, horn, trombone, tuba # INTERMEDIATE/ADVANCED # Dr # The Fightin' 55th # https://gildedmusicpress.com/ # SheetMusicPlus
Horn,Trombone,Trumpet,Tuba - Level 4 - Digital Download SKU: A0.1158199 Composed by Dr. Daniel N. Thrower. 20th Century,Chamber,Classical,March,Patriotic...(+)
Horn,Trombone,Trumpet,Tuba - Level 4 - Digital Download SKU: A0.1158199 Composed by Dr. Daniel N. Thrower. 20th Century,Chamber,Classical,March,Patriotic. 32 pages. Https://gildedmusicpress.com/ #758476. Published by https://gildedmusicpress.com/ (A0.1158199). There is nothing more quintessentially military than the grand sound of marches at special military events. Hundreds of marches have served their purposes through the many decades of military tradition in the United States of America. This 3.5-minute march was composed for the occasion of the change of command of the 55th Wing—“The Fightin’ 55thâ€â€”under Air Combat Command, located at Offutt Air Force Base in Nebraska. The ceremony took place on June 14, 2019, which was also Flag Day. The new march served as a grateful tribute to the outgoing Commander, Colonel Michael H. Manion, and a welcoming gesture to the new Commander, Colonel Gavin P. Marks. Printed copies of the score were presented to the Commanders before the ceremony, and the march was premiered as the final pre-ceremony musical selection. The opening motifs are strongly reminiscent of the introductory measures of the “Air Force Song†most commonly played by Air Force brass quintets. Keeping in tradition with the form of most marches, the “Trio†section presents new material in a new key (down a fifth), with a contrastingly quiet dynamic. The opening motif of the Trio strain is a mutation, or a paraphrase, of “Anchors Aweighâ€, emphasizing the joint-force nature of the 55th Wing. The melody is repeated with a louder dynamic and a countermelody in the horn, and then is repeated once more with increased excitement in the accompaniment, variety of dynamics, and even a temporary key shift. Straying from the form most used by the “March Kingâ€, John Philip Sousa, Dr. Thrower omitted a fourth or final strain, and instead he modulated the key back to the original B-flat major and brought back the melodic content from the first strain. This form predates Sousa, and was more commonly used in Europe and early America. It smacks of “sonata formâ€, and even the modern formal designation of “recapitulating march†alludes to sonata form. The final recapitulating strain repeats with an obbligato soaring above it in the first trumpet part, now on piccolo trumpet. The march ends with a short coda that brings back the opening motivic allusion to the Air Force Song. Due to the selected formal structure, this march, “The Fightin’ 55thâ€, is much more unified than most typical marches. The very nature of military marches (including America’s beloved “Stars and Stripes Foreverâ€) displays four or even five completely unrelated melodies, or strains, throughout. The incorporation of thematic structure similar to that found in sonata form indeed makes “The Fightin’ 55th†an appropriate and even artistic concert march. Last Full Measure, Op. 143 (Brass Quintet & Percussion)
Last Full Measure, Op. 143 (Brass Quintet & Percussion) # Brass Quintet: 2 trumpets, horn, trombone, tuba # INTERMEDIATE/ADVANCED # Dr # release date 22 Mar 2024. # Last Full Measure, Op. 143 # https://gildedmusicpress.com/ # SheetMusicPlus
Brass Quintet - Level 4 - Digital Download SKU: A0.1489496 Composed by Dr. Daniel N. Thrower. 21st Century,Chamber,Classical,Historic,Patriotic. 18 pages...(+)
Brass Quintet - Level 4 - Digital Download SKU: A0.1489496 Composed by Dr. Daniel N. Thrower. 21st Century,Chamber,Classical,Historic,Patriotic. 18 pages. Https://gildedmusicpress.com/ #1066360. Published by https://gildedmusicpress.com/ (A0.1489496). On 29 November 2023, a tragic accident occurred of the shores of an island in Japan. A CV-22 Osprey aircraft from Yokota Air Base in Tokyo crashed, killing all eight crew members. Being stationed at Yokota as an Air Force Bandsman during that trying time, my emotions turned to music as a gift of solidarity from the PACAF Band to the grieving family members. The completed music was delivered to my Commander a week after the shocking event.On 15 February 2024, the Base conducted a somber memorial service for the eight heroes who gave their last full