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Traditional
ORCHESTRA - BAND
Sheetmusic to print
135 sheet music found
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SECOND LINE - Traditional Jazz Combo - New Orleans Parade Music - Practice MP3
SECOND LINE - Traditional Jazz Combo - New Orleans Parade Music - Practice MP3
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Wynton Marsalis
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Dennis Ruello
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SECOND LINE - Traditional Jazz
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Chicory Music
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SheetMusicPlus
Clarinet,Drum Set,Guitar,Tenor Saxophone,Trombone,Trumpet,Tuba - Digital Download SKU: A0.1071237 By Wynton Marsalis. By Traditional New Orleans Parade M...
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Clarinet,Drum Set,Guitar,Tenor Saxophone,Trombone,Trumpet,Tuba - Digital Download SKU: A0.1071237 By Wynton Marsalis. By Traditional New Orleans Parade Music. Arranged by Dennis Ruello. Blues,Contemporary,Holiday,Jazz,Wedding. Accompaniment. Duration 168. Chicory Music #4639527. Published by Chicory Music (A0.1071237). Second Line, some time called Joe Avery’s Blues, is a song written by the eponymous trombonist that is popular at second line parades. It is played for wedding receptions, parties, parades and at the end of a jazz funeral. The song is based on a simple 12-bar blues form and has a very singable melody. Before the melody starts, the trumpet plays a loud, high call to which the crowd responds, Hey! The band then proceeds to play the melody while second line parade festivities ensue.This Practice Play-Along mp3 will help insure that the performance has the correct Second Line parade feel.
$2.99 ≈
£2.28
Maria Walks Amid the Thorns for String Octet/String Orchestra
Maria Walks Amid the Thorns for String Octet/String Orchestra
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Traditional German Carol
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Edward Holmes
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Maria Walks Amid the Thorns fo
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Edward Holmes
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SheetMusicPlus
String Ensemble Cello,Viola,Violin - Level 2 - Digital Download SKU: A0.1337465 Composed by Traditional German Carol. Arranged by Edward Holmes. Christma...
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String Ensemble Cello,Viola,Violin - Level 2 - Digital Download SKU: A0.1337465 Composed by Traditional German Carol. Arranged by Edward Holmes. Christmas,Holiday,Religious,Traditional. 11 pages. Edward Holmes #923294. Published by Edward Holmes (A0.1337465). This is a lovely traditional east-european carol first appearing in hymn books by August von Haxthausen, although it will have been spread orally beforehand... I have arranged it for string octet/string orchestra as it featured in A Christmas Cracker.Approx 2:30 mins.
$9.99 ≈
£7.61
Gesù Bambino
Gesù Bambino
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Keith Christopher
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Keith Christopher
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Gesù Bambino
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Keith Christopher Music
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SheetMusicPlus
Level 4 - Digital Download SKU: A0.1126261 By Keith Christopher. By Pietro A. Yon. Arranged by Keith Christopher. Christmas,Classical,Holiday,Instruction...
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Level 4 - Digital Download SKU: A0.1126261 By Keith Christopher. By Pietro A. Yon. Arranged by Keith Christopher. Christmas,Classical,Holiday,Instructional,Traditional. Full Performance. Duration 182. Keith Christopher Music #726962. Published by Keith Christopher Music (A0.1126261). A fresh and upbeat orchestral setting of the beloved Gesu Bambino by Pietro Yon. The traditional Adeste Fideles is interwoven and leads to a dynamic conclusion to this festive orchestra piece for the holidays! Grade 3-4.
$1.99 ≈
£1.52
El Malei Rachamim (Full Orchestral Accompaniment Track - High Key only)
El Malei Rachamim (Full Orchestral Accompaniment Track - High Key only)
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Stephen DeCesare
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El Malei Rachamim
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Exultet Music
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SheetMusicPlus
Strings Horn,Organ Accompaniment - Level 3 - Digital Download SKU: A0.1318115 By Stephen DeCesare. By Stephen DeCesare. Contemporary,Jewish,Sacred,Standa...
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Strings Horn,Organ Accompaniment - Level 3 - Digital Download SKU: A0.1318115 By Stephen DeCesare. By Stephen DeCesare. Contemporary,Jewish,Sacred,Standards,Traditional. Accompaniment. Duration 269. Exultet Music #906817. Published by Exultet Music (A0.1318115). Tender setting of the traditional Jewish funeral prayer. Scored for a variety of arrangements. Accessible and appropriate for any Temple or concert setting.  Note: this track will only work with the high key arrangements which are in the key of Gm.