measure of devotion in the line of duty. This piece was performed in lieu of “Taps” toward the end of the ceremony, as “Taps” was to be sounded at the Base Retreat Ceremony later that day. The gift of music was profound. Tears from the family members seated in the front rows flowed freely at the end of the performance, punctuated by increased sobs. High-quality professional prints of the score and parts were paid for by the United States Air Force and gifted to families of the deceased and distinguished visitors at the memorial service.One poignant detail was that at the performance during the memorial service, the brass quintet was augmented by a Japanese trumpet player from the nearby Japan Ground Self-Defense Force Band. This symbolic gesture of solidarity greatly impacted the profundity of the event.Last Full Measure, Op. 143, for brass quintet was completed 6 Dec 2023. This composition is not to be confused with Op. 33: Last Full Measure of Devotion, for 24 trumpets. However, in an allusion to that monumental early work, this present brass quintet’s “last measures” echo the final strain of “Taps” in memory of the eight crew members who perished. Duration: 3:00. Published (assigned ISMN) 7 Dec 2023 through Gilded Music Press, catalogue number GMP 3060; release date 22 Mar 2024. Moonlight Sonata by Beethoven for Brass Quintet
Moonlight Sonata by Beethoven for Brass Quintet # Brass Quintet: 2 trumpets, horn, trombone, tuba # INTERMEDIATE # Classical # Ludwig van Beethoven # Ander # Moonlight Sonata by Beethoven # Woods Only, Arrangements # SheetMusicPlus
Brass Quintet - Level 3 - Digital Download SKU: A0.1251244 Composed by Ludwig van Beethoven. Arranged by Ander. 19th Century,Christmas,Classical,March,Ro...(+)
Brass Quintet - Level 3 - Digital Download SKU: A0.1251244 Composed by Ludwig van Beethoven. Arranged by Ander. 19th Century,Christmas,Classical,March,Romantic Period. 15 pages. Woods Only, Arrangements #845522. Published by Woods Only, Arrangements (A0.1251244). This arrangement adapted for brass quintet was designed to make its listeners weep with emotion, because the adaptation preserves the original essence of the work, keeping its integrity faithful to what Beethoven wanted to transmit, with only a slight change in tone and addition of harmonic resources in the structure of the arrangement. Even though it is a funeral march, it is well suited for any musical performance occasion, being intended for beginner students who want to immerse themselves in the universe of romantic music, and nothing better than starting with the transitional composer of this period, which also does not prevent professional teachers from using it for recitals, academic presentations or didactic material in their classes as an ensemble practice.Ludwig van Beethoven's Piano Sonata No. 14 in C minor sharp, Op. 27, No. 2, is one of his most popular compositions and was an audience favorite even in his day. Written when Beethoven was 31, the Moonlight Sonata (Mondscheinsonate in German) was composed after he finished some commissioned works, but there is no evidence that he was hired to write this work. It did not receive its nickname until 1832, five years after Beethoven's death. It was the critic Ludwig Rellstab who compared the music to a moonlighting on Lake Lucerne. This comparison was adopted as a nickname for the work. Called Quasi una fantasia by the author - like its companion Op. 27, No. 1 - the piece was completed in 1801 and dedicated the following year to one of the composer's pupils. Beethoven chose to open the sonata with a slow, hypnotic arpeggio movement, the best known of the entire work. The dotted rhythm of its minimal melody evokes the tradition of 'Trauermusik' (funeral music). Ewald: Quintet No. 1 for Brass Instruments
Ewald: Quintet No. 1 for Brass Instruments # Brass Quintet: 2 trumpets, horn, trombone, tuba # INTERMEDIATE/ADVANCED # Classical # Victor Ewald
# Edited by Roar Kvam # Ewald: Quintet No. 1 for Brass # KVAMusic Edition # SheetMusicPlus
Brass Quintet - Advanced
Intermediate - Digital
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Composed by Victor Ewald
(1860-1935). Arranged by
Edited by Roar Kvam. Romantic
Period. Score, Set...(+)
Brass Quintet - Advanced
Intermediate - Digital
Download
Composed by Victor Ewald
(1860-1935). Arranged by
Edited by Roar Kvam. Romantic
Period. Score, Set of Parts.
102 pages. Published by
KVAMusic Edition 27 November 1860 - 16 April 1935
Ewald was a Russian composer of music, mainly for conical brass instruments.He was born in Saint Petersburg and died in Leningrad. He also collected andpublished Russian folk songs. Ewald?s professional life, like that of many of his musicalcontemporaries, was in an entirely different field; that of a civil engineer, in which heexcelled, being appointed in 1900 as professor and manager of the Faculty ofConstruction Materials at the Institute of Civil Engineers. Brass players however areindebted to him for something very different ? a series of quintets which have becomea staple of the repertoire and which represent almost the only, and certainly the mostextended examples of original literature in the Romantic style. Ewald?s formal musicaltraining began in 1872 when he enrolled at the St Petersburg Conservatory at the ageof twelve. Founded in 1861 by Anton Rubenstein, this institution was the first of itskind in Russia and it was here that Ewald received lessons in cornet, piano, horn,cello, harmony and composition.As an adult he worked alongside fellow musicalnationalists known collectively as the Mighty Handful?Borodin, Mily Balakirev,
César Cui, Modest Mussorgsky and the most famous of all, Nicolai Rimsky-Korsakov.
All of these men had ?day jobs? in non-musical fields.
Ewald?s contributions as a composer reflected an abiding love for brass
instruments for which he wrote his quintets scored originally for two cornets, altohorn, baritone horn and tuba.
I've edited these four quartets using Ewald's original instrumentation, but thereare also separate substitute parts for the modern brass quintet (2 trumpets, horn in F,trombone and tuba). Americana Fanfares, Vol. 2, Op. 137
Americana Fanfares, Vol. 2, Op. 137 # Brass Quintet: 2 trumpets, horn, trombone, tuba # INTERMEDIATE/ADVANCED # Dr # Americana Fanfares, Vol. 2, Op # https://gildedmusicpress.com/ # SheetMusicPlus
Brass Quintet - Level 4 - Digital Download SKU: A0.1489490 Composed by Dr. Daniel N. Thrower. Chamber,Classical,Historic,Patriotic. 38 pages. Https://gil...(+)
Brass Quintet - Level 4 - Digital Download SKU: A0.1489490 Composed by Dr. Daniel N. Thrower. Chamber,Classical,Historic,Patriotic. 38 pages. Https://gildedmusicpress.com/ #1066354. Published by https://gildedmusicpress.com/ (A0.1489490). Three of these seven short pieces are worthy to open any brass quintet concert or recital. Two fanfares are too short for a concert feature but work extremely well in a ceremony or celebratory setting. The last two short pieces aptly serve contrasting special purposes, as explained below.“Fort Pierre Fanfare” is about 40 seconds in duration, and was composed to open the feature concert at the South Dakota Bandmasters Association convention in 2022. Offutt Brass, from the US Air Force Heartland of America Band, was invited to perform that concert. Before the final piece of the concert, when gifts were exchanged between the sponsor and performers, beautiful presentation copies of the sheet music were presented to the sponsor. In performance, staging directions on the music can be extremely effective or cringy, depending on how they are conveyed. If there is any inkling that there may be a cringe factor, ignore them, and play the fanfare already on stage.“Enduring Freedom Fanfare” is nearly a minute of music. It was composed as a gift for the outgoing Commander of the US Air Force Heritage of America Band, Major Rafael Toro-Quiñones. His leadership was strong and inspiring, and he held a place of high esteem among many of the fine military musicians that he led. The Change of Command ceremony was toward the end of the Covid-19 shut-downs, so the work was not performed at the ceremony. Chief Remley, from the command’s satellite location in Nebraska, hand-delivered some finely printed presentation copies to Major Toro-Quiñones.