$3.99 ≈
£3.04
How Great Thou Art (String Orchestra or Quintet)
How Great Thou Art (String Orchestra or Quintet)
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Traditional
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B
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How Great Thou Art
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Ben Dockery
#
SheetMusicPlus
String Ensemble,String Quintet Cello,Double Bass,Viola,Violin - Level 2 - Digital Download SKU: A0.1073373 Composed by Traditional. Arranged by B. C. Doc...
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String Ensemble,String Quintet Cello,Double Bass,Viola,Violin - Level 2 - Digital Download SKU: A0.1073373 Composed by Traditional. Arranged by B. C. Dockery. Sacred,Spiritual,Traditional. Score and parts. 7 pages. Ben Dockery #677636. Published by Ben Dockery (A0.1073373). Arranged for string orchestra or quintet: 2 violins, viola, cello, and bass. Great for preludes, offertories, postludes, and recitals. Easy intermediate level. Includes score and parts.
$8.99 ≈
£6.84
Come, Thou Fount of Every Blessing (String Orchestra or Quintet)
Come, Thou Fount of Every Blessing (String Orchestra or Quintet)
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Traditional
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B
#
Come, Thou Fount of Every Bles
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Ben Dockery
#
SheetMusicPlus
String Ensemble,String Quintet Cello,Double Bass,Viola,Violin - Level 2 - Digital Download SKU: A0.1049320 Composed by Traditional. Arranged by B. C. Doc...
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String Ensemble,String Quintet Cello,Double Bass,Viola,Violin - Level 2 - Digital Download SKU: A0.1049320 Composed by Traditional. Arranged by B. C. Dockery. Sacred,Spiritual,Traditional. Score and parts. 7 pages. Ben Dockery #653691. Published by Ben Dockery (A0.1049320). Arranged for string orchestra or quintet: 2 violins, viola, cello, and bass. Great for preludes, offertories, postludes, and recitals. Early intermediate level. Includes score and parts.
$8.99 ≈
£6.84
Adeste Fideles - String Orchestra
Adeste Fideles - String Orchestra
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Sacred music
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MARCOS LUIZ MENDES FEITOSA
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MARCOS LUIZ MENDES FEITOSA
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Adeste Fideles - String Orches
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Marcos Luiz Mendes Feitosa
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SheetMusicPlus
String Ensemble Cello,Double Bass,Viola,Violin - Digital Download SKU: A0.493789 By MARCOS LUIZ MENDES FEITOSA. By John Francis Wade. Arranged by MARCOS ...
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String Ensemble Cello,Double Bass,Viola,Violin - Digital Download SKU: A0.493789 By MARCOS LUIZ MENDES FEITOSA. By John Francis Wade. Arranged by MARCOS LUIZ MENDES FEITOSA. Christmas,Instructional,Praise & Worship,Sacred,Traditional. Score and parts. 11 pages. Published by Marcos Luiz Mendes Feitosa (A0.493789). Adapted arrangement for String Ensemble. Very easy, ideal arrangement for Music students, but with advanced sound and traditional harmony, it makes us travel through this time of party, of joy and of harmony among peoples and makes us feel the true spirit of Christmas!
$9.99 ≈
£7.61
The Holy City (For Violin and String Orchestra)
The Holy City (For Violin and String Orchestra)
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S
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Han-Ki Kim
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The Holy City
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Han-Ki Kim
#
SheetMusicPlus
String Ensemble Cello,Double Bass,Viola,Violin - Level 4 - Digital Download SKU: A0.834886 Composed by S.Adams. Arranged by Han-Ki Kim. Classical,Instruc...
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String Ensemble Cello,Double Bass,Viola,Violin - Level 4 - Digital Download SKU: A0.834886 Composed by S.Adams. Arranged by Han-Ki Kim. Classical,Instructional,Romantic Period,Sacred,Traditional. 27 pages. Han-Ki Kim #441695. Published by Han-Ki Kim (A0.834886). The religious melody of “Holy City†composed by Stephen Adams in 1892, a traditional global masterpiece, is arranged for Solo Violin and String Orchestra to be played. Arranger tried to create a new sound world by converting a vocal melody into an instrumental sound progression - by applying Violin's various techniques. And shown Bowing sign and fingering(Vn,Va.) will be helpful to player.
$12.90 ≈
£9.82
Cheek To Cheek
Cheek To Cheek
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Fred Astaire
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Yoshie Nakayama and Yoshie Nak
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Cheek To Cheek
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Yoshie Nakayama
#
SheetMusicPlus
Alto Saxophone,Baritone Saxophone,Tenor Saxophone,Trombone,Trumpet - Level 4 - Digital Download SKU: A0.883289 By Fred Astaire. By Irving Berlin. Arrange...
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Alto Saxophone,Baritone Saxophone,Tenor Saxophone,Trombone,Trumpet - Level 4 - Digital Download SKU: A0.883289 By Fred Astaire. By Irving Berlin. Arranged by Yoshie Nakayama and Yoshie Nakayama. Broadway,Film/TV,Jazz,Musical/Show,Traditional. 14 pages. Yoshie Nakayama #3008069. Published by Yoshie Nakayama (A0.883289). Yoshie Nakayama's arrangement of the traditional jazz song into Brass Sextet with Trumpets, Trombone, Alto/Tenor/Baritone Sax.ITEM ID: H0.193087-129200
$12.99 ≈
£9.89
The First Noel (variations for string orchestra)
The First Noel (variations for string orchestra)
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Christmas
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Traditional
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Nick Raspa
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The First Noel
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NJR Music
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SheetMusicPlus
Digital Download SKU: A0.1068216 Composed by Traditional. Arranged by Nick Raspa. Christmas. Full Performance. Duration 160. NJR Music #3876697. Publishe...
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Digital Download SKU: A0.1068216 Composed by Traditional. Arranged by Nick Raspa. Christmas. Full Performance. Duration 160. NJR Music #3876697. Published by NJR Music (A0.1068216). The work begins with a traditional setting of The First Noel and continues with three variations. The first variation retains the Major key, the second variation is in the minor and the last variation is an energetic gigue in 6/8 time. The variations include thematic material which is passed from instrument to instrument. The score and parts are also available on Sheet Music Plus.
$5.99 ≈
£4.56
Cockoo Waltz (For String Orchestra)
Cockoo Waltz (For String Orchestra)
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J
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Han-Ki Kim
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Cockoo Waltz
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Han-Ki Kim
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SheetMusicPlus
String Ensemble Cello,Double Bass,Viola,Violin - Level 3 - Digital Download SKU: A0.782921 Composed by J.E.Jonasson. Arranged by Han-Ki Kim. Children,Cla...
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String Ensemble Cello,Double Bass,Viola,Violin - Level 3 - Digital Download SKU: A0.782921 Composed by J.E.Jonasson. Arranged by Han-Ki Kim. Children,Classical,Instructional,Romantic Period,Traditional. Score and parts. 18 pages. Han-Ki Kim #390327. Published by Han-Ki Kim (A0.782921). The beautiful melody of “Jonasson’s Cockoo Waltzâ€, a traditional global masterpiece, is arranged for String Orchestra to be played. This music is very suitable for concert as well as educational purposes.
$4.20 ≈
£3.20
Introduction, Theme and Variations on "La Cabra Mocha" for Youth Orchestra
Introduction, Theme and Variations on "La Cabra Mocha" for Youth Orchestra
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Jazz
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Silvano A
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Introduction, Theme and Variat
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Soundnotation
#
SheetMusicPlus
Full Orchestra Flute, Oboe, Clarinet in Bb, Bassoon, French Horns in F I and II, Trumpet in Bb, Trombone, Percussion, (Timpani, Glockenspiel), Violin I, Violin ...