“Noble Eagle Fanfare” is slightly over a minute in length, and, like “Enduring Freedom Fanfare,” was composed as a gift for another outgoing Commander of the US Air Force Heritage of America Band, Captain David Neil Regner.“Pilgrims’ Fanfare” was composed on what many Americans acknowledge as “Pioneer Day,” 24 July 2023. Not only honoring the thousands of pioneers that settled the western United States, but also the pilgrims that voyaged across the ocean to settle in the new continent. It is about 15 seconds in duration and is effective for any occasion in need of a magnificent fanfare.“Flightline Fanfare,” as its title implies, was composed for the ribbon cutting ceremony of the dedication of the newly renovated flightline at Offutt Air Force Base in Nebraska. Unfortunately, the ceremony itself was altered last-minute, and the 15-second fanfare was not used. However, like “Pilgrims’ Fanfare,” it is very handy for any event demanding a splash of pomp.“American Interlude” is a soft 75-second underscore for an MC’s moving speech or dedication. It was originally composed as a smooth segue between two moving patriotic pieces of different keys in a concert setting, but can be used in any similar appropriate situation.“Troop 184” is dedicated to my childhood BSA Scoutmaster, Gerry Nielson, who molded me in significant ways into the man I am decades later. It is functional music, akin to a fight song, and can be easily marched to. Words may be crafted as a customized hiking ditty, or it can be featured before or after ceremonies as prelude or processional music. The duration can also be customized, as there is a written optional repeat, lengthening the tune from 45 seconds to a minute and a half. Toot, Toot, Tootsie!
Toot, Toot, Tootsie! # Brass Quintet: 2 trumpets, horn, trombone, tuba # INTERMEDIATE/ADVANCED # Gus Kahn, Ernie Erdman and Dan # F # Toot, Toot, Tootsie! # Sweetwater Brass Press # SheetMusicPlus
Brass Quintet Horn,Trombone,Trumpet,Tuba - Level 4 - Digital Download SKU: A0.1251231 Composed by Gus Kahn, Ernie Erdman and Dan Russo. Arranged by F. Le...(+)
Brass Quintet Horn,Trombone,Trumpet,Tuba - Level 4 - Digital Download SKU: A0.1251231 Composed by Gus Kahn, Ernie Erdman and Dan Russo. Arranged by F. Leslie Smith. 20th Century,Comedy,Pop,Standards,Traditional. 37 pages. Sweetwater Brass Press #845507. Published by Sweetwater Brass Press (A0.1251231). This song starts with the narrator/lyricist saying that he overheard a guy at the train station trying to say farewell to his girl.  The guy would kiss her, bid her adieu, get on the train, then get off and do the whole thing over again.  And, he did this seven times!  What would he say to her each time?  He’d tell her that he’s leaving, that she shouldn’t cry, that he’ll write and that if she does not hear from him she should assume he’s been arrested.  What a romantic line!   Anyway, that’s the gist of the “Toot, Toot, Tootsie!†lyrics.  Credited to Gus Kahn, Ernie Erdman and Dan Russo, New York City’s Leo Feist, Inc. first published this upbeat, leave-taking song in 1922.  It had been one of 29 numbers featured in the 1921 Broadway production Bombo, a vehicle designed to showcase the talent of Al Jolson.  Six years later Jolson sang it in The Jazz Singer, generally recognized as the first sound feature film.  Additionally, all three composers, plus Ted Fio Rito and Eddie Cantor, also made early and very popular recordings.  This bubbly, cheerful arrangement opens in the key of F major with a suggested tempo of 120 BPM.  After an 8-measure introduction, the piece goes right to the familiar chorus with Trumpet 1 and Trombone switching leads and ending with a wonderful Fillmore-style smear.  The tempo then slows dramatically for a somewhat pensive interpretation of the verse, the narrator’s observations, Horn and Trumpet 1 alternating the lead.  At measure 67 the chorus repeats faster than ever, a recommended 132 BPM, as Trombone and the two Trumpets take turns with the melody.  