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Full Orchestra Flute, Oboe, Clarinet in Bb, Bassoon, French Horns in F I and II, Trumpet in Bb, Trombone, Percussion, (Timpani, Glockenspiel), Violin I, Violin II, Viola, Violoncello, Double bass - Advanced - Digital Download SKU: 2S.4251133750706 Composed by Silvano A. Pagliuca-Mena. Jazz. Score and Parts. 46 pages. Soundnotation #4251133750706. Published by Soundnotation (2S.4251133750706). La Cabra Mocha (Full Score) is a Gaita de Furro. Because it belongs to the folklore of Zulia, its origin remains unclear and a dispute over the authorship of the composition currently revolves around Pradelio Hernandez and Jesus Lozano. Although its date of origin is considered equally indefinable for the same reason, its official appearance can be narrowed down to the middle of the 20th century. Probably it's much older, but due to the technological improvements of music recording, the piece became popular only later. La Cabra Mocha is a musical jewel that tells the story of a nation who has a wisdom and finds in music the way to express itself. The history of its transculturation is remarkable, although it also carries contradictions, depending on the way of representing. Sometimes its imposed stereotypes are accepted by society due to a lack of self-knowledge, which ultimately leads to a change of identity, where some elements are transfigured and others are replaced. Arranging a Gaita de Furro for youth orchestra makes sense for the following reasons: First and foremost, the self-knowledge of a society should start from the childhood and should be cultivated and carried on from generation to generation, thereby conserved. Moreover, a lack of a pedagogical act, thus a pedagogical repertoire, is one of the main causes for the ignorance of Venezuelan music. Another important aspect is the transformation or adaptation as a process of maintaining Venezuelan musical culture. Many children already present the intention of the composition by drawing their attention to the formation of the orchestra, which represents a globally unified language as a network of distribution and which is locally independent. Wherever the composition is played - each orchestra will be able to maintain the quality and expressiveness of the piece without hiding its identity. The piece opens with a fanfare introduction of the Cabra Mocha, followed by a drum roll, which reminds of the drummer's traditional reputation and introduces the theme whose chorus is represented by the tutti and its verses by the soli. The first variation consists of a two-bar rhythm and major tonality, full of wit and cunning. The following variation is an Adagio with a three-part rhythm in minor. Then the timpani return to initiate the theme, this time shortened by its Reprise, which finally leads to a polyphonic Codetta. On an interpretative level, the return of variation can be compared with the return of education and thus, to a certain extent, improvisation. This is a very striking factor of traditional music, which is represented as a fitting metaphor in the form of harmonic and rhythmic reference within the composition. Introduccion, Tema y Variaciones sobre la Cabra Mocha was composed in the last weeks of 2012 and won the first prize in the composition competition for the Youth Orchestra of Zulia, which was awarded by the Venezuelan Orchestra in its first edition in 2013. At the beginning of 2014 Silvano Pagliuca-Mena made a small revision of the piece. Silvano Antonio Pagliuca Mena was born on 10 May 1991 in Maracaibo, Venezuela. Despite his Italian and Spanish roots, he has always remained true to his love for the music of his homeland, which is why his compositions always carry Venezuelan impressions, but also influences like academic western music, jazz and popular music.
$13.95 ≈
£10.62
Introduction, Theme and Variations on "La Cabra Mocha" for Youth Orchestra
Introduction, Theme and Variations on "La Cabra Mocha" for Youth Orchestra
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Jazz
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Silvano A
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Introduction, Theme and Variat
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Soundnotation
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SheetMusicPlus
Full Orchestra Flute, Oboe, Clarinet in Bb, Bassoon, French Horns in F I and II, Trumpet in Bb, Trombone, Percussion, (Timpani, Glockenspiel), Violin I, Violin ...
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Full Orchestra Flute, Oboe, Clarinet in Bb, Bassoon, French Horns in F I and II, Trumpet in Bb, Trombone, Percussion, (Timpani, Glockenspiel), Violin I, Violin II, Viola, Violoncello, Double bass - Advanced - Digital Download SKU: 2S.4251133750690 Composed by Silvano A. Pagliuca-Mena. Jazz. Score. 29 pages. Soundnotation #4251133750690. Published by Soundnotation (2S.4251133750690). La Cabra Mocha (Full Score) is a Gaita de Furro. Because it belongs to the folklore of Zulia, its origin remains unclear and a dispute over the authorship of the composition currently revolves around Pradelio Hernandez and Jesus Lozano. Although its date of origin is considered equally indefinable for the same reason, its official appearance can be narrowed down to the middle of the 20th century. Probably it's much older, but due to the technological improvements of music recording, the piece became popular only later. La Cabra Mocha is a musical jewel that tells the story of a nation who has a wisdom and finds in music the way to express itself. The history of its transculturation is remarkable, although it also carries contradictions, depending on the way of representing. Sometimes its imposed stereotypes are accepted by society due to a lack of self-knowledge, which ultimately leads to a change of identity, where some elements are transfigured and others are replaced. Arranging a Gaita de Furro for youth orchestra makes sense for the following reasons: First and foremost, the self-knowledge of a society should start from the childhood and should be cultivated and carried on from generation to generation, thereby conserved. Moreover, a lack of a pedagogical act, thus a pedagogical repertoire, is one of the main causes for the ignorance of Venezuelan music. Another important aspect is the transformation or adaptation as a process of maintaining Venezuelan musical culture. Many children already present the intention of the composition by drawing their attention to the formation of the orchestra, which represents a globally unified language as a network of distribution and which is locally independent. Wherever the composition is played - each orchestra will be able to maintain the quality and expressiveness of the piece without hiding its identity. The piece opens with a fanfare introduction of the Cabra Mocha, followed by a drum roll, which reminds of the drummer's traditional reputation and introduces the theme whose chorus is represented by the tutti and its verses by the soli. The first variation consists of a two-bar rhythm and major tonality, full of wit and cunning. The following variation is an Adagio with a three-part rhythm in minor. Then the timpani return to initiate the theme, this time shortened by its Reprise, which finally leads to a polyphonic Codetta. On an interpretative level, the return of variation can be compared with the return of education and thus, to a certain extent, improvisation. This is a very striking factor of traditional music, which is represented as a fitting metaphor in the form of harmonic and rhythmic reference within the composition. Introduccion, Tema y Variaciones sobre la Cabra Mocha was composed in the last weeks of 2012 and won the first prize in the composition competition for the Youth Orchestra of Zulia, which was awarded by the Venezuelan Orchestra in its first edition in 2013. At the beginning of 2014 Silvano Pagliuca-Mena made a small revision of the piece. Silvano Antonio Pagliuca Mena was born on 10 May 1991 in Maracaibo, Venezuela. Despite his Italian and Spanish roots, he has always remained true to his love for the music of his homeland, which is why his compositions always carry Venezuelan impressions, but also influences like academic western music, jazz and popular music.
$13.95 ≈
£10.62
Westerly for flute, violin and string orchestra (mp3)
Westerly for flute, violin and string orchestra (mp3)
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Alec Keith, Matt Weiss, Octava
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Westerly for flute, violin and
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David Warin Solomons
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SheetMusicPlus
Strings Flute,Violin - Level 4 - Digital Download SKU: A0.1256762 By Alec Keith, Matt Weiss, Octava Chamber Orchestra. By David Warin Solomons. 20th Cent...
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Strings Flute,Violin - Level 4 - Digital Download SKU: A0.1256762 By Alec Keith, Matt Weiss, Octava Chamber Orchestra. By David Warin Solomons. 20th Century,21st Century. Full Performance. Duration 628. David Warin Solomons #850134. Published by David Warin Solomons (A0.1256762). Performed here by Alec Keith (flute), Matt Weiss (violin) and the Octava Chamber Orchestra under guest conductor Ian AlvarezWesterly is inspired by the old English folk song Westron Wynde and by the Renaissance masses based on that folk songIt is an expanded version of Celebration originally written for James Pellerite and his North American Native flute [NAF]In order to make the piece accessible to a wider range of performers this version uses a concert flute, with wider range and with just a few of the NAF decorations, and the violin solo part has also been expanded, resulting in a miniature Double Concerto. Westerly uses four distinct themes and weaves them into a joyful whole. The flute soloist introduces himself with the traditional call of the North American Native flute (a repeated minor third phrase), which reappears from time to time in the rest of the piece, and then embarks upon a sort of jig in E flat major (second theme).The violin soloist copies these flute phrases but then introduces the third theme of the work in the related key of C minor, and the string orchestra comes in. This third tune is based on the old Westron Wynde melody but it uses an unusual rhythm (3 3 2) and the excitement gradually begins to mount. So the two soloists rhapsodise on the various tunes and permutations along with the orchestral strings, mixing the various tunes together. In due course the fourth theme comes in, and it is quite surprising how it fits in with the E flat major - C minor interplay, since it is merely a 12 tone row. It follows some of the traditions of the 20th Century atonal composers, but, due to the context in which it is set, it takes on a warmth seldom found in atonal music.
$6.50 ≈
£4.95
Westerly for flute, violin and string orchestra (SCORE and PARTS)
Westerly for flute, violin and string orchestra (SCORE and PARTS)
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David Warin Solomons
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Westerly for flute, violin and
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David Warin Solomons
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SheetMusicPlus
Cello,Double Bass,Flute,Viola,Violin - Level 4 - Digital Download SKU: A0.576980 Composed by David Warin Solomons. 20th Century,Contemporary,Multicultura...