This leads right into a repeat of the verse—this time played at full speed—and a change of key to D-flat major.  Trombone and Tuba play in unison, exchanging the melody with Trumpets, right on into the third go-round of the chorus.  The piece wraps up with a vaudeville-style conclusion and eventually fades away.  (But don’t miss Trombone's four-measure reference to “Charlottetown Is Burning Down/Goodbye, Liza Jane†at measure 141.)Lots of fun!  Completed in 2023, performance time at the suggested tempo runs about 2 minutes, 47 seconds. The arranger, Les Smith, will be happy to provide substitute parts (for example, treble clef baritone for trombone) at no charge.  He would like to receive your suggestions, comments, corrections and criticisms.  For more arrangements by Les, enter Sweetwater Brass Press (without the quotation marks) in the Sheet Music Plus or Sheet Music Direct search box. ''Risen from Ruins'' - "Auferstanden aus Ruinen"
''Risen from Ruins'' - "Auferstanden aus Ruinen" # Brass Quintet: 2 trumpets, horn, trombone, tuba # Haans Eisler # Keith Terrett # ''Risen from Ruins'' - "Aufers # Keith Terrett # SheetMusicPlus
Horn,Trombone,Trumpet,Tuba - Digital Download SKU: A0.1158495 Composed by Haans Eisler. Arranged by Keith Terrett. Historic,Multicultural,Patriotic,Tradi...(+)
Horn,Trombone,Trumpet,Tuba - Digital Download SKU: A0.1158495 Composed by Haans Eisler. Arranged by Keith Terrett. Historic,Multicultural,Patriotic,Traditional,World. 10 pages. Keith Terrett #758783. Published by Keith Terrett (A0.1158495). The former East German National Anthem arranged for Brass Quintet. In 1949, the Soviet occupation zone of Allied-occupied Germany became a socialist state under the name of the German Democratic Republic (GDR). For the nascent state's national anthem, the poet Johannes Becher, who later became the East German Minister of Culture, wrote the lyrics. Two musicians, Ottmar Gerster and Hanns Eisler, proposed music to Becher's lyrics, and Eisler's version was selected. History Written in 1949, the East German national anthem reflects the early stages of German separation, in which continuing progress towards reunification of the occupation zones was seen by most Germans as appropriate and natural. Consequently, Becher's lyrics develop several connotations of unity and combine them with fatherland (einig Vaterland), meaning Germany as a whole. However, this concept soon would not conform to an increasingly icy Cold War context, especially after the Berlin Wall had been erected in 1961 by the East German government.[1] In September 1973, East and West Germany were admitted to the United Nations simultaneously, following talks between the two governments that conferred a degree of mutual recognition. The term Germany was later removed from the East German constitution, and only the national anthem's tune was played on official occasions. No new lyrics were ever written to replace Becher's, which continued to be used unofficially, especially after die Wende in late 1989: once it became clear that the countries were actually moving towards reunification, East German television Deutscher Fernsehfunk reinstated the work and signed off every night with a joyous symphonic rendition of the vocal arrangement, with accompanying picturesque footage of East Germany's main tourist attractions. Auferstanden aus Ruinen ceased to be a national anthem when the German Democratic Republic dissolved and its states joined the Federal Republic of Germany as a result of German reunification in 1990. Deutschlandlied, composed in 1841, became the national anthem of a united Germany again. East German Premier Lothar de Maizière had proposed that Becher's lyrics be added to the united German national anthem, but this was rejected by his West German counterpart, chancellor Helmut Kohl. At the end of its last broadcast on 2 October 1990, the East German international radio broadcaster Radio Berlin International signed off with a vocal version of the East German national anthem. In November 1995, Auferstanden aus Ruinen was played again when German President Roman Herzog visited Brazil. This was the first event at which the anthem had been played since the German reunification. Singin' In The Rain