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Cello,Double Bass,Flute,Viola,Violin - Level 4 - Digital Download SKU: A0.576980 Composed by David Warin Solomons. 20th Century,Contemporary,Multicultural,World. 64 pages. David Warin Solomons #566725. Published by David Warin Solomons (A0.576980). Westerly is inspired by the old English folk song Westron Wynde and by the Renaissance masses based on that folk song It is an expanded version of Celebration originally written for James Pellerite and his North American Native flute [NAF] In order to make the piece accessible to a wider range of performers this version uses a concert flute, with wider range and with just a few of the NAF decorations, and the violin solo part has also been expanded, resulting in a miniature Double Concerto. Â Westerly uses four distinct themes and weaves them into a joyful whole. Â The flute soloist introduces himself with the traditional call of the North American Native flute (a repeated minor third phrase), which reappears from time to time in the rest of the piece, and then embarks upon a sort of jig in E flat major (second theme). The violin soloist copies these flute phrases but then introduces the third theme of the work in the related key of C minor, and the string orchestra comes in. Â This third tune is based on the old Westron Wynde melody but it uses an unusual rhythm (3 3 2) and the excitement gradually begins to mount. Â So the two soloists rhapsodise on the various tunes and permutations along with the orchestral strings, mixing the various tunes together. Â In due course the fourth theme comes in, and it is quite surprising how it fits in with the E flat major - C minor interplay, since it is merely a 12 tone row. It follows some of the traditions of the 20th Century atonal composers, but, due to the context in which it is set, it takes on a warmth seldom found in atonal music. The pdf file contains score and parts.
$17.00 ≈
£12.94
Westerly for flute, violin and string orchestra (SCORE only)
Westerly for flute, violin and string orchestra (SCORE only)
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David Warin Solomons
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Westerly for flute, violin and
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David Warin Solomons
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SheetMusicPlus
Cello,Double Bass,Flute,Viola,Violin - Level 4 - Digital Download SKU: A0.576981 Composed by David Warin Solomons. 20th Century,Contemporary,Multicultura...
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Cello,Double Bass,Flute,Viola,Violin - Level 4 - Digital Download SKU: A0.576981 Composed by David Warin Solomons. 20th Century,Contemporary,Multicultural,World. 27 pages. David Warin Solomons #566727. Published by David Warin Solomons (A0.576981). Westerly is inspired by the old English folk song Westron Wynde and by the Renaissance masses based on that folk song It is an expanded version of Celebration originally written for James Pellerite and his North American Native flute [NAF] In order to make the piece accessible to a wider range of performers this version uses a concert flute, with wider range and with just a few of the NAF decorations, and the violin solo part has also been expanded, resulting in a miniature Double Concerto. Â Westerly uses four distinct themes and weaves them into a joyful whole. The flute soloist introduces himself with the traditional call of the North American Native flute (a repeated minor third phrase), which reappears from time to time in the rest of the piece, and then embarks upon a sort of jig in E flat major (second theme). The violin soloist copies these flute phrases but then introduces the third theme of the work in the related key of C minor, and the string orchestra comes in. Â This third tune is based on the old Westron Wynde melody but it uses an unusual rhythm (3 3 2) and the excitement gradually begins to mount. Â So the two soloists rhapsodise on the various tunes and permutations along with the orchestral strings, mixing the various tunes together. Â In due course the fourth theme comes in, and it is quite surprising how it fits in with the E flat major - C minor interplay, since it is merely a 12 tone row. It follows some of the traditions of the 20th Century atonal composers, but, due to the context in which it is set, it takes on a warmth seldom found in atonal music.
$10.00 ≈
£7.61
Netherlands National Anthem: Wilhelmus van Nassouwe
Netherlands National Anthem: Wilhelmus van Nassouwe
Woodwind Choir or Ensemble,Brass Choir or Ensemble,Concert Band,Full Orchestra,String Orchestra,Chamber Orchestra,Flexible instrumentation
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Patriotic
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Traditional
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Colin Kirkpatrick
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Netherlands National Anthem: W
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Colin Kirkpatrick Publications
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SheetMusicPlus
Composed by Traditional. Arranged by Colin Kirkpatrick. Score, Set of Parts. 33 pages. Published by Colin Kirkpatrick Publications (S0.264047). - Score,Set of P...
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Composed by Traditional. Arranged by Colin Kirkpatrick. Score, Set of Parts. 33 pages. Published by Colin Kirkpatrick Publications (S0.264047). - Score,Set of Parts - - Colin Kirkpatrick Publications
$4.99 ≈
£3.80
Danish Carol THe Happy Christmas Comes once more
Danish Carol THe Happy Christmas Comes once more
Brass ensemble, Percussion
Easy level
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Traditional
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KUnsworth
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Danish Carol THe Happy Christm
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KUnsworth
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SheetMusicPlus
Mixed Percussion B-Flat Tuba,B-Flat trombone,Baritone Horn TC/Euphonium,Bass Trombone,E-Flat Cornet,E-Flat Tenor Horn,E-Flat Tuba TC,Flugelhorn,Percussion 1,Per...
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Mixed Percussion B-Flat Tuba,B-Flat trombone,Baritone Horn TC/Euphonium,Bass Trombone,E-Flat Cornet,E-Flat Tenor Horn,E-Flat Tuba TC,Flugelhorn,Percussion 1,Percussion 2,Tenor Trombone - Level 2 - Digital Download SKU: A0.1402160 By Traditional. By Carl Balle. Arranged by KUnsworth. Christmas,Religious. Brass Band. 26 pages. KUnsworth #985368. Published by KUnsworth (A0.1402160). Brass band arrangement of a beautiful Carol.
$30.00 ≈
£22.84
Home Away From Home
Home Away From Home
Brass ensemble, Percussion
Intermediate level
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Film/TV
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James Galway And Phil Coulter
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Karen Unsworth
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Home Away From Home
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KUnsworth
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SheetMusicPlus
Mixed Percussion B-Flat Tuba,B-Flat trombone,Baritone Horn TC/Euphonium,Bass Trombone,E-Flat Cornet,E-Flat Tenor Horn,E-Flat Tuba TC,Flugelhorn,Percussion 1,Per...
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Mixed Percussion B-Flat Tuba,B-Flat trombone,Baritone Horn TC/Euphonium,Bass Trombone,E-Flat Cornet,E-Flat Tenor Horn,E-Flat Tuba TC,Flugelhorn,Percussion 1,Percussion 2,Tenor Trombone - Level 3 - Digital Download SKU: A0.1402162 By James Galway And Phil Coulter. By Phil Coulter. Arranged by Karen Unsworth. Folk,Traditional. Brass Band. 36 pages. KUnsworth #985370. Published by KUnsworth (A0.1402162). A Beautiful brass band arrangement.
$30.00 ≈
£22.84
De Colores
De Colores
Mariachi
Easy level
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Contemporary
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traditional Mexican Fold Song
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Donald Jay Smith
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De Colores
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Donald Jay Smith Music
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SheetMusicPlus
Mariachi Band - Level 2 - Digital Download SKU: A0.1405355 Composed by traditional Mexican Fold Song. Arranged by Donald Jay Smith. Mariachi. Mariachi Ba...
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Mariachi Band - Level 2 - Digital Download SKU: A0.1405355 Composed by traditional Mexican Fold Song. Arranged by Donald Jay Smith. Mariachi. Mariachi Band. 11 pages. Donald Jay Smith Music #988408. Published by Donald Jay Smith Music (A0.1405355). This is from a collection of pieces I originally arranged for my Middle School Mariachi Band at Curtis Corner Middle School in Wakefield, Rhode Island. Since that time, I have used these arrangements with all ages through college, pros, and especially two families that happened to have the correct instrumentation between the parents and their children. At the middle school, the strings were more advanced than the trumpets and I needed to deal with young string players only being familiar playing sharp keys and brass players only being familiar with flat keys. My solution for one of the first arrangements was in â??Mexican Hat Danceâ?. I assigned the violins two simple double stops (their first double stops: one finger in low first position while bowing both the A and E string-the first finger on the E string is an F chord and first finger on the A string is a C7 chord). I split the four songs, two in flat keys two in sharp keys. The trumpets were assigned several unfamiliar pitches in the sharp keys like G#, but with plenty of repetition and not technically challenging figures except in the bridge of â??Mexican Hat Danceâ?. I intended to cover that part of the song on my trumpet, but the trumpets always rose up and nailed it!The set we usually played included: â??La Cucarachaâ?, â??Cielito Lindoâ?, â??De Coloresâ?, and â??Mexican Hat Danceâ?, all available here.
$12.99 ≈
£9.89
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