Singin' In The Rain # Brass Quintet: 2 trumpets, horn, trombone, tuba # INTERMEDIATE # Broadway # Arthur Freed and Nacio Herb Br # José L Blasco (Choral arr # Singin' In The Rain # Peet du Toit # SheetMusicPlus
Brass Quintet Horn,Trombone,Trumpet,Tuba - Level 3 - Digital Download SKU: A0.1392859 Composed by Arthur Freed and Nacio Herb Brown. Arranged by José ...(+)
Brass Quintet Horn,Trombone,Trumpet,Tuba - Level 3 - Digital Download SKU: A0.1392859 Composed by Arthur Freed and Nacio Herb Brown. Arranged by José L Blasco (Choral arr.) & Peet du Toit. Broadway,Musical/Show. 22 pages. Peet du Toit #976384. Published by Peet du Toit (A0.1392859). Singin' in the Rain is a 1952 American musical romantic comedy film directed and choreographed by Gene Kelly and Stanley Donen, starring Kelly, Donald O'Connor, and Debbie Reynolds and featuring Jean Hagen, Millard Mitchell and Cyd Charisse. It offers a lighthearted depiction of Hollywood in the late 1920s, with the three stars portraying performers caught up in the transition from silent films to talkies.The film was only a modest hit when it was first released. O'Connor won the Golden Globe Award for Best Actor – Motion Picture Musical or Comedy, and Betty Comden and Adolph Green won the Writers Guild of America Award for their screenplay, while Jean Hagen was nominated for the Academy Award for Best Supporting Actress. However, it has since been accorded legendary status by contemporary critics, and is often regarded as the greatest musical film ever made and one of the greatest films ever made, as well as the greatest film made in the Freed Unit at Metro-Goldwyn-Mayer. It topped the AFI's Greatest Movie Musicals list and is ranked as the fifth-greatest American motion picture of all time in its updated list of the greatest American films in 2007.In 1989, Singin' in the Rain was one of the first 25 films selected by the United States Library of Congress for preservation in the National Film Registry for being culturally, historically, or aesthetically significant. In 2005, the British Film Institute included it in its list of the 50 films to be seen by the age of 14. In 2008, Empire magazine ranked it as the eighth-best film of all time. In Sight & Sound magazine's 2022 list of the greatest films of all time, Singin' in the Rain placed 10th.Well, this arrangement for Brass Quintet supports the accolades of this glorious song and show. Enjoy! Ewald: Quintet No. 4 for Brass instruments
Ewald: Quintet No. 4 for Brass instruments # Brass Quintet: 2 trumpets, horn, trombone, tuba # INTERMEDIATE/ADVANCED # Contemporary # Victor Ewald # Roar Kvam # Ewald: Quintet No. 4 for Brass # KVAMusic Edition # SheetMusicPlus
Euphonium,Horn,Trombone,Trumpet,Tuba - Level 4 - Digital Download SKU: A0.768520 Composed by Victor Ewald. Arranged by Roar Kvam. 20th Century. 204 pages...(+)
Euphonium,Horn,Trombone,Trumpet,Tuba - Level 4 - Digital Download SKU: A0.768520 Composed by Victor Ewald. Arranged by Roar Kvam. 20th Century. 204 pages. KVAMusic Edition #6424311. Published by KVAMusic Edition (A0.768520). Victor Ewald 27 November 1860 - 16 April 1935 Ewald was a Russian composer of music, mainly for conical brass instruments. He was born in Saint Petersburg and died in Leningrad. He also collected and published Russian folk songs. Ewald’s professional life, like that of many of his musical contemporaries, was in an entirely different field; that of a civil engineer, in which he excelled, being appointed in 1900 as professor and manager of the Faculty of Construction Materials at the Institute of Civil Engineers. Brass players however are indebted to him for something very different – a series of quintets which have become a staple of the repertoire and which represent almost the only, and certainly the most extended examples of original literature in the Romantic style. Ewald’s formal musical training began in 1872 when he enrolled at the St Petersburg Conservatory at the age of twelve. Founded in 1861 by Anton Rubenstein, this institution was the first of its kind in Russia and it was here that Ewald received lessons in cornet, piano, horn, cello, harmony and composition. As an adult he worked alongside fellow musical nationalists known collectively as the Mighty Handful-Borodin, Mily Balakirev, CeÌsar Cui, Modest Mussorgsky and the most famous of all, Nicolai Rimsky-Korsakov. All of these men had day jobs in non-musical fields.Ewald’s contributions as a composer reflected an abiding love for brass instruments for which he wrote his quintets scored originally for two cornets, alto horn, baritone horn and tuba. I've edited these four quartets using Ewald's original instrumentation, but there are also separate substitute parts for the modern brass quintet (2 trumpets, horn in F, trombone and tuba). Roar Kvam, Fossbrekka, April 14, 2020 Scenes and Amusements, Op. 149
Scenes and Amusements, Op. 149 # Brass Quintet: 2 trumpets, horn, trombone, tuba # INTERMEDIATE/ADVANCED # Dr # Scenes and Amusements, Op. 149 # https://gildedmusicpress.com/ # SheetMusicPlus
Brass Quintet - Level 4 - Digital Download SKU: A0.1489504 Composed by Dr. Daniel N. Thrower. 21st Century,Chamber,Children,Classical,Film/TV. 72 pages. ...(+)
Brass Quintet - Level 4 - Digital Download SKU: A0.1489504 Composed by Dr. Daniel N. Thrower. 21st Century,Chamber,Children,Classical,Film/TV. 72 pages. Https://gildedmusicpress.com/ #1066367. Published by https://gildedmusicpress.com/ (A0.1489504). Alfredo’s Demise was completed on 29 Dec 2023. Alfredo was a snowman built after a late spring snowstorm. The first half underscores time lapse footage of the rapidly melting snowman, syncing precise sforzando punctuations to moments of falling chunks. The sunset remains were gleefully decimated by our six-year-old James.Shuttle from Haneda depicts a delayed return from a trip. The video elicited an atonal compositional style to underscore the hustle and chaos of a city as enormous as Tokyo, but with a lovely view of the Bay about midway through the work.Petite Wave was composed to accompany a time lapse hanging of a three-panel canvas print of the woodcut art “The Great Wave off Kanagawa” by Japanese artist Katsushika Hokusai in 1831. This art was featured on the cover of Claude Debussy’s “La Mer” when it was published in 1905, prompting a quote from “La Mer.”Fast Food to Fitness aurally illustrates a pan of nine fast food ads on a sheet. The bottom ad ironically promotes “BeFit 360”. The music has a series of exciting flourishes that morph into a sinister chord as the last ad dampens the caloric prospects.Pigeons personifies a substantial flock of pigeons contentedly pecking at grass. I filmed while slowly approaching, occasionally causing a stir. The nervous flock took flight to find less threatening spot of ground to peck. The scene presented some fine opportunities for musical underscoring.Blue Snowman Group accompanies a rare Tokyo storm that dumped inches of wet packing snow. When my ten-year-old started rolling the base of a snowman, I whipped out my cell phone and started a time lapse video. Mom came out and built her own, armed with a spray bottle of colored water. The two snowmen turned blue in the cold and lived happily together for a couple of days.Autumn Fuji Puzzle undersores tightly crafted moments of puzzle-working and deconstruction.Outing in Japan was crafted to highlight key moments of a time lapse, running errands in northwest Tokyo. Many subtle and obvious moments in this work aurally augment visually stimulating moments, including blinking turn signals, passing traffic, turns, vehicle approaches, parking at destinations, and many more.